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Young female staffer found dead in school bathroom

<p>A woman's body has been found in the bathroom of St Andrew’s Cathedral School in Sydney, just before midnight on Wednesday. </p> <p>The grim discovery was made after emergency services were called to the scene following reports of concern for the woman's welfare. </p> <p>The woman is yet to be identified but she is believed to be in her 20s and a staff member at the school.</p> <p>"The woman's death is being treated as suspicious; however, a post-mortem will be conducted to determine the cause of death," police said in a statement.</p> <p>Police are reportedly also looking for her male colleague who went missing near The Gap at Vaucluse, according to <em>The Daily Telegraph</em>.</p> <p>A crime scene has been established at the school and is currently being forensically examined, with the school closed up until Friday. </p> <p>A second crime scene has been established in the Vaucluse area as police make inquiries to determine whether it is linked. </p> <p>“St Andrew’s Cathedral School remains closed today to all students except those sitting Year 12 exams, as the school continues to work with Police following an onsite death overnight,” a spokesperson for the school said. </p> <p>“No students were involved and there is no ongoing threat.”</p> <p>“An area of the school, not accessible to students, is a crime zone, and we await the approval of Police before bringing everyone back on site.”</p> <p>“The only students onsite are those sitting exams, and we ask that the media does not seek to interrupt their concentration or state of mind as they sit exams that are significant for their graduation.”</p> <p>“The school has brought our school counsellors onsite for professional support for parents and students as required – and again we ask that the media respects the emotional situation of those seeking support.”</p> <p>The prestigious school ranks 157th in NSW in the 2022 HSC, and charges tuition fees up to $36,770 a year. </p> <p>According to <em>The Daily Telegraph</em>, parents of the students were told of the incident via text. </p> <p>“Year 12 exams will be held in BBC as normal. Year 5 camp will continue as normal," the text read.</p> <p>Another text read: “No students were involved in the incident.</p> <p>“Police are currently investigating and we will keep you updated." </p> <p><em>Images: Nine News</em></p>

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Australian researchers confirm world’s first case of dementia linked to repetitive brain trauma in a female athlete

<p><em><a href="https://theconversation.com/profiles/stephen-townsend-501829">Stephen Townsend</a>, <a href="https://theconversation.com/institutions/the-university-of-queensland-805">The University of Queensland</a>; <a href="https://theconversation.com/profiles/alan-pearce-734804">Alan Pearce</a>, <a href="https://theconversation.com/institutions/la-trobe-university-842">La Trobe University</a>, and <a href="https://theconversation.com/profiles/rebecca-olive-944640">Rebecca Olive</a>, <a href="https://theconversation.com/institutions/rmit-university-1063">RMIT University</a></em></p> <p>Researchers at the <a href="https://www.brainbank.org.au/">Australian Sports Brain Bank</a> have today reported the world’s first diagnosis of chronic traumatic encephalopathy (CTE) in a <a href="https://rdcu.be/dfQiz">female athlete</a>.</p> <p>With the consent of her family, the diagnosis was made on the brain of Heather Anderson, a 28-year-old AFLW athlete <a href="https://www.abc.net.au/news/2022-11-14/adelaide-aflw-premiership-player-heather-anderson-dies-aged-28/101653188">who died</a> last November. Heather’s family donated her brain to the Australian Sports Brain Bank hoping to better understand why she died.</p> <p>The findings, which Professor Alan Pearce co-authored with the Australian Sports Brain Bank, raise questions about how a lifetime of contact sport may have contributed to her death. They come as Australia’s <a href="https://www.aph.gov.au/Parliamentary_Business/Committees/Senate/Community_Affairs/Headtraumainsport">Senate inquiry</a> works on its report into concussions and repeated head trauma in contact sport, due in August.</p> <p>Given how hard women have fought to participate in football codes and contact sports in recent years, this diagnosis has major implications for women’s sport in Australia. It also highlights the significant lack of research about women athletes in sport science and medicine.</p> <h2>What is chronic traumatic encephalopathy?</h2> <p><a href="https://www.mayoclinic.org/diseases-conditions/chronic-traumatic-encephalopathy/symptoms-causes/syc-20370921">CTE</a> is a devastating form of dementia which causes a decline in brain functioning and increased risk of mental illness. It is increasingly associated with athletes who play contact sports, such as football, boxing and martial arts.</p> <p>It is incurable and can only be <a href="https://www.brainbank.org.au/cte-diagnosis/">diagnosed post-mortem</a>. Recently, a number of high-profile former Australian footballers were found to have been suffering from CTE when they died, including former AFL stars <a href="https://www.abc.net.au/news/2023-04-26/danny-frawley-family-urges-afl-to-act-on-cte-concussion/102269648">Danny Frawley</a> and <a href="https://www.abc.net.au/news/2022-08-25/brain-disease-killed-shane-tuck-not-mental-health-says-sister/101362740">Shane Tuck</a>, and former NRL player and coach <a href="https://www.abc.net.au/news/2022-10-22/qld-paul-green-brain-scans-reveal-brain-disease-cte-diagnosis/101566032">Paul Green</a>.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Adelaide AFLW premiership player Heather Anderson dies aged 28 <a href="https://t.co/ihy2i9UcRl">https://t.co/ihy2i9UcRl</a></p> <p>— ABC News (@abcnews) <a href="https://twitter.com/abcnews/status/1592079585201381377?ref_src=twsrc%5Etfw">November 14, 2022</a></p></blockquote> <p>Concussions in contact sports have long been associated with long-term neurodegeneration in <a href="https://www.frontiersin.org/articles/10.3389/fspor.2021.676463/full">Australia</a> and <a href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3987576/">internationally</a>. While the public and researchers are rightly concerned about serious concussions, a study published last month in <a href="https://urldefense.com/v3/__https:/www.nature.com/articles/s41467-023-39183-0__;!!PDiH4ENfjr2_Jw!FvAmUDcX-ESwwl8nG_BNNkRyB2J4TBq1oXkBTE1bBcdRGEQTl4u7qmgGsLguHpGNlFpWkz-SjKg3HGwdNYxIfEWW9U6ifytx%24">Nature Communications</a> confirmed that repetitive brain trauma over time – even seemingly mild head knocks or whiplash – is the strongest predictor for an athlete developing CTE. Athletes with long careers in contact sport are at particular risk, especially if they play from an early age.</p> <h2>A sporting life</h2> <p>Heather Anderson began playing rugby league at age five before transferring to Australian rules football in her early teens. She played representative football in the Australian Capital Territory and Northern Territory before being drafted into the inaugural season of the AFLW in 2017.</p> <p>Anderson played a single season with the <a href="https://crowshistory.afc.com.au/aflw-players/heather-anderson#:%7E:text=Biography&amp;text=An%20army%20medic%2C%20Heather%20Anderson,year%20and%20starred%20for%20Waratah.">Adelaide Crows</a>, during which she won a premiership and suffered a career-ending shoulder injury. She then returned to her role as a medic with the Australian Army, a physical career which also carries a <a href="https://www.defence.gov.au/adf-members-families/health-well-being/programs-initiatives/military-health-outcomes-program">heightened risk of brain injury</a>.</p> <p>Anderson’s family donated her brain in the hope of knowing whether a lifetime of exposure to repetitive head trauma contributed to her death.</p> <h2>Was this diagnosis expected?</h2> <p>Concussion researcher Anne McKee predicted earlier this year it was a <a href="https://www.1news.co.nz/2023/02/20/its-coming-experts-worried-about-female-athlete-brain-injuries/">matter of time</a> before CTE was found in the brain of a woman athlete.</p> <p>The Australian Sports Brain Bank team believe Anderson is a “<a href="https://www.ncbi.nlm.nih.gov/books/NBK564388/">sentinel case</a>” we can learn from. She is the first female athlete diagnosed with CTE, but she will not be the last.</p> <p>Although Australian women have historically been excluded from the sports most associated with repeated head injuries, this is changing. In 2022, there were almost one million women and girls playing some form of <a href="https://www.clearinghouseforsport.gov.au/kb/women-in-sport">contact sport</a> in Australia. As women’s participation in contact sport continues to grow, so too does their risk of repetitive brain trauma.</p> <h2>Are women more prone to CTE than men?</h2> <p>There is emerging evidence that women are at significantly higher risk of mild traumatic brain injury (concussion) and may suffer more severe symptoms.</p> <p>Concussion alone does not cause CTE, but an athlete’s number of concussions is a reliable indicator of their cumulative exposure to brain trauma, which is the biggest predictor of CTE.</p> <p>While knowledge on the topic is still developing, researchers <a href="https://www.nature.com/articles/d41586-021-02089-2">propose a mix of physiological and social explanations</a> for women’s increased concussion risk. These include "[…] differences in the microstructure of the brain to the influence of hormones, coaching regimes, players’ level of experience and the management of injuries."</p> <p>More research is needed to understand sporting brain injuries specifically in women and girls. Given their growth in participation and the enhanced risks they face in sport, it is concerning that women and girls are <a href="https://bjsm.bmj.com/content/56/17/981">underrepresented</a> in concussion research.</p> <p>This is representative of a <a href="https://journals-humankinetics-com.ap1.proxy.openathens.net/view/journals/wspaj/29/2/article-p146.xml">broader trend</a> in sport and exercise science research to exclude women from studies because their bodies are perceived as <a href="https://link.springer.com/article/10.1007/s40279-021-01435-8">more complex</a> than men’s and thus more difficult to accommodate in testing.</p> <h2>A disease that does not discriminate</h2> <p>This world-first report of CTE in a female athlete is proof the disease does not discriminate and lends urgency to calls for <a href="https://theconversation.com/sports-concussions-affect-men-and-women-differently-female-athletes-need-more-attention-in-brain-research-160097">greater representation</a> of women in brain injury studies.</p> <p>Efforts to reduce concussion in women’s sport must first address resource inequalities between men’s and women’s sport. This includes giving women access to quality training and coaching support, as well as <a href="https://theconversation.com/new-study-much-of-what-were-told-about-gym-exercises-and-resistance-training-is-from-studies-of-males-by-men-205753">greater attention</a> from sport science and medical research.</p> <p>The health of <a href="https://www.tandfonline.com/doi/full/10.1080/14443058.2019.1575262">women athletes and women’s sport</a> will only progress if researchers, policymakers and sport governance bodies ensure the attention and resources required to address concussion and brain disease are not focused solely on men.</p> <hr /> <p><em>If this article has raised issues for you, or if you’re concerned about someone you know, call <a href="https://www.lifeline.org.au/">Lifeline</a> on 13 11 14.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/208929/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></em></p> <p><em><a href="https://theconversation.com/profiles/stephen-townsend-501829">Stephen Townsend</a>, Lecturer, School of Human Movement and Nutrition Sciences, <a href="https://theconversation.com/institutions/the-university-of-queensland-805">The University of Queensland</a>; <a href="https://theconversation.com/profiles/alan-pearce-734804">Alan Pearce</a>, Professor, College of Science, Health, Engineering, <a href="https://theconversation.com/institutions/la-trobe-university-842">La Trobe University</a>, and <a href="https://theconversation.com/profiles/rebecca-olive-944640">Rebecca Olive</a>, Vice Chancellor's Senior Research Fellow, <a href="https://theconversation.com/institutions/rmit-university-1063">RMIT University</a></em></p> <p><em>Image credits: Getty Images</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/australian-researchers-confirm-worlds-first-case-of-dementia-linked-to-repetitive-brain-trauma-in-a-female-athlete-208929">original article</a>.</em></p>

