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Between nostalgia and amnesia: the legacy of Julia Gillard as PM, 10 years after her ousting

<p><em><a href="https://theconversation.com/profiles/joshua-black-729708">Joshua Black</a>, <a href="https://theconversation.com/institutions/australian-national-university-877">Australian National University</a></em></p> <p>On June 26 2013, as she fronted the press gallery in Canberra after her removal as leader of the Labor Party, Julia Gillard was determined not to cry. In her prime ministerial <a href="https://www.youtube.com/watch?v=G0uhHuEw8LY">resignation speech</a>, she asked not for pity, but rather for a meaningful national conversation about gender and politics, specifically the politics of her demise.</p> <p>"It doesn’t explain everything; it doesn’t explain nothing. It explains some things. And it is for the nation to think in a sophisticated way about those shades of grey."</p> <p>Ten years after the fact, that conversation is ongoing. At times, it has been a progressive and sophisticated one. The events of recent weeks, including the puerile debate about Katy Gallagher’s <a href="https://www.theage.com.au/national/gallagher-faces-censure-motion-20230622-p5dirm.html">prior knowledge</a> of Brittany Higgins’ sexual assault allegations, and the <a href="https://www.abc.net.au/news/2023-06-15/peter-dutton-dumps-senator-david-van-from-liberal-party-room/102481814">allegations</a> against Senator David Van, remind us there is still a long way to go.</p> <p>However, it is worth pausing to reflect on what has happened to Gillard’s reputation over the decade. Why has it thrived? Is it all about gender? And if we have forgotten key aspects of the Gillard years, what does that partial amnesia say about us?</p> <h2>From ‘Juliar’ to feminist icon</h2> <p>For much of her premiership, Gillard was singularly unpopular among Australian voters. Her efforts to put a price on carbon (damned by critics as a broken promise not to introduce a carbon tax) proved electorally damaging, as did her failure to end the deadlock over asylum-seeker policy. <a href="https://www.smh.com.au/politics/federal/a-line-has-been-crossed-gillard-acts-on-thomson-and-slipper-20120429-1xsiz.html">Controversies</a> surrounding Labor MP Craig Thompson and Speaker Peter Slipper (selected for the role by Gillard) further undermined her standing.</p> <p>There was much sexism at play. Her critics incessantly argued this was a woman not to be trusted. Critics of carbon pricing infamously dubbed her “Juliar” on their angry placards. Her body was objectified in the public domain, and the shock jocks of commercial radio questioned the sexuality of her then partner.</p> <p>One commentator, the irascible Alan Jones, <a href="https://www.youtube.com/watch?v=hsaVpepMyA8">even suggested</a> the prime minister ought to be “put in a chaff bag” and drowned at sea. The shocking thing is not that these things were said, but rather that they were accepted as legitimate contributions to public debate by the community at large.</p> <figure class="align-center "><img src="https://images.theconversation.com/files/533611/original/file-20230623-24-4cz05p.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/533611/original/file-20230623-24-4cz05p.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=399&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/533611/original/file-20230623-24-4cz05p.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=399&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/533611/original/file-20230623-24-4cz05p.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=399&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/533611/original/file-20230623-24-4cz05p.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=502&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/533611/original/file-20230623-24-4cz05p.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=502&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/533611/original/file-20230623-24-4cz05p.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=502&amp;fit=crop&amp;dpr=3 2262w" alt="" /><figcaption><span class="caption">The language used to criticised Gillard was often deeply sexist, and opposition politicians often did little to discourage it.</span> <span class="attribution"><span class="source">Alan Porritt/AAP</span></span></figcaption></figure> <p>Stories about Gillard’s <a href="https://www.theguardian.com/australia-news/2014/oct/31/julia-gillard-did-not-commit-any-inquirys-counsel-assisting-says">alleged corruption</a> as a lawyer in Perth in the early 1990s also proved a distraction from the government’s agenda. Not until 2014 – in the witness box of a royal commission, no less – was Gillard finally able to clear her name.</p> <h2>The misogyny speech</h2> <p>The passage of time can make things seem as if they always were as they are now. But Gillard’s renowned <a href="https://www.youtube.com/watch?v=ihd7ofrwQX0">misogyny speech</a> was not an instant sensation in Australia. The context – a censure motion on the disgraced speaker Peter Slipper – was unpropitious, and when Gillard made her speech, the conservative press called her a hypocrite who now played the <a href="https://www.smh.com.au/politics/federal/gillard-reveals-true-nature-in-playing-gender-card-20121010-27cnq.html">“gender card”</a> for political expediency.</p> <p>The speech’s global impact was immediate, but only after Gillard’s removal from power did it capture the hearts and minds of some Australians. New developments – the sexist attacks on US presidential candidate Hillary Clinton in 2016, the #MeToo movement beginning in 2017, and latterly the backlash against gendered discrimination and abuse in parliament house – gave it further acuity in the following years.</p> <p><iframe title="YouTube video player" src="https://www.youtube.com/embed/ihd7ofrwQX0" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p> <p>A decade after its muted reception in Canberra, the speech is circulated on TikTok, featured in stage productions, and in 2020 it was even voted Australia’s most <a href="https://www.theguardian.com/tv-and-radio/2020/feb/07/julia-gillard-misogyny-speech-voted-most-unforgettable-moment-in-australian-tv-history">“unforgettable” television moment</a>.</p> <p>Though not always enamoured with the way it dominated her political legacy, Gillard ultimately leaned in to it, as the saying goes. She started a podcast called A Podcast of One’s Own (a clear nod to Virginia Woolf), published two books about women and leadership, and established the Global Institute for Women’s Leadership at King’s College London, and latterly the Australian National University.</p> <h2>Star status</h2> <p>As prime minister, Gillard was regularly criticised for her “wooden” media appearances and her cautious approach to public engagement. It is ironic, then, that her transformation from untrustworthy politician to venerable feminist advocate depended on the media and celebrity industries.</p> <p>It began with a series of ticketed <a href="https://www.youtube.com/watch?v=ZoCpHkPr8lE">public talks</a> in venues such as the Sydney Opera House with longstanding feminist advocate, author and historian Anne Summers. Gillard’s memoir, <a href="https://www.penguin.com.au/books/my-story-9781760893330">My Story</a>, and a high-profile book tour followed in 2014.</p> <p>In her advocacy work as chair of the Global Partnership for Education she also rubbed shoulders with celebrities such as <a href="https://www.vogue.com.au/celebrity/interviews/rihanna-and-julia-gillard-the-unlikely-friendship-between-a-global-superstar-and-our-former-prime-minister/news-story/3263d3e95e6d9780c0535b8cfea8840d">Rihanna</a>.</p> <h2>The policy legacy</h2> <p>Several of the Rudd-Gillard government’s policy initiatives were unravelled by their successors. The <a href="https://www.abc.net.au/news/2011-07-10/gillard-reveals-carbon-price-scheme/2788842">$23-per-tonne carbon price</a> was repealed by Tony Abbott’s government, as was the (clearly deficient) <a href="https://treasury.gov.au/sites/default/files/2019-03/FOI_2247.pdf">Minerals Resource Rent Tax</a>. The National Broadband Network, the rollout of which began under Gillard, was dramatically reimagined by Malcolm Turnbull as communications minister and then as prime minister.</p> <p>Some of the less-savoury aspects of Gillard policy legacy have been forgotten for more convenient reasons. Gillard herself has not often discussed her government’s revival of mandatory offshore processing for asylum seekers in Australia. The cutting of the <a href="https://theconversation.com/how-julia-gillard-forever-changed-australian-politics-especially-for-women-138528">single parents’ benefit</a>, on the very same day as Gillard’s misogyny speech, has earned perhaps not enough discussion. It is her <a href="https://www.abc.net.au/news/2023-05-16/julia-gillard-same-sex-marriage-feminism-debate/102290962">failure to support</a> same-sex marriage as prime minister that now draws the most condemnation from pundits.</p> <p>But policy legacies have also played a huge part in the revival of Gillard’s public standing. The Royal Commission into Child Sexual Abuse in Institutional Settings was a hugely important initiative. It earned Gillard significant credit across the political spectrum when its findings proved so damning.</p> <p>The NDIS, largely overlooked in media coverage in favour of “carbon tax” and “deficit”, has become a sacred element in Australian social and welfare policy. The subsequent policy debate has not hinged on the design of the scheme, but rather how best to fund it.</p> <h2>Between nostalgia and amnesia</h2> <p>There is a dissonance in the way Australians talk about Gillard today. Her magnanimity is respected, her embrace of a life after politics admired. Above all else, Gillard’s status as Australia’s first woman prime minister and now a global women’s ambassador prevails. As a rule, she does not parade her views on contemporary politics before the public, except at a conceptual level. (Her memoir was perhaps the exception.)</p> <p>But when commentators refer to the decade of egos, ambitions and failed leaders, they are increasingly likely to elide her name entirely. It is a disservice to the historical record, and to Gillard herself. She was a fierce combatant in parliament, and endured a period of intense conflict within the Labor Party. Her victory over Kevin Rudd in February 2012 – one of their many spills and shadow contests – was larger than any ballot that Rudd, Abbott or Turnbull ever contested.</p> <p>People have been quick to wipe their hands clean of yesterday’s sexism in order to make Gillard yesterday’s heroine. But they ought to be careful that, in the process, they do not erase her from other political histories.</p> <p>To segregate her story as one of women’s leadership while neglecting it in wider histories of Australian politics and policy would, in its own way, be an act of sexism.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/208283/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><em><a href="https://theconversation.com/profiles/joshua-black-729708">Joshua Black</a>, PhD Candidate, School of History, National Centre of Biography, <a href="https://theconversation.com/institutions/australian-national-university-877">Australian National University</a></em></p> <p><em>Image credits: Getty Images</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/between-nostalgia-and-amnesia-the-legacy-of-julia-gillard-as-pm-10-years-after-her-ousting-208283">original article</a>.</em></p>

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7 things you should pass on to your grandkids

<p>No one wants to think about what will happen when they’re no longer around, but thoughtfully choosing what to leave to your family will ensure your memory endures long after you’re gone. Here are the 10 things you should pass on to your grandchildren to help them remember you as you always were.</p> <ol> <li><strong>Your passport(s)</strong> – What better token of your life is there than a chronicle of all the incredible places you’ve visited? Your passports will inspire those you love to pack up their bags and follow in your footsteps.</li> <li><strong>Your wedding album</strong> – By passing on your beloved wedding photos, long after you and your partner are gone, your love story will continue to inspire generations after you – and maybe offer some style ideas to vintage-loving brides-to-be in your family!</li> <li><strong>Something belonging to your parents</strong> – If you have an old possession that used to belong to a parent, grandparent or even great-grandparent, giving it to your grandchildren will ensure their ancestors will live on through future generations.</li> <li><strong>Something sentimental</strong> – Photo albums are all well and good, but passing on something you love, which is truly special to you, will always remind your grandchildren of you. Just imagine their smiles as they look down on a watch or ring gifted to them by their beloved nan or pop.</li> <li><strong>A photo of the first time you met them</strong> – Who could forget the first time they meet their newborn grandchild? Share this moment with them and write on the back of the photo just how you felt when you held them for the first time.</li> <li><strong>Your favourite music, books, and movies</strong> – There’s nothing like music to bring back memories of people and places. Fill a bag (or load a USB) with your all-time favourite songs, books and movies so your family will always have something to lift their spirits when they’re feeling down.</li> <li><strong>Stories</strong> – while possessions are great, stories and memories are what will endure for decades after you’ve gone. Any chance you get, share a memory or a story with your loved ones, whether it’s about your life or theirs, and get a conversation going.</li> </ol> <p><em>Images: Getty</em></p>

Retirement Life

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Empowerment, individual strength and the many facets of love: why I fell for Tina Turner

