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Maggie Beer wins top award while on the road to recovery

Maggie Beer has been honoured with a top award just days after opening up about her recovery following a fall last month. The 79-year-old Aussie chef won Best Host of a Format at the C21 International Format Awards in Cannes for her role hosting Maggie Beer’s Big Mission on the ABC. The leading awards recognises creativity and excellence across the global television industry. Beer was the only woman in the category, beating some of the television industry's biggest names including Jimmy Kimmel for Who Wants to Be a Millionaire US, Stephen Fry in Jeopardy UK, Alan Cumming for The Traitors US and Big Zuu for Big Zuu’s 12 Dishes in 12 Hours. Maggie Beer’s Big Mission was inspired by the findings of the Royal Commission into Aged Care in 2021, which exposed high rates of malnutrition in older adults living in aged care. In the show she led a world-first social experiment to transform the meals and dining experience at an aged-care home in Perth, WA. Beer and team of experts changed the menu, dining rooms and gardens using the "care model" to improve nutrition and wellbeing of residents. In a statement, Beer said it was a “privilege to actually live the experience in an aged-care home brave enough to show warts and all.” She learned what was acceptable to feed residents and what wasn't but “…most of all how to begin the journey of change to show the difference that is made to the happiness and wellbeing not only of the residents but the staff as well,” she said. “With her extraordinary leadership she has put older Australians first and given them a voice,” managing director of Artemis media, Celia Tait said. This comes just days after Beer opened up on her fall in August, where she suffered minor bone fractures and related injuries, telling her instagram followers that "even though I want to tell you how good I’m feeling now, I still have a way to go." “I will make a full recovery, and part of it is the care and the love that I’ve been given.” Images: Instagram

Food & Wine

From cheeky thrill to grande dame – the Moulin Rouge celebrates 135 years of scandal and success

<div class="theconversation-article-body"> <a href="https://theconversation.com/profiles/will-visconti-805914">Will Visconti</a>, <a href="https://theconversation.com/institutions/university-of-sydney-841">University of Sydney</a> When the Moulin Rouge first opened on October 6 1889, it drew audiences from across classes and countries. The Moulin offered an array of fin-de-siècle (end-of-the-century) entertainments to Paris locals and visitors. Located in <a href="https://www.metmuseum.org/toah/hd/mont/hd_mont.htm">Montmartre</a>, its name, the “red windmill”, alluded to Montmartre’s history as a rural idyll. The neighbourhood was also associated with artistic bohemia, crime, and revolutionary spirit. This setting added a certain thrill for bourgeois audiences. From irreverent newcomer to a French institution, the Moulin Rouge has survived scandal, an inferno and found new ways to connect with audiences. <h2>Red and electric</h2> In 1889, the Moulin Rouge was not the only red landmark to open in Paris. The <a href="https://www.toureiffel.paris/en/news/history-and-culture/133-years-and-1083-feet#:%7E:text=The%20Tower%20would%20open%20to,Eiffel%20workshop%20in%20Levallois%2DPerret.">Eiffel Tower</a>, built as part of the <a href="https://www.britannica.com/topic/worlds-fair#ref1122093">Universal Exhibition</a> and originally painted red, had opened earlier that same year. What set them apart, however, was their popularity. The Moulin Rouge was an instant hit, capitalising on the global popularity of a dance called <a href="https://www.moulinrouge.fr/en/french-cancan-2/">the cancan</a>. Dancers like Moulin Rouge headliner <a href="https://commons.wikimedia.org/wiki/File:Portrait_de_la_danseuse_de_cancan_Louise_Weber_(1866-1929)_dite_la_Goulue_(%C3%A0_gauche)_et_de_Grille_d%27%C3%A9gout_(%C3%A0_droite),_da,_PH41845.jpg">La Goulue </a>(“The Glutton”, real name Louise Weber) were seen as more appropriate emblems for the city than the Tower, which many <a href="https://www.toureiffel.paris/en/news/130-years/artists-who-protested-eiffel-tower">considered an eyesore</a>. In an illustration from Le Courrier Français newspaper, a dancer modelled on a photograph of La Goulue holds her leg aloft, flashing her underwear with the caption “<a href="https://gallica.bnf.fr/ark:/12148/bpt6k1070090h/f1.image">Greetings to the provinces and abroad!</a>”. Every aspect of the Moulin spoke to the zeitgeist, from its design to the performances, the use of electric lights that adorned its façade, and its advertising. Its managers, the impresario team of <a href="https://www.moulinrouge.fr/en/the-great-periods/#:%7E:text=The%20masters%20of%20the%20place%20were%20Joseph%20Oller%20and%20Charles%20Zidler">Joseph Oller and Charles Harold Zidler</a>, had a string of successful venues and businesses to their names. They recognised the importance of modern marketing, using print media, publicity photographs, and <a href="https://commons.wikimedia.org/wiki/File:Cheret_Bal_au_moulin_rouge.jpg">posters</a> to spark public interest. Among the most iconic images of the Moulin is <a href="http://hdl.handle.net/10934/RM0001.COLLECT.339766">Henri de Toulouse-Lautrec’s 1891 poster</a>. At its centre is La Goulue, kicking her legs amid swirling petticoats. <h2>She certainly can cancan</h2> Found primarily in working-class dance halls from as early as the 1820s, the cancan became a staple of popular entertainment the world over. Part of the dance’s thrill lay in the dancers’ <a href="https://commons.wikimedia.org/wiki/File:La_Goulue_y_Valentin_le_D%C3%A9soss%C3%A9_bailando_en_el_Moulin_Rouge,_Th%C3%A9ophile_Steinlen.jpg">freedom of movement</a> and titillation of spectators, as well as its anti-establishment energy. Women used the cancan to thumb their nose at authority via steps like the coup de cul (“arse flash”) or coup du chapeau (removing men’s hats with a high kick). The cancan was not the only attraction at the Moulin. There were themed spaces, sideshows, and variety performances ranging from belly dancers and conjoined twins to <a href="https://www.weirdhistorian.com/le-petomane/">Le Pétomane</a> (“The Fartomaniac”) who was a flatulist and the highest-paid performer. People watching was equally popular. <h2>Scandals, riots, and royalty</h2> Over the years, the Moulin has been no stranger to controversy. In its early years, it cultivated an air of misbehaviour and featured in pleasure guides for visiting sex tourists. In 1893 it hosted the <a href="https://read.dukeupress.edu/french-historical-studies/article-abstract/33/1/69/9638/The-Art-of-Posing-Nude-Models-Moralists-and-the?redirectedFrom=PDF">Bal des Quat’z’Arts</a> (Four-Arts Ball) held by students from local studios. Accusations of public indecency were made against the models and dancers in attendance, and violent protests followed after the women were arrested. In 1907 the writer Colette appeared onstage at the Moulin in an Egyptian-inspired pantomime with her then-lover, <a href="https://daily.jstor.org/the-cross-dressing-superstar-of-the-belle-epoque/">Missy, the Marquise de Belbeuf</a>. When the act culminated in a passionate kiss, a riot broke out. <figure><iframe src="https://www.youtube.com/embed/7N_dvUptKX8?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption>Historical footage shows the Moulin Rouge as it was.</figcaption></figure> <h2>Kicking on and on</h2> Over time, the Moulin Rouge shows changed their format to keep pace with public taste, though the cancan remained. The venue hosted revues and operettas, and various stars including Edith Piaf, Ella Fitzgerald, Frank Sinatra and Liza Minnelli. Famous guests have included British royalty: from Edward VII (while Prince of Wales) to his great-granddaughter, Queen Elizabeth II, and her son, Prince Edward. Since its opening, the Moulin’s fortunes have waxed and waned. In 1915 the Moulin Rouge <a href="https://archive.nytimes.com/iht-retrospective.blogs.nytimes.com/2015/02/27/1915-fire-destroys-moulin-rouge/">burned down</a> but was rebuilt in 1921. Its famous windmill sails <a href="https://www.bbc.com/news/world-europe-68895836">fell off overnight</a> earlier this year but were swiftly repaired. In the 1930s, it survived the Depression and rise of cinema (also <a href="https://www.imdb.com/title/tt0019186/?ref_=fn_al_tt_4">capturing the attention</a> of <a href="https://www.imdb.com/title/tt0025520/?ref_=fn_al_tt_3">several filmakers</a>). It also survived the <a href="https://www.thetimes.com/article/i-took-nazis-to-the-moulin-rouge-they-sent-me-to-auschwitz-s3lzxcwwn8q">Nazi occupation</a> of Paris in the 1940s. By the early 1960s, <a href="https://www.moulinrouge.fr/en/the-moulin-rouge/history/the-great-periods/#:%7E:text=Charles%20Trenet-,F%20FOR%20FORMIDABLE,-In%201962%2C%20Jacki">Jacki Clerico</a> was managing the Moulin’s show after his father had revamped the venue as a dinner theatre destination. The younger Clérico oversaw additions like a giant aquarium where dancers swam with snakes, and its now-famous “nude line” – a chorus of topless dancers – in its shows. In 1963, the Moulin Rouge struck upon a winning formula: revues, all named by Clérico with titles beginning with the letter “F” – from Frou Frou to Fantastique and Formidable. Since 1999, the revue Féerie (“Fairy”, also a <a href="https://dspace.library.uu.nl/bitstream/handle/1874/383977/Feeries.pdf?sequence=1">French genre</a> of stage extravaganza) has been performed almost without interruption. Ticket sales were boosted thanks to Baz Luhrmann’s 2001 film <a href="https://www.imdb.com/title/tt0203009/">Moulin Rouge!</a> and more recently <a href="https://moulinrougemusical.com/new-york/home/">Moulin Rouge! The Musical</a>. Since COVID, the Moulin Rouge management have diversified. The windmill’s interior has been <a href="https://news.airbnb.com/the-iconic-moulin-rouge-windmill-reveals-a-secret-room-for-an-overnight-stay-with-airbnb/">rented out via AirBnB</a> and the Moulin’s <a href="https://www.sbs.com.au/ondemand/tv-series/moulin-rouge-yes-we-can-can">dance troupe</a> has performed on France’s televised New Year’s Eve celebrations. This year, the Moulin Rouge and its dancers were part of the <a href="https://www.tiktok.com/@saskyacnn/video/7398138810984320288?is_from_webapp=1&sender_device=pc&web_id=7384693687676749320">Paris Olympics celebrations</a>, dancing in heavy rain. Though people have come to appreciate the Eiffel Tower too, the Moulin Rouge can still argue its status as the pinnacle of live entertainment in the French capital: immediately recognisable, internationally visible, and quintessentially Parisian.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/239849/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/will-visconti-805914">Will Visconti</a>, Teacher and researcher, Art History, <a href="https://theconversation.com/institutions/university-of-sydney-841">University of Sydney</a> Image credits: Shutterstock This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/from-cheeky-thrill-to-grande-dame-the-moulin-rouge-celebrates-135-years-of-scandal-and-success-239849">original article</a>. </div>