Caring

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Family of female cop killer speaks out

<p dir="ltr">The estranged family of Stacey Train have opened up about how their daughter made one decision that eventually saw her killed.</p> <p dir="ltr">Stacey was killed along with her husband Gareth Train and his brother, also her ex-husband Nathaniel Train, on December 12 after police responded to a missing person's report.</p> <p dir="ltr">Constable Rachel McCrow, 29, and Constable Matthew Arnold, 26, were also shot at the Wieambilla property, three hours outside of Brisbane.</p> <p dir="ltr">Now Stacey’s family members have spoken about how she was raised religious but eventually left the family as a teenager to join the independent church of Ronald A Train - her husband’s father’s church.</p> <p dir="ltr">“I wish she never did.This would never have happened,” the relative, who asked to remain anonymous, told <a href="https://www.theguardian.com/australia-news/2022/dec/15/wieambilla-shooting-stacey-train-had-limited-contact-with-family-after-entering-controlling-relationship-with-brother-in-law" target="_blank" rel="noopener">The Guardian</a>.</p> <p dir="ltr">“I knew Gareth was an arsehole when he took over his brother’s wife,” the family member continued.</p> <p dir="ltr">“It was all downhill from there. Now she is dead because of them.”</p> <p dir="ltr">The family member also said that Gareth “was a control freak” and that Stacey “could never say anything”.</p> <p dir="ltr">Another family member said she saw Gareth drag Stacey up the stairs by her hair.</p> <p dir="ltr">Their comments come just days after Gareth and Nathanial’s dad Ron appeared on A Current Affair speaking about their gun obsession and leaving Christianity.</p> <p dir="ltr">Mr Train explained that he raised his sons with Christian beliefs but they turned away from religion before becoming estranged from their parents when they were in their 20s.</p> <p dir="ltr">“They went down this track, this dark track, which we have no understanding of.”</p> <p dir="ltr">Mr Train said he broke down in tears after hearing what his sons had done, saying he couldn’t take responsibility for their actions or defend them.</p> <p dir="ltr">“I cried out to God, because, you know, I’m a believer. I just could not understand,” he said.</p> <p dir="ltr">“Those decisions were made as adults. I can’t accept responsibility for something in an adult mind.</p> <p dir="ltr">“There’s no excuse for that. No excuses for their behaviour, and I don’t excuse my boys of their actions at all.</p> <p dir="ltr">“They’ll stand before God in this world. They can’t be brought to justice in the secular world, but they will before God.”</p> <p dir="ltr">Constable McCrow and Constable Arnold will be farewelled at a funeral service at the Brisbane Entertainment Centre at 10 am on December 21.</p> <p dir="ltr">Details on how the public can offer their condolences will be available in the next few days.</p> <p dir="ltr"><em>Images: Facebook</em></p>

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Problem Aussie females silently suffering

<p>Incontinence is an uncomfortable, embarrassing and debilitating disorder. I should know. I’ve had difficulty with bladder control since my back gave out in April 2021.</p> <p>I’m not alone. One in four Australians and one in three women suffer from incontinence. More than half are under the age of 50, largely due to childbirth.</p> <p>The majority, like me suffer in silence with this uncomfortable, embarrassing and debilitating disorder.</p> <p>It got so bad I was having to wear pads from the minute I got up or else risk embarrassing leakage. It became an issue every day and significantly impacted my quality of life and confidence.</p> <p>There were times I literally couldn’t stand up from my chair without leaking down my leg.</p> <p>I would suffer in silence.</p> <p>Continence is just as important as sexual arousal, sexual response and ease of orgasm, but when it’s not holding, it’s not happening.</p> <p>I spoke at a recent function publicly about my incontinence and I was surprised to see the level of interest and engagement with the topic. Many guests told me after the event they suffer incontinence but have never told anyone or sought any form of medical care.</p> <p>Technology has come a long way in this field. Women’s Wellness platform EmpowerRF from InMode uses internal radiofrequency platforms VTone, FormaV and Morpheus8V which more women are now using.</p> <ul> <li><a href="https://www.inmode.com.au/pages/vtone" target="_blank" rel="noopener">VTone</a> – a gentle intravaginal electrical muscle stimulation (EMS) and neuromuscular re-education treatment. Women with weak pelvic floor muscles are using this.  </li> <li><a href="https://www.inmode.com.au/pages/formav" target="_blank" rel="noopener">FormaV</a> – deep tissue heating. Women with dryness and muscle tone issues are using this. Treats incontinence and in particular the feeling of urgency. It also aims to improve vaginal dryness and burning/stinging associated with menopause and associated painful intercourse. It can enhances\ sexual response.</li> <li><a href="https://www.inmode.com.au/pages/morpheus8v" target="_blank" rel="noopener">Morpheus8 V</a> is micro-needling with radiofrequency (in the vagina). Women wanting to improve vaginal laxity and urinary incontinence are turning to this.  </li> </ul> <p>While incontinence impacts our lifestyle it also impacts the environment. </p> <p>A recent study from Southern Cross University and the University of Queensland has found that by 2030 waste from absorbent hygiene products (AHP) generated by adults [used for incontinence] will outnumber that produced by infants by between four and 10 times. </p> <p>After food waste, sanitary, incontinence products and disposable nappies ending up in landfill are becoming one of the most significant waste issues, comprising between 5-15 per cent of waste in household bins. It can take up to 800 years for the products to break down.</p> <p>This has to change - and I suspect it will the more we talk openly about it. </p> <p>For more information visit <a href="https://www.inmode.com.au/pages/empower-rf-womens-wellness" target="_blank" rel="noopener">EmpowerRF</a>.</p> <p><strong>Written by Dr Judy Craig , Natural Looks Cosmetic Medicine in Subiaco WA</strong></p> <p><em>Image: Shutterstock</em></p>

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Female artists earn less than men. Coming from a diverse cultural background incurs even more of a penalty – but there is good news, too

<p>Artists all over the world, regardless of their gender, earn <a href="https://www.sciencedirect.com/handbook/handbook-of-the-economics-of-art-and-culture">considerably less</a> than professionals in occupations requiring similar levels of education and qualifications. </p> <p>But there’s an additional income penalty for artists who are female. </p> <p>In an analysis of gender differences in the incomes of professional artists in Australia that <a href="https://australiacouncil.gov.au/advocacy-and-research/the-gender-pay-gap-among-australian-artists/">we undertook in 2020</a>, we found the creative incomes of women were 30% less than those of men. </p> <p>This is true even after allowing for differences in such things as hours worked, education and training, time spent in childcare and so on. This income penalty on women artists was greater than the gender pay gap of 16% experienced in the overall Australian workforce at the time.</p> <p><a href="https://theconversation.com/screen-australia-celebrates-its-work-in-gender-equality-but-things-are-far-from-equal-122266">Some sectors</a> of the arts have tried to redress this problem. However, women continue to suffer serious and unexplained gender-based discrimination in the artistic workplace.</p> <p>Cultural differences are <a href="https://www.nber.org/papers/w27725">also known</a> to influence pay gaps in many countries. </p> <p>In new research <a href="https://australiacouncil.gov.au/advocacy-and-research/culture-and-the-gender-pay-gap-for-australian-artists">out today</a>, we considered whether cultural factors might also affect the gender pay gap of artists in Australia. In addition, we analysed the gender pay gap for remote Indigenous artists for the first time.</p> <h2>A larger gap for women from a non-English speaking background</h2> <p>In our <a href="https://australiacouncil.gov.au/advocacy-and-research/making-art-work/">2016 survey of 826 professional artists</a> working in metropolitan, regional and rural Australia, we asked participants if they came from a non-English speaking background. </p> <p>Only a relatively small proportion of artists – 10% – came from a non-English-speaking background, compared to 18% for the Australian labour force as a whole. </p> <p>A non-English-speaking background appears to carry an income penalty only for women artists, not for men. </p> <p>We found the annual creative earnings of female artists from a non-English-speaking background are about 71% of the creative incomes of female artists whose first language is English. But there is little difference between the corresponding incomes of male artists.</p> <p>Within the group of artists from language backgrounds other than English, the annual creative earnings of female artists are about half (53%) those of their male counterparts. </p> <p>By contrast, the ratio of female to male creative earnings among English-speaking background artists is 73%. </p> <p>These results suggest that women artists from a non-English-speaking background suffer a triple earnings penalty – from being an artist (and hence as a group earning less than comparable professionals), from their gender, and from their cultural background.</p> <p>Despite this earnings disadvantage, 63% of artists who identified as having a first language other than English thought their background had a positive impact on their artistic practice. Only 16% thought it had a negative impact.</p> <p>When artists were asked whether being from a non-English speaking background was a restricting factor in their professional artistic development, 17% of women answered “yes”, compared to only 5% of men from a similar background. </p> <p>Nevertheless, like their male colleagues, these women artists continue to celebrate their cultural background in their art. They contribute to the increasingly multicultural content of the arts in Australia, holding up a mirror to trends in Australian society at large.</p> <h2>No gender gap in remote Indigenous communities</h2> <p>For First Nations artists working in remote communities, a different picture emerges. </p> <p>For this research, we used results for remote communities in three regions of northern Australia drawn from our <a href="https://apo.org.au/node/257301">National Survey of Remote Aboriginal and Torres Strait Islander Artists</a>.</p> <p>The gender gap is not replicated among remotely practising First Nations artists. </p> <p>There are some minor variations in this finding for subgroups in different regions, depending in part on differences in the mix of visual and performing artists in the population. But whatever other differentials may exist between female and male earnings, they do not appear to be attributable to the sorts of systemic gender-based discrimination that affects the residual gender gap for other Australian artists.</p> <p>A possible reason relates to fundamental differences between the cultural norms, values and inherited traditions that apply in remote and very remote First Nations communities. </p> <p>Gender roles in Aboriginal and Torres Strait Islander communities have been <a href="https://anthrosource.onlinelibrary.wiley.com/doi/10.1525/can.1992.7.2.02a00020">described</a> by researchers as distinctively different, rather than superior or inferior. The importance of both women and men as bearers of culture has been clearly articulated. </p> <p>The unique cultural content of Aboriginal and Torres Strait Islander music, dance, visual art and literature is an essential feature of the work of these artists. These characteristics pass through to the marketplace, and there does not appear to be any obvious gender gap in the way the art from these remote communities is received. </p> <p>There is always differentiation between the art produced in different remote regions of Australia which varies depending on the complexities of different inherited cultural traditions. But there is no indication of any gender-based discrimination associated with these regional differences.</p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared on <a href="https://theconversation.com/female-artists-earn-less-than-men-coming-from-a-diverse-cultural-background-incurs-even-more-of-a-penalty-but-there-is-good-news-too-195646" target="_blank" rel="noopener">The Conversation</a>. </em></p>

