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"You can't make this up": Project hosts mocked for trainwreck interview

<p><em>The Project</em> hosts have found itself in a storm of laughter and tears after a trainwreck interview with an unfortunate Melbourne mum who was recently booted from a comedy show with her crying baby.</p> <p>It all started innocently enough when a breastfeeding mother Trish Faranda found herself ousted from an Arj Barker comedy show because her seven-month-old bundle of joy was proving too distracting. </p> <p>In a flurry of events that could rival a sitcom script, Faranda then embarked on a media tour to share her side of the story, which, let's just say, didn't exactly go as smoothly as a well-rehearsed stand-up routine.</p> <p>On Monday night's episode of <em>The Project</em>, host Sarah Harris – in a moment that can only be described as a classic case of foot-in-mouth syndrome – hinted over the sounds of very loud crying that maybe baby Clara "can go to dad just for a quick second... a mum with three little kids, I reckon you need to laugh."</p> <p>As Waleed Aly chuckled nervously in the background, social media exploded faster than a punchline at a comedy club, forcing The Project to quickly disable comments. However, viewers were quick to point out the hilarity of <em>The Project</em>'s own struggle with disruptive babies, all while criticising Arj Barker for his comedic inconvenience.</p> <p>“There’s something really really funny about The Project host asking for the baby to leave for being disruptive during the interview and then going right back to empathising with the mother about being asked to take her baby out during a comedy show for being disruptive,” posted one follower.</p> <p>“Hilarious. The Project takes aim at comedian Arj Barker because he asked a mother/baby to leave &amp; avoid disrupting a live show. At the 3 min mark Sarah Harris kicks the same baby off the air to avoid disrupting the show. You can’t make this up,” posted another.</p> <p>“This is hilarious. Well done The Project and Sarah Harris for showing how distracting a whining baby can be when you’re trying to entertain people," wrote a third.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/reel/C6EL8Kfvv7N/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/reel/C6EL8Kfvv7N/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by The Project (@theprojecttv)</a></p> </div> </blockquote> <p>Meanwhile, over at <em>A Current Affair</em>, baby Clara once again stole the show, or rather, disrupted it entirely. The interview turned into a symphony of cries and babbling, leaving viewers wondering if they had accidentally tuned in to a sitcom pilot.</p> <p>But let's not forget the man of the hour, Arj Barker himself, who stood by his decision to evict the tiny troublemaker from his comedy haven. In a series of radio interviews, Barker defended his actions, citing the sacredness of comedic timing and the sheer audacity of bringing an infant to a 15-plus comedy show.</p> <p>In the end, amidst the laughter and the tears, one thing became abundantly clear: comedy, like life, is unpredictable. Whether it's a crying baby stealing the spotlight or a tone-deaf remark from a well-meaning host, one thing's for sure – you can always count on the unexpected.</p> <p><em>Images: The Project</em></p>

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"Out-of-touch" Project stars slammed over clash with renter advocate

<p>Social media users have slammed <em>The Project </em>hosts,  following their recent interview with a renter advocate who encourages Aussies struggling with the housing crisis to squat in empty homes. </p> <p>Jordan van den Berg,  founder of the S*** Rentals website shared a video over the weekend outside a rundown house in Chadstone, Melbourne, saying: “Are you sick of rich people hoarding empty houses during a housing crisis? I know I am." </p> <p>“Here’s how you can do something about it.” </p> <p>He then encouraged people to submit information on empty homes in their suburbs via a form on his website, which he plans to promote on his socials so those struggling to find a home could squat in them. </p> <p>“Fun fact – squatting in Australia is not necessarily illegal, which is the best type of legal, especially if the front door doesn’t actually lock," he said. </p> <p>On Monday, he appeared on The Project to talk about his controversial plans, and was grilled by the show's hosts. </p> <p>“I know we’re in a pretty serious housing crisis, but do you really think encouraging people to squat in private properties is the way to fix it?" asked co-host Sarah Harris. </p> <p> “Let me answer your question by asking you a question. Do you think it’s right we have thousands of vacant, abandoned homes while we have people living on the street?” van de Berg replied. </p> <p>Harris said she didn’t and asked whether the solving the housing crisis should be focused on policy instead.</p> <p>Later in the interview, panellist Steve Price casted his doubts on whether there actually were a lot of vacant homes, but van de Berg replied that he'd received over 300 submissions from Aussies about empty homes in their suburbs. </p> <p>van de Berg also said that desperate people are even squatting in abandoned properties, and added: “If someone needs a house, they can reach out to me and I’ll send them [details about] an empty home."</p> <p>Harris was shocked that people would “basically camp out in abandoned houses with no power" which van den Berg argued that “camping out inside” was likely better than sleeping on the streets or in a park.</p> <p>Co-host Waleed Aly then asked whether van de Berg  was encouraging people to break the law, but he pointed out that squatting – done properly – isn’t technically illegal.</p> <p>The interview has been slammed on social media, with Writer and comedian John Delmenico posting on X: “Watching the rich out-of-touch panel on the Project realise in real time that not everyone is rich is so bizarre.</p> <p>"Especially the part where Pingers has to explain that being in a house is safer than sleeping on the street. How do they host the news with no connection to reality?”</p> <p>Others agreed mocking the panellists’ shock that “shelter without electricity is better than no shelter with no electricity”.</p> <p>“She was laughing at the fact that ppl would camp out in abandoned houses with no power/water, until he put her in her place by reminding her they’re better off camping under shelter than outside. Mic drop moment," one wrote. </p> <p>“Homelessness exists … it’s quite a big problem actually," another added. </p> <p>However, a few others agreed with the <em>Project</em> hosts. </p> <p>“Encouraging people to squat, who does he think he is?" one wrote. </p> <p>“He thinks he’s doing a good thing, but he’s given absolutely no critical thought to the implications of encouraging people to take over ‘empty homes’," another added. </p> <p>Leo Patterson Ross, chief executive of the Tenants Union of NSW, said that van den Berg was “drawing attention to issues that government should be acting on”.</p> <p>“In the middle of a housing crisis with growing levels of homelessness, we should be looking to ensure homes are not left vacant,” Patterson Ross said.</p> <p>“If a person leaves a property unattended and empty for 12 years, then I think many of us would agree it seems fair that the community can reclaim usage to provide a home, whether that be individuals or government.”</p> <p><em>Image: The Project</em></p>

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"I was shocked": Lisa Wilkinson's text messages shown in court