International Travel

Cleo Smith’s abductor learns fate

Terence Kelly has learned his fate after his lawyers attempted to have his sentence reduced. Kelly abducted Cleo Smith from her parents' tent at a remote West Australian campsite north of Carnarvon in late 2021, sparking a massive manhunt before she was found at his home by police 18 days later. The 37-year-old appealed to have his 13 year and six months sentence shortened, with the decision handed down in court on Monday that the sentence would stand. After being jailed in April 2023 following his admission that he kidnapped Cleo, his lawyers argued his mental impairments, including severe personality dysfunction, contributed to his decision to snatch the young girl. His lawyers also maintained the sentencing judge erred in finding Kelly's use of methamphetamine had a "significant and causal role in the offending". They also say the judge didn't give enough consideration to Kelly's childhood disadvantage and trauma. In sentencing, WA District Court Chief Judge Julie Wager said Kelly's actions were at the "highest level of seriousness" and that Cleo and her family would be "permanently impacted". In the court's ruling on Monday, the court accepted the sentence was "severe" but found it reflected the seriousness of the crime. "On any view, the appellant's abduction of such a young and highly vulnerable child from her parents, at night, and then holding her captive in his house for 18 days was extraordinarily serious," Justices Robert Mazza and Stephen Hall found. "As tragic as the appellant's background is, the sad fact remains that his risk of reoffending required that the sentence imposed upon him have regard to the sentencing objective of public protection." Kelly had faced a maximum of 20 years in jail but he got a 25 per cent discount of five years for his early guilty plea. Image credits: Getty Images / Instagram

Legal

Harry Potter stars pay tribute to Dame Maggie Smith

The stars of the Harry Potter franchise have paid tribute to Dame Maggie Smith, after the Oscar-winning actress passed away on Friday at the age of 89. Smith, who played the role of Professor McGonagall throughout the eight movies, was honoured by dozens of her co-stars, including Harry Potter himself: Daniel Radcliffe. Radcliffe shared a statement to Entertainment Weekly, writing, "She was a fierce intellect, a gloriously sharp tongue, could intimidate and charm in the same instant and was, as everyone will tell you, extremely funny." "I will always consider myself amazingly lucky to have been able to work with her, and to spend time around her on set. The word legend is overused but if it applies to anyone in our industry then it applies to her. Thank you Maggie." Emma Watson also shared a tribute on Instagram alongside the two actresses working together, reflecting on Smith's impact on set. She said, "When I was younger I had no idea of Maggie's legend — the woman I was fortunate to share space with. It is only as I've become an adult that I've come to appreciate that I shared the screen with a true definition of greatness." "She was real, honest, funny and self-honouring. Maggie, there were a lot of male professors and by God you held your own. Thank you for all of your kindness. I'll miss you." Rupert Grint also shared a photo of the pair together, referencing a particular fan favourite scene from the fourth Harry Potter film, writing, "Heartbroken to hear about Maggie. She was so special, always hilarious and always kind. I feel incredibly lucky to have shared a set with her and particularly lucky to have shared a dance. I'll miss you, Maggie. Sending all my love to her family." Gary Oldman, who played Sirius Black in the franchise, shared a statement with Entertainment Weekly on Maggie's passing, praising her acting talents, saying, "Maggie Smith, one of the true Greats along with [Laurence] Olivier and [John] Gielgud… those who saw her dazzling talent on the stage say they can never forget her. Her magnificent film performances remain for all to see and enjoy. Such an artist comes along about every other generation. If one is lucky." The news of Maggie Smith's passing was confirmed by her sons Chris Larkin and Toby Stephens who said in a statement, “She passed away peacefully in hospital early this morning, Friday 27 September." “An intensely private person, she was with friends and family at the end. She leaves two sons and five loving grandchildren who are devastated by the loss of their extraordinary mother and grandmother.” Image credits: Warner Brothers/Paul Marriott/Shutterstock Editorial