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Anthony Albanese accused of bullying female MP

<p dir="ltr">Anthony Albanese has been accused of bullying by Federal MP Michelle Landry after she "left Question Time in tears".</p> <p dir="ltr">The Prime Minister was called out by Ms Landry who said she was left “intimidated, bullied and treated with disrespect”. </p> <p dir="ltr">Ms Landry was questioning Mr Albanese if the government was going to delay $800m in Commonwealth funding to construct the Rockhampton Ring Rd in her electorate.</p> <p dir="ltr">The prime minister began his response but instead confused Yeppen Floodplain with Yeppoon before opposition leader, Peter Dutton interjected to correct him. </p> <p dir="ltr">The parliament got rowdy with Mr Albanese explaining that he was speaking about the Yeppen Floodplain with footage showing Ms Landry laughing. </p> <p dir="ltr">Mr Albanese then yelled at the other side of parliament saying, “Queenslander…says it all. I know about Queensland roads because the Bruce Hwy under John Howard’s government put $1.3 billion in, we put $6.7 billion in in half the time. </p> <p dir="ltr">“Including the Yeppen Floodplain, including planning the money for the Rockhampton Ring Rd.</p> <p dir="ltr">“But when the government changed in 2013 it went on the backburner. So you were in government for almost a decade and you haven’t dug a hole on the project.” </p> <p dir="ltr">Mr Albanese continued his response but after Question Time, Ms Landry accused the Prime Minister of bullying her after claiming she had to leave parliament. </p> <p dir="ltr">“I did not expect the response I received from him and his colleagues. I felt intimidated and bullied,” Ms Landry said in a statement. </p> <p dir="ltr">“Unfortunately, this is not the first time the Prime Minister has treated me with disrespect.”</p> <p dir="ltr">Speaker of the House Milton Dick however refuted Ms Landry’s comments after reviewing footage saying she was not disrespected and did not leave parliament. </p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">How on earth is this answer bullying, as the PM is now being accused of. He was asked a question, was interjected with a factually inaccurate comment and he dealt with it as he should have. Give me a break… 🙄🤯🤦‍♂️ <a href="https://t.co/kknRF7Ox6h">pic.twitter.com/kknRF7Ox6h</a> <a href="https://twitter.com/hashtag/auspol?src=hash&amp;ref_src=twsrc%5Etfw">#auspol</a></p> <p>— Dr Peter van Onselen (@vanOnselenP) <a href="https://twitter.com/vanOnselenP/status/1585528117606895616?ref_src=twsrc%5Etfw">October 27, 2022</a></p></blockquote> <p dir="ltr">“In reviewing the footage, I did not see the Prime Minister show any disrespect to the member for Capricornia,” Mr Dick said.</p> <p dir="ltr">“As the footage was not on the member for Capricornia for the entire response, I did not see her leave the chamber. Of the footage I was able to review, she seemed engaged in the response from the Prime Minister.”</p> <p dir="ltr">Ms Landry confirmed that Mr Albanese called to apologise but she demanded an apology in the House of Representatives.</p> <p dir="ltr">“While I appreciate the gesture of calling me personally, it does not ignore the fact that he screamed, pointed, and yelled at me on a national stage,” she said.</p> <p dir="ltr">“I am no shrinking violet, and I have been in politics for a long time. I respectfully ask the Prime Minister to publicly apologise to me in the House of Representatives.”</p> <p dir="ltr"><em>Images: Twitter</em></p>

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White, female, and high rates of mental illness: new diversity research offers a snapshot of the publishing industry

<p>Books are fundamental to our society: they shape our culture, education and ideas. To do this well, books should reflect the amazing and varied world we occupy.</p> <p>Those who create books – publishers and publishing industry workers – are the gatekeepers. If those industry professionals are diverse and work within an industry that is inclusive, then there is a better chance that books will represent a wider range of experiences.</p> <p>But how diverse is Australian publishing?</p> <p>The 2022 <a href="https://www.publishers.asn.au//WorkplaceSurvey2022" target="_blank" rel="noopener">Australian Publishing Industry Workforce Survey on Diversity and Inclusion</a>, produced by the Australian Publishers Association and the University of Melbourne, shows there is work to be done.</p> <p>The industry needs to be more culturally diverse: fewer than 1% of Australian publishing professionals are First Nations and only 8.5% have an Asian cultural identity.</p> <p>Perhaps the most startling finding of the survey is the high proportion of publishing workers experiencing mental illness. 35.4% of respondents were experiencing mental health conditions. This compares with 25% of respondents to a similar survey of the UK publishing industry in 2021, an increase from 20% in 2020.</p> <p>While the reasons for the high rate of mental illness are no doubt complex, the message for publishers is clear: staff need support. The industry can also be more inclusive for those with disabilities. 24.7% of publishing professionals reported having a long-term health condition or disability, including a physical or mental health condition, with just over 5% of respondents identifying as living with disability.</p> <h2>Shortfalls of diversity</h2> <p>The Australian survey was a response to Radhiah Chowdhury’s groundbreaking <a href="https://www.publishers.asn.au/common/Uploaded%20files/APA%20Resources/Research/BDEF/BDEF%202019-2020%20Report%20-%20Radhiah%20Chowdhury.pdf" target="_blank" rel="noopener">2020 APA-funded report</a> on lessons in diverse and inclusive publishing from the UK, which reverberated around the industry.</p> <p>Chowdhury called for more empirical data to sit alongside qualitative accounts of working in publishing, noting “a paucity of research on the demographic composition of the industry, as well as of our national trade publishing output”.</p> <p>Our survey was launched in March this year and received close to 1000 responses from across the sector. These came from small, medium and large organisations, micro-publishers and freelancers.</p> <p>The broad uptake gives us confidence in the survey as a snapshot of Australian publishing today. It also shows a widespread recognition of the importance of diversity and inclusion within the publishing industry, and a commitment to positive change.</p> <p>What the initial survey reveals is perhaps not surprising for those who work in and around publishing. The industry is largely white, including a high percentage who identify as British. The proportion of those who identify as having Asian or European backgrounds is lower than in the general population.</p> <p>Very few Australian publishing professionals identify as First Nations. This matters, because it suggests publishing is not an industry of choice for Australians of diverse cultural backgrounds, and because it limits the industry’s capacity to produce books that speak to readers of different cultural identities.</p> <p>In other areas, the publishing industry is more inclusive. Survey respondents identify as LGBTQ+ at around twice the representation in the Australian population (21% compared to population estimates of 11%). The majority of LGBTQ+ respondents are open or partially open about their sexuality at work.</p> <p>Women make up the majority of the Australian publishing workforce: 84% of the survey respondents were women. But representation of women and non-binary people shrinks in more senior positions in the industry.</p> <p>There is also work to be done in breaking down the class dynamics of publishing. A minority (33.6%) of publishing workers come from family backgrounds that could be described as working or lower middle class. Only 24.7% are located outside of Sydney or Melbourne.</p> <p>More than 85% of those working in publishing hold a bachelor degree and more than half also hold at least one postgraduate degree. 48% of publishing industry respondents attended private schools, compared to around 30% of the Australian population.</p> <h2>Potential for change</h2> <p>The potential for change in the Australian publishing industry is now evident. The industry would benefit from focusing on how to include workers with disabilities of all kinds and ensure workplaces are accessible. It also has work to do in encouraging participation from around Australia, and in opening up pathways for entry that recognise a range of relevant skills and experiences.</p> <p>This initial survey sets a baseline. It provides the necessary data that will allow initiatives to be targeted. It is already driving practical steps towards change.</p> <p>The industry has committed to act on the results. The Australian Publishing Association has established a Diversity and Inclusion Working Group to monitor progress and target the gaps highlighted in the survey. It has renewed support for paid internship schemes as inclusion initiatives.</p> <p>In response to the survey, President of the Australian Publishing Association James Kellow said:</p> <blockquote> <p>We have a highly able and committed workforce, but our workforce doesn’t always represent the breadth of our culture. This plays into what and how we publish and the extent to which we reach, or don’t reach, all potential readers […] This survey’s hard data tells us we have a great deal of work ahead and provides a solid base from which we can lead change.</p> </blockquote> <p>A better understanding of the book publishing industry can help to improve working environments and, ultimately, diversity in cultural products in Australia. Future surveys will allow changes to be tracked and progress to be measured. We look forward to seeing positive change in the publishing industry and in the good work publishing people are doing.</p> <p><strong>This article originally appeared in <a href="https://theconversation.com/white-female-and-high-rates-of-mental-illness-new-diversity-research-offers-a-snapshot-of-the-publishing-industry-189679" target="_blank" rel="noopener">The Conversation</a>.</strong></p> <p><em>Image: Shutterstock</em></p>

