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The ‘yes’ Voice campaign is far outspending ‘no’ in online advertising, but is the message getting through?

<p><em><a href="https://theconversation.com/profiles/andrea-carson-924">Andrea Carson</a>, <a href="https://theconversation.com/institutions/la-trobe-university-842">La Trobe University</a>; <a href="https://theconversation.com/profiles/max-gromping-1466451">Max Grömping</a>, <a href="https://theconversation.com/institutions/griffith-university-828">Griffith University</a>; <a href="https://theconversation.com/profiles/rebecca-strating-129115">Rebecca Strating</a>, <a href="https://theconversation.com/institutions/la-trobe-university-842">La Trobe University</a>, and <a href="https://theconversation.com/profiles/simon-jackman-310245">Simon Jackman</a>, <a href="https://theconversation.com/institutions/university-of-sydney-841">University of Sydney</a></em></p> <p>With early voting set to open next week for the Indigenous Voice to Parliament referendum, this is a critical time for campaigners to win over voters.</p> <p>If the <a href="https://press-files.anu.edu.au/downloads/press/n11054/pdf/ch01.pdf">2022 federal election</a> is anything to go by, Australians have developed a taste for early voting, with fewer than half of all voters actually going to a polling station on election day.</p> <p>If the same voting patterns apply to the referendum, this means more than half of Australians, particularly <a href="https://www.cambridge.org/core/journals/government-and-opposition/article/correlates-of-early-voting/49D19E94A1D26F9AFE1B72DCB56AFF3F">older voters</a>, may have cast a vote before voting day on October 14.</p> <h2>What’s happening in the polls?</h2> <p>Public polls indicate support for the “yes” campaign continues to decline, despite, as we’ve shown below, huge spending on advertising and extensive media coverage of its message.</p> <p>According to <a href="https://simonjackman.github.io/poll_averaging_voice_2023/poll_averaging.html">Professor Simon Jackman’s</a> averaging of the polls, “no” currently leads “yes” by 58% to 42% nationally. If this lead holds, the result would be <a href="https://www.aec.gov.au/elections/referendums/1999_referendum_reports_statistics/1999.htm">even more lopsided</a> than the 1999 republic referendum defeat, where the <a href="https://www.aec.gov.au/elections/referendums/1999_referendum_reports_statistics/summary_republic.htm">nationwide vote </a> was 55% “no” to 45% “yes”.</p> <p>The rate of decline in support for “yes” continues to be about 0.75 of a percentage point a week. If this trend continues, the “yes” vote would sit at 39.6% on October 14, 5.5 percentage points below the “yes” vote in the republic referendum.</p> <p>If “yes” were to prevail on October 14, it would take a colossal reversal in public sentiment, or it would indicate there’s been a stupendously large, collective polling error. Or perhaps both.</p> <hr /> <p><iframe style="width: 100%;" src="https://simonjackman.github.io/poll_averaging_voice_2023/level_plot_standalone.html" width="100%" height="688"> </iframe></p> <hr /> <h2>What’s happening in the news and social media?</h2> <p>Using Meltwater data, we have seen a massive spike in Voice media coverage since Prime Minister Anthony Albanese announced the referendum date at the end of August.</p> <p>In the most recent week we analysed, from September 14-21, we saw a huge jump of mentions of the Voice to Parliament (2.86 million) in print media, radio, TV and social media. This compares to about a quarter million mentions in the first week of the “yes” and “no” campaigns, which we documented in our <a href="https://theconversation.com/the-no-campaign-is-dominating-the-messaging-on-the-voice-referendum-on-tiktok-heres-why-212465">last report</a> of this series monitoring both campaigns.</p> <p>Voice coverage now constitutes 6.7% of all Australian media reporting, up from 4.2% in week one. To put that in perspective, mentions of Hugh Jackman’s marriage split from Deborra-Lee Furness comprised 1.5% of total weekly coverage, while mentions of the AFL and NRL amounted to 4.1% and 1.7%, respectively.</p> <p>Media coverage of the Voice peaked on September 17 with 38,000 mentions, thanks to widespread coverage of the “yes” rallies that day around the country.</p> <p>This was followed closely by 35,000 Voice mentions the next day, led by Opposition Leader Peter Dutton’s <a href="https://www.skynews.com.au/australia-news/voice-to-parliament/voice-will-see-lawyers-in-sydney-and-melbourne-get-richer-dutton/video/40349a54a9f0c2f48baec7ba7263a000">claim</a> on Sky News that a Voice to parliament would see lawyers in Sydney and Melbourne “get richer” through billions of dollars worth of treaty negotiations.</p> <p>Our analysis of X (formerly Twitter) data provides further insight to these trends, showing the nationwide “yes” rallies on September 17 received the most public engagement about the Voice during the week we analysed.</p> <hr /> <figure class="align-center "><img src="https://images.theconversation.com/files/549754/original/file-20230922-21-tp54x2.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/549754/original/file-20230922-21-tp54x2.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=269&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/549754/original/file-20230922-21-tp54x2.png?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=269&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/549754/original/file-20230922-21-tp54x2.png?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=269&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/549754/original/file-20230922-21-tp54x2.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=338&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/549754/original/file-20230922-21-tp54x2.png?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=338&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/549754/original/file-20230922-21-tp54x2.png?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=338&amp;fit=crop&amp;dpr=3 2262w" alt="" /><figcaption><span class="caption">X (Twitter) data accessed via Meltwater.</span> <span class="attribution"><span class="source">Author provided</span></span></figcaption></figure> <hr /> <h2>Who is advertising online?</h2> <p>This week, we specifically turned our attention to the online advertising spending of the campaigns. We also examined the types of disinformation campaigns appearing on social media, some of which are aimed at the Australian Electoral Commission, similar to the anti-democratic disinformation campaigns that have roiled the US.</p> <p>The main online advertising spend is on Meta’s Facebook and Instagram platforms. We have real-time visibility of this spending thanks to the ad libraries of Meta and Google.</p> <p>The Yes23 campaign has far outspent any other Voice campaigner on these platforms. In the last three months, its advertising expenditure exceeds $1.1 million, compared to just under $100,000 for Fair Australia, the leading “no” campaign organisation.</p> <hr /> <figure class="align-center "><img src="https://images.theconversation.com/files/549942/original/file-20230925-23-7tl134.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/549942/original/file-20230925-23-7tl134.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=241&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/549942/original/file-20230925-23-7tl134.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=241&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/549942/original/file-20230925-23-7tl134.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=241&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/549942/original/file-20230925-23-7tl134.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=303&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/549942/original/file-20230925-23-7tl134.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=303&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/549942/original/file-20230925-23-7tl134.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=303&amp;fit=crop&amp;dpr=3 2262w" alt="" /><figcaption><span class="caption">Top five Voice campaign spenders on Facebook and Instagram since June 2023.</span> <span class="attribution"><span class="source">Meta ad library</span></span></figcaption></figure> <hr /> <p>Yes23 has also released a far greater number of new ads in September (in excess of 3,200) on both platforms, compared to Fair Australia’s 52 new ads. The top five spenders from both sides are listed below.</p> <p>As early voting nears, this graph shows Yes23 ad spending outpaced Fair Australia on both Google and Meta platforms in week three, as well.</p> <hr /> <figure class="align-center "><img src="https://images.theconversation.com/files/549762/original/file-20230922-23-1bi7ov.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/549762/original/file-20230922-23-1bi7ov.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=484&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/549762/original/file-20230922-23-1bi7ov.png?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=484&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/549762/original/file-20230922-23-1bi7ov.png?