Caring

Cleo Smith's parents share heartwarming update

Three years after her kidnapping, Cleo Smith is adjusting well to her normal life, with her parents sharing a heartwarming update. On Sunday, her parents shared the now seven-year-old's latest achievement - winning her first gymnastics competition. The snaps posted by 60 Minutes on Facebook, showed Cleo smiling as she proudly held up a medal and certificate with all her ribbons on it after a routine on the balance beam. “Such a beautiful brave girl who Australia got to know. Glad she is doing so well and you should be so proud of your gymnastics achievement,” one commenter said on the post. “I love seeing an update on how she is going.” "Bless her little heart! Her whole family are the epitome of resilience," another added. "I think the whole of Australia is behind you Cleo! Well done," a third wrote. The update was shared just two months after the family shared a collection of photos of <a href="https://www.oversixty.com.au/lifestyle/family-pets/new-photos-of-cleo-smith-show-insight-into-her-life-after-kidnapping" target="_blank" rel="noopener">Cleo enjoying life</a> with her family. The snaps included Cleo celebrating her seventh birthday, a family fishing trip, and her playing with her little sister Isla, and their first day of school. Cleo was just four-years-old when she was kidnapped from her tent while camping with her family in Western Australia's Gascoyne region, around 10 hours north of Perth, on October 16, 2021. Police and rescue personnel spent nearly three weeks looking for her, and 18 days later she was found in Terrence Kelly's home in Carnarvon, just minutes away from her own family home. Kelly was arrested near the home and has been in custody in Perth since. He is appealing the 13-year and six-month prison sentence he received for the abduction. At an appeal hearing in February, the court was told Kelly has various mental impairments, including a severe personality dysfunction, which they say was a significant factor in the crime. Images: 60 Minutes Facebook

Caring

Grief-stricken father breaks silence after sons found dead

The devastated father of the two young boys who were <a href="https://oversixty.com.au/finance/legal/mother-arrested-after-two-boys-found-dead-in-blue-mountains-home" target="_blank" rel="noopener">found dead</a> in their home in the Blue Mountains has spoken out about the "unimaginable" tragedy. Nick Smith found the bodies of his sons, Russell, 11, and Ben, 9, in their home in Faulconbridge on Tuesday afternoon. The children's mother and Nick's estranged ex-wife Trish Smith was arrested and spent Tuesday night under police guard in hospital, where she arrived in a stable condition but with self-inflicted wounds. Nick said the loss of their “beautiful boys” had caused “unimaginable pain and distress”. “Russell and Ben were happy, funny, outgoing boys, and were very much loved by their family and friends,” he said in a statement on Thursday. “Like other boys their age, they loved sports, soccer, the Penrith Panthers, fishing, books, music, spending time with their friends and Max their pup." “We cannot understand how our boys have been taken this way and we appreciate the kindness and compassion shown by the community.” Nick added they were requesting privacy at this time. Police are continuing their investigation into the tragedy and have refused to speculate on the events leading up to the deaths of the two boys, however, they confirmed hey are not looking for any other parties who could be involved. <p style="font-size: 16px; box-sizing: border-box; margin-top: 0px; margin-bottom: 1rem; caret-color: #212529; color: #212529; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, 'Helvetica Neue', Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol', 'Noto Color Emoji';">Blue Mountains Mayor Mark Greenhill expressed the community’s grief in a statement over the tragedy, writing, "Our community has lost two precious souls in the most awful circumstances. Now is a time to come together and remember these two beautiful children." <p style="font-size: 16px; box-sizing: border-box; margin-top: 0px; margin-bottom: 1rem; caret-color: #212529; color: #212529; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, 'Helvetica Neue', Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol', 'Noto Color Emoji';">NSW Police Commissioner Karen Webb acknowledged the profound emotional toll the incident has had on law enforcement officers. "I think the older and more experience you get in this job, things like this still cut to the core. It’s a tragic situation," she said. <p style="font-size: 16px; box-sizing: border-box; margin-top: 0px; margin-bottom: 1rem; caret-color: #212529; color: #212529; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, 'Helvetica Neue', Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol', 'Noto Color Emoji';">Need to talk to someone? Don't go it alone. <p style="font-size: 16px; box-sizing: border-box; margin-top: 0px; margin-bottom: 1rem; caret-color: #212529; color: #212529; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, 'Helvetica Neue', Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol', 'Noto Color Emoji';">Call Lifeline on 13 11 14 or visit lifeline.org.au <p style="font-size: 16px; box-sizing: border-box; margin-top: 0px; margin-bottom: 1rem; caret-color: #212529; color: #212529; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, 'Helvetica Neue', Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol', 'Noto Color Emoji';">Beyond Blue: 1300 224 636 <p style="font-size: 16px; box-sizing: border-box; margin-top: 0px; margin-bottom: 1rem; caret-color: #212529; color: #212529; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, 'Helvetica Neue', Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol', 'Noto Color Emoji';">SANE: 1800 187 263; saneforums.org <p style="font-size: 16px; box-sizing: border-box; margin-top: 0px; margin-bottom: 1rem; caret-color: #212529; color: #212529; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, 'Helvetica Neue', Arial, sans-serif, 'Apple Color Emoji', 'Segoe UI Emoji', 'Segoe UI Symbol', 'Noto Color Emoji';">Image credits: NSW Police

Caring

Mother arrested after two boys found dead in Blue Mountains home

A mother has been arrested after the tragic discovery of her two sons, aged nine and 11, dead at their home in the Blue Mountains, New South Wales. The boys, Russell and Ben, were found by their father at the family's home in Faulconbridge shortly before 12:40pm. Their mother, Trish Smith, 42, was also found at the scene with several self-inflicted injuries. She has been taken to Westmead Hospital and is in a stable condition. No charges have been laid so far. Superintendent John Nelson of the Blue Mountains police confirmed that Mr Smith, the father, discovered the bodies and contacted authorities. "The father is helping us with inquiries, and he was the one who contacted police... all avenues are open for investigation," Nelson stated. While the police have not confirmed whether a weapon was involved, they are working to understand the sequence of events leading to the boys' deaths. The family, who had no prior history of domestic violence and minimal contact with the police, has left the community in shock. Superintendent Nelson said that the investigation is still in its early stages, and no speculation will be made at this time. The boys had attended school on Monday with no apparent issues, and authorities are now trying to trace their movements on Tuesday to piece together what might have happened. The nearby Springwood High School was involved in the emergency response as its oval was used as a helipad for medical evacuations. Homicide detectives from the State Crime Command have been assigned to the case, and police are continuing to speak with neighbours to uncover any possible motives. Blue Mountains Mayor Mark Greenhill expressed the community’s grief in a statement: "Our community has lost two precious souls in the most awful circumstances. Now is a time to come together and remember these two beautiful children." NSW Police Commissioner Karen Webb acknowledged the profound emotional toll the incident has had on law enforcement officers. "I think the older and more experience you get in this job, things like this still cut to the core. It’s a tragic situation," she said. Authorities have confirmed that no one else is being sought in connection with the deaths, and there is no ongoing threat to the community. The investigation continues as police work to understand the full circumstances surrounding this heartbreaking incident. Need to talk to someone? Don't go it alone. Call Lifeline on 13 11 14 or visit lifeline.org.au Beyond Blue: 1300 224 636 SANE: 1800 187 263; saneforums.org Image: Supplied