Books

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With the strokes of a guitar solo, Joni Mitchell showed us how our female music elders are super punks

<p>The iconic Joni Mitchell’s recent surprise performance at the <a href="https://www.youtube.com/watch?v=jxiluPSmAF8&amp;feature=youtu.be">2022 Newport Folk Festival</a> prompted a world-wide outpouring of love and respect. </p> <p>This was her first musical performance since suffering from a brain aneurysm in 2015 that left her unable to walk and talk. Last year, she spoke of having <a href="https://www.nme.com/en_au/news/music/joni-mitchell-addresses-health-issues-in-rare-speech-at-2021-kennedy-center-honors-3112447">polio as a child</a> as “a rehearsal for the rest of my life”. </p> <p>The tributes for Mitchell celebrated her triumph from illness to recovery, but they also paid homage to Mitchell’s career that has pivoted on protest. </p> <p>Mitchell is largely associated with folk scenes of the 60s and 70s. She has produced a prolific body of work, advocating for social change. As a committed activist she has spoken against environmental degradation, war, LGBTQI+ discrimination, and most recently, removed <a href="https://www.theverge.com/2022/1/29/22907696/joni-mitchell-spotify-joe-rogan-podcast-misinformation-covid-19">her music catalogue</a> from Spotify in a protest against anti-vaccine propaganda. </p> <p>Now, with the <a href="https://www.youtube.com/watch?v=G7wOdpxGctc">strokes of a guitar solo</a> she repositioned herself from folk hero to punk provocateur, defying the “permissible” ways older women “should” behave. </p> <p>In commanding public space and using one of the most traditionally masculinised expressions of popular music practice, she directly challenged the sorts of expectations many people have around gendered norms, particularly what women in their elder years look and sound like.</p> <h2>Not everyone gets to age on stage</h2> <p>Some of the most persistent social restrictions placed on women and gender diverse musicians are in relation to age. </p> <p>Ongoing expectations of older women are to be passive, quiet and very much in the background. They are rarely asked, or expected, to “take up space” in the same ways their male counterparts do. </p> <p>Whereas men step through phases of youthful experimentation into established music legends, there are tiresome obstacles for female and gender diverse people to do the same. </p> <p>And while exceptions are often exceptional, they are not plentiful.</p> <p>It’s not just age. Women have long been sidelined when it comes to acknowledging their skills on the electric guitar. Much like Mitchell.</p> <p>The electric guitar has been an important part of rock and punk genres. There is a symbiotic relationship between how these genres – and the instrumentation that defines them – have unwittingly become gendered. The electric guitar solo in particular has come to be associated with machismo: fast, loud, expert, brave. </p> <p>If you like to imagine a world where women don’t exist, google “best guitar solos ever”. </p> <p>A recent <a href="https://www.nytimes.com/interactive/2022/04/02/opinion/grammys-rock-guitar-solo.html">New York Times article</a> suggested things are starting to change. Citing guitarists like Taja Cheek and Adrianne Lenker, the Times suggested the guitar solo has shifted from a macho institution into a display of vulnerability, a moment (perhaps many) of connectivity. </p> <p>Mitchell’s performance sits somewhere in this domain. </p> <p>For the hundreds of thousands of women and gender diverse guitarists world-wide, myself included, the electric guitar and the genres it is entwined with offer a cool, optional extra: to test the cultural norms of gender with other markers of identity like class, culture, sexuality and age, to blur ideas of what we should and shouldn’t do.</p> <h2>Australian women to the front</h2> <p>Australian women and gender diverse rock and punk musicians are often subject to a double act of erasure – missing from localised histories, and also from broader canons of contemporary music, which often remain persistently rooted in the traditions of the UK and the US.</p> <p><a href="https://www.goodreads.com/en/book/show/55669013-my-rock-n-roll-friend">Tracey Thorn’s brilliant biography</a> of the Go-Between’s drummer Lindy Morrison is a love lettered homage that steps out the complex local, emotional, personal and structural ways that Australian women and gender diverse people are often omitted from cultural spaces. </p> <p>“We are patronised and then we vanish,” writes Thorn.</p> <p>The work of women and gender diverse artists is often compared to the glossy pedestal of the male creative genius.</p> <p>In this light, we don’t play right, we don’t look right, we don’t sound right. </p> <p>And then, somehow, we don’t age right. </p> <p>Other reasons are far more mundane. Women contribute around <a href="https://www2.deloitte.com/au/en/blog/economics-blog/2019/Value-unpaid-work-care.html">13 hours more unpaid work</a> than men each week. </p> <p>Carrying plates overflowing with generous gifts of labour, the maintenance of a music practice – a largely underpaid endeavour – is often the first to fall by the wayside. </p> <p>Add to the mix ingrained social networks of knowledge sharing, and the dominance of men making decisions higher up the chain, and it is easy to see how women and gender diverse musicians stay submerged as men rise to the limited real estate of music elders. </p> <p>The problem isn’t so much about starting up. It’s about finding the time to keep up.</p> <h2>Our female and gender diverse music elders</h2> <p>There are so many Australian female and gender diverse music elders. Some are visible, but many ripple beneath the surface. </p> <p>Regardless of genre, in maintaining decades-long practice, they are the super punks whose legacy can be heard in venues across the country. </p> <p>The challenge now is to support the current crop of excellent musicians beyond the flushes of youth so that we have a more sustainable, textured and diverse Australian music culture. One where Mitchell’s defiance of expectations represents the status quo of how older women should and can be.</p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared on <a href="https://theconversation.com/with-the-strokes-of-a-guitar-solo-joni-mitchell-showed-us-how-our-female-music-elders-are-super-punks-188075" target="_blank" rel="noopener">The Conversation</a>. </em></p>

Music

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"This is the devil's work!": Nun pulls apart female models sharing a kiss

<p dir="ltr">A shocked nun caused quite a stir in the streets of Italy when she pulled away two female models who were kissing for a photoshoot.</p> <p dir="ltr">The nun was dressed in a white habit and rushed to stop Serena de Ferrari and Briton Kyshan Wilson who had locked lips in a Naples backstreet as they posed for a photo for Not Yet magazine.</p> <p dir="ltr">“What are you doing? This is the devil's work,” the nun shouted at them as they giggled.</p> <p dir="ltr">She looked around at the cameramen and crossed herself before saying: “Jesus, Joseph and Mary”.</p> <p dir="ltr">Make up artist Roberta Mastalia, who was on the shoot, said they had to ask the nun to leave thinking she was just joking.</p> <p dir="ltr">“We were on location in the Spanish Quarter in Naples, in a little sidestreet with the two models when all of a sudden the nun walked past,” he said, <a href="https://www.dailymail.co.uk/news/article-11027633/Italian-nun-splits-two-female-models-kissing-photoshoot-calling-devils-work.html" target="_blank" rel="noopener">The Daily Mail</a> reported.</p> <p dir="ltr">“She asked us if we had been to Mass that day and when we said 'No' she started blaming young people for Coronavirus and then she saw the two models posing up ready to kiss and that's when she ran forward to split them up.</p> <p dir="ltr">“Our first reaction was we were all stunned. They took it as a bit of a joke and you can see from the video the two girls are laughing.</p> <p dir="ltr">“We then had to ask the nun to leave as we explained we had work to do and she slowly walked off.”</p> <p dir="ltr">Both Serena and Briton shared clips of the incident to their social media with the caption “God doesn’t love LGBT”.</p> <p dir="ltr">Local priest Father Salvatore Giuliano The Church is constantly updating its views but some of the older generation have not yet accepted it.</p> <p dir="ltr"><em>Images: Instagram</em></p>

Travel Trouble

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For the love of Thor! Why it’s so hard for Marvel to get its female superheroes right