<p>A series of explosive texts revealed in court have shown how Lisa Wilkinson's controversial Logies speech led to her untimely dismissal from <em>The Project</em>. </p> <p>The texts are contained in an affidavit that Wilkinson and her lawyers have submitted to the Federal Court in relation to a dispute over who will pay her million-dollar legal fees after being sued by Bruce Lehrmann for defamation. </p> <p>In an affidavit to the Federal Court, Wilkinson said she was shocked when she found out she was being let go from <em>The Project</em>, after she discovered her agent Nick Fordham had a meeting with Network Ten CEO Beverley McGarvey.</p> <p>“I was shocked, embarrassed and deeply disappointed by Ms McGarvey’s decision to remove me from <em>The Project,</em>” she said.</p> <p>“At that time, my most recent contract as co-host of The Project had only been signed 11 months before and still had more than two years to run.”</p> <p>Speaking of her agent's meeting, she said, “He told me that Ms McGarvey had informed him that Ten was doing a ‘rebrand’ of <em>The Project</em> with a number of hosting changes. He told me that she had said that those hosting changes included me."</p> <p>“He also told me that she had said that, because there had been too much heat on me in the months since the Logies speech – and, as a result, too much ‘brand damage’ – it was best that I be removed from my hosting role on <em>The Project</em>.”</p> <p>When she said farewell to <em>The Project</em> in 2022, Wilkinson blamed the “targeted toxicity” of sections of the media.</p> <p>“The last six months have not been easy,” Wilkinson told viewers of the panel show when she announced she would be leaving the show. </p> <p>“And the relentless, targeted toxicity by some sections of the media has taken a toll not just on me but on people I love."</p> <p>“I have had a ball,” she said. “But for me right now it’s time for a change. To be clear. I’m not leaving Ten and we’re looking at some very exciting work ideas ahead.”</p> <p>In the affidavit, she says that Ms McGarvey approved Wilkinson’s on-air explanation for her departure and suggested that they “sound very authentic”.</p> <p>“I said to her that this decision to remove me from <em>The Project</em> would result in yet more negative publicity for me, for <em>The Project</em>, and for Ten, particularly if my sudden departure was without explanation,” Wilkinson said.</p> <p>Ms McGarvey told Wilkinson in texts “Perfect delivery, you spoke from the heart.” </p> <p>“It was a beautiful sentiment and you are so generous to your colleagues. Thank you. The media should all be kind, you deserve it.”</p> <p><em>Image credits: Getty Images </em></p>

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Kate Langbroek reignites Australia Day debate

<p>The annual celebration of Australia Day on January 26th has long been a subject of contention, but the debate has recently reignited with fervour.</p> <p>Radio personality and long-time panellist on The Project, Kate Langbroek, has weighed in on the matter by saying that altering the date won't resolve the underlying issues.</p> <p>She also lamented the sense of shame felt by many Australians on what should be a day of national pride.</p> <p>"I don't believe that if the date changed that it would be the end of these discussions and this discontent," she said. "But people have a hunger for something to celebrate about their nation, who want to be proud about their nation, and want to be able to have it on an annual basis. I think it's fair enough to want that."</p> <p>In response to her comments, co-host Rove McManus replied: "It does lead to the greater discussion for us as a nation of acknowledging that past so we can celebrate where we are now, which we still haven't done no matter what the day." </p> <p>The discussion on <em>The Project</em> underscored the complexity of the issue. While some, like Langbroek, advocate for maintaining the current date as a day of celebration, others argue for its change to acknowledge the painful history of colonisation.</p> <p>Langbroek then shared an anecdote about how a hesitant greeting of "Happy Australia Day" that she received only goes to show the level of discomfort and ambivalence surrounding the holiday. "[He] then sort of slunk away as if what he said was shameful. I know the reasons for it, I understand the reasons, but it's a great pity for our nation," she said.</p> <p>Co-host Georgie Tunny then proposed the idea of designating January 26th as a day of mourning while finding an alternative date for celebration – a notion met with both sarcasm and consideration. </p> <p>The public response to the panel discussion was predictably polarised . While some adamantly defend the tradition of celebrating Australia Day on January 26th, others advocate for change, citing the need to confront Australia's colonial past honestly.</p> <p>Amidst the discord, there are calls for innovative approaches to Australia Day. Suggestions range from incorporating solemn remembrance of Indigenous heritage in the morning to hosting citizenship ceremonies and festive events later in the day – a reflection of the nation's aspirations for unity and inclusivity.</p> <p><em>Images: The Project</em></p>

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The funny reason Robert Irwin wants to hand over his citizenship

<p dir="ltr">Robert irwin has joined in the global outrage of Margot Robbie and Greta Gerwig being <a href="https://oversixty.com.au/entertainment/movies/margot-robbie-snubbed-as-oscar-nominations-announced">snubbed</a> from the Oscar nominations. </p> <p dir="ltr">The wildlife warrior joined the panel of <em>The Project</em> on Wednesday night as a co-host of the show, where the conversation turned to the Aussie actress being snubbed by the Academy Awards. </p> <p dir="ltr">On Wednesday morning, it was revealed that Margot Robbie didn’t receive a Best Actress nomination for her role in <em>Barbie</em>, and nor did Greta Gerwig for Best Director, despite the movie breaking records when it was released in July. </p> <p dir="ltr">Around the world, <em>Barbie</em> fans shared their disgust in the snub, with Robert Irwin echoing their statements. </p> <p dir="ltr">“That's ridiculous. Come on,” he began.</p> <p dir="ltr">“[Director] Greta [Gerwig] and Margot made that movie. That's the reason why we have the Barbie movie, it's ridiculous.”</p> <p dir="ltr">Co-host Waleed Aly then asked if Robert would be renouncing his American citizenship over the injustice and was shocked by his response.</p> <p dir="ltr">“I think it only makes sense,” Robert said. </p> <p dir="ltr">News of the snub went viral on Wednesday, with fans flocking to social media to share their thoughts. </p> <p dir="ltr">One particular tweet went viral, with over 109 thousand likes. </p> <p dir="ltr">"Ken getting nominated and not Barbie is honestly so fitting for a film about a man discovering the power of patriarchy in the Real World," the tweet read.</p> <p dir="ltr">Ryan Gosling, who received a nomination for Best Supporting Actor for his role as Ken in the film, also shared a statement about the lack of recognition for the women he shared the screen with. </p> <p dir="ltr">In a lengthy statement, he said, “I never thought I’d be saying this, but I’m also incredibly honoured and proud that [the award] is for portraying a plastic doll named Ken.”</p> <p dir="ltr">“But there is no Ken without Barbie, and there is no <em>Barbie</em> movie without Greta Gerwig and Margot Robbie, the two people most responsible for this history-making, globally celebrated film. No recognition would be possible for anyone on the film without their talent, grit and genius.”</p> <p dir="ltr">“To say that I’m disappointed that they are not nominated in their respective categories would be an understatement.”</p> <p><span id="docs-internal-guid-12395ffc-7fff-c7ac-e4b2-d185f404a16d"></span><em>Image credits: The Project</em></p>

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"Very poor journalism": Lisa Wilkinson called out in defamation case