Legal

Maggie Beer rushed to hospital

Maggie Beer has been rushed to hospital after she suffered a nasty fall in her Barossa Valley home in South Australia. The Aussie food icon shared a statement with her followers on Instagram to share to the news, saying she had suffered minor bone fractures and a few cuts and bruises. The 79-year-old assured her fans that she will make a full recovery after her stint in hospital, but her family said in the post “it may just take a little while”. Maggie's family wrote on Instagram that her husband Col had been at home at the time of the fall, adding that "she is now in the excellent hands of her doctors who are confident she will make a full recovery." “More than anything else, Maggie hates letting people down. But she has multiple events and public engagements coming up that she may have to miss,” the social media post said. “She has asked us to apologise on her behalf to all those affected — and has asked for your patience as she recuperates.” Maggie's famous friends and fans were quick to comment well wishes on her post, wishing her a speedy recovery. “Sending you all our love and healing energy beautiful Maggie,” fellow celebrity chef, Kylie Kwong said. Chef Peter Gilmore added, "Look after yourself Maggie. You are loved by so many people an inspiration, take time to heal." “Maggie is one of the very best x hugs for a full recovery very soon. Wonderful lady, get better soon,” a fan commented. Image credits: Instagram

Caring

New photos of Cleo Smith show insight into her life after kidnapping

Almost three years after being abducted from a campsite, heartwarming new photos show how Cleo Smith is living as a happy school girl and big sister. In October 2021, Cleo Smith, who was four years old at the time, made international headlines after she was snatched from a campsite as she slept alongside her mother, stepfather and baby sister at the Blowholes campsite, about 960km north of Perth, Western Australia. A state-wide police operation was launched in search for Cleo, who was four years old at the time, which led to her dramatic rescue 18 days later. Now, almost three years after the horrific abduction and intense media scrutiny, Cleo, who is now seven years old, is adjusting to a normal life. A collection of photos, shared to Instagram by 60 Minutes, showed a beaming Cleo enjoying life with her family, as one photo showed Cleo smiling along with her mother, Ellie Smith, stepdad Jake Gliddon, and little sister, Isla. The snapshots revealed happy moments of young Cleo's life, including a family fishing trip, Isla's first birthday, her seventh birthday and the sisters' first day at school in 2024. "Cleo Smith, all grown up. The seven-year-old is enjoying life in Western Australia, loving school and being a big sister to Isla," 60 Minutes wrote. The photos received an overwhelming response from social media users all around the world, with many sharing well wishes for the family and for Cleo. "Beautiful to see the family so happy and healthy," one person wrote. "Bless your heart, so glad you are living your best life," another person commented. A third person wrote, "It's so good to see her happy! I followed her story from Argentina. Keep enjoying life Cleo!" Image credits: 60 Minutes / Instagram

Family & Pets

Dame Judi Dench gives tragic health update

Beloved Oscar-winning actress Dame Judi Dench has shared a deeply moving update about her health, revealing that she may never appear on-screen again. At 89, Dench has been a cherished figure in cinema for decades, with her last appearance in the 2022 film Spirited, a Christmas comedy featuring Will Ferrell and Ryan Reynolds. This sad news emerged when Dench attended the Chelsea Flower Show in London recently. Approached by a journalist inquiring about her future projects, she candidly responded, “No, no, I can’t even see!” Her representative later confirmed that there was nothing more to add to this heartbreaking statement. Dench suffers from age-related macular degeneration, a condition affecting around 700,000 people in the UK alone. This progressive eye disease has significantly deteriorated her vision over the past year. In a previous interview, she admitted that she required assistance to read scripts. “I can’t see on a film set any more,” Dench shared. “And I can’t see to read. So I can’t see much. It’s difficult for me if I have any length of a part. I haven’t yet found a way. But you just deal with it. I have so many friends who will teach me the script.” In a candid conversation with BBC journalist Louis Theroux, Dench revealed she had “no plans” to retire but acknowledged that her worsening eyesight was forcing her to take a break from acting. Despite these challenges, Dench’s indomitable spirit and positive outlook remain inspiring. She has often expressed her gratitude for the support of her partner, David Mills, who has been a steadfast presence in her life since the death of her husband, Michael Williams, in 2001. Reflecting on her relationship with Mills, she once told The Mirror, “I never expected, not for a minute, that there would be anybody else in my life after Michael died. I’ve had many, many good friends, but it’s been very unexpected to have somebody new who is as caring as my partner, David.” She continued, “Someone to be able to share things with … I feel very lucky indeed. And to laugh with somebody is terribly important! Laughing is the most important thing. We laugh about everything.” While her fans will undoubtedly miss seeing her on the screen, Dame Judi Dench's legacy in film and the hearts she has touched will remain timeless. Image: Fred Duval / Shutterstock

Caring

"Welcome home, Harold": Iconic Neighbours actor returns to Ramsay Street

More than 15 years after his departure, Harold Bishop is returning to Ramsay Street. Ian Smith's character has long been a fan favourite on Neighbours, after originally starring on the soap between 1987 and 1991, before he returned in 1996 until his departure in 2009. Since then, Harold has made multiple guest appearances, including in the 2022 finale. When Amazon picked up the Aussie show, Smith rejoined the cast for a short time but quickly left after a health scare. But now, Harold is making another comeback. <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/p/C5fVoAlvJEJ/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/C5fVoAlvJEJ/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by Neighbours (@neighbours)</a> </div> </blockquote> The official Neighbours Instagram shared the exciting news of his return, writing, “After 15 years of living away, the legendary Harold Bishop is returning to Erinsborough." “We are thrilled to welcome Ian Smith back to the show and the opening titles, where he belongs.” Fan were quick to flood the comment section with excitable messages, rejoicing in the fact that a fan favourite character was returning. “The best news. The show misses an elder character like Harold,” one person wrote. Another commented, “Absolutely amazing news to wake up too. Welcome home, Harold.” Image credits: Getty Images / YouTube

King Charles' final message to Barry Humphries hours before he died

In a touching tribute to the late comedian Barry Humphries, the King has sent a personal message to be read out at the state memorial. The King, who shared a close friendship with the legendary comedian, expressed his deep sadness following Humphries' passing at the age of 89. The King, at 75, was not just a monarch but a friend who spoke to Humphries mere hours before his passing on April 22. A Buckingham Palace spokesperson at the time conveyed the King's profound sadness and mentioned that he was privately reaching out to Mr Humphries' family. Charles' connection with Humphries extended beyond formalities. The duo's friendship was a source of joy and laughter, exemplified by Humphries' memorable performance as Dame Edna at the 2013 Royal Variety Performance. Lord Archer, a close friend of Humphries, has also revealed that the King attended many of the comedian's shows, even bringing his sons, Prince William and Prince Harry, backstage when they were young boys. The Australian newspaper also revealed recently that Charles sent Humphries an email just hours before his passing, with film director Bruce Beresford sharing the story: "Barry said, 'Well, I always admired him. We always got on well and I really liked his company and enjoyed being with him'," Mr Beresdord told the newspaper. "Barry was one of those people, he had a great capacity for friendship. He was so interested in people." Now, years later, the state memorial service at the Sydney Opera House promises to be a fitting tribute to Humphries as family, friends and fans gather to celebrate the comedian's illustrious career. The Australian Chamber Orchestra, a favourite of Humphries, will perform, adding a touch of elegance to the proceedings. The presence of Humphries' widow, Lizzie Spender, and his children at the memorial underscores the profound impact he had on those closest to him. Humphries' association with royalty was not limited to the King; he was a mainstay at royal performances, meeting Queen Elizabeth II and Princess Diana at various events. The comedian's contributions were acknowledged with a CBE by the late Queen in 2007, and he continued to be a familiar face at royal gatherings, including a delightful encounter with Queen Camilla at The Oldie of the Year Awards in 2021. The state memorial, with its mix of laughter, music and shared memories, will undoubtedly be a fitting tribute to a man who brought joy and laughter to millions around the world. Images: Getty