<p><em><a href="https://theconversation.com/profiles/leigh-carriage-456522">Leigh Carriage</a>, <a href="https://theconversation.com/institutions/southern-cross-university-1160">Southern Cross University</a></em></p> <p>For singers – amateur and professional alike – the name Tina Turner evokes instant reverence: Turner is a singer’s singer and perhaps the performer’s performer.</p> <p>A highly successful songwriter, the consummate dancer and fittingly ranked as one of the <a href="https://www.rollingstone.com/music/music-lists/100-greatest-artists-147446/">100 Greatest Artists of All Time</a> by Rolling Stone magazine, Turner was the ultimate entertainer.</p> <p>Upon hearing of her death, I was deeply saddened. I immediately recalled the intoxicating power and timbre of her voice, her mesmerising energy and her commanding performances.</p> <p>I started singing sections of songs such as <em><a href="https://www.youtube.com/watch?v=T2T5_seDNZE">Proud Mary</a></em>, <em><a href="https://www.youtube.com/watch?v=e9Lehkou2Do">River Deep Mountain High</a></em> and of course iconic original songs, such as <em><a href="https://www.youtube.com/watch?v=I07249JX8w4">Nutbush City Limits</a></em>. This was an intimate, sentimental, nostalgic and danceable song celebrating Turner’s roots growing up in the small town of Nutbush, Tennessee.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Tina Turner was raw. She was powerful. She was unstoppable. And she was unapologetically herself—speaking and singing her truth through joy and pain; triumph and tragedy. Today we join fans around the world in honoring the Queen of Rock and Roll, and a star whose light will never… <a href="https://t.co/qXl2quZz1c">pic.twitter.com/qXl2quZz1c</a></p> <p>— Barack Obama (@BarackObama) <a href="https://twitter.com/BarackObama/status/1661514993383120896?ref_src=twsrc%5Etfw">May 24, 2023</a></p></blockquote> <h2>Fierce hard work</h2> <p>My first encounter with Turner’s brilliance and might was hearing her hits of the mid-1980s, with songs like Graham Lyle’s <em><a href="https://www.youtube.com/watch?v=oGpFcHTxjZs">What’s Love Got To Do With It</a></em>, Al Green’s <em><a href="https://www.youtube.com/watch?v=4rFB4nj_GRc">Let’s Stay Together</a></em> and – love it or hate it – the powerful rock ballad <em><a href="https://www.youtube.com/watch?v=Gcm-tOGiva0">We Don’t Need Another Hero</a></em>, the theme song to <em>Mad Max: Beyond Thunderdome.</em></p> <p>Once introduced, I immersed myself in her extensive back catalogue, soaking in her early 1960s soul, funk and emerging rock tracks.</p> <p>Today, I flashed back to memories of the physical energy and technical focus and practice it took just attempting to sing any Turner songs in my 20s.</p> <p>The degree of difficulty required to perform as Turner did cannot be understated.</p> <p>To sing with such consistency in such high registers, belting out song after song live with impeccable pitch, breath control, fitness, articulation and rhythmic precision is one thing. To do all of this while dancing with intense pace to highly choreographed routines throughout each show is on a whole other level.</p> <p>Her performance practice exemplified fierce hard work – with an immense energy and vitality in live performance.</p> <p>Try singing any of her songs at a Karaoke bar. Very quickly you gain some insight into the technical demands her songs require.</p> <h2>Making songs her own</h2> <p>For every singer, selecting a repertoire to cover is an ongoing quest.</p> <p>In a sea of the world’s great songs, Turner selected songs she could make her own. She remodelled every song she sang - realigning them so much that we now think of them as hers first.</p> <p>There are so many examples. My favourites are Turner’s formidable versions of <em><a href="https://www.youtube.com/watch?v=oIPoC6JlP38">I Can’t Stand the Rain</a> </em>(originally by Ann Peebles), <em><a href="https://www.youtube.com/watch?v=GC5E8ie2pdM">The Best</a></em> (Bonnie Tyler) and <em><a href="https://www.youtube.com/watch?v=d4QnalIHlVc">Private Dancer</a></em> (Mark Knopfler).</p> <p>A great deal of the songs Turner was known for through the 1960s were covers. Turner’s forceful and expressive vocal delivery gave new life to these songs, realigning them with her uniquely identifiable sound and choice of vocal register, her phrasing choices and her punctuated rhythmic delivery.</p> <p>Turner is perhaps less known as a songwriter, but her diverse songwriting demonstrated her skill and thoughtful, well-crafted lyrics. On her 1972 album Feel Good, nine of the ten songs were written by Turner. From 1973 to 1977, Turner composed all the songs on each album.</p> <p>One of my favourites of her original songs is the power ballad <em><a href="https://www.youtube.com/watch?v=l__zi3OtrQ0">Be Tender With Me Baby</a></em>. It speaks of a request for understanding, of her loneliness and vulnerability, sung with Turner’s intensity.</p> <p>Across her original songs and covers, Turner’s repertoire spoke of empowerment, individual strength and the many facets of love. Beyond performing, Turner represented inner strength, spiritual depth and resilience against adversity.</p> <p>In 1996, when Turner was 57, she recorded her ninth studio album, <em>Wildest Dreams</em>.</p> <p>One track, <em>Something Beautiful Remains</em>, may not be as familiar as many of her other hits, but it is the song I have kept returning to today. In the chorus, Turner’s lyrics are sadly perfectly fitting:</p> <blockquote> <p>For every life that fades<br />Something beautiful remains.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/206395/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> </blockquote> <figure><iframe src="https://www.youtube.com/embed/1uXLFtXpeFU?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <p><em><a href="https://theconversation.com/profiles/leigh-carriage-456522">Leigh Carriage</a>, Senior Lecturer in Music, <a href="https://theconversation.com/institutions/southern-cross-university-1160">Southern Cross University</a></em></p> <p><em>Image credits: Getty Images</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/empowerment-individual-strength-and-the-many-facets-of-love-why-i-fell-for-tina-turner-206395">original article</a>.</em></p>

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How to leave a legacy to look after those you love

<p dir="ltr"><em>It can be difficult getting on top of your own finances, and knowing how to prepare for the transition to the next generation, but with these tips from financial expert Jacqui Clarke, it has never been easier to manage your money, “so it doesn’t manage you”. </em></p> <p dir="ltr">Leaving a legacy involves more than just material wealth. It encompasses the values, memories, and support you provide to your loved ones even after you're gone. A legacy is the enduring impact and influence you leave behind, shaping the lives of others and the world around them. To be honest, in the context of family and looking after those that you love, it’s something that’s being created from the moment your children or grandchildren, nieces or nephews are born. Legacy can simply be the way you do things and ensuring your descendants know this. For others it might be a lifelong passion project that you want to continue supporting after your lifetime.</p> <p dir="ltr">To ensure your way, your wishes and your wealth are successfully transitioned to the next generation and create an enduring legacy there are 3 crucial steps to consider. Let’s delve into the significance of these elements and explore practical steps you can take to leave a lasting legacy that will benefit those you care about the most.</p> <p dir="ltr"><strong>1. Understanding Estate Planning </strong></p> <p dir="ltr">Estate planning is the process of organising and distributing your assets after you pass away. It allows you to have control over who receives your property and ensures your wishes are carried out effectively. By engaging in estate planning, you not only protect your loved ones from potential legal disputes and unnecessary financial burdens but also provide them with a clear roadmap for the future.</p> <p dir="ltr">Start by taking inventory of your assets, including your savings, investments, real estate, and personal belongings. Next, consult with a qualified estate planning lawyer who can guide you through the creation of essential documents such as wills, power of attorney and possibly testamentary trusts. These legal instruments will help safeguard your assets, minimise tax liabilities, and ensure that your loved ones are taken care of according to your wishes, forming a solid foundation for your lasting legacy.</p> <p dir="ltr"><strong>2. Communicating Your Intentions </strong></p> <p dir="ltr">Effective communication is essential when it comes to leaving a legacy. Clearly expressing your intentions and discussing your estate plan with your loved ones can prevent misunderstandings and conflicts down the line. Initiate an open and honest conversation about your plans, and explain the reasons behind your decisions. This will help your family understand your intentions and provide them with peace of mind during a potentially challenging time.</p> <p dir="ltr">While discussing your estate plan, it's vital to listen to your loved ones' concerns and consider their perspectives. Encourage dialogue and address any questions or uncertainties they may have. Engaging in these conversations demonstrates respect for their opinions and fosters a collaborative approach to legacy planning.</p> <p dir="ltr">By effectively communicating your intentions, you lay the groundwork for a legacy that encompasses not only financial assets but also the values, memories, and guidance you wish to pass on to future generations.</p> <p dir="ltr"><strong>3. Incorporating Non-Financial Aspects </strong></p> <p dir="ltr">Leaving a legacy isn't limited to financial matters and serious hiccups can occur if you miss this one. Consider the non-financial aspects that make up your legacy, such as your values, traditions, and life lessons. Take the time to document your family history, personal anecdotes, and insights that can guide future generations. This could be in the form of a written memoir, video recordings, or audio messages. As an example, my parents loved touring Australia, so I asked them to provide me with all their road trip planning documents, another example are collating the recipes from my grandmother and wanting to ensure these weren’t lost.  </p> <p dir="ltr">Family gatherings are a brilliant opportunity to promote a sense of openness about your planning. It’s a good time to chat about family heirlooms and meaningful possessions with your family members, not just your sentimental items but asking them if you hold something that carries sentimental value to them. You might be surprised by the reaction you get. Seemingly everyday “things” may serve as a special reminder of your love and the unique bonds you share.</p> <p dir="ltr">Your legacy encompasses not only the tangible assets you leave behind but also the intangible gifts of wisdom, love, and values that shape the lives of your loved ones. By incorporating these non-financial aspects into your estate plan and actively transmitting them, you ensure that your legacy extends beyond material possessions and leaves a profound impact on those you cherish.</p> <p dir="ltr">Leaving a legacy is about more than just divvying up your net worth. Through estate planning, effective communication, and the incorporation of non-financial aspects, you can shape the future and ensure that your loved ones are well taken care of. </p> <p dir="ltr"><strong>Jacqui Clarke FCA, FTI, GAICD, JP, author of <em>Stop Worrying About Money </em>(Wiley, $29.95), is a trusted advisor, board member, executor and veteran business executive. </strong></p> <p dir="ltr"><strong>As a personal wealth and money management expert and over three decades of experience, 25 years at Deloitte and PWC helping high-net-worth families, individuals and business owners to build, manage and preserve their wealth. Her message is simple: with careful planning and effort, you can manage your money, so it doesn’t manage you.<a href="https://www.jacquiclarke.me/"> https://www.jacquiclarke.me/</a></strong></p> <p dir="ltr"><em>Images: Getty</em></p>

Retirement Life

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Even after his death, Rolf Harris’ artwork will stand as reminders of his criminal acts