<p>Lisa Wilkinson has been forced to defend the journalistic decisions of <em>The Project</em>, as she took to the stand as part of Bruce Lehrmann's defamation case against Wilkinson and Channel Ten. </p> <p>During court proceedings on Friday, Wilkinson admitted that during her bombshell report on Brittany Higgins' rape allegations, the program left out key information. </p> <p><em>The Project</em> allegedly edited out important details about what happened in Parliament House the morning after Brittany Higgins was allegedly raped.</p> <div data-body-element-id="zjCMXjhzxa"> <p>In an uncut version of the episode which aired in February 2021, Wilkinson asked Ms Higgins if any security guards had asked if she was "okay" after the alleged incident.</p> </div> <div data-body-element-id="R0B2D1Ni6K"> <p>Ms Higgins replied, "No, no. I mean, besides one who called into the office in the morning, and said ‘Is everyone okay?’ and that was it."</p> </div> <div data-body-element-id="2D5V5jCZaQ"> <p>In the final cut, the words "...besides the one who called into the office in the morning" were not included.</p> </div> <div data-body-element-id="9FH5ZgE5Ew"> <p>Bruce Lehrmann's barrister Matthew Richardson SC quizzed Wilkinson about the edit, saying, "That's very poor journalism, isn't it?"</p> </div> <div data-body-element-id="q0X6OvsQtG"> <p>Wilkinson replied, "I'm disappointed to see that. It is a detail which escaped my attention."</p> <p>Elsewhere during the court proceedings, Wilkinson bit back at Lehrmann's lawyer for challenging her journalistic abilities.</p> <p>On Thursday, Wilkinson was asked why she didn't ask to see the metadata on a photo of a bruise on Brittany Higgins' thigh, which she claimed was from the alleged rape. </p> <p>Wilkinson told the Federal Court that she was not "tech-savvy" and did not know what metadata was, saying, "I didn't know photos had metadata."</p> <div data-body-element-id="A9GzCf-Iqm"> <p>Lehrmann's lawyer Mr Richardson was quick to ask in response: "You describe yourself as a serious investigative journalist?"</p> </div> <div data-body-element-id="3eDMnH9cY0"> <p>She bit back, stating she only refers to herself as a "journalist".</p> </div> <div data-body-element-id="tMBlnKPjTn"> <p>Mr Richardson said, "You were emphatic yesterday when you said you were not a tabloid journalist.'</p> </div> <div data-body-element-id="9WzAcuceor"> <p>She repeated: "I describe myself as a journalist, Mr Richardson."</p> </div> <div data-body-element-id="bUfGxqx44_"> <p>He said given she had been a journalist for 40 years, "it was most improbable that you did not know what metadata was."</p> </div> <div data-body-element-id="QIHT-BVE1b"> <p>She replied, "I disagree."</p> <p><em>Image credits: Getty Images</em></p> </div> </div>

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“Privileged inbreds”: The Project host slams Charles and Camilla

<p dir="ltr">King Charles and Queen Camilla have been slammed by a co-host of <em>The Project</em>, who labelled them as “privileged inbreds” in the wake of their Christmas card. </p> <p dir="ltr">Nick Cody and the panel reacted to the royal family’s Christmas card, which shows Charles and Camilla posing in their royal regalia. </p> <p dir="ltr">The King and Queen stood in a stoic pose wearing their robes and towering crowns, with the message inside reading, “Wishing you a very Happy Christmas and New Year”.</p> <p dir="ltr">The monarch’s choice of attire didn’t go down well with Cody, who made his disdain for the couple clear on Monday night’s show. </p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/reel/C0upAphhvLF/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/reel/C0upAphhvLF/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by The Project (@theprojecttv)</a></p> </div> </blockquote> <p dir="ltr">“I just need a moment here because, guys – I have some huge news from the weekend,” Cody began sarcastically. </p> <p dir="ltr">“Yes, the rumours are true. King Charles and Queen Camilla released their official Christmas card. I just want to say what everyone in Australia is thinking right now, thank you.”</p> <p dir="ltr">“Thanks very much, guys. It’s a wonderful festive treat that absolutely nobody asked for, and yet you delivered,” he continued, eliciting laughs from the panel and audience members. </p> <p dir="ltr">“You two look like a randy couple approaching me at a bar at 3am to say that you’ve been watching me and really ‘dig my vibe’.”</p> <p dir="ltr">Cody then went on to highlight the ongoing cost of living crisis in both Australia and the UK, and how out of touch the card seemed to many people who are struggling. </p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/p/C0pagR3M5fD/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/C0pagR3M5fD/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by The Royal Family (@theroyalfamily)</a></p> </div> </blockquote> <p dir="ltr">“I love the brazenness of the card statement too,” he continued. “Sure, people in Australia and the UK are struggling to pay bills and put food on the table this Christmas. They’re doing it tough. But despite all that external noise and the fact you gave yourself a massive 45% pay rise this year, you still found the courage to pose for this picture while wearing a $9.5 million hat. Your family jewels must be epically large, mate. Respect.”</p> <p dir="ltr"><em>The Project</em> presenter then went on to double down on his criticism, and revealed that he’d made his very own Christmas card just for the royal couple.</p> <p dir="ltr">“So, as a small gesture, I have made this Christmas card for you,” said the star, before showing a picture of himself sitting on the toilet giving the King and Queen the middle finger. </p> <p dir="ltr">“I hope you enjoy it. Like you, I also shot it in May while sitting in my personal throne room. To Charles and Camilla, from me, Nick, the colony’s other privileged inbred, Merry Christmas!”</p> <p dir="ltr"><em>Image credits: The Project</em></p>

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Steve Price slams "buffoon" Kyle Sandilands over move to Melbourne airwaves

<p>The radio waves have been rocked once again after Steve Price, a man with the subtlety of a sledgehammer, dubbed fellow radio shock jock Kyle Sandilands a "grubby buffoon".</p> <p>The saga unfolded as Sandilands and his radio partner-in-crime, Jackie O Henderson, inked a deal reportedly worth a staggering $200 million. Yes, you heard that right – $200 million. </p> <p>But the real kicker as far as Price is concerned? The show is expanding to Melbourne next year, leaving the current breakfast hosts, Jason Hawkins and Lauren Phillips, with a one-way ticket to radio oblivion.</p> <p>In a tearful farewell on their Melbourne morning show, Phillips lamented: "This is certainly not the way we wanted to bow out."</p> <p>Price, the unsolicited guardian of Melbourne's radio sensibilities, didn't hold back in his assessment of Sandilands, calling him a "grubby buffoon" and then backpedaling to settle on "just a grub". </p> <p>“Kyle’s a grubby buffoon," Price said to the bemused panel on a recent episode of <em>The Project</em>. "And I don’t think grubby buffoons work in Melbourne. I probably shouldn’t call him a grubby buffoon. He’s just a grub.”</p> <p>Price also predicted that Melbourne might not be ready for the explicit nature of the Kyle and Jackie O Show. “Some of the sexually explicit material is off-putting," he explained. "Sarah [Harris] would know better than anyone else that it’s school drop-off time for kids. You don’t want people talking about anal sex at breakfast time, in my view. That’s what they do on that show.</p> <p>"Melbourne people are not going to embrace that. Look, the company that is putting them on the air has a different view to that, and I may be proven to be completely wrong, but that doesn’t happen very often.”</p> <p>Despite Price's dire predictions, Sandilands remains unfazed, his ageless charm apparently defying the laws of time. Given that the $200 million deal extends for the next ten years, that would put Sandilands well into his sixties – quite a challenging age for a "shock jock" to remain relevant. </p> <p>“Can a 60-year-old be smutty?” Price was asked by the panel. “I don’t think they can, and that is part of the problem,” he replied. “But Kyle seems to be ageless. I don’t know how, with that unhealthy lifestyle he has. But he doesn’t seem to age much. So perhaps he can, at 62 . . . You can’t imagine he’s going to be appealing to the 18 to 28-year-old demographic that the radio station is paying him to drag in. I find that really puzzling.”</p> <p>So brace yourselves, Melbourne: the radio waves are about to get a whole lot grubbier, buffoonier and possibly more explicit. It's the Kyle Sandilands extravaganza, and no amount of Price's disapproval can stop the buffoonery.</p> <p><em>Images: KIIS FM / Network 10</em></p>