<p>When it was first revealed that Natalie Portman was to become the “female Thor” in Marvel’s latest superhero instalment, Thor: Love and Thunder, fans were quick to <a href="https://www.igi-global.com/chapter/if-she-be-worthy/259582" target="_blank" rel="noopener">condemn the decision</a> on social media.</p> <p>Portman was lambasted as not “<a href="https://www.urbandictionary.com/define.php?term=Swole" target="_blank" rel="noopener">swole</a>” enough, too petite, and generally not what people imagined the character to be. Ten months of <a href="https://www.news.com.au/entertainment/movies/new-movies/natalie-portmans-trainer-reveals-how-the-star-got-so-ripped-for-thor/news-story/f068c4080ebb18716dcd25855905611b" target="_blank" rel="noopener">intensive workouts and a high-protein diet</a> later, and Portman is being <a href="https://www.independent.co.uk/life-style/women/natalie-portman-thor-arms-madonna-b2117769.html" target="_blank" rel="noopener">applauded</a> for arms that “could actually throw giant hammers at baddies’ heads”.</p> <p>Yet that early reaction to Portman’s casting attests to how the representation of female superheroes can be difficult for movie-makers when the established audience is often perceived to be young, white, cisgender and male.</p> <p>It seemingly doesn’t matter that the number of women consuming superhero content has <a href="https://www.tandfonline.com/doi/full/10.1080/09540253.2019.1633460?journalCode=cgee20" target="_blank" rel="noopener">increased</a>. Offering feminist depictions of characters that could challenge the defining masculinity of the genre remains a problem.</p> <div data-id="17"> </div> <p>What does this mean for Portman and the female superheroes who have come before (and will follow) her? The answer seems to be that the makers of superhero movies inevitably <a href="https://rowman.com/ISBN/9781793624598/The-Superhero-Multiverse-Readapting-Comic-Book-Icons-in-Twenty-First-Century-Film-and-Popular-Media" target="_blank" rel="noopener">subvert some gender stereotypes</a> while maintaining others.</p> <p>In short, they offer token female representation so as not to ostracise audiences. So while she might now be more muscular, Portman is still subordinated to Chris Hemsworth’s Thor by highlighting that she is first and foremost his love interest.</p> <h2>Too few female superheroes</h2> <p>Granted, the Marvel Cinematic Universe (MCU) franchise has at least attempted to cast female leads and to advocate for women’s issues. For example, Black Widow’s standalone film was in part <a href="https://www.independent.co.uk/arts-entertainment/films/news/scarlett-johansson-black-widow-feminist-me-too-times-up-empire-a9704806.html" target="_blank" rel="noopener">intended to contribute</a> to the dialogue around the #Timesup and #MeToo movements.</p> <p>And the latest Thor offering explores the value of female friendships, with co-star <a href="https://www.usatoday.com/story/entertainment/movies/2022/06/22/thor-love-and-thunder-natalie-portman-building-mighty-physique/7687523001/" target="_blank" rel="noopener">Tessa Thompson attesting</a> to her character Valkyrie being “happy to have found a new sister”.</p> <p>There’s no doubt female viewers can identify with these powerful women and their stories and as a result form positive attitudes to the superhero genre in general. But that means more superhero films need to be made with the female viewer in mind.</p> <p>Such offerings are few and far between, however. Let’s not forget it took Marvel ten years to give Black Widow her own film after her original introduction to the franchise (in 2010’s Iron Man 2).</p> <p>In many ways, Marvel’s films continue to depict women as auxiliaries – damsels in distress, love interests, or subordinate in some way to their male counterparts. In fact, actress <a href="https://www.bbc.com/news/entertainment-arts-57524423" target="_blank" rel="noopener">Scarlett Johansson criticised</a> the earlier “hyper-sexualisation” of her Black Widow character.</p> <p>Similarly, Scarlet Witch, one of the most powerful of the Avengers characters, is often defined by the male relationships in her life. In the recent Dr Strange: The Multiverse of Madness, she typifies many <a href="https://theconversation.com/the-witch-treatment-what-dr-stranges-wanda-tells-us-about-representations-of-female-anger-184509" target="_blank" rel="noopener">unfavourable female tropes</a>, including the “hysterical woman” and “monstrous mother”.</p> <h2>The hyper-sexualised stereotype</h2> <p>Treating even powerful female characters as <a href="https://www.panicdiscourse.com/wp-content/uploads/2019/04/5-19-Holding-Out-for-a-Heroine.pdf" target="_blank" rel="noopener">subordinate or dependent</a> might reassure male fans that superheroines aren’t a threat to the masculine undertones of the genre, but it does a disservice to the female audience.</p> <p>Asked to assess superhero graphic novels and films, most women in <a href="https://journals.sagepub.com/doi/abs/10.1177/1045159514546214" target="_blank" rel="noopener">one study</a> said they disliked and avoided the DC Comics character of Catwoman because she was presented as manipulative and emotional.</p> <p>Other <a href="https://onlinelibrary.wiley.com/doi/abs/10.1002/car.1094" target="_blank" rel="noopener">research has found</a> that exposure to messages of powerlessness can lead girls to feel demoralised and dissatisfied with their own identities, and the overly sexualised depiction of female superheroes can result in <a href="https://link.springer.com/article/10.1007/s11199-015-0455-3" target="_blank" rel="noopener">lower body esteem</a> in women.</p> <p>On the other hand, some also rebel against the <a href="https://www.tandfonline.com/doi/full/10.1080/21504857.2014.916327" target="_blank" rel="noopener">stereotypes</a>. <a href="https://thehawkeyeinitiative.tumblr.com/" target="_blank" rel="noopener">The Hawkeye Initiative</a>, for example, parodies the male gaze within the comic book genre by depicting men in the same absurd costumes and poses normally reserved for female characters.</p> <h2>Male backlash and box office risk</h2> <p>The real issue, though, is whether women should even have to challenge such depictions. If more films and comics were made by women for women, perhaps there would be fewer tokenistic portrayals to begin with.</p> <p>Marvel has rejected criticism of its female characters, with its <a href="https://www.thewrap.com/marvels-kevin-feige-calls-black-widow-backlash-a-little-strange-boasts-his-movies-are-full-of-smart-intelligent-powerful-women/" target="_blank" rel="noopener">president saying</a> the studio has always “gone for the powerful woman versus the damsel in distress” and pointing to the recent release of female-led superhero films and TV programs such as She-Hulk and Ms Marvel.</p> <p>Trouble is, it’s hard to keep everyone happy. Marvel has felt the backlash from die-hard male fans to a supposed feminist agenda underpinning the studio’s direction. 2019’s Captain Marvel, for example, was touted as <a href="https://www.latimes.com/entertainment/movies/la-ca-mn-captain-marvel-directors-20190228-story.html" target="_blank" rel="noopener">bringing feminism</a> to the Marvel universe, but <a href="https://www.nytimes.com/2019/03/13/movies/captain-marvel-brie-larson-rotten-tomatoes.html" target="_blank" rel="noopener">poor reviews and audience ratings</a> were attributed in part to perceived political correctness and a narrative based on female agency.</p> <p>Researchers such as <a href="https://www.tandfonline.com/doi/full/10.1080/21504857.2016.1219958?casa_token=DXr8QHcO8nUAAAAA%3AHBBbBqJoe6-VxG-a1kak5O-52rNPUXySYFwJRKjh9ALcXyO9KpYTQLcRL0j-7Q6AVIdGp6Kq7pVibA" target="_blank" rel="noopener">Stephanie Orme</a> have contended that the dominance of men in the superhero genre leaves many female fans feeling alienated and unable to change the gender stereotypes, precisely because they’re not seen as the target audience.</p> <p>It seems that without more and better film and comic female superheroes telling women’s stories, these male-centric genres will continue to alienate female audiences – and to fall short of their creative and commercial potential.</p> <p><em><strong>This article originally appeared on <a href="https://theconversation.com/for-the-love-of-thor-why-its-so-hard-for-marvel-to-get-its-female-superheroes-right-186639" target="_blank" rel="noopener">The Conversation</a>.</strong></em></p> <p><em>Image: YouTube</em></p>

Movies

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Female tennis stars speak out against all-white Wimbledon dress code

<p dir="ltr">Wimbledon, one of the most long standing and prestigious tennis competitions on the sporting calendar, is steeped in tradition, including a strict all-white dress code for its players.</p> <p dir="ltr">While Nick Kyrgios came under fire for wearing red shoes and a red cap on the court, female players have spoken out about the anxiety the dress code causes when it comes to a common experience: periods.</p> <p dir="ltr">Aussie player Daria Saville told <em><a href="https://www.instagram.com/p/CfpkO3ChCzY/" target="_blank" rel="noopener">The Daily Aus</a></em> she has needed to skip her period as a result of the dress code, while others have spoken about the stress that comes from worrying about bleeding through their ‘Wimbledon whites’.</p> <p dir="ltr">“Recently just being at Wimbledon, I was talking with my friends saying that I love the all-white look,” the no. 98 told the outlet.</p> <p dir="ltr">“But then a few girls said they hate it because it sucks to wear all white while being on your period.</p> <p><span id="docs-internal-guid-a4d3f821-7fff-b193-7108-8df2c756bfeb"></span></p> <p dir="ltr">“It’s true, I myself had to skip my period around Wimbledon for the reason that I didn’t want to worry about bleeding through, as we already have enough stress.”</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">As we enter the last week of <a href="https://twitter.com/hashtag/Wimbledon?src=hash&amp;ref_src=twsrc%5Etfw">#Wimbledon</a>, we think its time to have a real discussion around the all white dress code and how it feeds period shame amongst professionals and young girls. <a href="https://t.co/oKhDXB2Jo9">https://t.co/oKhDXB2Jo9</a></p> <p>— holly (@hollygordonn) <a href="https://twitter.com/hollygordonn/status/1543877058496978944?ref_src=twsrc%5Etfw">July 4, 2022</a></p></blockquote> <p dir="ltr">Wimbledon’s strict dress code was written in the 1880s, when any form of sweat on an athlete’s clothing was considered improper and rude, with “undergarments” that are visible or could be visible because of sweat also subject to the rule.</p> <p dir="ltr">The all-white attire was believed to minimise the visibility of sweat while helping the players stay cool, according to <em><a href="https://www.sbs.com.au/news/the-feed/article/female-tennis-stars-detail-anxiety-of-strict-wimbledon-dress-code/m1zsxut2i" target="_blank" rel="noopener">SBS</a></em>.</p> <p dir="ltr">As beneficial as it may be to help players stay cool in hotter temperatures, its impact on female players seems to outweigh any benefits, with some athletes even turning to birth control to skip their period around the competition.</p> <p dir="ltr">“I’ll probably go on the pill just to skip my period for Wimbledon,” British player Heather Watson recently told the <em>BBC</em>. “That’s the thought process and the conversation girls have around it.”</p> <p dir="ltr">British star Alicia Barnett recently opened up about the mental stress of wearing white while on her period, all while also dealing with the accompanying symptoms that impact her performance.</p> <p dir="ltr">In an interview with the PA news agency, she said that though she loves the tradition, “some traditions could be changed” in her opinion.</p> <p dir="ltr">“I, for one, am a massive advocate for women’s rights and I think having this discussion is just amazing, that people are now talking about it,” Barnett said.</p> <p dir="ltr">“Personally, I love the tradition of all-whites and I think we will handle it pretty well.</p> <p dir="ltr">“I think being on your period on tour is hard enough, but to wear whites as well isn’t easy.”</p> <p dir="ltr">Reflecting on the physical impact of menstruation on performance, Barnett told PA: “Your body feels looser, your tendons get looser, sometimes you feel like you’re a lot more fatigued, sometimes your coordination just feels really off, and for me I feel really down and it’s hard to get motivation.</p> <p dir="ltr">“Obviously, you’re trying to play world-class tennis but it’s really hard when you're PMS-ing and you feel bloated and tired.<br />“Why do we need to be shy about talking about it?”</p> <p dir="ltr"><span id="docs-internal-guid-1f2b69c7-7fff-fa34-f9df-adc49784764e"></span></p> <p dir="ltr">Former athlete Monica Puig addressed the issue on Twitter in May, responding to commentator David Law’s tweet where he revealed that he had never considered the physical impact of menstruation on athletes during his 25 years working in tennis.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Definitely something that affects female athletes! Finally bringing it to everyone’s attention! Not to mention the mental stress of having to wear all white at Wimbledon and praying not to have your period during those two weeks. <a href="https://t.co/PzyHnPlSJk">https://t.co/PzyHnPlSJk</a></p> <p>— Monica Puig (@MonicaAce93) <a href="https://twitter.com/MonicaAce93/status/1531588251642912768?ref_src=twsrc%5Etfw">May 31, 2022</a></p></blockquote> <p dir="ltr">“Definitely something that affects female athletes!” Puig wrote in response. “Finally bringing it to everyone’s attention! Not to mention the mental stress of having to wear all white at Wimbledon and praying not to have your period during those two weeks.”</p> <p dir="ltr">Law is among a growing number of commentators also addressing the issue, including The Tennis Podcast host Catherine Whitaker, who has said the dress code has outlived its time and has called for the rules to be more flexible.</p> <p dir="ltr">“I would like to see it change,” she said in one interview. “If they had a clothing policy that affected men in the way that it does women, I don’t think that particular tradition would last.</p> <p dir="ltr">“I cannot imagine going into the biggest day of my life, with my period, and being forced to wear white.”</p> <p dir="ltr"><span id="docs-internal-guid-d7e8b3a1-7fff-1842-646a-9329fcbc23a1"></span></p> <p dir="ltr"><em>Image: Getty Images</em></p>