<p><em><a href="https://theconversation.com/profiles/gregory-dale-1441894">Gregory Dale</a>, <a href="https://theconversation.com/institutions/the-university-of-queensland-805">The University of Queensland</a></em></p> <p>Australian entertainer and artist Rolf Harris has died at the age of 93.</p> <p>After a prominent career as an artist, particularly in the UK, in 2014 <a href="https://theconversation.com/rolf-harris-guilty-but-what-has-operation-yewtree-really-taught-us-about-sexual-abuse-28282">Harris was convicted</a> of 12 counts of indecent assault.</p> <p>For his victims, his death might help to close a painful chapter of their lives.</p> <p>However, what will become of the prodigious output of the disgraced artist?</p> <h2>Jack of all trades, master of none</h2> <p>Harris developed an interest in art from a young age. At the age of 15, one of his portraits was <a href="https://www.artgallery.nsw.gov.au/prizes/archibald/1946/">selected for showing</a> in the 1946 Archibald Prize. Three years later, he won the Claude Hotchin prize.</p> <p>These would be among the few accolades he would collect in the art world. In truth, he was never really recognised by his peers.</p> <p>The Art Gallery of Western Australia in Perth, from where he hailed, never added any of his artworks to its collection.</p> <p>Harris rose to prominence primarily as a children’s entertainer and then later as an all-round television presenter. There is a generation of Australians and Britons who grew up transfixed to their TV sets as Harris transformed blank canvases into paintings and cartoons in the space of just 30 minutes.</p> <p>His creativity also extended to music. He played the didgeridoo and his own musical creation, “<a href="https://en.wikipedia.org/wiki/Wobble_board">the wobble board</a>”. He topped the British charts in 1969 with the single Two Little Boys. However, he is probably more famous for the song Tie Me Kangaroo Down, Sport.</p> <p>Perhaps the ultimate recognition came in 2005, when he was invited to <a href="https://en.wikipedia.org/wiki/Her_Majesty_Queen_Elizabeth_II_%E2%80%93_An_80th_Birthday_Portrait">paint Queen Elizabeth II</a>. His audience with the queen was filmed for a BBC documentary starring Harris. His portrait of her majesty briefly adorned the walls of Buckingham Palace, before being displayed in prominent British and Australian galleries.</p> <h2>Criminal conviction and the quick retreat from his art</h2> <p>In 2014, Harris was found guilty of 12 counts of indecent assault against three complainants, aged 15, 16 and 19 years at the times of the crimes. These incidents occurred between 1978 and 1986.</p> <p>Before sentencing Harris to five years and nine months imprisonment, the sentencing judge <a href="https://www.smh.com.au/world/the-full-statement-from-the-judge-who-sentenced-rolf-harris-to-jail-20140704-3bee0.html">commented</a>:</p> <blockquote> <p>You took advantage of the trust placed in you, because of your celebrity status, to commit the offences […] Your reputation now lies in ruins.</p> </blockquote> <p>What followed was a public retreat from his artwork.</p> <p>It is worth asking why this was the public response, when the subject matter of his artwork was innocuous and unremarkable. Among his visual artworks were portraits and landscapes. None of them depicted anything particularly offensive or controversial.</p> <p>Nevertheless, many of those who owned his works felt the need to dissociate themselves with Harris. His portrait of the queen <a href="https://www.bbc.com/news/uk-28105318">seemed to vanish</a> into thin air. In the wake of his convictions, no one claimed to know of its whereabouts.</p> <p>Harris had also painted a number of permanent murals in Australia. Many these were <a href="https://www.theage.com.au/national/victoria/rolf-harris-mural-in-caulfield-to-be-painted-over-20140706-zsy3n.html">removed</a> or <a href="https://www.abc.net.au/news/2018-03-06/rolf-harris-mural-on-theatre-survives-vote-for-destruction/9518358">permanently obscured</a>.</p> <h2>The roles of guilt and disgust</h2> <p>Guilt seems to play a <a href="https://espace.library.uq.edu.au/view/UQ:d3f7264">prominent role</a> in explaining why owners remove such artworks from display.</p> <p>Art is inherently subjective and so it necessarily forces the beholder to inquire into the artist’s meanings. When an artist is subsequently convicted of a crime, it is perhaps natural to wonder whether their art bore signs that there was something untoward about them.</p> <p>Some artists even promote this way of thinking. In fact, Harris authored a book entitled <a href="https://www.goodreads.com/book/show/2883465-looking-at-pictures-with-rolf-harris">Looking at Pictures with Rolf Harris: A Children’s Introduction to Famous Paintings</a>.</p> <p>In it, he wrote:</p> <blockquote> <p>You can find out a lot about the way an artist sees things when you look at his paintings. In fact, he is telling us a lot about himself, whether he wants to or not.</p> </blockquote> <p>When facing the artwork of a convicted criminal, our subjective feelings of guilt persist because we have, in some tiny way, shared a role in their rise and stay as an artist. This makes it difficult to overcome the feeling that the artwork contains clues to the artist’s criminality. We can also feel guilty deriving pleasure from a piece of art whose maker caused others great pain.</p> <p>Disgust also plays a central role in our retreat from the criminal’s artwork.</p> <p>Disgust is a powerful emotion that demands we withdraw from an object whose mere presence threatens to infect or invade our bodily integrity.</p> <p>Related to disgust is a anthropological theory known as the “<a href="https://www.latimes.com/science/sciencenow/la-xpm-2014-feb-24-la-sci-sn-price-of-fame-celebrity-contact-boosts-value-of-objects-20140222-story.html">magical law of contagion</a>”. An offensive person leaves behind an offensive trace that continues to threaten us. It is not based on reason but instinct.</p> <p>In essence, the criminal has left their “negative” traces on their artwork.</p> <p>This explains why Harris’ paintings, although of innocuous images, suddenly became eyesores and their market value dropped. Owners of such artwork might also feel compelled to show their disgust openly, to publicly extricate themselves from the artist.</p> <p>No one wants to be seen to condone the behaviour of a sexual offender.</p> <p>Even after his death, Harris’ artwork will continue to stand as reminders of his criminal acts.</p> <p><em>If this article has raised issues for you, or if you’re concerned about someone you know, call <a href="https://www.1800respect.org.au">1800RESPECT</a> on 1800 737 732. In an emergency call 000.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/206282/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></em></p> <p><em><a href="https://theconversation.com/profiles/gregory-dale-1441894">Gregory Dale</a>, Lecturer, TC Beirne School of Law, <a href="https://theconversation.com/institutions/the-university-of-queensland-805">The University of Queensland</a></em></p> <p><em>Image credits: Getty Images</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/even-after-his-death-rolf-harris-artwork-will-stand-as-reminders-of-his-criminal-acts-206282">original article</a>.</em></p>

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From radical to reactionary: the achievements and legacy of the influential artist John Olsen

<p>After media outlets breathlessly described the late John Olsen as a “<a href="https://fb.watch/jSdCoR-2GN/">genius</a>”, I found myself humming The Chasers’ <a href="https://www.youtube.com/watch?v=dXHleozgQ18">Eulogy Song</a>. </p> <p>This is perhaps a bit unfair, but the hyperbole surrounding Olsen’s death seems to have crowded out any assessment of his real and lasting achievements as an artist. There is a danger here. </p> <p>Hyperbole invites a reaction, which is not always kind. It is still hard to have a dispassionate discussion on the merits (and otherwise) of <a href="https://www.smh.com.au/national/nsw/from-the-archives-1969-norman-lindsay-dies-20191112-p539sa.html">Norman Lindsay</a>, an artist often called a genius in his lifetime.</p> <h2>John Olsen and Australian art</h2> <p>To understand Olsen, and his importance to Australian art, it is important to give some context. He emerged from that generation of Australians whose childhood was coloured by the deprivations of the second world war, and whose adolescent experience was of an expanding, changing Australia. </p> <p>War meant that he finished school as a boarder at St Josephs Hunters Hill, while his father fought in the Middle East and New Guinea and his mother and sister moved to Yass in rural New South Wales.</p> <p>His ability to draw meant that he escaped the tedium of a clerical job by becoming a freelance cartoonist while moving between a number of different art schools, including Julian Ashtons, Dattilo Rubio, East Sydney Tech and <a href="https://adb.anu.edu.au/biography/orban-desiderius-dezso-14658">Desiderius Orban</a>’s studio. As with other young artists of his generation, he was especially influenced by the experimental approach and intellectual rigour of <a href="https://adb.anu.edu.au/biography/passmore-john-richard-15023">John Passmore</a>.</p> <p>He found visual stimulation in <a href="https://www.carlplate.com/">Carl Plate</a>’s Notanda Gallery in Rowe Street, a rare source of information on modern art at the time. Rowe Street was the creative hub for many artists, writers and serious drinkers who later became known as “The Push”. The informal exposure to new ideas on art, literature, food, wine and great conversation was more effective than a university. He learned about Kandinsky, Klee, the beauty of a wandering line, the poetry of Dylan Thomas and T.S. Eliot.</p> <p>Olsen’s first media exposure was as the spokesman for art students protesting at the rigid conservatism of the trustees judging the <a href="https://trove.nla.gov.au/newspaper/article/18514782?searchTerm=John%20Olsen%20art%20student%20National%20Art%20Gallery">Archibald Prize</a>. There were no complaints about the Wynne Prize, which had exhibited his work.</p> <h2>The ‘first’ Australian exhibition of Abstract Expressionism</h2> <p>The friendship between Olsen and fellow artists William Rose, Robert Klippel, Eric Smith and their mentor John Passmore, led to the exhibition <a href="https://www.artgallery.nsw.gov.au/collection/works/ARC409.1.147/">Direction 1</a> in December 1956. </p> <p>An art critic’s over enthusiasm led to it being proclaimed as the first Australian exhibition of Abstract Expressionism, and its artists as pioneers of modern art. As a consequence, Robert Shaw, a private collector, paid for Olsen to travel and study in Europe. This was a transformational gift, coming at a time before Australia Council Grants, when travel was expensive.</p> <p>He travelled first to Paris, then Spain where he based himself in Majorca and supported himself by working as an apprentice chef. The fluid approach to learning he had acquired in Sydney was enhanced in Spain. He saw, and appreciated the <a href="https://www.tate.org.uk/art/art-terms/t/tachisme">Tachiste</a>artists, but took his own path, remembering always Paul Klee’s dictum that a drawing is “taking a line for a walk”.</p> <p>That Spanish experience was distilled in the exuberant works he painted after his return to Sydney in 1960. <a href="https://www.artgallery.nsw.gov.au/collection/works/OA29.1960.a-c/">Spanish Encounter</a>paid tribute to the impact of this culture that continued to intrigue him, its energy and its apparent irrationality. </p> <p>But he also found himself enjoying the “honest vulgarity” he found in the Australian ethos, leading to a series of paintings which incorporated the words <a href="https://www.ngv.vic.gov.au/explore/collection/work/6124/">you beaut country</a> in their title. Olsen’s confident paintings of the 1960s easily place him as the most influential Australian artist of that decade.</p> <h2>Five Bells and landscape</h2> <p>In 1972, Olsen was commissioned to paint a giant mural for the foyer of the concert hall at the Sydney Opera House. <a href="https://www.abc.net.au/radionational/archived/booksandarts/my-salute-to-five-bells:-john-olsen/6721222">Salute to Five Bells</a> takes its name from Kenneth Slessor’s poem of death on the Harbour, but is more about elements of subterranean harbour life. </p> <p>The heroic scale of the work meant that he worked with a number of assistants to paint the dominant blue ground. When the mural was unveiled in 1973, it received a <a href="https://www.abc.net.au/radionational/archived/booksandarts/my-salute-to-five-bells:-john-olsen/6721222">mixed response</a>. It was too muted in tone to cope with the Opera House lighting, too sparse in content, too decorative.</p> <p>In the following years, Olsen turned towards painting the Australian landscape and the creatures that inhabited it. In 1974, he visited Lake Eyre as the once dry giant salt lake flooded to fill with abundant life. He made paintings, drawings and prints of the abundance – both intimate views and overviews from flying over. Lake Eyre and its environs was to be a recurring motif in the art of his later years.</p> <p>While these works were commercially successful, and many were acquired by public galleries, Olsen was no longer seen as being in the avant garde. He was, however, very much a part of the art establishment and his art was widely collected.</p> <h2>A man of his generation</h2> <p>The aerial perspective of many of his later decorative paintings could seem to have echoes of Aboriginal art. Indeed, when the young <a href="https://abdulabdullah.com/home.html">Abdul Abdullah</a> first saw Olsen’s paintings in 2009 he at first assumed Olsen was an Aboriginal artist. </p> <p>It was therefore a surprise to many when in 2017 Olsen mounted a <a href="https://www.smh.com.au/entertainment/art-and-design/john-olsen-says-archibald-prize-win-is-the-worst-decision-ive-ever-seen-20170728-gxl4ze.html">trenchant attack</a> on the Wynne Prize after it was awarded to Betty Kunitiwa Pumani for Antara, a painting of her mother’s country.</p> <p>Despite some visual similarities to his own approach to landscape he claimed her painting existed in “a cloud cuckoo land”. In the same interview, he attacked Mitch Cairns’ Archibald-winning portrait of his wife, Agatha Gothe-Snape, as “just so bad”.</p> <p>While it is not unusual for the radical young to become enthusiastic reactionaries in prosperous old age, there was a particular lack of grace in Olsen’s response to artists who were not a part of his social circle or cultural background. He was in this very much a man of his generation, with attitudes and prejudices that reflect the years of his youth. </p> <p>Looking at Olsen’s paintings of the 1950s and ‘60s is a reminder that there was a time in Australia when brash young men could prove their intellectual credentials by quoting Dylan Thomas while making a glorious multi-coloured paella in paint.</p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared on <a href="https://theconversation.com/from-radical-to-reactionary-the-achievements-and-legacy-of-the-influential-artist-john-olsen-203677" target="_blank" rel="noopener">The Conversation</a>. </em></p>

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"Your legacy lives on”: Outpouring of love from Bindi Irwin