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"That's it?": Project host's hopes after dismay at Voice result

<p><em>The Project</em> host Rachel Corbett has shared her disappointment over the quick defeat of the Voice referendum, saying she is still "really hopeful" that Australians are on the right path to reconciliation. </p> <p>Labor's proposed Voice to Parliament referendum was widely voted against in Saturday's vote, with only a single state or territory – the ACT – voting for constitutional change. </p> <p>The defeat sparked a wave of grief and upset from pubic figures who were hopeful the Voice would pass, despite the polls predicting the defeat. </p> <p>On Sunday night, Corbett told her fellow panellists that she was having difficulty coming to terms with the fact it was over in an instant. </p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/reel/CyaZDi5voIe/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/reel/CyaZDi5voIe/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by The Project (@theprojecttv)</a></p> </div> </blockquote> <p>“I could not believe how quickly it was decided. That’s it, we voted no. I am just really hopeful that the majority of people voted no for a specific thing,” she said. </p> <p>“That they weren’t comfortable with this specific version of the Voice being enshrined, and not because they don't want to improve the lives of Indigenous people.”</p> <p>Corbett feared Aboriginal Australians might take away from the vote that they’re not cared about, and that other Australians don’t “want to do something” to close to gap between white Australians and First Nations people. </p> <p>“I‘m really hopeful that if this is not the solution, that we then find something else. Not that people were saying, we don’t want to help you.” Ms Corbett said.</p> <p>Co-host Hamish McDonald said it was now the job of the country’s leaders to find the “common thread” between those who voted “Yes” and “No” on Saturday.</p> <p>“Whose responsibility is it now to, as a nation, drive us forward on this path of reconciliation, which I think broadly people say is still desired or desirable,” he said.</p> <p>“There are some indigenous leaders stepping back. Now, there are other leaders who’ve, I suppose, come to the fore during this. Is it on their shoulders? "</p> <p>“Who it is that will emerge and carry this on their shoulders, or whether actually is all of us... I suppose that’s the bit that I’m wondering about today.”</p> <p><em>Image credits: The Project </em></p>

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Waleed Aly defends pro-Palestine rally

<p>In the wake of a recent pro-Palestine rally in Sydney that turned violent, Waleed Aly, host of <em>The Project</em>, has taken to his platform to urge authorities not to ban such protests. The controversy erupted following the decision to light up the Sydney Opera House in the colours of the Israeli flag. What began as a peaceful demonstration soon escalated as protesters clashed with the police. Amidst the chaos, a group chanted inflammatory slogans and burned an Israeli flag, sparking a divisive debate about the right to protest and its limits.</p> <p>During a recent episode of <em>The Project</em>, Waleed Aly and his co-hosts discussed the incident, with Aly expressing his concern about the potential consequences of shutting down future protests. He acknowledged the government's position in trying to maintain order but cautioned that doing so might have unintended repercussions.</p> <p>"I understand what the NSW government’s position is on trying to shut down the protests, but I just think it’s a very dangerous path to walk," he shared. Aly empathised with the pro-Palestinian demonstrators, pointing out that their actions were motivated by the Opera House being illuminated in the colours of the Israeli flag. He emphasised the need for recognition of their pain, suffering, and the lives lost over the years.</p> <p>"[If you say] 'Sorry, you cannot protest' because there was a group of people who said something they absolutely shouldn't have, then I think that will only increase resentment among all those protesters who had nothing to do with that, right?" Aly pointed out. He also highlighted that the organisers of the rally had condemned the actions of a few individuals who engaged in incendiary behaviour, emphasising that they were fewer than 20 in number and their actions were swiftly curtailed.</p> <p>Aly stressed that those who break the law and attempt to incite violence instead of promoting peace should be held accountable. "We've got endless laws to deal with this," he noted. "If people end up doing that, throw the book at them. I've absolutely no problem with that. We've got hate speech laws and incitement to violence laws, and some of that was straight up incitement to violence, right?"</p> <p>The TV host underlined that these laws exist to protect freedom of speech and representation but voiced his concerns about politicians getting involved in the debate. He worried that the balance between maintaining order and preserving the right to protest could be compromised.</p> <p>Aly concluded by stating that the right to protest is a fundamental component of any democracy, and it is possible to feel sympathy for victims on both sides of the ongoing conflict. He advocated for a nuanced approach that respects the rights of demonstrators while holding accountable those who engage in illegal and harmful actions.</p> <p>Prior to Aly's comments, Prime Minister Anthony Albanese had called for the protest to be cancelled out of respect for those killed in the Israel-Palestine conflict. Furthermore, the New South Wales Police had declined the pro-Palestinian activists' request for an authorised protest, citing their failure to provide adequate notice.</p> <p>In this ongoing debate, Waleed Aly's call for a balanced and thoughtful approach to protests echoes a wider conversation about the importance of preserving the right to demonstrate while ensuring that such demonstrations remain peaceful and respectful. Balancing freedom of expression with the need to maintain order is a delicate tightrope to walk in any democratic society.</p> <p><em>Image: The Project</em></p>

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"He backflipped on his backflip!": Kamahl's "train wreck" Project interview