Beauty & Style

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Why women make up more than 80 per cent of true crime podcast listeners

<p dir="ltr">It’s been a running joke for a while that most true crime podcast listeners are female.</p> <p dir="ltr">But it has now been revealed that young women make up a whopping 80 per cent of true crime podcast listeners. </p> <p dir="ltr">Dr Julia Shaw, a criminal psychologist and co-host of the true crime and science podcast Bad People, said the simple reason was due to women’s experiences.</p> <p dir="ltr">She explained that growing up, women are told to keep an eye out for any danger such as a man staring at you for too long or following you home. </p> <p dir="ltr">“Women seem particularly interested in the intricacies of the criminal mind,” she told The Daily Mail. </p> <p dir="ltr">“There is a real drive to understand the 'why', not just the 'how' of the crime.”</p> <p dir="ltr">Claire Bord, a publisher at Bookouture concurred with Dr Shaw’s statement explaining how easy it was for women to “resonate” with the situation.</p> <p dir="ltr">“These kind of storylines tap into dark themes that resonate with readers because we can see ourselves in these everyday scenarios and then imagine what could happen,” she said.</p> <p dir="ltr">“I also think there are aspects of the dark themes explored in psychological thrillers, and indeed true crime, that can speak deeply to readers who have experienced difficult times in their own lives.”</p> <p dir="ltr"><em>Image: Shutterstock</em></p>

Mind

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New study reveals fascinating fact about gender balance in books

<p dir="ltr">Characters in books are almost four times more likely to be male than female, according to a new artificial intelligence study on female prevalence in literature.</p> <p dir="ltr">Researchers at the USC Viterbi School of Engineering used artificial intelligence to examine more than 3,000 English-language books with genres ranging from science fiction, to mystery and romance, including novels, short stories, and poetry.</p> <p dir="ltr">The team used Named Entity Recognition (NER), a prominent NLP method used to extract gender-specific characters.</p> <p dir="ltr">Lead researcher Mayank Kejriwal was inspired to research the topic and was surprised to find that gender bias was prevalent in the books. </p> <p dir="ltr">“Gender bias is very real, and when we see females four times less in literature, it has a subliminal impact on people consuming the culture,” she said.</p> <p dir="ltr">“We quantitatively revealed in an indirect way in which bias persists in culture.”</p> <p dir="ltr">Co-author of the study Akarsh Nagaraj discovered the four to one ratio which showed male characters were more common in books.</p> <p dir="ltr">“Books are a window to the past, and the writing of these authors gives us a glimpse into how people perceive the world, and how it has changed,” she said.</p> <p dir="ltr">“It clearly showed us that women in those times would represent themselves much more than a male writer would.”</p> <p dir="ltr">Using the technology, the team found the most common adjectives used to describe gender specific characters.</p> <p dir="ltr">“Even with misattributions, the words associated with women were adjectives like ‘weak,’ ‘amiable,’ ‘pretty,’ and sometimes ‘stupid,’” said Nagaraj. </p> <p dir="ltr">“For male characters, the words describing them included ‘leadership,’ ‘power,’ ‘strength’ and ‘politics.’”</p> <p dir="ltr"><em>Image: Shutterstock</em></p>

Books

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Something remarkable has happened to Australia’s book pages: gender equality has become the norm

<p>For the first time in the nine-year history of the Stella Count, and perhaps in the entire history of Australian book reviewing, gender equality has become the norm in Australia’s books pages. Our new research for the Count reveals 55% of books reviewed in Australian publications in 2020 were by women.</p> <p>The Stella Count surveys 12 Australian publications – including national, metropolitan, and regional newspapers, journals and magazines – collecting data on the gender of authors and reviewers, length of review and genre of books reviewed.</p> <p><a href="https://stella.org.au/initiatives/research/the-stella-count/" target="_blank" rel="noopener">In 2012 when the Count began</a>, ten of the 13 publications then surveyed reviewed more books written by men. In 2020, only three of the 12 publications currently surveyed review more books by male rather than female authors. All bar one of these publications improved the gender balance of books reviewed significantly over this period.</p> <p>Some publications have dramatically transformed their pages to better represent women authors between 2011 and 2020. The Age has increased its representation of books written by women from 38% to 55%; The Monthly, from 26% to 56%; and Brisbane’s Courier-Mail, from 43% to 54%.</p> <p>The Saturday Paper entered the Count in 2014 with 37% of books reviewed written by women; it hit 61% women authors reviewed in 2020. Likewise, the Sydney Review of Books has increased its percentage from 36% in 2015 to 70% in 2020.</p> <p>These significant gains do not mean gender bias has been eliminated from the Australian book reviewing field. Some publications continue to find the gender parity line a hard one to cross – and in general, books written by men still attract longer reviews.</p> <p>After several years of stasis, The Australian has inched closer to parity with 45% of its reviews now of books by women. Australian Book Review, however, is the only publication in our study that has not significantly improved representation of women authors over the nine years: indeed, the percentage of reviewed books by women dropped from 47% in 2019 to 43% in 2020.</p> <h2>Why does this matter?</h2> <p>About 22,500 new book titles <a href="https://www.booksandpublishing.com.au/articles/2020/09/30/157402/publishing-and-the-pandemic-the-australian-book-market-in-2020/" target="_blank" rel="noopener">are published each year in Australia</a>. In a crowded marketplace, any opportunity to get a book discussed in the public eye is worth its weight in gold. Book reviews are a longstanding means of bringing attention and, possibly, acclaim to new titles.</p> <p>Our surveyed publications published 2,344 reviews in 2020. Some books received multiple reviews, meaning authors of new books have a less than 10% chance of being reviewed in one of Australia’s major book pages.</p> <p>When you look at the demographics, you would not expect Australia’s literary scene to be a place of gender bias. Women make up <a href="https://australiacouncil.gov.au/advocacy-and-research/making-art-work/" target="_blank" rel="noopener">65% of Australian writers</a>, <a href="https://www.booksandpublishing.com.au/articles/2018/11/21/118475/for-love-or-money-analysing-the-employment-survey/#:%7E:text=Show%20me%20the%20money,2013%20to%20%2460%2C207%20in%202018." target="_blank" rel="noopener">77% of employees in Australian publishing</a>, and <a href="http://www.businessandeconomics.mq.edu.au/__data/assets/pdf_file/0018/528030/FinalFinalReaders-Report-24-05-17-final.pdf" target="_blank" rel="noopener">61% of “frequent readers”</a>.</p> <p>But until very recently, book reviewing – like <a href="https://www.theguardian.com/books/2011/may/04/australian-version-orange-prize" target="_blank" rel="noopener">literary prizes</a> and <a href="https://theconversation.com/old-white-men-dominate-school-english-booklists-its-time-more-australian-schools-taught-australian-books-127110" target="_blank" rel="noopener">school syllabuses</a> – appeared to have a gender problem. There was, however, no comprehensive quantitative evidence to prove it.</p> <p>Newly-formed feminist nonprofit organisation, The Stella Prize, set out to do something about this in 2012. Inspired by <a href="https://www.vidaweb.org/the-count/" target="_blank" rel="noopener">similar counts happening overseas</a>, Stella began collecting statistics about the gender of authors whose books were reviewed. We began working with Stella in 2014 when it expanded the data collection in order to understand how gender bias was operating when it came to the size of reviews, the genre of books reviewed and the gender of reviewers.</p> <p>Over the ensuing years we have seen something remarkable happen: real change. Literary editors, when asked, were often surprised by the statistics, when presented with them. Or they made excuses for them: men pitch more or write books on important subjects that deserve reviewing, they said. These biases are no longer unconscious.</p> <h2>Gender disparities persist</h2> <p>While this is cause for celebration, there is still some way to go. While women writers now receive their fair share of reviews in terms of the overall number published, this does not mean they receive equal access to the actual space devoted to public literary criticism.</p> <p>Books written by women are still more likely to receive shorter or capsule reviews. Long reviews – those of 1000 words or more – continue to be largely the precinct of men, either as reviewers or as authors of books reviewed.</p> <p>Women authors receive 55% of all reviews, but only 45% of long reviews. Long reviews are the most conspicuous and prestigious, not just because of their size and prominence but because they are often written by prominent critics and accompanied by images such as book covers and author photos, which lead to market recognition.</p> <h2>Gender assumptions continue</h2> <p>Long-held assumptions about gender and reading are evident in the Stella Count data. Key among these is the idea that men are interested in books by men, and women are interested in books by women. Australian book reviews are highly partitioned by gender: female reviewers are much more likely to review books by women, and male reviewers books by men.</p> <p>Fiction reviews skew towards women as authors and reviewers (especially those written for children and young adults), and non-fiction skews towards men. This supports broader findings in relation to <a href="https://www.wlia.org.au/women-for-media-2021" target="_blank" rel="noopener">the representation of women in Australian media</a>: that women are less likely to be called upon to offer expert commentary on topics such as politics and sport.</p> <p>Our research also offers a snapshot of the state of book reviewing in Australia. It shows the number of reviews published in our surveyed publications dropped by 15% between 2019 and 2020, when the pandemic arrived here.</p> <p>The Stella Count is now the longest-running yearly count of a nation’s book pages conducted anywhere in the world. Next year will be the Stella Count’s ten-year anniversary. The real impact of COVID-19 on the gender make up of authors and reviewers – and on Australia’s literary sector more broadly – is yet to be seen, but data collection such as the Stella Count is key to understanding it.</p> <p><span id="docs-internal-guid-f28b028c-7fff-d401-9e6a-19a207e5c4ad">This article originally appeared on The Conversation.</span></p> <p><em>Image: Shutterstock</em></p>