Caring

The unfunny fallout: Richard Wilkins causes bizarre boycott of Barry Humphries memorial

In what can only be described as a plot twist worthy of its own sitcom, the <a href="https://www.oversixty.com.au/health/caring/free-tickets-up-for-grabs-to-barry-humphries-state-memorial" target="_blank" rel="noopener">memorial service for Australian comedy icon Barry Humphries</a> is shaping up to be more dramatic than the very finest of soap operas. The cause of this uproar? None other than the involvement of Richard Wilkins, the silver fox of entertainment reporting, as the MC/host of the event. It seems Wilkins' mere presence has caused such distress among some of Humphries' nearest and dearest that they've decided to boycott the memorial altogether. One of Humphries' longtime friends, Professor Ross Fitzgerald, <a href="https://www.dailytelegraph.com.au/entertainment/family-friends-slam-richard-wilkins-as-mc-for-barry-humphries-memorial/news-story/b6e4dd1ddcd20237a4b88e83cac40e33" target="_blank" rel="noopener">expressed his disbelief</a>, saying, "Like a number of Barry's friends, I was amazed and aghast that Channel 9 personality Richard Wilkins was chosen to be the MC at this important event, Barry's memorial." Fitzgerald continued, "I find it very hard to believe that members of the family and the children, for example, would have approved this." And now, while the upcoming memorial turns into a high-stakes game of 'Who Wants to Avoid Richard Wilkins?', Sydney Confidential went on to report that while Humphries' widow Lizzie Spender played a role in organising the service, Humphries' daughter Emily was not consulted and won't be attending. But Wilkins has his fair share of defenders. Australian TV producer Mark Llewellyn took to Twitter to proclaim, "Humphries would have abhorred these snobs," adding, "Shove a gladioli up their boycotting bottoms!" That's one way to settle a family dispute. Meanwhile, Seven entertainment reporter Peter Ford, in an attempt to play peacemaker, tweeted, "It's all very unfortunate and obviously not Richard's fault. He's a great M.C." Images: Getty

Caring

Cleo Smith's mum shares touching update

In October 2021, Ellie endured a mother's worst nightmare when her then four-year-old daughter, Cleo, was abducted during a family camping trip near Carnarvon, WA. Often these stories end in tragedy, but Cleo was found alive 18 days later, locked inside Terence Kelly's home, just minutes away from her own home. The abduction that had everyone on their toes became a feel good story that captivated the nation, when police released body-cam footage of the little girl saying: "my name's Cleo", as she was rescued. She was found physically unharmed and playing with toys, and Kelly was arrested on a nearby street not long after. Two years after the abduction Cleo Smith's mother Ellie has shared some more happy news. Ellie has reportedly tied the knot with her partner Jake Gliddon in a private ceremony at the Noosa Springs Golf and Spa Resort. The special day was attended by only 64 of their closest friends and family, and the happy couple basked in sunlight as they posed for photos. Cleo and her little sister Isla were also in attendance as flower girls, and in new photos shared to 60 minutes, you never would've guessed the horror Cleo went through just two years ago. Cleo and her sister were twinning in a beautiful white dress with puffy sleeves. The girls had huge smiles on their faces as they posed cheek-to-cheek with their mum, who looked stunning in a beautiful lace and tulle dress. “Cleo was just excited to wear a pretty spinning dress and walk down the aisle with her aunty Krystal,” Ellie told 60 Minutes. The couple reportedly don't have any plans for their honeymoon yet. Images: 60 Minutes

Family & Pets

"His worst moment as a person": Sean Penn unleashes on Will Smith's Oscar's slap

Sean Penn has become visibly angry as he recalled the infamous moment at the 2022 Oscars ceremony when Will Smith stormed the stage to slap Chris Rock. Penn recalled the award ceremony moment as he reflected on the Academy's decision to not let Ukraine’s president, Volodymyr Zelenskyy, speak at the ceremony. The actor has been a strong advocate for the people of Ukraine in their ongoing war against Russia, and even traveling to the war-torn region to help in their fight. Speaking to <a href="https://variety.com/2023/film/features/sean-penn-slams-will-smith-slap-ai-oscars-1235720417/" target="_blank" rel="noopener">Variety</a>, Penn shared how frustrated he was that Zelenskyy was silenced, while Smith's actions were the real problem. “The Oscars producer thought, ‘Oh, he’s [Zelenskyy] not lighthearted enough.’ Well, guess what you got instead? Will Smith.” Variety noted that the actor was visibly infuriated speaking on the subject, even turning red during the interview. “I don’t know Will Smith. I met him once,” Penn said. “He seemed very nice when I met him. He was so f***ing good in King Richard.” “So why the f**k did you just spit on yourself and everybody else with this stupid f***ing thing? Why did I go to f***ing jail for what you just did? And you’re still sitting there? Why are you guys standing and applauding his worst moment as a person?” the 63-year-old said, referencing his 1987 arrest and jail stint for punching a film extra in the face. “This f***ing bulls**t wouldn’t have happened with Zelenskyy,” Penn added. “Will Smith would never have left that chair to be part of stupid violence. It never would have happened.” Penn was so shocked and infuriated by the moment that he chose to destroy his two Oscars. "I thought, ‘Well, f**k, you know? I’ll give them to Ukraine. They can be melted down to bullets they can shoot at the Russians,’” he said. When visiting Zelenskyy in Ukraine last fall, Penn showed his support by giving the leader one of his Oscars. At the 2022 Oscar's ceremony, Will Smith stormed the stage and slapped comedian Chris Rock after he made a joke about his wife, Jada Pinkett-Smith. After returning to his seat, Smith shouted out, “Keep my wife’s name out your f***ing mouth!” Image credits: Getty Images