<p>Australian singer Kamahl has spectacularly reversed his position on the Voice to Parliament for the second time, just two days after <a href="https://www.oversixty.com.au/entertainment/music/two-massive-music-icons-join-the-yes-campaign" target="_blank" rel="noopener">publicly announcing his support</a>.</p> <p>The 88-year-old initially stated on social media that he would vote "YES" in the upcoming referendum scheduled for October 14. He attributed this change of heart to a meeting with Indigenous comedian Dane Simpson and constitutional lawyer Eddie Synot.</p> <p>However, in a surprising turn of events, Kamahl later appeared on live television during an interview on The Project and announced that he would be voting "NO" on the issue. This unexpected shift in stance left both the hosts and viewers perplexed, with one viewer describing the interview as a "train wreck".</p> <p>During the interview, Kamahl expressed concerns that the proposed Voice to Parliament could potentially exacerbate racial divisions. He argued that it might segregate one racial group from the rest of the country. He acknowledged his earlier statement of support, apologised for any inconsistency, and urged people to disregard his previous position.</p> <p>“If you do the Voice this way, it becomes a racist issue. You’re putting a whole race of people separate from the rest of the country,” he said. “I apologise, call me a hypocrite or uninformed but I am informed now. Whatever I said before now, wipe it out, but start all over again and forgive me.”</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">What a train wreck of an interview.</p> <p>— Sue Roberts (@sueroberts7) <a href="https://twitter.com/sueroberts7/status/1705911143590756439?ref_src=twsrc%5Etfw">September 24, 2023</a></p></blockquote> <p>Kamahl also raised the issue of government spending, claiming that the Indigenous community received $40 billion annually. When pressed for the source of this figure, he sparred with host Hamish Macdonald, who fact-checked the statement. Macdonald pointed out that the $40 billion figure was not accurate and clarified that the National Indigenous Australians agency's budget for 2022-23 was $4.5 billion, not $30 billion as Kamahl initially stated.</p> <p>Despite admitting the error in the figure, Kamahl maintained his decision to vote "NO".</p> <p>Before publicly declaring his support for the Voice to Parliament, Kamahl mentioned that he had spent sleepless nights weighing the pros and cons of the issue.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">Wow! He backflipped on his backflip on live TV.</p> <p>— Rex Goulevitch (@goulevitch) <a href="https://twitter.com/goulevitch/status/1705878944766181694?ref_src=twsrc%5Etfw">September 24, 2023</a></p></blockquote> <p>After the interview concluded, The Project panel, who had anticipated Kamahl discussing his "YES" vote decision, appeared taken aback and momentarily speechless. Viewers on social media reacted strongly to the interview, with one labelling it a "train wreck" and others suggesting that Kamahl had manipulated the program's discussion.</p> <p>Following the airing of The Project episode, entertainment reporter Peter Ford said during a 3AW radio interview that he had been giving Kamahl advice all week over how best to interact with the media on this topic.</p> <p>“It was a pre-recorded interview and he was not happy with the way it was cut,” Ford said. He also went on to explain that he had repeatedly implored <span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;">Kamahl to steer clear of the Voice debate in public, but that his advice was ignored “every single time”.</span></p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">This interview was not live.<br />Kamahl believes it was heavily edited to make him look foolish. He wants a public apology from Hamish Mc Donald. <a href="https://t.co/OXaLiQWxVR">https://t.co/OXaLiQWxVR</a></p> <p>— Peter Ford (@mrpford) <a href="https://twitter.com/mrpford/status/1706082373933383900?ref_src=twsrc%5Etfw">September 24, 2023</a></p></blockquote> <p>According to Ford, Kamahl was not happy with the exchange with Project host Macdonald, and that he “wants an apology for making him look like a fool”.</p> <p><em>Images: The Project</em></p>

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Sneaky zoom call hints at secret new MasterChef style project

<p><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;">Hold onto your spatulas – the culinary world just got a sneak peek into the top-secret virtual rendezvous of the original MasterChef judging squad, and let's just say, the excitement is sizzling hotter than a pan of frying bacon.</span></p> <p>Celebrity chef and all-around food wizard George Calombaris shook the internet like a well-shaken cocktail when he decided to share a teensy snippet of a recent clandestine Zoom chat with his former kitchen companions, Gary Mehigan and Matt Preston. </p> <p>And although the video quality was about as polished as a well-worn wooden spoon, it was the content that had tongues immediately wagging as Preston playfully poked Calombaris about his dessert tastes being as "daggy" as a dad joke at a barbecue. And George, bless his apron-wrapped heart, heartily agreed: "The daggier, the better. As daggy as we are on this Zoom call," he clapped back.</p> <p>Captioned with all the mystery of a burrito's secret ingredients, the post read, "Some serious food talk for a very special project. But mostly just a lot of shots and giggles." Shots, giggles, and maybe a sprinkle of culinary magic – sounds like our kind of party.</p> <p>Since its release, the post has gone viral, racking up more views than there are slices in a pizza and comments flowing in like a chocolate fountain at a dessert buffet.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/reel/CvqDIXatvT7/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/reel/CvqDIXatvT7/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by George Calombaris (@gcalombaris)</a></p> </div> </blockquote> <p>Just in case you've been marooned on a desert island with nothing but spam and a can opener, let's rewind a bit. George, Gary, and Matt were the original trio of culinary divinities who ruled MasterChef with their tastebuds and witty repartee for an entire decade.</p> <p>Fast forward to 2019 when the MasterChef cosmos decided to shift its cosmic culinary alignment, and boom! The trio was out, leaving fans with their mouths agape, much like when you taste-test something expecting sugar but get salt instead. CEO Paul Anderson cited "unsatisfactory commercial agreement negotiations" at the time – it's like a fancy way of saying, "We couldn't agree on the paycheck, folks."</p> <p>Rumour had it, that the judges asked for a 40% raise, basically demanding a pile of dough the size of a well-risen soufflé, to the tune of $1.5 million each for just one more season. Talk about giving the term "food for thought" a whole new meaning.</p> <p>And what's life been like after the MasterChef limelight? Well, Preston had a brush with reality TV stardom in <em>Dancing With The Stars</em>, but <a href="https://www.oversixty.com.au/entertainment/tv/sudden-exit-leaves-dancing-with-the-stars-viewers-stunned" target="_blank" rel="noopener">his dance moves</a> were as graceful as a turkey trying to tango. Then, there's Gary and Matt, who teamed up for a show called <a href="https://www.oversixty.com.au/news/news/now-we-re-cooking-masterchef-s-matt-preston-and-gary-mehigan-jump-to-channel-7-for-new-reality-show" target="_blank" rel="noopener"><em>Plate of Origin</em></a>, which sadly got served a big ol' rejection slip by the audience. </p> <p>And let's not forget George – his restaurant group got slapped with a whopping $200,000 fine for underpaying staff to the tune of $7.8 million. <a href="https://www.oversixty.com.au/finance/money-banking/i-take-full-responsibility-george-calombaris-breaks-down-over-wage-theft-scandal" target="_blank" rel="noopener">But they did fess up and pay up</a>, so it's not all choppy waters in this seafood feast.</p> <p>In a podcast confessional, George shared, “We found the issue, we owned up, we paid back. A lot of the story that people don’t write about because it’s not cool enough or doesn’t get a headline is that we actually overpaid 49 per cent of our workforce that we never asked the money back for, and I wouldn’t of. I think the tough thing for me was, I thought by owning up, it’s the right thing to do, that’s how I grew up. So for me, that was probably the thing that hurt the most, being called a ‘thief’. I’m proud of how we acted, I’m proud of what we did to fix the problem.”</p> <p>So, following the leaked Zoom call, a sprinkle of kitchen drama and a trio of culinary legends ready to sauté their way into a new foodie escapade, it appears there is nothing left for us to do but stay tuned with our daggiest dessert forks at the ready.</p> <p><em>Images: Instagram</em></p>

Food & Wine

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Albo and Waleed Aly descend into shouting match