<p>Bindi Irwin has shared an emotional tribute to her late father, Aussie icon Steve Irwin, celebrating what would have been his 61st birthday.</p> <p>Bindi expressed her gratitude to her dad for sharing his love of animals with her and younger brother Robert.</p> <p>“Happy Birthday, Dad,” she captioned an image on instagram, posting a photo of herself as a little girl with Steve, who is holding a small reptile.</p> <p>“Thank you for instilling a love for all species, courage to follow my heart and determination to make a difference in the world for wildlife and wild places.</p> <p>“Your legacy lives on and the world is forever changed because of your dedication to conservation.</p> <p>“Mum, Robert and I love and miss you so much.”</p> <p>People flooded the comments with kind words and appreciation for the Crocodile Hunter.</p> <p>Actress Emma Perry commented, “What a blessing he gave to this world and what an honour to continue that legacy, happy birthday to your amazing Dad!</p> <p>“Happy birthday to your daddy. He was a true inspiration to all of us,” another user wrote.</p> <p>“A hugely missed man, a tragedy he was taken so young, but it’s so inspiring to see his message and work carried on through his family,” a fan added.</p> <p>Terri Irwin took to social media to pay tribute to her late husband as well, leaving a simple message on Twitter, “Happy birthday, Steve,”</p> <p>“You did good.”</p> <p>Terri also shared an old picture of herself and Steve with a young Bindi and baby Robert, alongside a recent photo of the family all grown-up, showing Robert, Bindi and her husband Chandler and their daughter Grace.</p> <p>Robert Irwin, also paid tribute to his dad, sharing an image of Steve holding him as a baby with little Bindi watching on paired with the caption “Happy Birthday Dad”.</p> <p>“So much love,” Bindi commented on her brother’s post.</p> <p>“I will never forget the day Robert was born and Steve proudly held him up to the camera,” one fan reminisced.</p> <p>“He was so proud of his wife, Robert and Bindi ... He would have been even more so today.”<br />“Happy birthday to the man who made me fall in love with reptiles! We love and miss you so much!” wrote another.</p> <p>Steve Irwin was born on February 22, 1962, and passed away on September 4, 2006, at age 44, after a stingray barb pierced him in the chest while he was filming on the Great Barrier Reef.</p> <p><em>Image credit: Instagram</em></p>

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“A legacy larger than life”: Robert Irwin shares rare snap in emotional tribute

<p>Robert Irwin shared a touching tribute to his parents on the 31st anniversary of their engagement. </p> <p>The 19-year-old shared an old photo of Terri and the late Steve to Instagram, where both Irwins can be seen smiling in the sun, with Steve in his iconic khakis and Terri with a lizard in her hand. </p> <p>“It was on this day 31 years ago that my parents got engaged and set in motion what would become a legacy larger than life,” Robert captioned the image, “I love my mum and dad so much… I’m proud to be their son”.</p> <p>In three days, the post has amassed over 1,200 comments from fans eager to share their love and support for the Irwins. </p> <p>“And they're proud to call you their son!” One fan declared, scattering a couple of yellow hearts throughout, “this legacy will continue on for millennia … The real warriors of our world are you guys''.</p> <p>“I’m sure you make them both so so so proud!” One follower agreed, “you are them and they are you. You have honoured your father’s legacy, Robert.”</p> <p>“Your dad was the reason I love animals and have adopted them throughout my life and the respect I have for nature. Truly a one of a kind human,” wrote another.</p> <p>One noted on the likeness of Robert and his sister, Bindi, to their parents, writing, “you can see by this photo that Bindi is just her father and Robert is Terri when they were young.”</p> <p>Terri and Steve were married in 1992, and launched the worldwide phenomenon The Crocodile Hunter in 1996. Footage filmed during their honeymoon was used for the first episode of the show. The couple were blessed with Bindi in 1998 and Robert in 2003, before Steve tragically lost his life to a stingray in 2006. </p> <p>Terri, Robert, and Bindi have dedicated their lives to keeping Steve’s memory alive and continuing his legacy through their conservation work at home in Australia Zoo - the same zoo founded by Steve’s father, Bob Irwin. </p> <p>“Your dad would be beyond proud of the hard work you do to keep his legacy alive,” one of Robert’s 3.6 million followers stated, with many liking the shared sentiment. </p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CoLLmWfPekc/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CoLLmWfPekc/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Robert Irwin (@robertirwinphotography)</a></p> </div> </blockquote> <p>Another referenced the late Steve’s own words in their comment for Robert, writing, “as your dad always said: ‘Everything I do in my life I do to make my mum and dad proud. I want to carry on in my dad's footsteps and make sure that his legacy lives on forever’”. </p> <p>As Robert himself told <em>Esquire Middle East </em>in 2017, “I hope in every aspect of my life that I can make him proud, and make sure that his message never dies.”</p> <p>If Robert’s latest tribute is anything to go by, the young Irwin is not only keeping that dream alive, but also close to his heart. </p> <p><em>Image: Instagram</em></p>

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What will be your legacy?

<p>Maybe you’ve never thought about it, but how you’ll be remembered, and who you’ll be remembered by will be determined by the legacy you’ll leave. If you want your life to count then why leave it to chance when your legacy can be planned and purposeful, and in doing so, establish a firm foundation which generations can build upon?</p> <p>The mistakes of generations-past will be repeated by generations-future up until someone has the vision and determination to derive a different outcome. If not you, then who?</p> <p><strong>A legacy framework</strong></p> <p>Let’s play a game: what’s a word – just one word – you’d like others to use that encapsulates how you’d like to be remembered after you’re gone? For instance, assuming your name was Bobby, imagine a friend at your funeral saying “You know, I always found Bobby to be so…” </p> <p>It might be loving, or honest, or faithful, or sincere or any number of things. Now ask yourself this: "Is how I’m living congruent with how I want to be remembered?" If it is, great. If it isn’t, will you change while you still have time?</p> <p>If you’re interested in being organised and purposeful in leaving a legacy, consider this: your legacy is the summary of your deeds, which is the summary of your actions, which is the summary of your intentions. If you want to leave a bigger legacy then start by being purposeful with your intentions, impactful with your actions, and altruistic with your deeds.</p> <p><strong>Largesse</strong></p> <p>Your largesse is the way and extent to which you distribute money or gifts upon others. Largesse may be, but doesn’t necessarily have to be, financial. To be significant, largesse must be predominantly selfless. Any contribution to humanity that results in a gift qualifies, which is why the largesse of the likes of Nelson Mandela, Mahatma Gandhi and Mother Teresa remain significant.</p> <p>Perhaps the ripples of the contribution you leave won’t be as large or as wide as those of Mother Teresa, but that doesn’t make your effort any less important or less worthy. Many small things done well are usually far better than a few great things done poorly. But remember, a selfless act can’t be called so if there are selfish ambitions behind it. Selfish largesse is rarely remembered beyond one generation or is remembered for the wrong reasons like the legacy of any historical tyrant you care to mention whose selfishness caused the death of countless innocent lives.</p> <p><strong>Remembering Nobel</strong></p> <p>Alfred Nobel was a controversial figure for much of this life, and while his inventions improved the industrialised world, he was not universally loved. His work improving military explosives resulted in him being accused of high treason. Upon his death, Nobel bequeathed 94 per cent of his estate be converted into a fund and invested in safe securities, with the income earned from those investments to be ‘distributed annually in the form of prizes to those who during the preceding year have conferred the greatest benefit to humankind’.</p> <p>Why did Nobel perform such a generous act? No-one knows for sure but one possibility is that a French journalist, upon mistakenly reporting his death, eulogised Nobel as a ‘merchant of death’. Reportedly appalled, Nobel shifted his focus to philanthropy and used his fortune to create a legacy to further, not frustrate, humanity. Today, Nobel is revered for his substantial and ongoing contribution to the promotion of peace—a legacy of significance funded by his significant wealth.</p> <p><strong>Do-Doing-Done</strong></p> <p>How do you leave a legacy? First you’ll need to cast a vision for how you want to be remembered. Thereafter every thought and every action in every hour of every day is an opportunity to make a legacy deposit by acting congruently, or legacy withdrawal by acting incongruently, with your vision. </p> <p>The bigger your legacy balance, the more impactful your legacy will be.</p> <p>The trick is to remain persistently consistent with cycling through your intentions (what you want to do), your actions (what you’re doing), and your accomplishments (what you’ve done). Doing so will build momentum and scale. </p> <p>My old high school motto was Spectumer Agendo. It is Latin and means ‘By their deeds they shall be known.’ What are your deeds, and how will you be known?  If you want your life to count, do more things that count! Don’t be consumed with petty people or petty matters. Remained focussed on the things you can control. </p> <p><strong>Greek Proverb</strong></p> <p>Here’s a Greek proverb that caught my attention recently: wise men plant trees under whose shade others will sit. This is a beautiful phrase that captures the notion of sowing a blessing today for others tomorrow; a lovely way to capture the concept of legacy. I might have taken the proverb a little too literally because etched on my heart is a vision to return the 600 hectares of land I purchased back in 2018 into a permanent multi-species native forest. If you don’t have your own legacy project on the go and rehabilitating environments, restoring damaged ecosystems or renewing habitat for wildlife is something you care about, you’re welcome to join with me, my family and others as we change the world one tree at a time. Find out more at www.TreeChange.com</p> <p>Will your legacy be a burden or a blessing? It’s not too late to decide, or change if you aren’t happy with the current situation. </p> <p><strong>Edited extract from Steve McKnight’s <em>Money Magnet: How to Attract and Keep a Fortune that Counts</em> (Wiley $32.95), now available at all leading retailers or online at www.moneymagnet.au</strong></p> <p><em>Image: Getty Images</em></p>

Mind

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Clothes women wanted to wear: a new exhibition explores how Carla Zampatti saw her designs as a tracker of feminism

<p>The late Carla Zampatti is celebrated in a splendid retrospective Zampatti Powerhouse at the Powerhouse Museum. Planned well before the fashion designer’s <a href="https://theconversation.com/how-carla-zampatti-pioneered-wearable-yet-cosmopolitan-clothes-for-women-and-became-a-fashion-icon-158377">untimely death</a> last year, the unveiling of her legacy will be bittersweet to her many fans. </p> <p>Zampatti is often referred to as “Carla” by friends and those who worked for her, rather than her brand name, Carla Zampatti. Here, the simple name “Zampatti” removes the emphasis from Zampatti as designer to a simpler assertion: businesswoman, mother, philanthropist-entrepreneur. </p> <p>It is a move as deft and elegant as the rest of the exhibition choices. </p> <p>In one of the best-looking fashion exhibition designs Australia has seen, creative director Tony Assness serves up a dynamic vision of clothes punctuated by a vibrant red (one of Zampatti’s favourite design choices) that encourages excitement and discovery. Clothes are arranged by themes – jumpsuit, jungle, graphic, blouson, power – rather than date.</p> <p>Curator Roger Leong leverages his years of experience to do a relatively new thing for Australian museums: tell the stories of clothes through the stories of women who wore them.</p> <h2>A migrant story</h2> <p>Zampatti’s story is an Australian migrant story. Born Maria Zampatti in Italy in 1938 (not 1942, as is often believed), she did not meet her father, who had migrated to Fremantle, until she was 11. </p> <p>In Australia, she was forced to change her name to Mary. It was claimed the other kids could not pronounce Maria. She did not finish school. When she moved to Sydney in her late 20s, she reinvented herself as Carla.</p> <p>The fashion business started on a kitchen table in 1965 under the label ZamPAtti. By 1970, Carla had bought out her business partner husband, and was sole owner of Carla Zampatti Pty Ltd. </p> <p>Zampatti flourished in fashion. She had a finger on the pulse, was in the right place at the right time, and knew a more glamorous role was possible for a fashion designer than the industry “rag trader”.</p> <p>In the 1970s, the markets suggested that the ultra-expensive haute couture was about to disappear, to be replaced by informal ranges created by a new type of designer often called a “stylist”. It was the decade of flower power, retro dressing and ethnic borrowings.</p> <p>Until the 1960s, fashion had been dominated by the rise of haute couture and the “dictator-designer” system – mainly men who determined hem lengths and silhouettes for women. But in 1973, the French body governing high fashion added a new layer of designers, créateurs (literally “creators” or designers), who produced only ready-to-wear. </p> <p>In 1972 Zampatti opened her first Sydney boutique, inspired by informal shops she had seen in St Tropez. Zampatti offered women bright jumpsuits, art deco looks and peasant-inspired ease.</p> <p>She aimed to provide women clothes they wanted to wear. She draped the cloth and colours on herself. Like many women designers historically, she was alert to how her clothes made women customers look and feel. Zampatti remained the fit model for the whole range and would not produce anything in which she did not look and feel well. </p> <p>Zampatti saw her “clothes as a tracker of feminism”.</p> <p>The 1980s cemented Zampatti’s rise to prominence. She became a household name, even designing a car for women. In this time, personal expression became more important than unified looks dictated by designers. Zampatti’s Australian designing coincided with a new development in Italy: the stylisti. Small, focused family businesses alert to the zeitgeist and understanding quality flourished. It was an approach that emphasised quality and glamour. </p> <p>Zampatti identified talent. She employed well-known couturier Beril Jents on the shop floor after she had fallen on hard times. She then employed Jents to improve the cut of her designs. </p> <p>Zampatti continued to embrace the services of stylists and other designers including Romance was Born, whom she recognised could take her work to the next level.</p> <h2>The stories of clothes</h2> <p>Worn equally by politicians and their circles on the right and the left, Zampatti injected more than power dressing into women’s wardrobes. She inspired a sense that women wore the clothes, not the clothes them. </p> <p>In this exhibition we are given many examples, from Linda Burney’s red pantsuit worn for her parliamentary portrait to a gown worn by Jennifer Morrison to the White House.</p> <p>The exhibition viewer can turn from serried ranks of brilliantly styled mannequins and enter large “listening pods”, screening brilliantly edited videos in the manner of artist Bill Viola. The women, who include Dame Quentin Bryce and Ita Buttrose, discuss the creative mind of Zampatti or reflect on their own Zampatti wardrobe. They are amongst the best such “talking heads” I have seen in a museum.</p> <p>Like many designers, Zampatti was not that interested in her own past. She did not keep substantial archives and records, which is a testament to the skills demonstrated by the museum in bringing us this show. </p> <p>Zampatti never turned her back on her personal story, but she was a futurist, one who looked forward rather than backward.</p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared on <a href="https://theconversation.com/clothes-women-wanted-to-wear-a-new-exhibition-explores-how-carla-zampatti-saw-her-designs-as-a-tracker-of-feminism-194040" target="_blank" rel="noopener">The Conversation</a>. </em></p>