Books

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British Museum unveils female spiritual beings exhibit

<p dir="ltr">A unique exhibition is set to open at the British Museum later this year that celebrates how femininity has been perceived across the globe through history. </p> <p dir="ltr">The exhibit, titled <em>Feminine power: the divine to the demonic</em>, is the first of its kind to be showcased in the British museum. </p> <p dir="ltr">The figures on display range from a Hindu goddess considered the master of death, to a magical Greek enchantress, as the exhibit explores women in both world belief and mythological traditions. </p> <p dir="ltr">The exhibition includes representations of Lilieth, a character from Jewish mythology thought to be the first wife of Adam and later the consort of Satan, as well as Guanyin, the Chinese goddess of mercy.  </p> <p dir="ltr">The idea behind the exhibit is to bring together ancient sculptures, sacred artefacts and contemporary art from six continents to explore how femininity has been portrayed, and how it influenced the way we view women and their power today. </p> <p dir="ltr">For the first time, the British Museum has invited special guest contributors to respond to the themes in the exhibition, sharing their personal and professional viewpoints.</p> <p dir="ltr">The special guests include doctors, professors, activists, authors, lawyers and former members of the British Army, who will share their own stories of feminism, and how they have fought for the rights of women. </p> <p dir="ltr">Muriel Gray, Deputy Chair of Trustees of the British Museum, said, “The Citi exhibition <em>Feminine power: the divine to the demonic</em> is brimming with magic, wisdom, fury and passion.”</p> <p dir="ltr">“I am very proud that through the breadth and depth of the British Museum's collection, alongside special loans, we can tell such powerful and universal stories of faith and femininity from the most ancient cultures to living traditions around the world.</p> <p dir="ltr">Following the display at the British Museum, the exhibition will be seen internationally, starting at the National Museum of Australia in Canberra.</p> <p dir="ltr"><em>Image credits: The Trustees of the British Museum</em></p>

Art

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8 sneaky female heart attack symptoms women might be ignoring

<p><strong>Women aren't men</strong></p><p>There’s a big disconnect between what women think a heart attack would feel like – excruciating chest pain – and what it often does feel like. “Other than the reproductive system, the cardiovascular system has the most differences between genders,” says Professor Jean McSweeney, PhD, RN. So it’s to be expected that female heart attack symptoms – while sometimes shared with men in a general sense – can also be experienced differently. After all, “we have much smaller vessels in our heart,” says Dr McSweeney, who was among the first to zero in on women’s heart attack symptoms in a 2003 study, published in the journal <em>Circulation</em>. “And we’re constructed differently.”</p><p>When a woman’s main arteries are blocked, she’ll often experience a constellation of signs, including chest pain, pressure or tightness, along with multiple non-chest symptoms, says Judith Hilevi Lichtman, PhD, department chair and associate professor of epidemiology at the Yale School of Public Health. What’s more, not every woman experiences the same symptoms, and the symptoms don’t necessarily happen all at once. We spoke with experts and female heart-attack survivors about what some of those symptoms might be and what they feel like. Here are eight that surprised us most.</p><p><strong>A strange-feeling arm</strong></p><p>“I felt like my arm was asleep,” says Tara Robinson, a school counsellor, who, incredibly, survived three heart attacks in one week at the age of 40. For the first two, the feeling would emerge for a couple of minutes and then go away. By the time she arrived at the hospital, the symptoms were gone and she was sent back home without treatment. “I thought maybe I was working out too hard at the gym or I slept on my arm wrong,” she says. By the time the third heart attack struck, that feeling was much more intense and persistent – and impossible to ignore.</p><p>Another heart attack survivor, Lilly Rocha, described her arm as feeling “sore.” In fact, she felt general soreness in her entire upper left side, along with her jaw and chest. At the time, she was 37 and a corporate vice president who organised international events; she’d jet-set from country to country on a regular basis – so she attributed the soreness to the stress of travel. It wasn’t until a co-worker (who had himself experienced a heart attack) insisted on taking her to a hospital did she realise the shocking truth: She’d just had a heart attack.</p><p><strong>A really sore jaw</strong></p><p>Along with arm issues, fatigue and shortness of breath, jaw problems often emerge months before an attack and then intensify during the actual event. Robinson described it as “like the way your mouth feels after you’ve come home from the dentist and the Novocaine hasn’t quite worn off.” As with the arm, the jaw also acts up because of what doctors call “referred” pain, explains Suzanne Steinbaum, DO, attending cardiologist and the director of Women’s Cardiovascular Prevention, Health, and Wellness at The Mount Sinai Hospital in New York City and author of Suzanne Steinbaum’s Heart Book: <em>Every Woman’s Guide to a Heart-Healthy Life</em>. “That pain comes from the heart,” she says. Dr McSweeney recalls a patient who first complained about her jaw to her dentist and was given treatment for TMJ. When that didn’t help, her wisdom tooth was removed. Of course, the pain only got worse – until she ended up in the hospital with a heart attack and was finally properly treated.</p><p><strong>Nausea and vomiting</strong></p><p>In a 2018 <em>Circulation </em>study that examined women and men who experienced a heart attack before age 55, two-thirds of women said they’d experienced epigastric (upper-abdominal) issues, such as indigestion, nausea, or stomach pain, notes Dr Lichtman, the article’s lead author. Only half the men reported similar problems. As Robinson describes that day she was rushed to the hospital with her third heart attack: “I wanted to vomit so badly.” After treatment, she adopted lifestyle changes that included eating a heart-healthy diet. She now helps lead other patients in living healthier.</p><p><strong>Shortness of breath</strong></p><p>This can catch you by surprise while you’re in the middle of running a meeting at work, doing household chores, or even lying down. An early symptom of a heart condition can be the need to prop yourself up in bed in order to breathe better. “You feel out of breath because when your arteries are blocked, there is not enough oxygen being delivered throughout the body,” explains Dr Steinbaum. “If the heart has been damaged or a heart attack is happening, the heart may not have the ability to push the blood forward and this can cause fluid to back up into the lungs.”</p><p><strong>Extreme fatigue</strong></p><p>“Women tend to dismiss heart attack symptoms because we are used to feeling uncomfortable on a monthly basis,” says Dr Steinbaum. “The key to knowing when to get checked is to assess whether the things you do every day and are normal for you suddenly become difficult or you get symptoms while trying to do them.” Robinson remembers having to crawl back to her bedroom after cleaning her shower; she felt weak and wanted to take a nap.</p><p>Dr McSweeney tells of one patient who reported being so tired that she could only make one side of the bed. She needed to rest before making the other. “It’s not this pronounced in every woman,” says Dr McSweeney. But if the fatigue gets progressively worse, or you don’t feel better after you’ve slept, you should see your doctor.</p><p>When Rocha was hit with episodes of extreme fatigue, she blamed it on her hectic travel schedule. By the time she arrived at the hospital, where she waited a long time to be seen – no one suspected she was having a heart attack – the fatigue and feelings on the left side of her body became so overwhelming that she couldn’t move or talk. “I felt like I was going to pass out,” she says. Fortunately, she received treatment before it was too late. She now owns her own company in order to have control over her work-life balance.</p><p><strong>Upper-back pain</strong></p><p>Robinson reports that her back problem was the only symptom she’d describe as actually painful. “It felt as if it was behind my heart,” she says. Other women have described it as a sharp pain between the shoulder blades, which intensified at the time of the heart attack.</p><p><strong>An odd feeling in the chest</strong></p><p>Women don’t necessarily describe it as “chest pain” – much less a “Call an ambulance!” kind of pain. “They may call it ‘chest tightness’ or ‘chest pressure,’” says Dr Lichtman, who adds that women may not associate their symptoms with a heart attack because they’re experiencing other symptoms unrelated to the chest, like fatigue or muscle pain. Rocha felt a “strong tingling sensation – almost like electricity was shooting out of my chest.” It would come and go, she recalls, and in the beginning would last two or three minutes at a time. About six months before her heart attack, she went to her primary care physician (who was also her ob-gyn) because she was convinced she had breast cancer. The doctor did a breast exam, found nothing, and sent her home. Rocha eventually noticed that her entire left side – chest, jaw, and arm – just felt “weird.”</p><p><strong>Flu-like symptoms</strong></p><p>“Women might say, ‘I’m so tired. I must have a virus,’” says Dr Steinbaum. They might convince themselves that all they have are flu symptoms, many of which resemble the conditions above, including body aches, fatigue and nausea. But if the sensations seem different or more intense than anything you’ve felt before, get it checked out. While they may turn out not to be symptoms of a heart condition or precursors to a heart attack, you’re better off not ruling out the possibility – even if you’re under 55 and especially if you have a family history of early-onset heart disease. If you have even the slightest thought that you might be having a heart attack, call an ambulance.</p><p><strong>Wear Red Day is Feb 14, Valentine’s Day, but <a href="https://www.heartresearch.com.au/redfeb/" target="_blank" rel="noopener">Heart Research Australia</a> is raising awareness for the whole month of February (aka RedFeb). Getting involved is as simple as wearing red and donating. #wearredanddonate</strong></p><p><em><span id="docs-internal-guid-b17a06eb-7fff-dd09-11c8-ce867b3d8400">Written by Joanne Chen. This article first appeared in <a href="https://www.readersdigest.com.au/healthsmart/conditions/heart-blood-pressure/8-sneaky-female-heart-attack-symptoms-women-might-be-ignoring" target="_blank" rel="noopener">Reader’s Digest</a>. For more of what you love from the world’s best-loved magazine, <a href="http://readersdigest.innovations.com.au/c/readersdigestemailsubscribe?utm_source=over60&amp;utm_medium=articles&amp;utm_campaign=RDSUB&amp;keycode=WRA87V" target="_blank" rel="noopener">here’s our best subscription offer.</a></span></em></p><p><em>Image: Getty Images</em></p>