<p>In a fiery live TV interview, Prime Minister Anthony Albanese engaged in a clash with Waleed Aly from <em>The Project</em>, as he faced tough questions regarding a contentious housing policy related to rent caps.</p> <p>During the interview, Mr Albanese found himself caught in the middle of a political dispute between the Labor party and the Greens. The minor party was holding a significant housing policy, which proposes rent caps, as a bargaining chip for the passage of the Housing Australia Future Fund (HAFF) in the senate.</p> <p>Refusing to rule out the possibility of an early election should the Greens block the bill, the Prime Minister faced Aly's scrutiny about the Greens' demands. Aly pointed out that the Greens were requesting the government to allocate $2.5 billion to incentivise rent caps rather than enforce legislative changes, as certain aspects, like rent caps, fall within the jurisdiction of state governments.</p> <p>“The problem with that Waleed is that we put $2bn on the table for states and territories in June,” countered Mr Albanese.</p> <p>The pair then went back and forth shouting over each other for 20 seconds before Aly cut in with his question: “Are you philosophically opposed to the rent caps and the idea of capping rent increases … and therefore won’t use your megaphone for it?”</p> <p>Mr Albanese began to answer before he turned on the host.</p> <p>“Waleed, that’s not the question. The question here is states and territories will look at measures for renters and renters rights” he said.</p> <p>“I want to see increased renters rights, if that’s what you’re asking me, but there are six states and two territories, all whom have different systems in place.”</p> <p>Despite Aly's persistence, a clear answer regarding the Prime Minister's stance on rent caps remained elusive, and the conversation shifted to another contentious topic – the recent deaths of four Australian soldiers in a helicopter accident in Queensland.</p> <p>Aly probed whether Australia had a habit of paying a premium for subpar military equipment, to which Mr Albanese redirected the discussion by emphasising the importance of respecting the families who had lost their loved ones that day.</p> <p>When Aly pressed further, suggesting that the families of defence force members deserved answers, Mr Albanese reassured that an appropriate investigation would take place, and necessary actions would be taken but stated that it was not the day for speculation on the matter.</p> <p>“Today’s the day we’ll leave with respect where we’re dealing with four families who’ve lost loved ones. Today’s a day to think of those families ... there‘ll be an appropriate investigation on that, and appropriate responses... today’s not the day for me to speculate about what has occurred.”</p> <p>The interview concluded with several important questions left unanswered, leaving viewers with lingering uncertainties about the Prime Minister's stance on rent caps and the issue of military equipment quality.</p> <p><em>Images: The Project</em></p>

Money & Banking

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"I don't want to talk about it": John Cleese shuts down Waleed Aly

<p>John Cleese has butted heads with Waleed Aly in an awkward interview on <em>The Project</em>, with the Monty Python star refusing to answer a question and mocking Waleed's name. </p> <p>The 83-year-old comedic legend appeared on the show to promote his new Australian tour, <em>An Evening with the Late John Cleese</em>, when Waleed asked him what had brought him Down Under for the show. </p> <p>Cleese simply quipped, "Money."</p> <p>The interview turned sour when Waleed began to ask Cleese about his iconic 1970s sitcom <em>Fawlty Towers</em>, before he was shut down. </p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">.<a href="https://twitter.com/JohnCleese?ref_src=twsrc%5Etfw">@JohnCleese</a> is 83 years old, but he doesn't fear death; in fact, he says he's already dead. <a href="https://t.co/2uHTp1w1oX">pic.twitter.com/2uHTp1w1oX</a></p> <p>— The Project (@theprojecttv) <a href="https://twitter.com/theprojecttv/status/1681961238731825152?ref_src=twsrc%5Etfw">July 20, 2023</a></p></blockquote> <p>“We can’t let you go without talking about <em>Fawlty Towers</em> – at least I can’t, because I think it’s one of the greatest shows …” Aly began, before Cleese interjected.</p> <p>“I don’t want to talk about <em>Fawlty Towers</em>,” he said. </p> <p>“Yeah but, you know what – it’s not all about you, is it? I mean, I can ask you about <em>Fawlty Towers</em>?” Aly asked.</p> <p>“You can talk about <em>Fawlty Towers</em>,” Cleese told him, before turning his back and facing away from his hosts to take a sip of water, which earned him a round of applause from the panel.</p> <p>After making his point, Cleese turned back to the hosts, and asked: “What kind of a name is Waleed, anyway? Is it an anagram?”</p> <p>“No. It’s just Arabic. I take it your Arabic’s not great?” Waleed replied. </p> <p>“No. I tried to learn it once. There’s about four h’s and two k’s or something.”</p> <p>“Do you know what John is in Arabic? Yahya. I bet you can’t say that either,” said Aly.</p> <p>Cleese remarked that it was a “more interesting” topic to discuss than <em>Fawlty Towers</em>, but Aly persisted, asking whether he could see the show’s imprint in any recent comedy series.</p> <p>Despite his reluctance to talk about the show, Cleese conceded that it was, in fact, “a very interesting question.” </p> <p>As the interview wrapped, Cleese joked that as his original family surname is actually Cheese, he could be known as “Yahya Cheese.”</p> <p><em>Image credits: The Project</em></p> <div class="AV62af35d851923c62777207b4" style="box-sizing: inherit; margin: 0px auto; width: 712.1875px; background-color: white; height: 1px;"> </div>