Movies

House of Hope: Fresh start for Kelly's kids

Gold Coast mum Kelly Wilkinson, who tragically passed away two years ago, has left behind three young children between the ages of two and nine. Her life was cut short in April 2021, allegedly at the hands of her estranged husband, Brian Earl Johnston. The horrific incident resulted in Kelly's body being found badly burned in her Arundel home's backyard, while Mr Johnston was discovered nearby with severe burns to his hands and airway. Since then, Kelly's children have been under the care of her sister, Danielle Carroll, and her husband Rhys. The Carroll family, along with their five children and Kelly's three kids, have been living together in a cramped four-bedroom house, where living spaces were converted into sleeping quarters. The challenges of accommodating such a large family in limited space have been immense, and at times, they find themselves with five people sharing a single bed. However, their situation took a positive turn when businesswoman Tamika Smith, a relative of Mr Carroll, heard about the tragedy and decided to lend her support. The founder of My Bella Casa and Top 100 Women launched a campaign called "I Stand With Kelly" shortly after Ms Wilkinson's passing. The campaign aimed to build a new home for the 10-person family. With the help of an anonymous contributor, Ms Smith secured a plot of land, and the renowned homebuilder, Metricon, generously donated an entire house for the cause. After two years of hard work and dedication, the family's fully furnished new home was finally revealed to them. <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CvGO3pfBjbH/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CvGO3pfBjbH/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by Tamika Smith (@tamika_stephanie)</a> </div> </blockquote> Mr Carroll expressed his excitement about the new house, especially for Kelly's three children, as it will provide them with a fresh start and a place they can call their own. While the loss of their mother is deeply felt, the children are constantly surrounded by love and care from their extended family. Kelly's kids have not forgotten their mother, and though they miss her dearly, they understand that she is no longer with them. “They know she’s gone," Mrs Carroll told A Current Affair. "They constantly say that they miss her. The two year old does ask for mum but they know she’s not coming back.” The Carroll family, along with their own children, have written heartfelt letters to thank the builders for their incredible efforts in creating this new home. The house not only represents a new beginning for Ms Wilkinson's children and the Carroll family but also serves as a reminder of the love she brought to her family before her untimely passing. Though the pain of her loss remains, the community's support in building this new home has been a heartwarming gesture, one that Kelly's family deeply appreciates and will surely treasure forever. Images: Today Show / Instagram / GoFundMe

Family & Pets

No apologies: Ben Roberts-Smith breaks silence

Former SAS soldier Ben Roberts-Smith has returned to Australia for the first time since losing his defamation case against Nine newspapers. Roberts-Smith touched down in Perth on June 14 and said he was shattered by the outcome of his defamation case against The Age, The Sydney Morning Herald and The Canberra Times. This is the first time he has spoken out publicly since the landmark ruling. "It was a terrible result and obviously the incorrect result. We will look at it and consider whether or not we need to file an appeal," Roberts-Smith said after landing in Perth. "There is not much more I can say about it ... we just have to work through it and I'll take the advice as it comes.” He was spotted checking into business class with his girlfriend in Queenstown, New Zealand prior to touching down in Perth. Roberts-Smith rules out apologising to families of the victims impacted by his actions in Afghanistan. "We haven't done anything wrong, so we won't be making any apologies," he said. As he was collecting his luggage at Perth airport, he was approached by a man who voiced his support for the former soldier. Roberts-Smith's return comes on the same day as reports that an Australian Federal Police investigation into his alleged war crimes had collapsed. The decision by the Commonwealth Director of Public Prosecutions not to prosecute Roberts-Smith based on evidence collected by the AFP has led to a new joint task force being assembled to investigate alleged executions. The task force is comprised of detectives from the specialist war crimes agency, the Office of the Special Investigator and a new team of federal police investigators not related to the abandoned AFP probe. Roberts-Smith did not appear in the Federal Court when a judge found allegations he murdered or was complicit in the killing of four unarmed Afghans while deployed overseas were "substantially true” in a bombshell defamation ruling. The former soldier insists there was never any foul play. Image credit: A Current Affair

News

Controversial call on Ben Roberts-Smith

Following the dismissal of Ben Roberts-Smith's defamation trial, politicians and defence experts argue that his belongings should remain in the Australian War Memorial until he is criminally proven guilty. The civil case saw Australia’s most decorated living soldier lose out to Nine newspapers due to claims he had committed war crimes, including a murder while deployed in Afghanistan. Amid the findings, <a href="https://www.oversixty.com.au/news/news/australian-war-memorial-urged-to-remove-ben-roberts-smith-s-uniform-from-display" target="_blank" rel="noopener">many have urged</a> Roberts-Smith should be stripped of his medals, including the Victoria Cross, and to have any mention of him removed from the Australian War Memorial. However, Liberal MP and former soldier Keith Wolahan argued that Roberts-Smith should still be featured in the memorial’s commemorations of the war in Afghanistan. He told ACB TVs Q+A program, “It’s a part of our history, but I think it should acknowledge the Brereton report and perhaps this defamation trial,” The Brereton report is the official inquiry by the Inspector-General of the Australian Defence Force that found a culture of unlawful killings, horrid initiation rituals as well as cover-ups within the Australian military during his time in Afghanistan. Wolahan said it may not be necessary to include references to the defamation trial until criminal investigations are finalised, saying that politicians should “stay out of criminal proceedings”. “Ben Roberts-Smith still has a right to appeal and there’s a question about whether there’s a criminal charge,” Wolahan said. “He’s entitled to the presumption of innocence and due process, but I think the Brereton report belongs in the War Memorial.” Wolahan is a three-tour veteran of Afghanistan and served as an operations officer, platoon commander and deputy chief of operations. The former captain added that the Australian Army “have to hold ourselves to a higher standard”. “When you look at the Brereton report, you cannot ignore it. Yes, it’s not at the criminal standard and that defamation trial was not at the criminal standard, but you cannot ignore the findings,” he said. The Q+A panel discussed the culture within the armed forces of the West, with war correspondent Michael Ware noting that soldiers must go to a “very dark place” to face war. “It says we’ve all participated in small war crimes, I know I’ve certainly seen my share of them,” he said. “And according to the laws of war, and I have to tell you, this is a harsh reality – we in the West – we kill children. “If an eight-year-old is placing a roadside bomb, a sniper can legally shoot that child.” He then argued that despite that, there is an even worse cultural issue within the Australian Army. “All that said, there is a line you don’t cross, you've got to have a moral compass ... it does appear to me that there was a culture that developed over a period of years within the regiment where this just became a part of the way they operated and Ben Roberts-Smith is not alone.” Image credit: Getty / Instagram

Legal

Father of murdered Aussie soldier voices support for Ben Roberts-Smith

The father of an Australian soldier murdered in Afghanistan has spoken out in defence of former SAS member Ben Roberts-Smith. Hugh Poate’s son, Robert, was playing cards with two other Australians when they were tragically shot by a rogue Afghan soldier named Hekmatullah in 2012. According to Poate, Roberts-Smith was simply following orders in a bid to apprehend Hekmatullah, who had brutally taken the lives of their son. Acting on intelligence, they were taken to the village of Darwan, where Roberts-Smith had allegedly kicked a farmer named Ali Jan off a cliff and ordered his execution. “These citizens in the village could well have been a civilian one day and pulling the trigger the next, that‘s the way the Taliban operated. This perspective should have been included to provide some balance and context,” Poate told the Daily Telegraph. The federal court <a href="https://www.oversixty.com.au/finance/legal/a-win-for-the-press-a-big-loss-for-ben-roberts-smith-what-does-this-judgment-tell-us-about-defamation-law" target="_blank" rel="noopener">dismissed</a> Roberts-Smith’s defamation trial against the Sydney Morning Herald, The Age, and the Canberra Times, with Justice Besanko concluding the various titles had substantially proven the former soldier unlawfully killed four unarmed Afghan prisoners during his service in the SAS between 2009 and 2012. The judgement also acknowledged instances of Roberts-Smith’s alleged bullying of fellow soldiers. However, the court dismissed two other murder allegations and an accusation that he had assaulted his mistress. In his thorough 736-page judgement, the judge determined that Roberts-Smith and four key witnesses called to testify were both dishonest and unreliable in their evidence. Following the release of the completed judgement, Roberts-Smith’s legal team is now closely inspecting the document to identify potential grounds for an appeal. Poate emphasised the fact that Hekmatullah was captured and convicted of war crimes and subsequently released. In comparison, Roberts-Smith <a href="https://www.oversixty.com.au/news/news/australian-war-memorial-urged-to-remove-ben-roberts-smith-s-uniform-from-display" target="_blank" rel="noopener">has not been convicted</a> of any war crimes. Potae perceives the treatment of Roberts-Smith as a case of double standards. Additionally, Poate asserted that the responsibility for any wrongdoing committed by the SAS in Afghanistan lies with others in the Australian Defence Force (ADF). By acknowledging the collective accountability within the organisation, Poate has suggested a wider perspective on the matter. Image credit: Getty

Legal

What should the Australian War Memorial do with its heroic portraits of Ben Roberts-Smith?