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=484&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/549762/original/file-20230922-23-1bi7ov.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=608&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/549762/original/file-20230922-23-1bi7ov.png?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=608&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/549762/original/file-20230922-23-1bi7ov.png?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=608&amp;fit=crop&amp;dpr=3 2262w" alt="" /><figcaption><span class="caption">Campaign ad spending on digital platforms from Sept. 14-21.</span> <span class="attribution"><span class="source">Authors provided.</span></span></figcaption></figure> <hr /> <p>The advertising spending data shows how drastically different the strategies of the two main campaigns are. Yes23’s approach is an ad blitz, blanketing the nation with hundreds of ads and experimenting with scores of different messages.</p> <p>In contrast, the “no” side has released far fewer ads with no experimentation. The central message is about “division”, mostly delivered by the lead “no” campaigner, Senator Jacinta Nampijinpa Price. All but eight of the ads released by the “no” side in September feature a personal message by Price arguing that the referendum is “divisive” and “the Voice threatens Aussie unity.”</p> <p>To win, “yes” requires a majority of voters nationwide, as well as a majority of voters in a majority of states. The “no” side is strategically targeting its ads to the two states it believes are most likely in play – South Australia and Tasmania. It only needs to win one of these states to ensure the “yes” side fails.</p> <hr /> <figure class="align-center "><img src="https://images.theconversation.com/files/549949/original/file-20230925-20-zgr4wg.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/549949/original/file-20230925-20-zgr4wg.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=797&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/549949/original/file-20230925-20-zgr4wg.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=797&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/549949/original/file-20230925-20-zgr4wg.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=797&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/549949/original/file-20230925-20-zgr4wg.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=1001&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/549949/original/file-20230925-20-zgr4wg.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=1001&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/549949/original/file-20230925-20-zgr4wg.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=1001&amp;fit=crop&amp;dpr=3 2262w" alt="" /><figcaption><span class="caption">Campaign ad spend on Meta platforms across the states since mid-August. (Dark blue = greater the ad spend).</span> <span class="attribution"><span class="source">Author provided</span></span></figcaption></figure> <hr /> <h2>Referendum disinformation</h2> <p>The Meltwater data also reveal a surge in misinformation and disinformation targeting of the AEC with American-style attacks on the voting process.</p> <p>Studies show disinformation surrounding the referendum has been <a href="https://osf.io/qu2fb/">prevalent</a> on X since at least March. To mitigate the harms, the AEC has established a <a href="https://www.aec.gov.au/media/disinformation-register-ref.htm">disinformation register</a> to inform citizens about the referendum process and call out falsehoods.</p> <p>We’ve identified three types of disinformation campaigns in the campaign so far.</p> <p>The first includes attempts to redefine the issue agenda. Examples range from the false <a href="https://www.abc.net.au/news/2023-08-02/fact-check-indigenous-australians-support-for-the-voice/102673042">claims</a> that First Nations people do not overwhelmingly support the Voice to <a href="https://stephenreason.substack.com/p/the-voice-to-parliament-the-united">conspiracy myths</a> about the Voice being a globalist land grab.</p> <p>These falsehoods aim to influence vote choice. This disinformation type is not covered in the AEC’s register, as the organisation has no provisions to enforce truth in political advertising.</p> <p>The register does cover a second type of disinformation. This includes spurious claims about the voting process, such as that the referendum is voluntary. This false claim aims to depress voter turnout in yet another attempt to influence the outcome.</p> <p>Finally, a distinct set of messages targets the AEC directly. The aim is to undermine trust in the integrity of the vote.</p> <p>A most prominent example was Dutton’s <a href="https://www.afr.com/politics/federal/voice-voting-rules-confusion-stinks-dutton-20230824-p5dz41">suggestion</a> the voting process was “rigged” due to the established rule of counting a tick on the ballot as a vote for “yes”, while a cross will not be accepted as a formal vote for “no”. Sky News host Andrew Bolt <a href="https://www.facebook.com/watch/?v=1256952825005993">echoed</a> this claim in his podcast, which was repeated on social media, reaching 29,800 viewers in one post.</p> <p>Attention to the tick/cross issue spiked on August 25 when the AEC <a href="https://www.theguardian.com/australia-news/2023/aug/25/indigenous-voice-to-parliament-referendum-aec-poll-unfairness-claims-rejected">refuted</a> the claim (as can be seen in the chart below). Daily Telegraph columnist and climate change denialist Maurice Newman then linked the issue to potential <a href="https://www.dailytelegraph.com.au/news/opinion/maurice-newman-aec-rules-on-voting-could-create-confusion-uncertainty/news-story/c76bc3e1e031c2f349710dd1e9f3b51e?btr=15aad1c65d873d8f896d09618a96e228">voter fraud</a>, mimicking US-style attacks on the integrity of voting systems.</p> <hr /> <figure class="align-center "><img src="https://images.theconversation.com/files/549852/original/file-20230924-23-ob3ltn.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/549852/original/file-20230924-23-ob3ltn.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=267&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/549852/original/file-20230924-23-ob3ltn.png?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=267&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/549852/original/file-20230924-23-ob3ltn.png?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=267&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/549852/original/file-20230924-23-ob3ltn.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=336&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/549852/original/file-20230924-23-ob3ltn.png?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=336&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/549852/original/file-20230924-23-ob3ltn.png?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=336&amp;fit=crop&amp;dpr=3 2262w" alt="" /><figcaption><span class="caption">Disinformation attacking AEC or referendum over past month.</span> <span class="attribution"><span class="source">Authors provided</span></span></figcaption></figure> <hr /> <p>The volume of mentions of obvious disinformation on media and social media may not be high compared to other mentions of the Voice. However, studies show disinformation disproportionately grabs people’s attention due to the <a href="https://www.nature.com/articles/s41599-019-0224-y">cognitive attraction</a> of pervasive negativity, the focus on threats or arousal of disgust.</p> <p>All three types of disinformation campaigns attacking this referendum should concern us deeply because they <a href="https://journals.sagepub.com/doi/10.1177/00104140231193008">threaten trust</a> in our political institutions, which undermines our vibrant democracy.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/213749/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><a href="https://theconversation.com/profiles/andrea-carson-924"><em>Andrea Carson</em></a><em>, Professor of Political Communication, Department of Politics, Media and Philosophy, <a href="https://theconversation.com/institutions/la-trobe-university-842">La Trobe University</a>; <a href="https://theconversation.com/profiles/max-gromping-1466451">Max Grömping</a>, Senior Lecturer, <a href="https://theconversation.com/institutions/griffith-university-828">Griffith University</a>; <a href="https://theconversation.com/profiles/rebecca-strating-129115">Rebecca Strating</a>, Director, La Trobe Asia and Associate Professor, La Trobe University, <a href="https://theconversation.com/institutions/la-trobe-university-842">La Trobe University</a>, and <a href="https://theconversation.com/profiles/simon-jackman-310245">Simon Jackman</a>, Professor, <a href="https://theconversation.com/institutions/university-of-sydney-841">University of Sydney</a></em></p> <p><em>Image credits: Getty Images</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/the-yes-voice-campaign-is-far-outspending-no-in-online-advertising-but-is-the-message-getting-through-213749">original article</a>.</em></p>