TV

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How to write a memoir

<p><strong>How to start a memoir</strong></p> <p><em>My Story </em>by Russell Durling is my 85-year-old father’s account of the highlights of his life. He is writing and editing it, by hand, in several notepads I gave him as a Christmas gift to encourage the memoir project he had talked about for years.</p> <p>In it, my dad shares stories of summer jobs when he was a teenager, breaking up log jams on the Saint John River near his hometown of Meductic, New Brunswick. He’d move from log to floating log to reach shore again safely – and he loved every minute of this adventure, even when he’d land in the water.</p> <p>Reading an early draft, I learned new details of his history, like how when they were children, his cousin Clara had a pet crow. He also wrote about lessons learned from his Royal Canadian Mounted Police career, which was spent mostly in Nova Scotia, and shared insights about how to retire well. Pro tip from my father: to add a decade to your life, ditch the city (if you can).</p> <p>This memoir will be a treasure for our family, and I’m glad my father was finally able to start writing it, after spending a long time talking about wanting to. And I get it. Writing your life story can feel like a daunting project. But it’s worth it, both to the writer and their potential readers. If you’re having a hard time putting pen to paper, here’s advice on how to start a memoir.</p> <p><strong>First, ask yourself why you're writing a memoir </strong></p> <p>Esmeralda Cabral is a writer who works with people who wouldn’t normally consider themselves writers through her workshop, <em>Writing Your Life</em>. Often, she helps people create written treasures for their families, and sometimes they’re writing just for themselves. To her, and those she teaches, memoir writing can be a way of remembering and reflecting on experiences both positive and negative.</p> <p>“There is a clarity that comes when you put something down on paper,” says Cabral. “Remembering and writing helps us make sense of things. If you don’t write it down or tell it, it’s lost. And that’s a shame.”</p> <p>Begin by jotting down your reasons for writing your story. You could summarise those reasons on a Post-It and stick it on your fridge as an encouraging reminder to stay motivated. After all, there are many good reasons to write: to remember and reflect on your past, to capture your adventures, to share life lessons with family and friends, or maybe even to be published. Consider sharing your plan with a friend or family member who can check in and cheer your progress.</p> <p><strong>Where to start</strong></p> <p>You don’t have to start a memoir with day one. In fact, as much as your future readers love you, they may find that approach less than gripping.</p> <p>In her workshops, Cabral helps people to start a memoir by using a photo that is meaningful to them. She asks them to imagine sitting down with a good friend and telling them the story behind it. Or begin your writing with an event or story you are particularly interested in sharing. What grabs you as a big moment? Select a vivid memory and start there.</p> <p>“Plug your nose and jump in and write down all your memories as truthfully as you can,” summarises New York Times bestselling author Anne Lamott in <em>Bird by Bird: Some Instructions on Writing and Life</em>. Maybe start with a birthday party you remember, or your first-grade classroom. Try writing at the same time every day, so you can build a routine that will keep you putting words on the page.</p> <p><strong>Write what you want </strong></p> <p>In every life, there is light and shadow, joy and grief. If you are hesitant to write your memoir because you have difficult stories that might hurt others, there is a solution. First, “You don’t have to write about everything,” says Cabral. “It’s okay to have secrets that go with you to the grave.”</p> <p>Simply knowing you have the freedom to not go to the darkest of places in your writing can lift you over those psychological hurdles of hesitation. However, writing often takes on a life of its own. If you find yourself standing outside a door you had marked as “Do Not Enter,” consider Cabral’s advice: “Write about the hard things as if the person you are writing about is reading it. Be as kind as you can. Leave them with dignity.”</p> <p><strong>Who is your audience?</strong></p> <p>If you’re writing for your eyes only, as a kind of personal therapy, then you may be purposely opening doors and exploring what’s on the other side. That’s okay, too. You are creating a treasure for yourself, and that can be very healthy.</p> <p>Besides, whether the writing is for you or for others, you can always hit the delete button or visit the paper shredder later, if you wish. For now, just get it down.</p> <p><strong>Stop yourself from sticking to rules</strong></p> <p>Avoid letting worries over style or structure stop you from writing. If you care enough about grammar, you can ask someone you trust to read it over later on, or even hire a freelance editor if you’re really fretting over verb tenses. Remember, perfection in writing is not your goal.</p> <p><strong>Readers are interested</strong></p> <p>Writers also might hesitate to share stories because they fear they are boring. “I hear a lot of people say, ‘Oh no, that wouldn’t be interesting to anyone but me,’” says Cabral. But our life stories are of interest to others, whether they feel ordinary to us or if they really are extraordinary. They remind us we are all in this together.</p> <p>Writer Pauline Dakin, author of the award-winning 2017 memoir <em>Run, Hide, Repeat: A Memoir of a Fugitive Childhood</em>, was surprised how much the unusual story of her childhood on the run connected with readers. She’s since heard from hundreds of people. “They often begin by saying, ‘My family wasn’t nearly as crazy as yours, but…,’” she says. “They are relieved to hear my story. It makes them feel they are not alone.”</p> <p>We are all far more interesting than we know, she adds. It’s just a matter of believing we have a story to tell.</p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared on <a href="https://www.readersdigest.com.au/uncategorized/how-to-write-a-memoir" target="_blank" rel="noopener">Reader's Digest</a>. </em></p>

Books

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"Ended for good": Prince William launches project inspired by Lady Di

<p>Prince William has launched his most ambitious project to date, announcing his plan to end homelessness in the UK within five short years. </p> <p>The Prince of Wales set out to visit six areas in the UK that experience different types of homelessness with a distinct set of challenges, outlining a detailed plan to see homelessness eradicated. </p> <p>On his two-day tour, the 41-year-old royal shared that his late mother, Princess Diana, was a big inspiration behind the project, after she helped open William's eyes to the nation-wide problem. </p> <p>In the south London borough of Lambeth, Prince William described how he was inspired by "heart-breaking" visits to shelters he made with his mother as a child. </p> <p>"My first visit to a homelessness shelter was when I was 11 with my mother," he told the Mosaic Clubhouse, which supports people with mental health problems.</p> <p>"The visits we made, left a deep and lasting impression."</p> <p>"I met so many extraordinary people and listened to so many heart-breaking personal stories. Too many people have found themselves without a stable and permanent place to call home."</p> <p>"Through these visits, I have seen first-hand the breadth and complexities of homelessness."</p> <p>William said he hoped the Homewards program would "inspire belief throughout the UK and beyond that homelessness can be ended for good".</p> <p>Prince William's Homewards program focuses on preventing homelessness before it begins, bringing together all organisations working in the sector to create solutions that target local challenges.</p> <p>The launch of the project, which was two years in the making, comes days before what would have been Diana's 62nd birthday on July 1st. </p> <p>A major focus of Homewards will be on providing homes to those who need them.</p> <p>"I am pleased to stand here today at the start of our path to ending homelessness," he said.</p> <p>"Over the next five years, I believe that we have a unique opportunity to develop innovative new solutions and scale tangible impact. This will inspire belief throughout the UK – and beyond – that homelessness can be ended for good."</p> <p><em>Image credits: Getty Images</em></p>

Caring

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Michael Bublé leaves Project panel speechless

<p dir="ltr">Michael Bublé has shared a fan's unique way of dedicating their love, which left <em>The Project</em> panel speechless.</p> <p dir="ltr">The award-winning singer revealed that a fan of his had gotten a tattoo of him which was inspired by an unfortunate photo of him eating a corn on the cob “the wrong way”.</p> <p dir="ltr">“Apparently most people don’t eat it from the top,” he said, urging the program to show the hilarious image which looked quite phallic.</p> <p dir="ltr">“That was the closest thing to a real love note that I’ve ever had and it was sexy and phallic,” he joked.</p> <p dir="ltr">The Canadian superstar was boasting with confidence despite the potentially embarrassing situation.</p> <p dir="ltr">“I feel like people made fun of me, but I think part of it was jealousy because I just think they wish they could take it as deep as I did.”</p> <p dir="ltr">The <em>Feeling Good </em>singer who is currently touring Australia, and promoting his new fragrance, still had his mind in the gutter when <em>Project</em> host Sarah Harris asked him what he “likes to smell on a lady”.</p> <p dir="ltr">Bublé was stunned for a split second before he burst into laughter and replied that there were “so many things” he wanted to say.</p> <p dir="ltr">The segment took another hilarious turn when comedian and panellist Sam Taunton brought out a Michael Bublé cardboard cutout he had borrowed from a chicken shop.</p> <p dir="ltr">“I found this cut out and I saw a lady hugging it actually as well,” he said.</p> <p dir="ltr">“Do you mind if we do some stuff to this?”</p> <p dir="ltr">The audience was left in stitches and Bublé himself was laughing as he said that they could “absolutely” do whatever they wanted.</p> <p dir="ltr"><em>Images: The Project</em></p>

TV

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Gorgeous iconic department stores throughout history