Beauty & Style

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Australia Zoo insider claims Bindi Irwin never wanted to follow her father's footsteps

<p>An insider at Australia Zoo has claimed that Bindi Irwin never wanted to follow in the footsteps of her late father. </p> <p>Justin Lyons, a cameraman who was there the day Steve Irwin died from a stingray attack in 2006, said in a recent interview that Australia Zoo is almost "cult-like" with Steve's imagery looming everywhere, reminding him of the day the original wildlife warrior died. </p> <p>Among his stunning revelations, he claims the now 24-year-old Bindi initially "didn't really want" to follow in her famous dad's footsteps.</p> <p>"Bindi and I spent a lot of time together," Justin told <a href="https://www.nowtolove.com.au/celebrity/celeb-news/bindi-irwin-carries-on-steve-legacy-75512" target="_blank" rel="noopener">Woman's Day</a>. "We'd go up to Far North Queensland and while they were doing whatever, Bindi and I would go off. She'd say to me, 'I don't really like bugs', but she was expected to do all this crazy stuff."</p> <p>The allegations are a far cry from Bindi's own words, given that in 2018 she told Insider, "Ever since I can remember, I've always said, 'When I grow up, I want to be just like Dad.'"</p> <p>However, some sources close to the Irwin family say there "may be a layer of truth" to Justin's comments. </p> <p>"She couldn't have predicted it back when she was a little kid wandering around the bush with Justin, but the reality is Bindi is in a tough position," says an insider. </p> <p>"She was a big star for a time in America and for a while it looked like she was set to break the big time in Hollywood, but now she's back at the zoo learning the ropes to take over when her mother retires, and as it is currently, its glory days are long over."</p> <p>The insider claimed Bindi feels torn between two worlds, as she strives to make her parents proud with her ongoing work at Australia Zoo, but also the pull back to the US, where she has the potential to make a name for herself in her husband Chandler Powell's home country.</p> <p>"Bindi and Chandler have often toyed with the idea of moving to the States, especially now they have baby Grace, and they've barely seen Chandler's parents in recent years," says a source.</p> <p>"But Bindi feels tied to the zoo, whether she wants to be or not."</p> <p><em>Image credits: Getty Images</em></p>

Family & Pets

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How Olivia Newton-John’s legacy lives on

<p dir="ltr">The news of <a href="https://www.oversixty.com.au/health/caring/honouring-dame-olivia-newton-john" target="_blank" rel="noopener">Dame Olivia Newton-John’s death</a> at the age of 73 rocked the world following an extremely brave fight against breast cancer.</p> <p dir="ltr">For almost 30 years, Olivia pushed through several treatments and even founded the Olivia Newton-John Cancer Wellness &amp; Research Centre in 2012 to help others who were in the same boat.</p> <p dir="ltr">Her heartbreaking death surrounded by family has just proven how powerful her voice was in the treatment for breast cancer.</p> <p dir="ltr">Diagnosed at the age of 44 in 1992, Olivia’s fight was exactly that: a constant battle to ensure she pushed through her cancer treatments.</p> <p dir="ltr">Olivia Newton-John Cancer Wellness &amp; Research Centre is part of Austin Health which has seen incredible breakthroughs because of the late <em>Grease</em> star.</p> <p dir="ltr">The chief executive of Austin Health, Adam Horsburgh said without Olivia, the centre would not exist.</p> <p dir="ltr">“Without her drive and her commitment, the centre would not be here,” he told <a href="https://www.theguardian.com/film/2022/aug/09/this-was-her-dream-olivia-newton-johns-legacy-lives-on-at-cancer-research-centre" target="_blank" rel="noopener">The Guardian</a>.</p> <p dir="ltr">“And her ongoing support over many years has ensured the success of the centre.</p> <p dir="ltr">“It has enabled us to provide care and support to thousands of patients over the past 10 years.”</p> <p dir="ltr">Todd Harper, the chief executive of Cancer Council Victoria said if it weren’t for Olivia’s determination, research would not be where it is today.</p> <p dir="ltr">“Olivia was a pioneer in the cancer field and her work provided inspiration for many,” he said in a statement.</p> <p dir="ltr">“Her advocacy enabled the work of dedicated scientists advancing scientific discoveries and offered hope to many affected by a cancer diagnosis.</p> <p dir="ltr">“She led the focus on wellness and the importance of physical, emotional and spiritual support not only for the person going through a cancer diagnosis but their carers, families and friends.</p> <p dir="ltr">“Olivia’s impact can’t be overstated, and her legacy will continue in the work of world-leading research, treatment and care.”</p> <p dir="ltr">The ONJ centre first opened in June 2012 and is currently involved with about 200 clinical trials for a variety of cancers, including brain, bowel, breast, melanoma, gastrointestinal, head and neck, pancreatic, prostate and lung cancer</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/ChAntToP_D0/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/ChAntToP_D0/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Olivia Newton-John (@therealonj)</a></p> </div> </blockquote> <p dir="ltr">The news of Olivia’s passing was announced by her husband on Instagram via his late wife’s account, and included an appeal to continue her good works in the field of cancer research:</p> <p dir="ltr">“Dame Olivia Newton-John (73) passed away peacefully at her Ranch in Southern California this morning, surrounded by family and friends. We ask that everyone please respect the family’s privacy during this very difficult time,” he wrote.</p> <p dir="ltr">“Olivia has been a symbol of triumphs and hope for over 30 years sharing her journey with breast cancer.</p> <p dir="ltr">“Her healing inspiration and pioneering experience with plant medicine continues with the Olivia Newton-John Foundation Fund, dedicated to researching plant medicine and cancer. In lieu of flowers, the family asks that any donations be made in her memory to the @onjfoundation."</p> <p dir="ltr"><em>Images: Instagram</em></p>

Caring

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Goodbye Internet Explorer. You won’t be missed (but your legacy will be remembered)