<a href="https://theconversation.com/profiles/kit-messham-muir-129956">Kit Messham-Muir</a>, <a href="https://theconversation.com/institutions/curtin-university-873">Curtin University</a> On Friday, the <a href="https://theconversation.com/dismissed-legal-experts-explain-the-judgment-in-the-ben-roberts-smith-defamation-case-191503">Federal Court dismissed</a> Ben Roberts-Smith’s defamation case against The Age, The Sydney Morning Herald and The Canberra Times. Justice Anthony Besanko ruled the newspapers had established, by the “balance of probabilities” (the standard of evidence in a civil lawsuit), that Roberts-Smith had committed war crimes. Following the ruling, much public debate has focused on what the Australian War Memorial should do with Robert-Smith’s uniform, helmet and other artefacts of his on display. Greens senator David Shoebridge <a href="https://twitter.com/DavidShoebridge/status/1664140665666826240">called for</a> the removal of these objects from public display to correct the official record and “to begin telling the entire truth of Australia’s involvement in that brutal war.” The topic of what to do with Roberts-Smith’s uniform and helmet was debated on <a href="https://www.youtube.com/watch?v=sH1oVNVJP1k">ABC’s Insiders yesterday</a>: should the display be removed, effectively cancelled, or changed to tell the full story? <h2>The case of the oil paintings</h2> It is not just these artefacts on display. The memorial also has two heroic oil painting portraits of Roberts-Smith by one of Australia’s leading artists, <a href="http://www.michaelzavros.com/">Michael Zavros</a>. These paintings were commissioned by the memorial in 2014. <figure class="align-center zoomable"><a href="https://images.theconversation.com/files/529980/original/file-20230605-16883-qhpzvv.jpeg?ixlib=rb-1.1.0&q=45&auto=format&w=1000&fit=clip"><img src="https://images.theconversation.com/files/529980/original/file-20230605-16883-qhpzvv.jpeg?ixlib=rb-1.1.0&q=45&auto=format&w=754&fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/529980/original/file-20230605-16883-qhpzvv.jpeg?ixlib=rb-1.1.0&q=45&auto=format&w=600&h=448&fit=crop&dpr=1 600w, https://images.theconversation.com/files/529980/original/file-20230605-16883-qhpzvv.jpeg?ixlib=rb-1.1.0&q=30&auto=format&w=600&h=448&fit=crop&dpr=2 1200w, https://images.theconversation.com/files/529980/original/file-20230605-16883-qhpzvv.jpeg?ixlib=rb-1.1.0&q=15&auto=format&w=600&h=448&fit=crop&dpr=3 1800w, https://images.theconversation.com/files/529980/original/file-20230605-16883-qhpzvv.jpeg?ixlib=rb-1.1.0&q=45&auto=format&w=754&h=563&fit=crop&dpr=1 754w, https://images.theconversation.com/files/529980/original/file-20230605-16883-qhpzvv.jpeg?ixlib=rb-1.1.0&q=30&auto=format&w=754&h=563&fit=crop&dpr=2 1508w, https://images.theconversation.com/files/529980/original/file-20230605-16883-qhpzvv.jpeg?ixlib=rb-1.1.0&q=15&auto=format&w=754&h=563&fit=crop&dpr=3 2262w" alt="" /></a><figcaption>Michael Zavros, Pistol grip (Ben Roberts-Smith VC), 2014, oil on canvas, 162 cm x 222 cm. <a class="source" href="https://www.awm.gov.au/collection/C2092390">© Australian War Memorial</a>, <a class="license" href="http://creativecommons.org/licenses/by-nc/4.0/">CC BY-NC</a></figcaption></figure> <a href="https://www.awm.gov.au/collection/C2092390">Pistol Grip (Ben Roberts-Smith VC)</a> is a larger-than-life-sized depiction of Roberts-Smith, camouflage arms outstretched, mimicking the action of holding a pistol. The smaller <a href="https://www.awm.gov.au/collection/C2092391">Ben Roberts-Smith VC</a> depicts him in ceremonial military uniform. <figure class="align-center zoomable"><a href="https://images.theconversation.com/files/529982/original/file-20230605-23-pgn7xe.jpeg?ixlib=rb-1.1.0&q=45&auto=format&w=1000&fit=clip"><img src="https://images.theconversation.com/files/529982/original/file-20230605-23-pgn7xe.jpeg?ixlib=rb-1.1.0&q=45&auto=format&w=754&fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/529982/original/file-20230605-23-pgn7xe.jpeg?ixlib=rb-1.1.0&q=45&auto=format&w=600&h=442&fit=crop&dpr=1 600w, https://images.theconversation.com/files/529982/original/file-20230605-23-pgn7xe.jpeg?ixlib=rb-1.1.0&q=30&auto=format&w=600&h=442&fit=crop&dpr=2 1200w, https://images.theconversation.com/files/529982/original/file-20230605-23-pgn7xe.jpeg?ixlib=rb-1.1.0&q=15&auto=format&w=600&h=442&fit=crop&dpr=3 1800w, https://images.theconversation.com/files/529982/original/file-20230605-23-pgn7xe.jpeg?ixlib=rb-1.1.0&q=45&auto=format&w=754&h=555&fit=crop&dpr=1 754w, https://images.theconversation.com/files/529982/original/file-20230605-23-pgn7xe.jpeg?ixlib=rb-1.1.0&q=30&auto=format&w=754&h=555&fit=crop&dpr=2 1508w, https://images.theconversation.com/files/529982/original/file-20230605-23-pgn7xe.jpeg?ixlib=rb-1.1.0&q=15&auto=format&w=754&h=555&fit=crop&dpr=3 2262w" alt="" /></a><figcaption>Michael Zavros, Ben Roberts-Smith VC, 2014, oil on canvas, 30 x 42 cm. <a class="source" href="https://www.awm.gov.au/collection/C2092391">© Australian War Memorial</a>, <a class="license" href="http://creativecommons.org/licenses/by-nc/4.0/">CC BY-NC</a></figcaption></figure> In an <a href="https://memoreview.net/reviews/the-anti-art-of-war-by-rex-butler-and-paris-lettau">article in arts criticism website Memo</a> yesterday, respected Monash University art historian Rex Butler and arts journalist Paris Lettau weighed into the debate. Butler and Lettau say Pistol Grip is: <blockquote> threatening, over-bearing, macho, hyper-masculine, celebratory, and enormous, like the man himself – some 220 centimetres wide and 160 centimetres high. </blockquote> When Zavros created his large portrait it was a depiction of a soldier doing what he was trained – and venerated – for doing. It is an aggressive pose that, given current developments, can be read in a much more sinister way. It touches on a far bigger question of how national institutions for the public memory of war address difficult and morally ambiguous moments in a national story. <h2>Moral and ethical ambiguity</h2> When the Canadian War Museum opened at its new site in Ottawa in 2005, its new displays included two paintings in their collection by Canadian artist <a href="https://www.theglobeandmail.com/opinion/article-in-her-powerful-portraiture-military-artist-gertrude-kearns-pays/">Gertrude Kearns</a>. The paintings, Somalia without Conscience, 1996, and The Dilemma of Kyle Brown: Paradox in the Beyond, 1995, dealt with one of the most shameful episodes in Canada’s military history, known as the <a href="https://en.wikipedia.org/wiki/Somalia_affair">Somalia Affair</a>. In 1992, the Canadian Airborne Regiment was deployed as peacekeepers to Somalia. In 1993, 16-year-old Shidane Arone was found hiding in