Money & Banking

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The soundtrack to selling: why advertising with popular music needs to be pitch perfect

<p><em><a href="https://theconversation.com/profiles/morteza-abolhasani-1346513">Morteza Abolhasani</a>, <a href="https://theconversation.com/institutions/the-open-university-748">The Open University</a></em></p> <p>At some point today, it’s likely that you’ll listen to music. It may be during a commute or school run, while you do some exercise or take some time to relax. Music is all around us – an accessible and popular art form which <a href="https://online.ucpress.edu/mp/article-abstract/22/1/41/62190/Uses-of-Music-in-Everyday-Life?redirectedFrom=fulltext">accompanies our daily lives</a>.</p> <p>Advertisers have long understood the popularity and emotional power of music and used it to sell us things. Much time – and money – is spent on securing the right soundtrack to adverts in a bid to boost sales, such as when Microsoft <a href="https://www.bloomberg.com/news/articles/1999-05-23/sing-a-song-of-selling?leadSource=uverify%20wall">spent a reported US$3 million</a> (£2.4 million) to use The Rolling Stones’ song Start Me Up as part of their advertising campaign for Windows 95.</p> <p>So how do companies choose the right music for their product? And why is it such a valuable ingredient in the mission to make us consume?</p> <p>Research suggests that the specific qualities of music as an art form enhances the science of selling. As one researcher <a href="https://onlinelibrary.wiley.com/doi/10.1002/mar.4220010303">puts it</a>: “Music […] is the catalyst of advertising. It augments pictures and colours words, and often adds a form of energy available through no other source.”</p> <p>Other <a href="https://link.springer.com/chapter/10.1007/978-3-531-18916-1_19">studies have shown</a> how music transports, underlines or amplifies the persuasive message of adverts. Used well, it creates memorable commercials which influence our attitudes to a product or service.</p> <p>Take the visually simple but <a href="https://www.youtube.com/watch?v=J6bGnSEwdKY">compelling advert</a> for Air France, with the soundtrack of Mozart’s Piano Concerto No. 23. It projects grandeur and elegance, in the hope that viewers will associate those qualities with the airline.</p> <figure><iframe src="https://www.youtube.com/embed/J6bGnSEwdKY?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <p><a href="https://journals.sagepub.com/doi/pdf/10.1177/1470593117692021">My research</a>, which looked at hundreds of viewer comments about the music used in advertising, suggests it was successful. Air France’s use of a sophisticated piece of classical music created a direct perception of a sophisticated and premium airline.</p> <p>This is supported by other <a href="https://academic.oup.com/edited-volume/38632/chapter-abstract/335307151?redirectedFrom=fulltext">research</a> which suggests that music which matches the main message of an advert has a positive effect on consumer engagement. This alignment, known as “musical congruity”, can result in enhanced attention, a positive emotional response, and improved brand recall, ultimately enhancing the effectiveness of an advert.</p> <h2>Down memory lane</h2> <p>Music is also effective at triggering <a href="https://journals.sagepub.com/doi/abs/10.1177/1470593114521451?journalCode=mtqa">feelings of nostalgia</a>. The extent to which music arouses emotional memories – “musical indexicality” – in adverts creates associations with consumers’ past experiences.</p> <p>The music for <a href="https://www.youtube.com/watch?v=_NwBcCUh24I">an advert</a> for Old Navy inspired <a href="https://journals.sagepub.com/doi/pdf/10.1177/1470593117692021">positive comments</a> based on viewers’ memories. A good choice of music allows businesses to tap into this nostalgia for commercial benefit, and my <a href="https://journals.sagepub.com/doi/pdf/10.1177/1470593117692021">research suggests</a> that music with autobiographical resonance can be particularly effective.</p> <p>Another example of this is when <a href="https://www.youtube.com/results?search_query=pink+moon+vw">Volkswagen used</a> Nick Drake’s <em>Pink Moon</em>.</p> <figure><iframe src="https://www.youtube.com/embed/_-kqUkZnDcM?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <p>As one viewer commented: “Rarely do I get sentimental with commercials, but this one takes me back to the time when I was dating my wife and when we were first married. We used to take drives like this in the mountains and I remember looking at her beautiful face in the moonlight. The music is perfect. The sentiment is perfect.”</p> <p>(In this case, the 1999 advert also had a big impact on Nick Drake’s popularity, with album sales <a href="https://www.rollingstone.com/music/music-news/nick-drake-pink-moon-song-volkwagen-commercial-182739/">dramatically increasing</a> after the advert’s release. Drake, who died at the age of 26, never saw commercial success in his lifetime.)</p> <h2>Commercial clash</h2> <p>But using music to advertise products doesn’t always work. For one thing, music can infiltrate the mind, repeat itself continuously and become extremely difficult to dislodge.</p> <p>This is why we can’t get some jingles out of our heads for ages. Involuntary and repetitive exposure to a piece of music can quickly reach the point of annoyance.</p> <p>The use of popular music in advertising can also provoke arguments around <a href="https://journals.library.columbia.edu/index.php/currentmusicology/article/view/5206">the tensions</a> between artistic endeavour and commercialism. Some people believe a work of art should not be used for the pursuit of profit.</p> <p>In fact, the findings of my study on viewer comments showed that consumers sometimes passionately oppose the use of music by revered musicians being used in adverts, as they believe that doing this undermines its aesthetic integrity.</p> <p>For example, Nike’s use of the The Beatles’ song <em>Revolution</em> was seen by some as exploiting John Lennon’s lyrics to sell shoes. It made some Nike wearers so angry that they boycotted the brand.</p> <p>One wrote: “This is disgusting. Shame on Nike for exploiting priceless art. I will never buy another Nike shoe again.” Another said: “John didn’t mean change the brand of your trainers!”</p> <p>So advertisers need to be careful. For while the right choice of music can attract customers, boost sales, and inspire brand loyalty, the wrong choice can create something of a backlash. For many people, music is precious, and using it as a marketing tool does not always have harmonious results.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/203856/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><em><a href="https://theconversation.com/profiles/morteza-abolhasani-1346513">Morteza Abolhasani</a>, Lecturer in Marketing, <a href="https://theconversation.com/institutions/the-open-university-748">The Open University</a></em></p> <p><em>Image credits: Getty Images</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/the-soundtrack-to-selling-why-advertising-with-popular-music-needs-to-be-pitch-perfect-203856">original article</a>.</em></p>

Music

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Gym slammed as “fatphobic” over detail in advertisement

<p dir="ltr">A small detail in a gym’s advertising calling for models to promote their new apparel range has sparked outrage online for being “fatphobic” and lacking size inclusivity.</p> <p dir="ltr">The gym chain shared a notice online looking for female models between a size extra small and a small.</p> <p dir="ltr">Hundreds of people called out the gym for the “sickening” size requirement, saying it is unfair to gym-goers bigger than a size eight.</p> <p dir="ltr">However, some pointed out models of larger sizes could already be included or casters are trying to find people who fit in sample sizes. </p> <p dir="ltr">The gym has explained the post was a “miscommunication” and that they were looking for models of a specific size based on the clothing their suppliers provided.</p> <p dir="ltr">“How's this for size inclusivity?” one of the gym members wrote online alongside a screenshot of the advertisement.</p> <p dir="ltr">“We are looking for male and female eCommerce models to shoot our new apparel - Melbourne based,” the message from the gym read. </p> <p dir="ltr">It said they were after medium-sized male models and female models who fit an XS or S.</p> <p dir="ltr">The woman’s post reached hundreds of people, many sharing their outrage over the ad.</p> <p dir="ltr">“Yuck they actually put this on the internet," one woman wrote.</p> <p dir="ltr">“I hate it here. How hard is it to just support inclusivity??” another added.</p> <p dir="ltr">“Because people still don't like us fat people, especially gyms,” a third replied. </p> <p dir="ltr">Many came to the gym’s defence and didn’t see any issue with the detail asking for smaller models.</p> <p dir="ltr">"I'm a chunky girl and honestly this isn't that serious or offensive. More important things to worry about!” one woman wrote. </p> <p dir="ltr">“It's really not that deep, they are probably modelling sample sizes,” a second added.</p> <p dir="ltr">“It's also a gym so they're gonna wanna be promoting 'fitter' people more than likely,” a third responded. </p> <p dir="ltr">Sample sizes refer to clothing sent out by brands and designers for press, modelling and PR purposes. </p> <p dir="ltr">They are typically made in small sizes supposedly to save money on fabric but have been slammed for not representing average body types.</p> <p dir="ltr">Those angered by the ad were not convinced by the defenders’ reasons, with one saying, “The fact there are so many 'what ifs!' Instead of just supporting body inclusivity is mind boggling to me.”</p> <p dir="ltr">“I'm gonna need a follow up when they post photos from their model call because the amount of people in here assuming they've already shot larger sizes are sweet, but most likely wrong,” a second added.</p> <p dir="ltr">After explaining it was a “miscommunication”, a spokesperson for the gym added that it did not intend to exclude anyone or insinuate negative stereotypes.</p> <p dir="ltr">They said they had only received clothing in extra small and small from suppliers despite requesting a range of sizes. </p> <p><span id="docs-internal-guid-973765ca-7fff-a9e2-91dd-ca3c86a8aa80"></span></p> <p dir="ltr"><em>Image credit: Instagram/Shutterstock</em></p>