<p>After 27 years, Microsoft has finally bid farewell to the web browser Internet Explorer, and will redirect Explorer users to the latest version of its Edge browser.</p> <p>As of June 15, Microsoft ended support for Explorer on several versions of Windows 10 – meaning no more productivity, reliability or security updates. Explorer will remain a working browser, but won’t be protected as new threats emerge.</p> <p>Twenty-seven years is a long time in computing. Many would say this move was long overdue. Explorer has been long outperformed by its competitors, and years of poor user experiences have made it the butt of many internet jokes.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Someone built a real tombstone of Internet Explorer in Korea. "He was a good tool to download other browsers." <a href="https://t.co/42vnkoQshd">https://t.co/42vnkoQshd</a> <a href="https://t.co/ud3SMiyLNp">pic.twitter.com/ud3SMiyLNp</a></p> <p>— Soonson Kwon (@ksoonson) <a href="https://twitter.com/ksoonson/status/1536938327395680256?ref_src=twsrc%5Etfw">June 15, 2022</a></p></blockquote> <p><strong>How it began</strong></p> <p>Explorer was first introduced in 1995 by the Microsoft Corporation, and came bundled with the Windows operating system.</p> <p>To its credit, Explorer introduced many Windows users to the joys of the internet for the first time. After all, it was only in 1993 that Tim Berners-Lee, the father of the web, <a href="https://thenextweb.com/news/20-years-ago-today-the-world-wide-web-opened-to-the-public" target="_blank" rel="noopener">released</a> the first public web browser (aptly called WorldWideWeb).</p> <p>Providing Explorer as its default browser meant a large proportion of Windows’s global user base would not experience an alternative. But this came at a cost, and Microsoft eventually faced multiple <a href="https://corporatefinanceinstitute.com/resources/knowledge/strategy/microsoft-antitrust-case/" target="_blank" rel="noopener">antitrust investigations</a> exploring its monopoly on the browser market.</p> <p>Still, even though <a href="https://www.mozilla.org/en-US/firefox/browsers/browser-history/" target="_blank" rel="noopener">a number</a> of other browsers were around (including Netscape Navigator, which pre-dated Explorer), Explorer remained the default choice for millions of people up until around 2002, when Firefox was launched.</p> <p><strong>How it ended</strong></p> <p>Microsoft has released 11 versions of Explorer (with many minor revisions along the way). It added different functionality and components with each release. Despite this, it lost consumers’ trust due to Explorer’s “legacy architecture” which involved poor <a href="https://www.optimadesign.co.uk/blog/internet-explorer-end-of-life-or-not" target="_blank" rel="noopener">design and slowness</a>.</p> <p>It seems Microsoft got so comfortable with its monopoly that it let the quality of its product slide, just as other competitors were entering the battlefield.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">is Internet Explorer ever truly dead? <a href="https://t.co/KQGndprUxn">pic.twitter.com/KQGndprUxn</a></p> <p>— Tom Warren (@tomwarren) <a href="https://twitter.com/tomwarren/status/1536687397798350849?ref_src=twsrc%5Etfw">June 14, 2022</a></p></blockquote> <p>Even just considering its cosmetic interface (what you see and interact with when you visit a website), Explorer could not give users the authentic experience of <a href="https://www.techwalla.com/articles/how-to-fix-internet-explorer-pages-not-displaying-correctly" target="_blank" rel="noopener">modern websites</a>.</p> <p>On the security front, Explorer exhibited its <a href="https://www.cvedetails.com/vulnerability-list/vendor_id-26/product_id-9900/Microsoft-Internet-Explorer.html" target="_blank" rel="noopener">fair share of weaknesses</a>, which cyber criminals readily and successfully exploited.</p> <p>While Microsoft may have patched many of these weaknesses over different versions of the browser, the underlying architecture is <a href="https://docs.microsoft.com/en-us/deployedge/microsoft-edge-security-iemode-safer-than-ie" target="_blank" rel="noopener">still considered vulnerable</a> by security experts. Microsoft itself has <a href="https://docs.microsoft.com/en-us/deployedge/microsoft-edge-security-iemode-safer-than-ie" target="_blank" rel="noopener">acknowledged</a> this:</p> <blockquote> <p>… [Explorer] is still based on technology that’s 25 years old. It’s a legacy browser that’s architecturally outdated and unable to meet the security challenges of the modern web.</p> </blockquote> <p>These concerns have resulted in the United States <a href="https://www.dhs.gov/" target="_blank" rel="noopener">Department for Homeland Security</a> repeatedly advising internet users against <a href="https://windowsreport.com/internet-explorer-security-issues/" target="_blank" rel="noopener">using Explorer</a>.</p> <p>Explorer’s failure to win over modern audiences is further evident through Microsoft’s ongoing attempts to push users towards Edge. Edge was first introduced in 2015, and since then Explorer has only been used as a compatibility solution.</p> <p><strong>What Explorer was up against</strong></p> <p>In terms of <a href="https://gs.statcounter.com/browser-market-share#monthly-202206-202206-bar" target="_blank" rel="noopener">market share</a>, more than 64% of browser users currently use Chrome. Explorer has dropped to less than 1%, and even Edge only accounts for about 4% of users. What has given Chrome such a leg-up in the browser market?</p> <hr /> <p><iframe class="flourish-embed-iframe" style="width: 100%; height: 600px;" title="Interactive or visual content" src="https://flo.uri.sh/visualisation/10361649/embed" width="100%" height="400" frameborder="0" scrolling="no" sandbox="allow-same-origin allow-forms allow-scripts allow-downloads allow-popups allow-popups-to-escape-sandbox allow-top-navigation-by-user-activation"></iframe></p> <div style="width: 100%!; margin-top: 4px!important; text-align: right!important;"><a class="flourish-credit" href="https://public.flourish.studio/visualisation/10361649/?utm_source=embed&amp;utm_campaign=visualisation/10361649" target="_top"><img src="https://public.flourish.studio/resources/made_with_flourish.svg" alt="Made with Flourish" /> </a></div> <hr /> <p>Chrome was first introduced by Google in 2008, on the open source <a href="https://www.chromium.org/chromium-projects/" target="_blank" rel="noopener">Chromium project</a>, and has since been actively developed and supported.</p> <p>Being open source means the software is publicly available, and anyone can inspect the source code that runs behind it. Individuals can even contribute to the source code, thereby enhancing the software’s productivity, reliability and security. This was never an option with Explorer.</p> <p>Moreover, Chrome is multi-platform: it can be used in other operating systems such as Linux, MacOS and on mobile devices, and was supporting a range of systems long before Edge was even released.</p> <p>Meanwhile, Explorer has <a href="https://www.zdnet.com/article/zune-hd-no-youtube-in-the-browser-for-you/" target="_blank" rel="noopener">mainly</a> been <a href="https://docs.microsoft.com/en-us/deployedge/microsoft-edge-supported-operating-systems" target="_blank" rel="noopener">restricted</a> to Windows, XBox and a few versions of MacOS.</p> <p><strong>Under the hood</strong></p> <p>Microsoft’s Edge browser is using the same <a href="https://www.chromium.org/chromium-projects/" target="_blank" rel="noopener">Chromium</a> open-source code that Chrome has used since its inception. This is encouraging, but it remains to be seen how Edge will compete against Chrome and other browsers to win users’ confidence.</p> <p>We won’t be surprised if Microsoft fails to nudge customers towards using Edge as their favourite browser. The latest stats suggest Edge is still far behind Chrome in terms of market share.</p> <p>Also, the fact Microsoft took seven years to retire Explorer after Edge’s initial release suggests the company hasn’t had great success in getting Edge’s uptake rolling.</p> <figure class="align-center zoomable"><a href="https://images.theconversation.com/files/469137/original/file-20220616-13070-5lnc2u.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip"><img src="https://images.theconversation.com/files/469137/original/file-20220616-13070-5lnc2u.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/469137/original/file-20220616-13070-5lnc2u.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=250&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/469137/original/file-20220616-13070-5lnc2u.png?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=250&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/469137/original/file-20220616-13070-5lnc2u.png?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=250&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/469137/original/file-20220616-13070-5lnc2u.png?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=314&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/469137/original/file-20220616-13070-5lnc2u.png?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=314&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/469137/original/file-20220616-13070-5lnc2u.png?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=314&amp;fit=crop&amp;dpr=3 2262w" alt="A screenshot of a Microsoft web page showing Internet Explorer has been retired." /></a><figcaption><span class="caption">Only some Microsoft operating systems (mainly server platforms) will continue to receive security updates for Explorer under long-term support agreements.</span> <span class="attribution"><span class="source">Screenshot</span></span></figcaption></figure> <p><strong>What’s next?</strong></p> <p>Web browsers play a vital role in establishing privacy and security for users. Design and convenience are important factors for users when selecting a browser. So ultimately, the browser that can most effectively balance security and ease of use will win users.</p> <p>And it’s hard to say whether Chrome’s current popularity will be sustained over time. Google will no doubt want it to continue, since web browsers are significant <a href="https://fourweekmba.com/how-does-mozilla-make-money/" target="_blank" rel="noopener">revenue sources</a>.</p> <p>But Google as a corporation is becoming increasingly unpopular due to massive <a href="https://theconversation.com/google-is-leading-a-vast-covert-human-experiment-you-may-be-one-of-the-guinea-pigs-154178" target="_blank" rel="noopener">data gathering</a> and <a href="https://theconversation.com/is-google-getting-worse-increased-advertising-and-algorithm-changes-may-make-it-harder-to-find-what-youre-looking-for-166966" target="_blank" rel="noopener">intrusive advertising</a> practices. Chrome is a key component of Google’s data-gathering machine, so it’s possible users may slowly turn away.</p> <p>As for what to do about Explorer (if you’re one of the few people that still has it sitting meekly on your desktop) – simply <a href="https://docs.microsoft.com/en-us/troubleshoot/developer/browsers/installation/disable-internet-explorer-windows" target="_blank" rel="noopener">uninstall</a> it to avoid security risks.</p> <p>Even if you’re not using Explorer, just having it installed <a href="https://mashable.com/article/internet-explorer-hacker-windows-pc-exploit" target="_blank" rel="noopener">could present</a> a threat to your device. No one wants to be the victim of a cyber attack via a dead browser!</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">👋 Internet Explorer.</p> <p>Was one of the best subjects for memes, here's my favourite one from the collection. <a href="https://t.co/7T5u7jAB5C">pic.twitter.com/7T5u7jAB5C</a></p> <p>— Shruti Kaushik (@ShrutiKaushikIT) <a href="https://twitter.com/ShrutiKaushikIT/status/1537005145711472641?ref_src=twsrc%5Etfw">June 15, 2022</a></p></blockquote> <p><!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/185130/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><em><a href="https://theconversation.com/profiles/mohiuddin-ahmed-698936" target="_blank" rel="noopener">Mohiuddin Ahmed</a>, Lecturer of Computing &amp; Security, <a href="https://theconversation.com/institutions/edith-cowan-university-720" target="_blank" rel="noopener">Edith Cowan University</a>; <a href="https://theconversation.com/profiles/m-imran-malik-963778" target="_blank" rel="noopener">M Imran Malik</a>, Cyber Security Researcher, <a href="https://theconversation.com/institutions/edith-cowan-university-720" target="_blank" rel="noopener">Edith Cowan University</a>, and <a href="https://theconversation.com/profiles/paul-haskell-dowland-382903" target="_blank" rel="noopener">Paul Haskell-Dowland</a>, Professor of Cyber Security Practice, <a href="https://theconversation.com/institutions/edith-cowan-university-720" target="_blank" rel="noopener">Edith Cowan University</a></em></p> <p><em>This article is republished from <a href="https://theconversation.com" target="_blank" rel="noopener">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/goodbye-internet-explorer-you-wont-be-missed-but-your-legacy-will-be-remembered-185130" target="_blank" rel="noopener">original article</a>.</em></p> <p><em>Image: Getty Images</em></p>

Technology

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How to leave a financial legacy in a tax-effective manner

<p dir="ltr">The taxman needn’t be the biggest beneficiary of your financial legacy – so long as your plans are properly enacted while you still walk the earth. While Australia doesn’t have an inheritance tax per se, there are a range of other tax implications and inheritance rules to consider – which may determine how, and even if, you leave a financial legacy for your loved ones.</p> <p dir="ltr"><strong>Where there’s a will</strong></p> <p dir="ltr">In 2015, it was estimated that just over half of Australians (59 per cent) have a will. I’d wager a good chunk of those are outdated too – not reflecting separations, remarriage or additions to the family. Most people without a will aren’t choosing to avoid one, but apathy about the need for one has set in. It is difficult to leave a financial legacy – other than confusion and conflict – if you don’t have a current will in place upon your death. Not only does it outline your wishes as to who gets what, it forces you to consider how each asset will be passed down and minimise the taxes and other costs your beneficiaries will inherit.</p> <p dir="ltr">Remember too that your beneficiary may be subject to Capital Gains Tax (CGT) on assets they sell. For example, if you leave someone a rental property, they will likely have to pay CGT when they sell it for the time you owned it – even if they made it their primary residence. That could come as a nasty shock to them.</p> <p dir="ltr"><strong>Nothing and no one is equal</strong></p> <p dir="ltr">Not all assets are treated equally; neither are all beneficiaries. For instance, certain entities are governed separately from your will. Superannuation is perhaps the main one, but so too are trusts and companies. Hence you should nominate beneficiaries of these entities to ensure they pass on to your intended recipients. Otherwise, they may be subject to a forced sale – wiping out your legacy. Keep them updated too – otherwise your ex could get an unintended windfall. </p> <p dir="ltr">For jointly owned properties, whether you are tenants in common or joint tenants will determine whether they have automatic right of survivorship. A superannuation death benefit may or may not be taxable, depending on various factors at the time of your death. And if you leave an asset to charity that is subject to CGT, it is your estate – not the charity – which bears the tax burden. So, you may want to leave extra cash in your estate to cover this.</p> <p dir="ltr"><strong>Keeping assets in the family</strong></p> <p dir="ltr">A financial legacy usually involves family and passing assets down through generations. How these assets are structured often dictates the ease and cost of doing so. As superannuation is treated outside of a will, it can be great for distributing money within a blended family to ensure everyone is provided for. Self-managed super funds (SMSFs) can include multiple generations but may add complexity when someone retires and begins drawing down super before others do. Or if the asset is illiquid.</p> <p dir="ltr">Conversely, family trusts can offer more flexibility for family-owned assets than super but may not provide the same tax benefits. Also consider how any children or grandchildren under 18 are provided for – and who oversees their inheritance until they turn 18. Testamentary Discretionary Trusts (TDTs) can be useful, taxing assets at the adult rate instead of the higher child tax rate.</p> <p dir="ltr"><strong>Good business</strong></p> <p dir="ltr">Ownership structures and new management can affect the profitability and even viability of a business as a going concern, as well as its goodwill among customers, staff, and suppliers. Family businesses should have a plan for who will assume operational control, and whether each director will inherit an equal share. For business partnerships, consider buy/sell agreements to manage insurance policies and ownerships to surviving business partners and your spouse or children.</p> <p dir="ltr">Meanwhile, examine financial and tax implications too. Outstanding director loans to you can affect the tax status of both the business and your personal estate. And commercial transactions may attract transfer duties or stamp duty.</p> <p dir="ltr"><strong>Helen Baker is a licensed Australian financial adviser and author of the new book, On Your Own Two Feet: The Essential Guide to Financial Independence for all Women (Ventura Press,</strong></p> <p dir="ltr"><strong>$32.99). Helen is among the 1% of financial planners who hold a master’s degree in the field. Proceeds from book sales are donated to charities supporting disadvantaged women and children. Find out more at www.onyourowntwofeet.com.au</strong></p> <p dir="ltr"><em>Image: Shutterstock</em></p>

Money & Banking

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Vale Stephen Wilhite, the creator of the GIF