<p>Do you remember shops with names like Farmer’s, Boan’s, John Martin’s, Buckley & Nunn, or McWhirter’s? Or maybe you're more familiar with David Jones and Myer? If any of these names ring a bell, a team of historians wants to speak to you.</p> <p>Professor Robert Crawford leads a team of historians at RMIT University and Macquarie University that are researching the history of department stores in Australia since the Second World War.</p> <p>“Department stores have played such an important role in the lives of countless Australia, but their history has hardly been documented,” explains Professor Crawford.</p> <p>Supported by the Australian Research Council, the project aims to collect Australian stories and experiences of their department store.</p> <p>While the project is keen to collect stories from those who worked in these stores, it is equally interested in hearing from shoppers.</p> <p>“Shoppers are an essential part of this story – their custom makes or breaks any retail outlet and department stores are no different,” notes Professor Crawford.</p> <p>“By collecting the stories of shoppers and staff, this project offers a unique perspective of the department store,” he adds.</p> <p>The research team has already interviewed a range of people across the country.</p> <p>“This week I spoke to a lady about shopping with her mother at Grace Brothers in Sydney in 1947 and the next day I spoke to a man about taking his daughter to David Jones in suburban Brisbane in 1995,” recounts Crawford.</p> <p>Participants of the project have recalled a range of familiar and forgotten experiences. <br />“Many have recounted their family’s unique rituals of going into to town and having lunch at the cafeteria, while others remember specific bits like the lift operators or the pneumatic tubes to transfer cash from the tills.”<br />While the project has undertaken many interviews, the research team is eager to speak to more people about their unique memories and experiences, so that they can get a fuller picture of the past.</p> <p>If you’re interested in participating in the project or learning more about it, further details can be found at <a href="https://www.departmentstorehistory.org.au/">https://www.departmentstorehistory.org.au/</a> </p> <p><em>Image credit: WikiMedia</em></p>

International Travel

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Project host Hamish MacDonald ties the knot

<p><em>The Project</em> host Hamish MacDonald has married his longtime partner, Jacob Fitzroy, with his co-hosts sharing snaps of the wedding online.</p> <p>Pictures of the special day were posted on <em>The Project’s</em> Twitter account as MacDonald deactivated his social media accounts in 2020.</p> <p>The three shots saw the TV host donning a traditional Scottish kilt, while Fitzroy dazzled in a classic black tux and white bow tie.</p> <p>In one image, the pair were shown in an outdoor setting surrounded by friends being showered with confetti.</p> <p>Another snap shows the newlyweds smiling sweetly at each other.</p> <p>In a video posted on Twitter, co-host Georgie Tunny announced the news, saying, “There has been a wedding in <em>The Project</em> family this weekend; our very own Hamish MacDonald and his longtime partner Jacob.</p> <p>“Here are some cheeky little snaps – don’t they both look stupidly handsome and so gorgeous. And we are so thrilled for them. They could not look more in love.”</p> <p>She went on to say that she would “start crying”.</p> <p>“They are so beyond beautiful.”</p> <p>Sarah Harris added, “I love the kilt,” while Michael Hing joked, “Didn’t get an invite for some reason, don’t know why.”</p> <p>The others were quick to note he was working.</p> <p>Tunny said, “I just hope that they had the most magical day.”</p> <p>MacDonald made his first red carpet appearance with Fitzroy in June 2019 when they attended the GQ Gentlemen’s Ball in Melbourne, where the TV host was serving as moderator.</p> <p>“I’m always proud to stand beside my best friend and favourite human,” he captioned an image of him and Fitzroy kissing in a photo booth.</p> <p>“And while I hope that one day soon it won’t be newsworthy to hold the hand of the person you love, for now, we’d both like to say thank you for the overwhelming messages of love and support.”</p> <p>The lead-up to the nuptials wasn't all smooth sailing with the police called to a party at MacDonald’s Sydney home in March 2023 following complaints from neighbours after festivities allegedly continues for six hours.</p> <p>The party was reportedly held to celebrate the upcoming wedding.</p> <p><em>Image credit: Twitter</em></p>

Relationships

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"So painful": Gordon Ramsay overwhelmed by MasterChef tribute

<p dir="ltr">The late Jock Zonfrillo has been remembered in a heartfelt tribute from friends, fellow chefs, and TV personalities on a special episode of <em>The Sunday Project.</em></p> <p dir="ltr">The likes of Gordon Ramsay and Marco Pierre White represented the culinary world as they honoured their late friend, with the former moved to tears while opening up about the “good times” they’d shared together - both on and off the <em>Masterchef Australia </em>set. </p> <p dir="ltr">“Spending time on the floor with Jock in <em>MasterChef </em>was electrifying,” he shared, “but it was always something quite encouraging about the s**t we’d gone through to get to where we’d been.</p> <p dir="ltr">“Plus it was an incredible stage that you’re on with <em>MasterChef Australia</em>. It’s the most-watched <em>MasterChef </em>anywhere on the planet, so it’s a privilege. </p> <p dir="ltr">“And being present in that room, welcoming Jock to the platform, was just one of those experiences I’ll never forget.”</p> <p dir="ltr">“Being in the [<em>Masterchef</em>] environment sort of took us back 20 years,” he added, “there’s something quite amazing about two Scotts coming together in Australia, it makes you happy, at the end of the day you feel good.”</p> <p dir="ltr">“The ripples have been devastating,” Ramsay revealed. “No-one’s gonna get over this quickly.</p> <p dir="ltr">“If there’s one thing that we’ve done as chefs, we’ve united. And we’re talking about the good times, so.” </p> <p dir="ltr">It was then that the world-renowned chef had to pause, overcome with emotion, before he managed to share, “it’s just so painful.”</p> <p dir="ltr">And when it came to Zonfrillo’s enduring legacy, Ramsay noted that his late friend and fellow Scot was “never done as a chef, he still had years to go.” </p> <p dir="ltr">“His legacy’s gonna be that kilt,” he added, tears in his eyes, “and just what he stood for.” </p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">The ripples of Jock Zonfrillo’s death will be felt throughout the culinary world, said Gordon Ramsay. <a href="https://t.co/87QEjpN8FT">pic.twitter.com/87QEjpN8FT</a></p> <p>— The Project (@theprojecttv) <a href="https://twitter.com/theprojecttv/status/1655141267360169986?ref_src=twsrc%5Etfw">May 7, 2023</a></p></blockquote> <p dir="ltr">Chef Marco Pierre White had similar sentiments in mind when it was his turn to speak about their friend, sharing his belief that “Jock Zonfrillo will never die. He will live on through everyone he touched. </p> <p dir="ltr">“He lives within it, us, and everybody who watches that show, a little piece of him will be still in there. That‘s the truth.”</p> <p dir="ltr">It was a statement that rang true with fans and supporters of both Zonfrillo and the show, with many taking to social media in response to the tribute, sharing their grief and sympathy for all who’d known and loved him.</p> <p dir="ltr">“Heart wrenching,” one said. “I will watch this series one day but not now I just can’t. A lovely tribute”.</p> <p dir="ltr">“Rest in peace Jock , you will be remembered as a legend forever,” one wrote.</p> <p dir="ltr">“Beautiful tribute to Jock tonight. Like so many others I felt like I lost a friend despite never having met him. Hope his beautiful family find some solace over time in everyone's words about their experience with this remarkable man,” shared another. “Vale Jock Zonfrillo.”</p> <p dir="ltr"><em>Image: The Project / Ten</em></p>

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