the Canadian base, believed to have been stealing supplies. He was tortured, and soldiers photographed themselves with the semi-conscious boy. Master Corporal Clayton Matchee and his subordinate Private Kyle Brown <a href="https://www.vice.com/en/article/7x75xg/remembering-the-somalia-affair-canadas-forgotten-abu-ghraib-moment">were charged</a> with his murder and torture. Somalia without Conscience depicts Matchee posing with the beaten Arone, while The Dilemma of Kyle Brown depicts Brown symbolically holding two potential fates in his hands: a lightly coloured cube in his right hand, and a darkened cube in his left. It addresses an ethical grey area many soldiers face during active service when the hierarchy of command comes into direct conflict with conscience. Following the opening of the new Canadian War Museum, the presence of Kearns’s paintings sparked <a href="https://books.google.com.au/books?id=nltxDwAAQBAJ&pg=PT519&lpg=PT519&dq=%E2%80%9Cwas+not+only+telling+the+stories+of+heroism+and+courage+that+most+of+them+expected+to+be+told+but+also+stories+about+failures,+disappointments,+and+human+frailty%E2%80%9D&source=bl&ots=sfQZw_2qXL&sig=ACfU3U18i4X0ERdbg0wfOKXbnOIe1-5-pA&hl=en&sa=X&ved=2ahUKEwjXw6Sdk6v_AhXGVmwGHbRwDh0Q6AF6BAgJEAM#v=onepage&q=%E2%80%9Cwas%20not%20only%20telling%20the%20stories%20of%20heroism%20and%20courage%20that%20most%20of%20them%20expected%20to%20be%20told%20but%20also%20stories%20about%20failures%2C%20disappointments%2C%20and%20human%20frailty%E2%80%9D&f=false">intense debate</a>. Curator Laura Brandon received abusive emails from members of the public. <figure class="align-center zoomable"><a href="https://images.theconversation.com/files/529986/original/file-20230605-23-vgma1q.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=1000&fit=clip"><img src="https://images.theconversation.com/files/529986/original/file-20230605-23-vgma1q.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=754&fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/529986/original/file-20230605-23-vgma1q.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=600&h=399&fit=crop&dpr=1 600w, https://images.theconversation.com/files/529986/original/file-20230605-23-vgma1q.jpg?ixlib=rb-1.1.0&q=30&auto=format&w=600&h=399&fit=crop&dpr=2 1200w, https://images.theconversation.com/files/529986/original/file-20230605-23-vgma1q.jpg?ixlib=rb-1.1.0&q=15&auto=format&w=600&h=399&fit=crop&dpr=3 1800w, https://images.theconversation.com/files/529986/original/file-20230605-23-vgma1q.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=754&h=501&fit=crop&dpr=1 754w, https://images.theconversation.com/files/529986/original/file-20230605-23-vgma1q.jpg?ixlib=rb-1.1.0&q=30&auto=format&w=754&h=501&fit=crop&dpr=2 1508w, https://images.theconversation.com/files/529986/original/file-20230605-23-vgma1q.jpg?ixlib=rb-1.1.0&q=15&auto=format&w=754&h=501&fit=crop&dpr=3 2262w" alt="" /></a><figcaption>The Canadian War Museum in Ottawa. Shutterstock</figcaption></figure> The museum copped criticism from figures such as the head of the National Council of Veterans Associations, who <a href="https://www.cbc.ca/news/canada/ottawa/war-museum-s-paintings-anger-veterans-group-1.546113">called</a> the paintings a “trashy, insulting tribute” and urged a boycott of the opening of the new museum. Discussing this controversy in 2007, <a href="https://journals.sagepub.com/doi/abs/10.1177/1354856507072860?journalCode=cona">Brandon said</a> what upset veteran communities was that “their” museum: <blockquote> was not only telling the stories of heroism and courage that most of them expected to be told but also stories about failures, disappointments, and human frailty. </blockquote> Brandon remained steadfast the museum needed to address the messy ambiguities of war and, despite pressure, kept Kearns’s paintings on display for the duration of the exhibition. <h2>The complexity of contemporary art</h2> Brandon’s curatorial decision to display Kearns’s Somalia paintings strike at the heart of what is special and important about contemporary war art in a national museum. Contemporary art presents ethical and moral complexity, grey zones and a range of perspectives. This is vital in a healthy liberal democracy. While Brandon’s choice to show Kearns’s Somalia paintings attracted criticism, the museum remained committed to telling a story that is difficult, ethically and morally complex, and uncomfortable for Canadians. To remove Zavros’ portraits from display would remove the now-untenable hero narrative that once surrounded Roberts-Smith. But doing so would also rewrite public memory by effectively erasing an important part of why and how Roberts-Smith was revered. These portraits now represent a morally complex story that needs to be addressed by our national war museum. To remove the portraits would miss a valuable opportunity to debate important questions about how we construct hero stories. So, how could these portraits still be shown in future? Zavros’ portraits were already complex works. Following Friday’s announcement, it is more important they are seen in all their additional multi-layered and problematic complexity. The portraits show us how we create the nation through the stories we tell ourselves, and how dynamic that narrative can be. The portraits present a valuable opportunity to show narratives of war – like the stories of our own lives – are never simple, consistent and coherent. The portraits should be displayed in ways that address this complexity, capturing the evolving story of Roberts-Smith in explanatory wall text. There is an opportunity here to not simply “correct” the official record, as Shoebridge suggests, but to have a deeper conversation about the role of hero narratives in diverting attention away from more important public debates about Australia’s involvements in conflicts. Maybe this could be addressed in the art the memorial commissions in future. The most compelling contemporary art works – and the most valuable museum displays in our national institutions – are those that consider our complex stories, raise important and self-reflective questions, and challenge simplistic narratives. <img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/206934/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> Image credit: Getty <a href="https://theconversation.com/profiles/kit-messham-muir-129956">Kit Messham-Muir</a>, Professor in Art, <a href="https://theconversation.com/institutions/curtin-university-873">Curtin University</a> This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/what-should-the-australian-war-memorial-do-with-its-heroic-portraits-of-ben-roberts-smith-206934">original article</a>.

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