Body

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Desperate measures: Shed advertised as three-bedroom rental

<p dir="ltr">As Australia’s housing crisis continues, prospective tenants have been left desperately searching for accommodation.</p> <p dir="ltr">Some homeowners have taken the chance to exploit the anguish of renters by listing their own version of “budget” accommodation to make a few bucks on the side.</p> <p dir="ltr">The latest makeshift housing solution comes from a landlord in Melbourne who has listed their garden shed a three-bedroom rental.</p> <p dir="ltr">The homeowner claims the shed boasts enough room for three bedrooms and a bathroom, while photos of the “property” show a singular room, adorned with astroturf.</p> <p dir="ltr">The listing, which is believed to have been shared on Facebook, was priced at $350 per month, with pictures showing one open-plan "room" with a large mattress shoved in one corner of the shed along with what appears to be a desk.</p> <p dir="ltr">The walls have no form of insulation and pieces of wood can be seen balancing in the rafters overhead.</p> <p dir="ltr">The Facebook listing was seen by an outraged man, who reposted the ad to a group which warns prospective renters about subpar rental properties.</p> <p dir="ltr">He said he was left "speechless" by the advertisement, which he described as "sweatshop style accommodation".</p> <p dir="ltr">"These sheds will be a sauna in summer, freezing in winter and attract all sorts of vermin. People will get severely sick. This should never, ever be an acceptable substitute for housing," he wrote.</p> <p dir="ltr">"I feel like this has to be someone actually genuinely joking?" one person said.</p> <p dir="ltr">"Disgusting, the nerve this person has," another raged.</p> <p dir="ltr">The listing comes amid unprecedented pressure on the Australian rental market, with record-low vacancy rates pushing prices sky-high.</p> <p dir="ltr">Tenants have little choice but to pay up, with the national vacancy rate at just 0.9 per cent.</p> <p dir="ltr"><em>Image credits: Facebook</em></p>

Money & Banking

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"I'm lovin' it": McDonald's face public outcry over unfortunately placed ad

<p>McDonald's has faced the wrath of angry locals in Cornwall, UK, after a poorly placed advertisement was called out for being "tasteless". </p> <p>The advertisement in question was for the fast food franchise's new McCrispy burger, which was placed in a prime position on the side of a bus stop. </p> <p>However, what the company didn't realise was that the sign right next to it pointed to Penmount Crematorium across the road, in an unfortunate yet humorous coincidence.</p> <p>Local media outlet <a href="https://www.cornwalllive.com/news/cornwall-news/mcdonalds-remove-tasteless-sign-opposite-8133444" target="_blank" rel="noopener"><em>CornwallLive</em></a> was the first to report on the poorly placed ad, and asked local residents if they thought the sign should stay or go. </p> <p>"Fell off the chair laughing," one commenter who saw the picture online said.</p> <p>"I'm lovin' it," wrote another, in reference to the popular McDonald's slogan.</p> <p>"I only recently lost 2 loved ones &amp; to be honest if I'd seen that sign near the crematorium I would have smiled. I don't find it offensive at all," said another.</p> <p>"My parents are in this crematorium. My old man had a brilliant sense of humour, so I'm sure he would have chuckled at this!" another added.</p> <p>One concerned local said, "I think how funny it is will probably depend on how long ago you followed the crematorium sign wearing a black tie."</p> <p>One woman, who's mother-in-law was cremated at the crematorium, said, "Although I can see the funny side, it is tasteless and I'm sure some grieving family members won't like to see it when visiting Penmount for the funeral and cremation of a loved one."</p> <p>Cornwall Council, who are in charge of both the crematorium and the bus shelter, have yet to comment on the matter, while McDonald's are taking the concerns about the ad seriously. </p> <p>A spokesperson told <em>CornwallLive</em>, "We were unaware of the road sign in the vicinity of this bus stop. However, in light of the concerns raised by CornwallLive, we have asked for our advertisement to be removed."</p> <p><em>Image credits: Twitter</em></p>

Caring

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Viewers slam Kath and Kim for “false advertising”

<p dir="ltr">Viewers have been left disappointed with the reboot of <em>Kath and Kim</em> after months of promoting the return of the Aussie show. </p> <p dir="ltr"><em>Kath &amp; Kim: Our Effluent Life</em> aired on Channel 7 on November 20 with fans gearing up for the show’s exciting 20th anniversary. </p> <p dir="ltr">However, within minutes of the show airing, social media was flooded with messages of “disappointment” because only 10 minutes of new footage was aired. </p> <p dir="ltr">“Well this is disappointing. I thought it was a new episode #KathandKim,” someone wrote. </p> <p dir="ltr">“This episode is like watching the bonus content you get when you buy a special edition DVD from Sanity #kathandkim #oureffluentlife,” another commented.</p> <p dir="ltr">“Anyone else feeling cheated that we're not getting a whole new episode,” another wrote.</p> <p dir="ltr">The 20th anniversary reboot, which showed never-before-seen bloopers and moments from the previous seasons, went on for 74 minutes.</p> <p dir="ltr">There were special appearances from Kylie Minogue, Michael Bublé, Adam Gilchrist, Ricky Ponting, Eric Bana, Mick Molloy, Tony Martin, Richard E Grant, Barry Humphries, and Julia Gillard.</p> <p dir="ltr">Channel 7 did make it clear however that the show will only include around 10 minutes of new footage.</p> <p dir="ltr">Avid fans defended the screening, pointing out that it was evident from the beginning that the 20th anniversary episode would not be something new. </p> <p dir="ltr">“The only people complaining about #kathandkim are the ones who chose not to read anything about it prior to tonight. It was never advertised as a new episode. It was always going to be a celebration of the show’s history,” someone pointed out. </p> <p dir="ltr">“I feel like I'm the only person in Australia who picked up this was going to be a greatest hits/behind the scenes special, not a brand new episode #kathandkim,” another wrote. </p> <p dir="ltr">“If you are one of the morons complaining about the #kathandkim retrospective, if you had half a brain you'd be dangerous. It was always promoted and advertised as a retrospective, it's not their problem you're dumb,” someone else commented.</p> <p dir="ltr">Despite all the anger, 786,000 Aussies tuned in to watch the show. </p> <p dir="ltr"><em>Image: Channel 7</em></p>

TV

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FatBlaster slammed and banned for misleading advertising