Body

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Police release footage of the moment a cop grabbed a female officer by the throat

<p dir="ltr">A Florida police officer is under investigation after he was caught on video grabbing a fellow officer by the throat.</p> <p dir="ltr">Sergeant Christopher Pullease of the Sunrise Police Department was caught on bodycam footage attacking the 28-year-old officer after she tried to pull him away from a handcuffed suspect. The incident took place outside a convenience store on November 19.</p> <p dir="ltr">The incident took place when Pullease and several other officers were arresting a man for aggravated battery after he had hit people outside the Shop &amp; Save convenience store. Body camera footage, released just last week, showed Pullease walking up to the suspect as officers were attempting to get him into the police car. He then allegedly leaned into the car, pulled out his pepper spray, and aimed it at the suspect as he spoke to him.</p> <p dir="ltr">The female officer ran over and tugged on Pullease’s belt in an attempt to get him away from the suspect. The footage then shows Pullease turning around, grabbing her neck, and shoving her against another patrol car. The video does not include audio.</p> <p dir="ltr">Sunrise Police Chief Anthony Rosa described Pullease’s behaviour as “disgusting”, and said that he escalated what should have been an otherwise calm situation. He added, “I find it to be inappropriate and unprofessional, because what he did is he escalated the situation when calm was actually required.”</p> <p dir="ltr">Rosa went on to praise the female officer, who has only been with the department for two and a half years, for stepping in. He said, “I’m very proud of this police officer. She took some definitive action. I can only imagine what she must be feeling. She’s a newer officer, and he’s a very senior sergeant.”</p> <p dir="ltr">Pullease has been assigned to desk work amid an ongoing investigation, and no charges have yet been filed against him.</p> <p dir="ltr"><em>Image: Sunrise Police Department</em></p>

Legal

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Furious backlash after school offers shapewear to female students

<p><em>Image: Facebook/Getty</em></p> <p>A Mississippi middle school has offered body-slimming shapewear to female students this month, leading to furious backlash.</p> <p>Southaven Middle School in northern Mississippi sent a letter home to parents of teen and tween girls, educating on the issue of negative body image.</p> <p>The letter concluded with an offer from the school's counselors to provide shapewear — a foundation garment that's used alter a person's body shape. This offer was made to any of the students, aged 10 to 14, whose parents agreed to it.</p> <p>The letter was shared on social media by mom Ashley Heun, who said that she was 'beyond p***ed.'</p> <p>'This is what was sent home with my 8th-grade daughter,' Heun, whose daughter Caroline attends the school, wrote on Facebook.</p> <p>The memo is headed with the nonsensical title 'Why Do Girls Suffer from Body Image?' — which should more accurately say suffer from 'bad' or 'negative' body image.</p> <p>The memo goes on to discuss how 'social and cultural experiences' create a 'desire to adhere to an "ideal" body shape,' and how girls are 'more likely than boys to have negative body image.'</p> <p>While the memo is mostly thoughtful, noting that 'women in the United States feel pressured to measure up to strict and unrealistic social and cultural beauty ideals,' it also asserts that girls with a positive body image are more likely to have good self esteem, physical health and mental health — and it offers a surprising way of supporting that.</p> <p>'We, the counsellors of Southaven Middle School, would like to have an opportunity to offer some healthy literature to your daughter on maintaining a positive body image.</p> <p>'We are also providing girls with shapewear, bras, and other health products if applicable.'</p>

Body

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"Absolute chaos": All female gym buddies take down $80m Powerball lottery

<p><em>Image: 7News Perth</em></p> <p>A group of 55 gym-goers are the lucky winners of a life-changing $80 million Powerball jackpot.</p> <p>The women were part of a syndicate at their Curves gym in Beldon, northern Perth.</p> <p>Sue, the owner of the gym, said they each chipped in $5 for the huge jackpot prize, and she spent all morning calling her clients to pass on happy news.</p> <p>The lucky gym-goers will each pocket $1.5 million.</p> <p>‘I have just had the greatest morning ringing people to tell them they have won $1.5 million,’ Sue told Triple M Perth’s breakfast program on Friday.</p> <p>‘There’s still about 10 people I haven’t been able to get a hold of yet.’</p> <p>Some of the winners were enjoying a Christmas dinner at an Italian restaurant when they learned of the win.</p> <p>'A group of us ladies from my gym were out at our Christmas dinner and one of the husbands rang and said, 'Hey, I think you ladies just won the lotto' and we said, nah,' Sue recalled.</p> <p>'So I got the ticket out and we checked the numbers and you should have seen the restaurant it went into absolute chaos… it turned to mayhem.'</p> <p>The numbers from draw 1333 were 27, 30, 4, 5, 33, 26 and 19 and the all-important Powerball number was 8.</p> <p>The division one ticket was purchased from Lotterywest.</p> <p>One in four Aussies were estimated to have bought a ticket ahead of the jackpot.</p> <p>A handful of clients at the Curves Beldon gym opted out of entering the draw, Sue said. But for the 55 women who have won, the money will be 'life-changing'.</p> <p>Sue has no plans to quit or retire on the winnings, but said it is a weight off her shoulders after her husband was made redundant at his job recently.</p> <p>'So, we were starting to get a little bit worried about what the future was holding for us so this has taken all that away now. We don't have to worry anymore, life's good,' she said.</p>

Money & Banking

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Country’s first female PM quits on very first day

<p><em>Image: Getty</em></p> <p>Hours after being voted in as Sweden’s first female prime minister, Magdalena Andersson has resigned.</p> <p>Andersson’s ascension was a milestone for Sweden, viewed for decades as one of Europe’s most progressive countries when it comes to gender relations, but which had yet to have a woman in the top political spot.</p> <p>Parliament approved Andersson as prime minister after she recently became the new leader of the Social Democratic party, replacing Stefan Lofven as party leader and PM.</p> <p>However, just a few hours later Andersson was announcing her equally shocking and sudden resignation after suffering a budget defeat in parliament and coalition partner the Greens left the two-party minority government.</p> <p>"For me, it is about respect, but I also do not want to lead a government where there may be grounds to question its legitimacy," Andersson told a news conference.</p> <p>Andersson has informed parliamentary Speaker Anderas Norlen that she is still interested in leading a Social Democratic one-party government.</p> <p>She said that "a coalition government should resign if a party chooses to leave the government. Despite the fact that the parliamentary situation is unchanged, it needs to be tried again".</p> <p>Norlen, the speaker of Sweden's 349-seat parliament, said he had received Andersson's resignation and would contact the party leaders "to discuss the situation".</p> <p>He is expected to announce the road ahead today, Thursday 25th November.</p> <p>The government's own budget proposal was rejected in favour of one presented by the opposition that includes the right-wing populist Sweden Democrats. Sweden's third-largest party is rooted in a neo-Nazi movement.</p> <p>"Now the government has voted for a budget that has been negotiated by a right-wing extremist party," Green Party spokesperson Per Bolund said. "That is something we deeply regret."</p> <p>Earlier in the day, when parliament voted to approve Andersson as prime minister, independent politician Amineh Kakabaveh, who supported Andersson, noted that Sweden is currently celebrating the 100th anniversary of a decision to introduce universal and equal suffrage in the Scandinavian country.</p> <p>"If women are only allowed to vote but are never elected to the highest office, democracy is not complete," said Kakabaveh who is of Iranian Kurdish descent.</p> <p>"There is something symbolic in this decision," she added. "Feminism is always about girls and women being complete people who have the same opportunities as men and boys."</p> <p>"I was really moved by what she said. She pinpointed exactly what I thought," Andersson said after her appointment in parliament where she got a standing ovation and a bouquet of red roses.</p> <p>"I have been elected Sweden's first female prime minister and know what it means for girls in our country," Andersson said.</p>

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