<p dir="ltr">Stephen Wilhite, the man who invented the wildly popular GIF, has died aged 74.</p> <p dir="ltr">His wife, Kathleen, broke the news that he died of Covid on March 14.</p> <p dir="ltr">Wilhite created the Graphics Interchange Format (GIF) - an image format with a short, looping video - while working at CompuServe in 1987.</p> <p dir="ltr">“He invented the GIF all by himself - he actually did that at home and brought it into work after he perfected it,” Kathleen told <em><a href="https://www.theverge.com/2022/3/23/22992066/stephen-wilhite-gif-creator-dies" target="_blank" rel="noopener">Verge</a></em>.</p> <p dir="ltr">“He would figure out everything privately in his head and then go to town programming it on the computer.”</p> <p dir="ltr">He was later recognised for his work in 2013 when he was awarded a Webby lifetime achievement.</p> <p><span id="docs-internal-guid-a5373d36-7fff-91ae-017d-d7e2872911b0"></span></p> <p dir="ltr">“I saw the format I wanted in my head and then I started programming,” he told The New York Times that same year, adding that the first image he created was of an airplane.</p> <p dir="ltr"><img src="https://oversixtydev.blob.core.windows.net/media/2022/04/01-06-17Avion.gif" alt="" width="400" height="149" /></p> <p dir="ltr"><em>The first GIF created was of an airplane that seemed to move through clouds. Image: <a href="https://thefanatic.net/this-was-the-first-ever-gif/" target="_blank" rel="noopener">TheFanatic.net</a></em></p> <p dir="ltr">The inventor and programmer also ended the debate on how to pronounce the name of his creation once and for all, saying it used a soft ‘g’ sound, like Jif peanut butter.</p> <p dir="ltr">“Those using the hard ‘g’, as in ‘got’ or ‘given’ are wrong,” he said. “End of story.”</p> <p dir="ltr">Kathleen said there was more to her husband than his invention of the GIF, and his love of trains led to him having a room dedicated to them in the basement of their home with “enormous train tracks”.</p> <p dir="ltr">Even after he retired in 2001, she said “he never stopped programming”.</p> <p dir="ltr">According to his <a href="https://www.megiefuneralhome.com/obituaries/Stephen-E.-Wilhite?obId=24311617" target="_blank" rel="noopener">obituary page</a>, he had 11 grandchildren and 3 great-grandchildren and “remained a very humble, kind and good man” even with all his accomplishments.</p> <p dir="ltr"><strong>An unknown icon in internet culture</strong></p> <p dir="ltr">Though Wilhite's name might be unfamiliar to many, his creation certainly isn’t. From an origin as a method of distributing high quality graphics in colour when internet speeds were at a snail’s pace, the GIF has become an useful tool used to communicate in digital spaces.</p> <p dir="ltr"><span id="docs-internal-guid-35eb45d2-7fff-ff93-c0f8-c33ac4146eb0"></span></p> <p dir="ltr">In linguist Gretchen McCulloch’s book, <em><a href="https://gretchenmcculloch.com/book/" target="_blank" rel="noopener">Because Internet</a></em>, she describes how GIF’s are used most frequently now as depictions of people, animals or cartoon characters doing a certain action to represent your own body.</p> <p><img src="https://oversixtydev.blob.core.windows.net/media/2022/04/safe_image-1.gif" alt="" width="640" height="572" /></p> <p dir="ltr"><em>Modern-day GIFs are often used to represent us laughing, crying, or gesturing in real life, just like this one in response to one of our memes. Image: Facebook</em></p> <p dir="ltr">Whether that’s commenting on a funny image with a GIF of an animal that’s beside itself in invisible laughter or sharing birthday messages with GIFs of cakes covered in flickering candles, most of us can recall a time we relied on these instead of writing or speaking.</p> <p dir="ltr">She also describes their use as emblems, a linguistic term for nameable gestures like the middle finger, jazz hands, eye rolling, winking, and dropping an invisible microphone, as well as a way to show that we’re actively listening to someone.</p> <p dir="ltr">Social media platforms have even caught onto how we use GIFs to communicate.</p> <p dir="ltr">“When you go to insert a GIF on Twitter, the built-in categories of GIF you’re offered are nameable, stylised gestures… such as applause, eww, eye roll, facepalm, fistbump, goodbye, happy dance hearts, high five (and others),” McCulloch writes.</p> <p><span id="docs-internal-guid-b5dedcec-7fff-2d78-d4df-fe30ad8fae1b"></span></p> <p dir="ltr">“Certain GIFs are so emblematic that they can be invoked by name, without an image file … when you want to convey your excitement in observing other people’s drama, you can send a GIF of Michael Jackson eating popcorn in a darkened movie theatre, eyes avidly glued to the screen, but you can also simply say #popcorngif or *popcorn.gif*.”</p> <p dir="ltr"><img src="https://oversixtydev.blob.core.windows.net/media/2022/04/giphy.gif" alt="" width="420" height="315" /></p> <p dir="ltr"><em>The MJ GIF in question. Image: Giphy.com</em></p> <p dir="ltr">With that in mind, Wilhite’s 35-year-old creation will stay popular as long as we continue to interact with others online in a legacy that many aren’t afforded. </p> <p dir="ltr">Yet Wilhite was more than his creation, and it’s important that we remember his name just as easily as we remember our go-to GIFs.</p> <p dir="ltr"><span id="docs-internal-guid-fe4257ee-7fff-52b3-15fe-147ff01552f8"></span></p> <p dir="ltr"><em>Image: Getty Images</em></p>

Technology

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Actor David Gulpilil’s life and legacy honoured on Sydney Opera House

<p dir="ltr"><em>Content warning: Aboriginal and Torres Strait Islander readers are advised this article contains images of a person who has died.</em></p> <p dir="ltr"><em>The family of the late actor has permitted use of his image and his surname.</em></p> <p dir="ltr">Tributes to iconic actor David Gulpilil Ridjimiraril Dalaithngu - who passed away last week - continue with the projection of his life on the sails of the Sydney Opera House.</p> <p dir="ltr">Gulpilil, a Yolηu man of the Mandhalpuyngu clan, was known for his roles in<span> </span><em>Rabbit Proof Fence</em>,<span> </span><em>Crocodile Dundee</em>,<span> </span><em>Australia</em><span> </span>and<span> </span><em>Storm Boy</em><span> </span>among others, and passed away at the age of 68, following a lengthy battle with lung cancer.</p> <p dir="ltr">Images spanning the length of his career - from his debut role in<span> </span><em>Walkabout</em><span> </span>to his last as an ailing cancer patient in<span> </span><em>I Am Gulpilil</em><span> </span>- have been displayed on Sydney’s iconic landmark, as the film industry prepares to award him with the country’s highest accolade.</p> <p dir="ltr">Gulpilil will receive the Longford Lyell Award at the AACTA Awards - Australia’s equivalent to the Oscars - on Wednesday night. He will join similarly illustrious recipients of the award, including Cate Blanchett, Jackie Weaver, and<span> </span><em>Crocodile Dundee<span> </span></em>co-star Paul Hogan.</p> <blockquote style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CW_3dpAvui7/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div> </div> </div> <div style="padding: 19% 0;"></div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"></div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" rel="noopener" href="https://www.instagram.com/p/CW_3dpAvui7/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank">A post shared by AFI | AACTA (@aacta)</a></p> </div> </blockquote> <p dir="ltr">“David carried the legacy of his people into all of his performances creating an authenticity that had never been seen widely before, and will never be forgotten,” AACTA chief executive Damian Trewhalla<span> </span><a rel="noopener" href="https://www.msn.com/en-au/news/australia/sydney-opera-house-illuminates-life-and-career-of-late-nt-actor-david-gulpilil/ar-AARydlH?ocid=hplocalnews" target="_blank">said</a>.</p> <p dir="ltr">“By redefining how the world sees Indigenous Australians, he paved the way for the next generation to reject cultural stereotypes and express their own truths.</p> <p dir="ltr">“All Australia owe him a debt.”</p> <p dir="ltr">Gulpilil’s lifetime achievement award will be introduced at the ceremony by Yolηu rapper Baker Boy.</p> <p>The Sydney Opera House will show his tribute again on the night, as his award is posthumously presented.</p> <p dir="ltr">Yothu Yindi musician Witiyana Marika, who is Gulpilil’s son by lore and also an actor, will join the celebrations of his renowned relative at the AACTA Awards.</p> <p dir="ltr">Marika played a major role in the 2020 film<span> </span><em>High Ground</em><span> </span>- taking the part originally cast for Gulpilil, who was forced to pull out due to his cancer diagnosis.</p> <p dir="ltr">“I’ll be singin’ his name, I’ll be singin’ his estate … the place he comes from, the land, the water,” Marika said.</p> <p dir="ltr">“Healing the spirit. The powerful spirit of the land, and his name.”</p> <p dir="ltr">He said the film industry would offer their respects to the “boy who came out from the Marwuyu bush and became a big shining star”.</p> <p dir="ltr">“He was the first shining light for me, and for everyone else who believed in him, and who saw him,” the senior Rirratiηu clan elder said.</p> <p dir="ltr">“And he made a big change, you know? He was a Yolηu Mandhalpuyngu role model.”</p> <p dir="ltr">As tributes continue, the NT government says plans for a state funeral are yet to be confirmed.</p> <p dir="ltr">“We remain in discussions with the family around their wishes for Mr Dalaithngu’s funeral,” an NT government spokesman said.</p> <p dir="ltr">“This will take time. We will provide an update as soon as we have one.”</p> <p dir="ltr"><em>Image: James D. Morgan (Getty Images)</em></p>

Caring

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“End of an era”: Richard Wilkins reflects on Ellen’s legacy

<p><span style="font-weight: 400;">Following on from Ellen’ DeGeneres’ announcement that she will be ending her talk show after almost two decades, Richard Wilkins </span><a href="https://celebrity.nine.com.au/latest/richard-wilkins-reflects-ellen-degeneres-legacy-ends-talk-show/5fd290da-6fc5-40c5-b2b7-6253b459489c"><span style="font-weight: 400;">shared his experience</span></a><span style="font-weight: 400;"> working with her and watching her career grow over the years.</span></p> <p><span style="font-weight: 400;">Commenting on the “swag of accolades” </span><span style="font-weight: 400;">The Ellen DeGeneres Show</span><span style="font-weight: 400;"> has brought in - including three Emmys, 20 People’s Choice Awards, and the Presidential Medal of Freedom - Wilkins says the effort was “not bad for a gal from Louisiana, who found comedy as a way to escape complicated teen years”.</span></p> <p><span style="font-weight: 400;">Wilkins goes on to describe the first time he interviewed the star about “a decade or so ago”.</span></p> <p><span style="font-weight: 400;">“It was the coldest studio I’ve ever been in - figuratively and literally. It wasn’t just the temperature, which was freezing. I couldn’t work out whether it was to counteract the heat generated by the huge screens with the lighting, or just to keep everyone on their toes. But, man, it was cold,” he said.</span></p> <p><span style="font-weight: 400;">“It was the weirdest of interviews,” he recalled. “Immediately after the credits rolled and the hysterical applause, a voiceover guy announced, ‘Please stay seated. Ellen’s going to be interviewed by Richard Wilkins from Australia. Come down, Richard - you’re on.”</span></p> <p><span style="font-weight: 400;">Wilkins admits that the interview “was quite intimidating” as audiences watched Ellen “being grilled mercilessly by some bloke they’d never heard of before.”</span></p> <p><span style="font-weight: 400;">“And I think it’s fair to say Ellen likes asking questions more than she likes answering them.”</span></p> <p><span style="font-weight: 400;">As he recounted the two other moments he was face-to-face with the talk-show queen, Wilkins shared his shock over the claims surrounding the show but that he was “not really surprised”.</span></p> <p><span style="font-weight: 400;">“She clearly knows what she wants and she doesn’t suffer fools badly,” he said. “And I imagine she was pretty tough on her staff. In a situation like that, I would assume where there’s smoke, there’s certainly a bit of fire about.”</span></p> <p><span style="font-weight: 400;">Despite the hit in popularity due to the controversies and additional challenges from the pandemic, Wilkins said he “will be sad to see Ellen disappear from the screen” and that she deserved praise for making the show a success for so long.</span></p> <p><span style="font-weight: 400;">But, he found it “kind of strange” that she would be looking for “a new challenge” when “making tomorrow’s show better than today’s show would be an ongoing challenge.”</span></p> <p><span style="font-weight: 400;">Either way, he remarked that the end of the show will mark “the end of an era”.</span></p> <p><span style="font-weight: 400;">“I wonder what we'll be doing at midday from now on when Ellen leaves a big hole in Nine's telecast schedule in a year's time. Congratulations to Ellen — we'll be interested to see what she comes up with next,” he concluded.</span></p>

TV

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Lawsuit bombshell shakes Kobe Bryant memorial service