<p>A popular weight loss pill will be banned from being sold after Australian regulators deemed there was no medical evidence the pill leads to weight-loss, as advertised.</p> <p>The Therapeutic Goods Administration (TGA) removed FatBlaster Max – Australia’s leading weight loss supplement – from shelves across the country on Monday including at Coles, Woolworths, and Priceline after its creators registered the medicine without any weight loss properties.</p> <p>“The TGA considers that the name ‘FatBlaster’, as used on the label for FatBlaster Max and on a website where Cat Media Pty Ltd advertised that medicine, would be understood by consumers to represent that the medicine causes loss of body fat and therefore weight loss,” they said.</p> <p>“When the medicine was listed on [the register], however, Cat Media Pty Ltd had not included weight loss or body fat loss in the list of indications for the medicine. Thus, the TGA is unable to ensure that the medicine is effective for this advertised purpose.”</p> <p>Consumers were recommended by the FatBlaster Max creators to take one tablet every three hours, with each pill containing the same amount of caffeine as a cup of instant coffee.</p> <p>University of Queensland researcher and Accredited Practising Dietician, Dr Veronique Chachay, told NCA NewsWire “it’s about time” the “misleading” product was banned from sale.</p> <p>“Having this being taken off the shelf is only a little drop in a big ocean of issues, but still, it’s a step.”</p> <p>“People need to understand that weight loss doesn‘t happen this way. There’s no magic pill.”</p> <p>A FatBlaster representative told NCA NewsWire they are “disappointed” by the TGA’s decision to cancel the product.</p> <p><em>Image: FatBlaster</em></p>

Body

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Landlord slammed for “dirty trick”

<p dir="ltr">A landlord has come under fire for using an unusual advertising technique to lease out a studio apartment in Leeds, UK. </p> <p dir="ltr"><a href="https://www.vice.com/en/article/v7dwvy/luxury-shopping-bags-rental-flats-photos">Vice</a> writer Joel Golby noticed the one bedroom studio flat available to rent for £535 ($943AUD) a month excluding bills on real estate website <a href="https://www.zoopla.co.uk/to-rent/details/61269048/?search_identifier=e41b2d510aba81ae7a72f962cd2c3501">Zoopla</a>, when he noticed some very out of place accessories. </p> <p dir="ltr">Almost all of the photos attached in the advertisement featured shopping bags from luxury brands such as Harrods, Chanel and Harvey Nichols. </p> <p dir="ltr">The landlord had increased the price of staying at the property by £9 since the ad was first created, despite its bleak appearance.</p> <p dir="ltr">“The Chanel bag is there to dazzle us: we, foolish non-property owning fools like we are, will easily be distracted by the bag, and ignore the fact that the living room and kitchen are only demarcated by slightly different carpet textures because we know the person renting it to us owns either a really nice card holder or a too-expensive belt,” Joel wrote.</p> <p dir="ltr">Despite being listed as partially furnished, the property seems to have all the basic amenities and little space for the renter to bring much of their own belongings.</p> <p dir="ltr">The photos of the flat include images of the small kitchen, living room, bedroom and half of the bathroom, with most surfaces adored with the luxury boxes. </p> <p dir="ltr">Joel slammed the landlord’s “dirty trick”, and challenged readers to share their own stories of upselling rental advertisements, as well as any potential tenants for the “miserable” studio apartment. </p> <p dir="ltr"><em>Image credits: Zoopla</em></p>

Real Estate

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Brutally honest housemate ad applauded

<p dir="ltr">A man has been praised online for his brutally honest advertisement for a roommate, in which he laid out some very specific ground rules for potential tenants.</p> <p dir="ltr">The man from Perth posted the ad on the Perth Buy And Sell Western Australia Facebook group, stating he “really really didn’t want a housemate” but needed someone to share the rent so he could “save for a motorbike”.</p> <p dir="ltr">He went on to list the many traits he wanted in his future housemate, which included someone who smokes outside, “no paedophiles” and a preferably introverted roommate who largely kept to themselves. </p> <p dir="ltr">“I really really don’t want a housemate, especially someone who talks too much or who has lots of visitors,” he wrote.</p> <p dir="ltr">“Prefer someone who just wants to use the room to set up a lan for computer hacking 9-5 or FIFO workers 4/1.”</p> <p dir="ltr">“No eye contact or boring ‘polite’ casual conversations.”</p> <p dir="ltr">On offer in the home was one large room with high ceilings, unlimited internet, with access to a large contained backyard complete with a lemon and orange tree, with the rent also enticingly priced at $165 a week.</p> <p dir="ltr">He also went on to say the prospective roommate could grow marijuana or magic mushrooms in the backyard but only “if you share”.</p> <p dir="ltr">The man who shared the ad has been praised online for being “refreshingly honest” and upfront, with many commenters appreciating his transparency. </p> <p dir="ltr">“Best room to rent ad ever. Expectations and boundaries laid upfront,” one woman wrote.</p> <p dir="ltr">It is as yet unclear if the man has found a roommate that meets his list of demands to move in with him – but we sure hope so. </p> <p dir="ltr"><em>Image credits: Getty Images / Facebook</em></p>

Real Estate

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Hotel chain adds royal touch to their new ad

<p><span style="font-weight: 400;">A luxury chain of hotels have enlisted the help of honest to goodness European royals to help advertise their latest project. </span></p> <p><span style="font-weight: 400;">Raffles Hotels &amp; Resorts launched the new ad for their London hotel, which features Princess Maria Olympia of Greece and Prince Nikolai of Denmark. </span></p> <p><span style="font-weight: 400;">In the two-minute advertisement, a group of six royals and high-society figures take viewers through the company’s rich history while showcasing their Singapore location. </span></p> <p><span style="font-weight: 400;">The first royal cameo comes from George Spencer-Churchill, Marquess of Blandford, who is featured having a flower attached to his lapel in the breakfast room.</span></p> <p><span style="font-weight: 400;">Princess Maria is then seen posing with a dog and cockatoo in the drawing room.</span></p> <p><span style="font-weight: 400;">Princess Mary’s nephew Prince Nikolai also makes an appearance holding a bird and painting.</span></p> <p><span style="font-weight: 400;">Next, the Archduchess of Austria and Princess of Hungary and Bohemia Anna Catharina von Habsburg, is filmed writing a letter at the Raffles Writer's Bar, and elsewhere her mother Archduchess Gabriele, can be seen lounging by the pool.</span></p> <p><span style="font-weight: 400;">Another royal cameo is made from Maharaja Sawai Padmanabh Singh of Jaipur, who is seen gallantly riding in on a horse in the art gallery.</span></p> <p><span style="font-weight: 400;">The new advertisement finishes with all of the royals seated together for a lavish dinner in the Raffles Singapore resort.</span></p> <p><span style="font-weight: 400;">When asked to take part in the project, Princess Maria Olympia told </span><a href="https://www.forbes.com/sites/jimdobson/2021/11/02/raffles-hotel-launches-stunning-new-campaign-featuring-actual-royalty/"><span style="font-weight: 400;">Forbes</span></a> <span style="font-weight: 400;">that, "Raffles is emblematic of so much history and sophistication, and the brand has played host to so many notable moments with fashionable icons through the ages".</span></p> <p><span style="font-weight: 400;">Upon launching the royal campaign, Raffles stated on its official website, "Welcome to Raffles for our social season of enchantment and wonder, by appointment with six illustrious ambassadors.”</span></p> <p><span style="font-weight: 400;">"In the spirit of adventure, we invited them to step into an imaginary day in the life of their beloved Raffles, as wittily conjured up by filmmaker extraordinaire Peter Greenaway CBE. Celebrating our shared love of heritage and Raffles' role as the birthplace of stories and legends – past, present and future."</span></p> <p><span style="font-weight: 400;">Check out the video here:</span></p> <p><iframe width="560" height="315" src="https://www.youtube.com/embed/ZyavSZKjX-I" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen=""></iframe></p> <p><em><span style="font-weight: 400;">Image credits: Raffles Hotels &amp; Resorts</span></em></p>

Travel Tips

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Queen under fire over abysmal royal job salary

<p>The royal family have come under fire after a job advertisement has been described as "disastrously" out of touch. </p> <p>The latest vacancy at Buckingham Palace is for the position of Personnel Security Adviser for the royal family, which requires applicants to have <span>a degree in security, experience and the confidence to "deliver vital work".</span></p> <p>The ad tells applications of the job that they will <span>"make important decisions every day" and will be "helping to protect a world-famous institution."</span></p> <p>The position oversees tasks at Buckingham <span>Palace, Windsor Castle, Sandringham and Balmoral, with the potential applicant working five days a week.</span></p> <p><span>Despite the importance and high-ranking position of this job, the pay rate has been labelled a "meagre" rate of only $24 an hour.</span></p> <p><span>The salary amounts to roughly $48,000 per year, and has been blasted by </span>royal critics who have described the rate as next to nothing compared to <span>the royal family's "incomprehensible" wealth.</span></p> <p>A reporter for The Mirror said the Queen's wealth is <span>"double-edged sword" and said the advertisement was "disastrous", considering the family costs the UK public approximately $128 million a year.</span></p> <p><span>"Everyone knows the monarchy brings money into the country — but is it an excuse to offer such low pay in comparison to their own wealth?" he said.</span></p> <p><span>The pitiful wage has coped global </span>scrutiny, given the opulent and exclusive lifestyle ledgy the royal family, particularly in terms of weddings.</p> <p>Reports show that the cost of Prince Harry and Meghan Markle's wedding expenses was around $61million, while the wedding of Prince William and Kate Middleton cost roughly $48million. </p> <p>These royal events also feed money back into the country's economy through global tourism opportunities, with reports of Harry and Meghan's wedding made the UK over $1.8billion in tourism revenue. </p> <p><em>Image credit: Getty Images</em></p>

Money & Banking

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Steve Price moved to tears on The Project

<p>Hosts of Channel 10's <em>The Project </em>have been moved to tears on Monday night after watching the latest ad from Qantas.</p> <p>Together they watched the new ad from the Aussie airline, which urged people to get vaccinated in order to be able to travel and see loved ones around the world. </p> <p>The description for the ad said, <span>“Getting vaccinated is an important step that every Australian can take to bring us that little bit closer to life as we knew it.”</span></p> <p>The 90 second ad shows images of missing loved ones, long-awaited family holidays and overseas weddings, all paired with <span>Tones and I’s sombre song,</span> Fly Away<span>.</span></p> <p><em>The Project</em> host Steve Price was noticeably moved by the ad, saying he was getting choked up. </p> <p>“I find it hard to watch without sort of tearing up,” he said.</p> <p>“I’ve got a sister in Western Australia who can’t see me and I can’t see her, I’ve got a mother in Adelaide. I can’t go to any of these places – I’ve been on a plane once in a year, and I imagine I’m not as bad off as most people.”</p> <p>The emotional ad comes as Qantas has announced a <a rel="noopener" href="https://oversixty.com.au/travel/international-travel/qantas-offers-biggest-ever-rewards-for-vaccinated-passengers" target="_blank" title="Qantas incentive program">special rewards incentive</a> for frequent flyer members who are fully vaccinated. </p> <p>As part of the incentive scheme, members <span>will be able to choose from either 1000 Qantas points, 15 status credits or a $20 voucher for Qantas or Jetstar.</span></p> <p><span>Check out the </span>emotional advertisement below.</p> <p><iframe width="560" height="315" src="https://www.youtube.com/embed/4o9_AK1Kcyo" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen=""></iframe></p> <p><em>Image credit: Channel 10 - The Project</em></p>

TV

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New Tourism Australia ad has nothing to do with Australian destinations

<p>Tourism Australia has taken a drastic new approach to their latest marketing campaign in an attempt to get Aussies travelling again. </p> <p>Rather than boasting scenic shots of Australian destinations, their message is simple: get vaccinated. </p> <p>Tourism Australia is encouraging more Aussies to explore more of their own backyards and take up more domestic travel opportunities for the sake of our mental well-being. </p> <p>However, with lockdowns continuously extending and borders remaining closed, the message portrayed in the newest ad is to encourage Aussies to get the jab.</p> <p>The campaign launches on Friday and is called "It's Our Best Shot for Travel", which will be rolled out across major newspapers, TV stations and social media platforms. </p> <p><img style="width: 500px; height: 375.9259259259259px;" src="https://oversixtydev.blob.core.windows.net/media/7843216/screen-shot-2021-08-18-at-94951-am.png" alt="" data-udi="umb://media/12019c2ceba941f098b74b6cb8dfa188" /></p> <p><em>Image credit: Tourism Australia</em></p> <p><span>“We need to claim back our way of life so that we can visit friends and relatives, get back into the workplace, get our kids back to school, travel domestically and internationally again, and welcome the world back to enjoy all that Australia has to offer,” Tourism Australia’s managing director Phillipa Harrison said.</span></p> <p><span>Ms Harrison told an online webinar that domestic travel recovery plans have been a huge focus for Tourism Australia as Aussies remain locked down, saying the industry has “a tough couple of months ahead of us”.</span></p> <p><span>As Scott Morrison announced that Australia could move into the third phase of the pandemic's exit plan once 80 percent of Aussies are vaccinated, it is clear that the tourism industry shares the same goal. </span></p> <p>Ms Harrison said it was “very clear now that the pathway out of this is vaccinations, and it’s going to be hugely important to us.”</p> <p>“I think we have a little bit of clarity now that this isn’t going to go away, and even if you’re not in a lockdown market, you are certainly being affected by the fact that the two largest domestic source markets are in lockdown,” she said.</p> <p><span>Many parts of the tourism industry have taken a pro-vaccination stance as it continues to suffer from the effects of lockdowns and travel restrictions.</span></p> <p><em>Image credits: Tourism Australia/Shutterstock</em></p>

Domestic Travel

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"Absolute embarrassment": Police ad slammed

<div class="post_body_wrapper"> <div class="post_body"> <div class="body_text redactor-styles redactor-in"> <p>A Queensland Police advertisement campaign has been pulled just one hour it went live after it was slammed.</p> <p>The advertisement was launched on Thursday to try to get people to stop calling Triple-0 unless it's an emergency and use other alternatives such as online reporting for less urgent issues.</p> <blockquote class="twitter-tweet"> <p dir="ltr"><a href="https://twitter.com/hashtag/WATCH?src=hash&amp;ref_src=twsrc%5Etfw">#WATCH</a>: The new police ad campaign that was ready for launch, until it was pulled at the last minute when senior officers stepped in.<a href="https://twitter.com/TimArvier9?ref_src=twsrc%5Etfw">@TimArvier9</a> explains why. <a href="https://twitter.com/hashtag/9News?src=hash&amp;ref_src=twsrc%5Etfw">#9News</a> <a href="https://t.co/LK1b4gOsAz">pic.twitter.com/LK1b4gOsAz</a></p> — 9News Queensland (@9NewsQueensland) <a href="https://twitter.com/9NewsQueensland/status/1395292330157125643?ref_src=twsrc%5Etfw">May 20, 2021</a></blockquote> <p>The advertisement shows a man called "Dan" who is the "world's worst decision-maker" and has examples such as eating expired sushi and having "three failed marriages".</p> <p>Shadow Police Minister Dale Last told NCA NewsWire the advertisement is “an absolute embarrassment”.</p> <p>“What a waste of taxpayers’ money,” he said.</p> <p>The advertisement was also slammed as Dan's "three failed marriages" could be a link to domestic violence and the advertisement wasn't taking this issue seriously.</p> <p>Queensland Police said in a statement that the advertisement will be re-edited after costing $40,000 to make.</p> <p>“The decision to re-edit the video was taken as the QPS did not want a reference to failed marriages being misconstrued to suggest a link to domestic and family violence,” police said.</p> <p>“There was no reference to domestic and family violence or a suggestion within the video that any of the failed marriages occurred due to domestic and family violence.”</p> <p>The advertising campaign will be run at a later date.</p> </div> </div> </div>

Legal

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What happened to the McCain Super Juicy Corn girl?