<p>The widow of sporting star Kobe Bryant has sued the owner of the helicopter that crashed amidst fog and killed the former Los Angeles Lakers player, their 13-year-old daughter and seven other people aboard.</p> <p>Vanessa Bryant announced the wrongful death lawsuit in Los Angeles Superior Court and first said on Tuesday in an emotional public ceremony amidst hundreds of sporting legends and musical artists that she would be going ahead with the suit.</p> <p>The lawsuit says the pilot was carelessly negligent by flying in cloudy weather conditions on January 26 and should have aborted the flight that killed all nine people aboard.</p> <p>The lawsuit names Island Express Helicopters Inc. and also targets pilot Ara Zobayan’s representative or successor, listed only as “Doe 1” until a name can be determined.</p> <p>It claims Zobayan was negligent in eight ways, including failing to correctly assess the weather, flying into conditions he wasn’t cleared for and failing to control the helicopter.</p> <p><img style="width: 500px; height: 281.624500665779px;" src="https://oversixtydev.blob.core.windows.net/media/7834756/kobe-bryant-victims-2.jpg" alt="" data-udi="umb://media/ec128715b14e44ac8c73cd4d6a5f8bbb" /></p> <p>Ara Zaboyan,50  was flying Bryant, 41, and his daughter Gianna, 13, along with Payton Chester, 13; Sarah Chester, 45; Alyssa Altobelli, 14; Keri Altobelli, 46; John Altobelli, 56; and Christina Mauser, 38 when it crashed and killed them.</p> <p>The lawsuit was filed the morning of the public memorial service for Kobe Bryant and the rest of the lives taken in the crash, including Zobayan.</p> <p>It was held at a sold-out crowd at Staples Center, an arena Bryant spent most of his career making memorable highlights in the NBA and achievements not many other sporting stars can claim.</p> <p>Zobayan was Bryant’s frequent pilot and had been attempting to navigate in heavy fog that limited visibility to the point that the Los Angeles police and sheriff’s departments had even grounded their helicopter fleets.</p> <p>Under the visual flight rules that Zobayan was following, he was supposed to be able to see exactly where he was going.</p> <p>Zobayan was cited by the Federal Aviation Administration in May 2015 for violating those rules by flying into reduced visibility airspace, the lawsuit said.</p> <p>In his last transmission, Zobayan had told air traffic control he was climbing to 1219m, strictly to get above the clouds.</p> <p>He was just 30m short of breaking through the cloud cover when the helicopter banked left and plunged into a hillside, according to the National Transportation Safety Board.</p> <p>While there is no final conclusion on what caused the crash in Calabasas, there is said to be no sign of a mechanical failure.</p> <p>However, a final report will not be expected for a full year or so.</p>

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Natural history on TV: how the ABC took Australian animals to the people

<p>Most of us will never see a platypus or a lyrebird in the wild, but it’s likely we’ve encountered them on television.</p> <p><a href="https://www.tandfonline.com/doi/abs/10.1080/10304312.2019.1669533">Our new research</a> looks at the vital role early ABC television played in making Australian animals accessible to audiences.</p> <p>In the early years of ABC TV, there was very little locally produced animal content. When animals were on the small screen, they were usually imported from the BBC.</p> <p>Foremost among the imports was David Attenborough’s <a href="https://www.imdb.com/title/tt0918481/">Zoo Quest</a> (1954–1964), following the young naturalist’s exploits in Guyana, Borneo and Paraguay collecting live animals for London Zoo.</p> <p>Zoo Quest was formative in the development of natural history television. It launched Attenborough’s career and established many of the cultural conventions of the format: the authoritative and intrepid male narrator venturing to exotic places in search of animals being their wild selves.</p> <p>For Attenborough, the thrill of showing animals in their natural states gave the show “<a href="https://books.google.com.au/books?id=1lHs8bTVh8oC&amp;pg=PA8&amp;lpg=PA8&amp;dq=%22the+spice+of+unpredictability%22&amp;source=bl&amp;ots=PHg_-HorBL&amp;sig=ACfU3U2rfkJS_gutZ9keb76WpQ2Ogzn7Iw&amp;hl=en&amp;sa=X&amp;ved=2ahUKEwid_7WvyK7lAhVDuI8KHVWSDJEQ6AEwAXoECAcQAQ#v=onepage&amp;q=%22the%20spice%20of%20unpredictability%22&amp;f=false">the spice of unpredictability</a>”.</p> <p><strong>From the farm to the bush</strong></p> <p>The initial strategy for local animal content by ABC TV was to use familiar radio techniques – panel talks and natural sounds – and just add pictures.</p> <p>Junior Farmer Competition, for instance, was a successful radio show. When it moved to television in 1958, live cattle, sheep and poultry were brought into the studio and competitors were asked to handle them before the cameras.</p> <p>This show was a remarkable experiment in visualising a radio format – but it didn’t last. The logistics of wrangling livestock in a TV studio proved too difficult.</p> <p>During the 1960s, the ABC began screening locally made wildlife shows. Wild animals were no longer somewhere else, in Africa or South America: they were all around us.</p> <p>Wildlife Australia (1962-1964) was written by ornithologist and radio broadcaster, Graham Pizzey and produced with the CSIRO. The series took viewers into unique Australian environments, and explored the native wildlife in these habitats.</p> <p>Other shows offered variations on this theme of an emerging environmental nationalism. Around the Bush (1964) starred naturalist and educator <a href="https://www.smh.com.au/environment/green-before-it-was-fashionable-20070912-gdr373.html">Vincent Serventy</a> out in the field; Wild Life Paradise: Australian Fauna (1967), was filmed at the Sir Colin Mackenzie Sanctuary (later Healesville Sanctuary) and offered content about what made Australian animals unique.</p> <p>As recurring references to Australia in these titles suggest, these shows were determinedly national. They often represented animals as living in “the bush” or “the environment”.</p> <p>This early reference to “the environment” framed it as a zone where nature and culture interacted – usually with bad outcomes for nature. As early as 1962, audiences were invited to look at animals as both fascinating and vulnerable.</p> <p>Animals and their habitats were framed as in need of public attention and concern in order to limit human intrusion and impact.</p> <p>While nature conservation movements had been around since the post WWII period, they often focused on preservation of scenic sites for human pleasure. This early environmentalism gave <a href="https://www.mup.com.au/books/defending-the-little-desert-paperback-softback">conservation a more political edge</a>. It valued nature in its own right and questioned development at all costs.</p> <p><strong>Dancing Orpheus</strong></p> <p>Probably the most groundbreaking early natural history show made by the ABC was <a href="https://aso.gov.au/titles/tv/dancing-orpheus/">Dancing Orpheus</a> (1962).</p> <p>Celebrated for its visual and technical prowess in capturing the secretive superb lyrebird, the most powerful scene showed a cock bird performing its elaborate courting display. The narration by John West offered scientific explanation, but the focus was on the extraordinary aesthetics of this pure natural expression.</p> <p>Dancing Orpheus was celebrated not just because it captured a rare and beautiful lyrebird performance, but because it also showed the emerging power of television to make remarkable Australian animals visible to audiences.</p> <p>Dancing Orpheus was one of the catalysts for the development of natural history television at the ABC, which really took off with the watershed series <a href="https://beyondtheestuary.com/fire-and-water-vale-charles-ken-taylor-poet-filmmaker-1930-2014/">Bush Quest with Robin Hill</a> (1970).</p> <p>Bush Quest featured the artist and naturalist Hill observing and sketching the wildlife of central and coastal Victoria. It established a new audience for Australian wildlife, breaking with earlier presentations of the remote bush or outback.</p> <p>Bush Quest cultivated a new environmental ethos in viewers increasingly aware of nature’s fragility.</p> <p><strong>An ongoing legacy</strong></p> <p>The ABC’s Natural History Unit was created in 1973. This small unit produced a suite of top rating programs that publicised a huge variety of Australian animals, way beyond the usual kangaroos and koalas.</p> <p>Its watershed moment was the internationally acclaimed series <a href="https://www.imdb.com/title/tt4590316/?ref_=fn_al_tt_1">Nature of Australia</a> (1988). Nature of Australia offered audiences an experience of national identification and pride based on our remarkable natural – rather than cultural or military – history. It put nature at the heart of definitions of national uniqueness.</p> <p>Early natural history television on the ABC showed audiences animals and places they didn’t even know existed, and explained natural processes in ways that were accessible and engaging. It also showed audiences how vulnerable these animals and habitats were to human actions and intervention.</p> <p>Natural history television on the ABC didn’t just make animals entertaining: it implicated audiences in their lives and survival, a significant factor in building environmental awareness.</p> <p><em>Written by Gay Hawkins. Republished with permission of <a href="https://theconversation.com/natural-history-on-tv-how-the-abc-took-australian-animals-to-the-people-125221">The Conversation.</a> </em></p>

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Remembering Tim Fischer: The life and legacy of Australia’s former deputy prime minister

<p>Former deputy prime minister Tim Fischer has passed away at the age of 73.</p> <p>Mr Fischer, AC, died at the Albury-Wodonga Cancer Centre, surrounded by close family members.</p> <p>He suffered from acute myeloid leukemia, a cancer of the blood cells which he had undergone extensive treatment for over the past 10 months.</p> <p>Majority of his treatment had taken place at the Peter MacCallum Cancer Centre in Melbourne.</p> <p>“After successfully battling three cancers since 2009, the fourth cancer, acute myeloid leukaemia eventually claimed his life although he continued to contribute to his many passions and attend functions right until the day of his final hospitalisation,” his family said in a statement.</p> <p style="text-align: center;"><iframe src="https://www.facebook.com/plugins/post.php?href=https%3A%2F%2Fwww.facebook.com%2Fquentin.long.12%2Fposts%2F10157148869035353&amp;width=500" width="500" height="894" style="border: none; overflow: hidden;" scrolling="no" frameborder="0" allowtransparency="true" allow="encrypted-media"></iframe></p> <p>Mr Fischer served as a platoon commander in Vietnam during the late 1960s, which is where he believed he contracted cancer after being sprayed by Agent Orange.</p> <p>He served as the National’s federal member for Farrer in the NSW Riverina from 1984 to 2001, and was the leader of the Nationals from 1990 to 1999. Previously, he had been a member of the New South Wales Legislative Assembly from 1971 to 1984.</p> <p>He was deputy prime minister during John Howard’s time from 1996 to 1999.</p> <blockquote class="twitter-tweet tw-align-center" data-lang="en-gb"> <p dir="ltr">Tim Fischer was a wonderful friend and colleague...he was magnificently ‘other person centred’ and would almost refuse to talk about himself, even when he was so ill towards the end.<br /><br />I’ll miss him - but his family much more so - they deserve our thanks as well as sympathy.</p> — John Anderson AO (@JohnAndersonAO) <a href="https://twitter.com/JohnAndersonAO/status/1164703599386976257?ref_src=twsrc%5Etfw">23 August 2019</a></blockquote> <blockquote class="twitter-tweet tw-align-center" data-lang="en-gb"> <p dir="ltr">The passing of Tim Fischer, a man of great compassion, intellect &amp; principle, brings into focus the stark contrast between him &amp; the absolute rabble we currently have in government. Having men like Barnaby Joyce represent us is a national disgrace &amp; international embarrassment.</p> — Grant O'Connor (@GrantOConnor1) <a href="https://twitter.com/GrantOConnor1/status/1164711377534980096?ref_src=twsrc%5Etfw">23 August 2019</a></blockquote> <blockquote class="twitter-tweet tw-align-center" data-lang="en-gb"> <p dir="ltr">Farewell <a href="https://twitter.com/hashtag/TimFischer?src=hash&amp;ref_src=twsrc%5Etfw">#TimFischer</a> Such a thoroughly decent man. Generous with his time and memories while filming ABC doco on the Nationals in 2014. Generous in every way. Will miss him. RIP <a href="https://t.co/Td4Q8jamcv">pic.twitter.com/Td4Q8jamcv</a></p> — Heather Ewart (@heatherewart1) <a href="https://twitter.com/heatherewart1/status/1164432279642542080?ref_src=twsrc%5Etfw">22 August 2019</a></blockquote> <p>Prime Minister Scott Morrison released a statement saying Australia had “lost an original” and offered a state funeral “to celebrate his life and extraordinary contribution”.</p> <p>“Tim Fischer was a big Australian in every sense of the word. Big in stature, big in his belief, big in his passion, big in his vision for what Australians could achieve and big in his view of Australia’s place in the world,” said Morrison.</p> <p>“As a result, Tim Fischer will forever cast a big shadow on our nation.</p> <p>“He walked his own path with honesty and humility and that is what Australians loved about him.”</p>

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