<p>“Marge! Marge! The rains are ’ere!”</p> <p>It’s one of Australia’s most iconic ads and decades later, one of the actors has spoken out about appearing on the McCain Super Juicy Corn ad.</p> <p>Rebecca Cross, who starred in the below commercial 23 years ago, was tracked down by The Danny Lakey Late Show on Triple M.</p> <p>The former child actor, now 33, spilt on how she came across the opportunity to appear in the commercial at age 10, saying she was cast by eating lots of cobs of corn.</p> <p>“There was about six of us at the table and we sat at a table, and they threw some corn at us, and they told us to eat it. And they said the first person to finish actually gets another one. And my mother hadn’t fed me that day, so I was quite hungry,” she said.</p> <p>Ms Cross landed the role for the ad, and which was shot in Broken Hill, in outback NSW.</p> <p>While she only featured in the ad for a few seconds, the shoot lasted a full five days.</p> <p>One of the reasons the shoot took so long is because it rained for a couple of the shoot days, and “they really needed to get that picture of the sun”.</p> <p>“It was a beautiful house,” she said of the location. “It was beautiful, stunning.”</p> <p>She said, despite the ad’s popularity, she experienced “zero” fame, and no one ever recognised her in the street.</p> <p>However she said her brother loved the experience and still will tell “everyone and anyone that I was the corn girl”.</p> <p>She said she doesn’t bring up the ad anymore.</p> <p>“I still act every day when I come into work in retail. I have to act nice to everyone,” she joked.</p> <p>“I don’t do (acting) anymore, it was just a child thing my mum put me into it. I did a few catalogues, and the ad. That’s it.”</p>

TV

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Simply the worst? Backlash over error-riddled and "divisive" NRL ad

<p>South Sydney NRL player Latrell Mitchell has made a dig at Karl Stefanovic after he criticised the star’s role in the NRL’s controversial new campaign.</p> <p>The new advertisement campaign which was revealed on Monday, unveiled a throwback to Tina Turner’s iconic hit<span> </span><em>Simply The Best.</em></p> <blockquote class="twitter-tweet"> <p dir="ltr">Thirty years on, <a href="https://twitter.com/hashtag/NRL?src=hash&amp;ref_src=twsrc%5Etfw">#NRL</a> is still simply the best.<br /><br />See the revival of Tina Turner's famous 1990 campaign, featuring some of the biggest moments in footy from the past three decades 🏉 <a href="https://t.co/2wU39u6sMk">pic.twitter.com/2wU39u6sMk</a></p> — Telegraph Sport (@telegraph_sport) <a href="https://twitter.com/telegraph_sport/status/1234387970259652608?ref_src=twsrc%5Etfw">March 2, 2020</a></blockquote> <p>However, what originally was made to bring attention to the NRL and pay homage to a number of prominent, remarkable figures has been labelled as too “politically correct”.</p> <p>The critics slammed the ad which featured a shot of Latrell Mitchell draped in an Aboriginal flag, singer Macklemore’s famous performance from 2017 where he made a tribute for same-sex marriage and a famous kiss between Karina Brown and Vanessa Foliaki after the partners played against each other in a State of Origin match.</p> <p>Today host Karl Stefanovic was among some of those who slammed the advertisement and singled out the NRL player who wore an aboriginal flag. He insisted the move did not promote inclusion for the game.</p> <p>“How do you unite the game when you have a picture of Latrell Mitchell on his own with the Aboriginal flag around him?” Stefanovic said on Tuesday.</p> <p>“That’s not unifying, that’s divisive.</p> <p>“It’s putting him on his own.</p> <p>“Rugby league is about indigenous (people) and everyone else coming together for the sport, not putting anyone on their own.”</p> <blockquote style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/B8K2ppfg7UH/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="12"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div> </div> </div> <div style="padding: 19% 0;"></div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"></div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" rel="noopener" href="https://www.instagram.com/p/B8K2ppfg7UH/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank">A post shared by L a t r e l l M i t c h e l l™ (@iam_lm01)</a> on Feb 4, 2020 at 7:09pm PST</p> </div> </blockquote> <p>Mitchell was quick to share some of the comments on his personal Instagram account.</p> <p>“This ad shows (Charnze) Nicoll-Klokstad by himself, shows (Tyson) Frizell by himself. Yet Karl picks out Latrell standing by himself with the Aboriginal flag as ‘divisive’,” read one post that Mitchell shared.</p> <p>“Once again blackfullas can’t be proud of our culture without a whiter person’s approval.</p> <p>“Once again people must shut up and play footy, so that we can avoid offending the racists of our country.”</p>

TV

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Hallmark Channel apologises for pulling ads featuring same-sex weddings

<p>The Hallmark Channel is backtracking on their decision to pull advertisements featuring same-sex couples and apologising for removing them in the first place.</p> <p>The decision comes after Hallmark parent company Crown Media Family Networks faced criticism from viewers and advertisers over the TV spot, with them threatening to boycott the network.</p> <p>The ads, from online wedding planning company Zola, showed same-sex couples celebrating marriages.</p> <p>Hallmark president and CEO Mike Perry said Sunday the company made the “wrong decision” and wants to reinstate the commercials.</p> <p>“The Crown Media team has been agonising over this decision as we’ve seen the hurt it has unintentionally caused. Said simply, they believe this was the wrong decision,” Perry said in a statement to<span> </span><em>CNN Business.</em></p> <p>“Our mission is rooted in helping all people connect, celebrate traditions, and be inspired to capture meaningful moments in their lives. Anything that detracts for this purpose is not who we are,” he said.</p> <p>“As the CEO of Hallmark, I am sorry for the hurt and disappointment this has caused.”</p> <p>Zola said earlier that the ad was one of several that were scheduled to run on Hallmark and that “the only difference between the commercials that were flagged and the ones that were approved” is that the flagged ads included a lesbian couple kissing.</p> <p>They then revealed that an ad featuring a heterosexual couple kissing was approved.</p> <p>One of the ads in question shows a lesbian couple at the altar on their wedding day, talking about whether they should have used Zola to share details of their ceremony and registry with their guests.</p> <p>But after conservative group One Million Mums targeted the network, demanding for the ads to be taken down, Hallmark caved into the pressure.</p> <p>In its original statement, Hallmark said it pulled the ads because the “debate surrounding these commercials on all sides was distracting from the purpose of our network, which is to provide entertainment value.”</p> <p>But now, CEO Perry says that Hallmark will discuss with Zola on ways to “reestablish our partnership and reinstate the commercials.” It will also work with the advocacy organisation GLAAD to “better represent” the LGBTQ community across its brands.</p>

Relationships

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“Old Mate” from controversial SA tourism advertisement is back

<p><span style="font-weight: 400;">Last month, an advertisement by the South Australian Tourism Committee made quite a few people upset.</span></p> <p><span style="font-weight: 400;">The ad, which showed an old man called “Dave” shedding tears of regret at not travelling to Adelaide with his loved ones sooner.</span></p> <p><span style="font-weight: 400;">The advertisement was called “appalling”, “depressing” and “shocking”.</span></p> <div class="embed-responsive embed-responsive-16by9"><iframe class="embed-responsive-item" src="https://www.youtube.com/embed/5jyndIVod4k"></iframe></div> <p><span style="font-weight: 400;">However, the campaign is getting results for the South Australian Tourism committee, as it has reached 10.59 million Australians.</span></p> <p><span style="font-weight: 400;">Rodney Harrex, SATC chief executive, is thrilled with the results.</span></p> <p><span style="font-weight: 400;">“When interstate people experience Adelaide, they become ambassadors for the state. Like a new band or TV show, they feel like they’re the first to discover it and so take a sense of pride in promoting it to their friends,” Mr Harrex told </span><a href="https://www.news.com.au/travel/australian-holidays/south-australia/old-mate-from-sa-tourism-ad-to-make-a-comeback-on-the-big-screen-at-afl-nrl-grand-finals/news-story/731fce7d4afbfc3bab9af589dc1cf352"><span style="font-weight: 400;">news.com.au</span></a><span style="font-weight: 400;">.</span></p> <p><span style="font-weight: 400;">“This is where Old Mate’s Mates leaps off. He has gone back to Sydney, told his mates about his overwhelming experience, and guess what? They’ve never been to Adelaide either.</span></p> <p><span style="font-weight: 400;">“This sequel also provides us with the opportunity to show more of what Adelaide and South Australia has to offer, with experiences such as the d’Arenberg Cube, Sellicks Beach, Adelaide’s city laneways, urban beaches and, of course, South Australians themselves being featured.</span></p> <div class="embed-responsive embed-responsive-16by9"><iframe class="embed-responsive-item" src="https://www.youtube.com/embed/84Zj2TbWQwU"></iframe></div> <p><span style="font-weight: 400;">“Old Mate really enjoys showing off Adelaide to his mates. But the lesson lives on. Now it is his mates who have the regret of not having come to Adelaide sooner, but they are consoled by seeing Old Mate revelling in his new favourite city.”</span></p>

Domestic Travel

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Can you spot what is wrong with this controversial hotel ad?

<p>Sofitel Hotels is weathering a stormy response to an advertisement that appeared in <em>Good Weekend</em> magazine for its Brisbane hotel.</p> <p>It seems like an innocuous, prosaic hotel ad, but on further inspection, the devil is in the detail.</p> <p>On one side of the bed sits a bath-robed man reading a copy of <em>Australian Financial Review</em>. On the other is a bath-robed woman reading a Chanel coffee table book. He has a basket of pastries for breakfast nearby. She has a plate of fruit.</p> <p>The advertisement has been branded as sexist on social media, reports the <a rel="noopener" href="https://www.dailymail.co.uk/news/article-6252039/Whats-wrong-hotel-advert-Women-arms-sexist-poster.html" target="_blank"><em>Daily Mail</em></a>, with criticism scathing of what the young couple are each reading – he something intellectual, her something presumably frivolous – and the proximity of each type of breakfast foods to them.</p> <blockquote class="twitter-tweet"> <p dir="ltr">Hi <a href="https://twitter.com/SofitelBrisbane?ref_src=twsrc%5Etfw">@SofitelBrisbane</a>, your breakfast looks delicious! Hey and just wanted to let you know I’m a woman and I also read the <a href="https://twitter.com/FinancialReview?ref_src=twsrc%5Etfw">@FinancialReview</a> every day <a href="https://t.co/qOg5J2vkqz">pic.twitter.com/qOg5J2vkqz</a></p> — Elizabeth Redman (@elizabethredman) <a href="https://twitter.com/elizabethredman/status/1049034184570929154?ref_src=twsrc%5Etfw">October 7, 2018</a></blockquote> <p><em>The Australian</em><span> </span>reporter Elizabeth Redman tweeted:</p> <p>“Hi @SofitelBrisbane, your breakfast looks delicious! Hey and just wanted to let you know I’m a woman and I also read the <span>@FinancialReview every day.”</span></p> <p>“Yes, newsflash for @SofitelBrisbane — some women are in fact more interested in whether stocks and shares are going up and down than whether hemlines are,” another Twitter user wrote.</p> <p>Someone else brought attention to the layout of the breakfast spread on Twitter.</p> <p>“Of course the fruit platter is on her side, she'd be loathed to touch the baked goods...' they wrote.</p> <p>One man thought the advertisement resembled something that <em>Mad Men</em>’s fictional Sterling Cooper Draper Pryce 1950s-era advertising agency would have come up with.</p> <p>A spokesperson for the hotel chain tweeted that depicting a sexist representation of a couple was not the intention of the advertisement, with the company pulling the ad.</p> <blockquote class="twitter-tweet"> <p dir="ltr">Hi Elizabeth, we appreciate you voicing your concerns. There was no intention of portraying a stereotype but we recognise it &amp; apologise for any offence it has caused The creative has been pulled from any future activity. Feel free to send us a DM if you’d like to discuss further</p> — Sofitel Brisbane (@SofitelBrisbane) <a href="https://twitter.com/SofitelBrisbane/status/1049181902354014208?ref_src=twsrc%5Etfw">October 8, 2018</a></blockquote> <p>“There was no intention of portraying a stereotype but we recognise it and apologise for any offence that it has caused.”</p> <p>Do you think there’s anything wrong with this advertisement? Let us know in the comments below.</p>

Travel Trouble

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Why this Bakers Delight ad has been banned

<p>A Bakers Delight advertisement appearing in shopping centres around the country has been banned by the Advertising Standards Board (ASB) after a complaint about the manner in which it was “advertising lollies on bread for school lunches”.</p> <p>The campaign in question, which you can view below, depicted a cheese and vegemite scroll, a cheese and bacon roll and four mini finger buns covered in chocolate M&amp;M’s with the slogan, “School lunches? Problem solved.”</p> <p><img width="500" height="500" src="https://oversixtydev.blob.core.windows.net/media/34056/bakers-delight-banned-ad-in-text_500x500.jpg" alt="Bakers -Delight -banned -ad -in -text (1)"/></p> <p>The complaint to the ASB argued, “Advertising of lollies on bread for school lunches is appalling. Lunch and healthy food choices is challenging enough for most families and to have this as an acceptable choice is unfathomable.</p> <p>“Bakers Delight is specifically targeting children to include M&amp;M finger buns as a day-to-day lunch box item. Such products, should rarely (or preferably never) be eaten by children, let alone promoted and 'normalised' as an everyday food.”</p> <p>The ASB concluded that the poster series did promote unhealthy diets and ultimate breached a section of the AANA Food Code for advertisements.</p> <p>ASB said, “The reader may interpret the advertisement as being a suggestion of some items to go in the lunch box, however... the text 'your lunch box solution' strongly suggests this is all you could have (a scroll and a finger bun).”</p> <p>We’d be keen to get your thoughts on this one. Do you agree with the reasons for pulling this ad, or do you think it’s political correctness gone too far?</p> <p><strong>Related links:</strong></p> <p><span style="text-decoration: underline;"><strong><em><a href="http://www.oversixty.com.au/finance/money-banking/2017/01/coles-customers-warned-about-email-gift-card-scam/">Coles customers warned about email gift card scam</a></em></strong></span></p> <p><span style="text-decoration: underline;"><strong><em><a href="http://www.oversixty.com.au/news/news/2016/09/aldi-announces-big-game-changer/">Aldi announcement that could push it to number-one supermarket</a></em></strong></span></p> <p><span style="text-decoration: underline;"><strong><em><a href="http://www.oversixty.com.au/news/news/2016/06/aussies-are-leaving-coles-and-woolies-for-this-supermarket/">Aussies are leaving Coles and Woolies for this supermarket</a></em></strong></span></p>

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