Placeholder Content Image

Nat Barr breaks down as more details revealed on co-star’s tragic passing

<p>Nat Barr has broken down in tears while paying tribute to Nathan Templeton after his sudden passing. </p> <p>The body of Templeton, a 44-year-old father of two and regular <em>Sunrise</em> reporter, was found on Monday evening after he suffered a medical incident while walking his dog in Geelong. </p> <p>The <em>Sunrise</em> panel confirmed the <a href="https://oversixty.com.au/health/caring/sunrise-reporter-found-dead-at-age-44" target="_blank" rel="noopener">death</a> of their friend and co-host on Thursday morning, playing a montage of Templeton's time on the program, including him reporting from football games, flood zones, Covid labs and at swimming competitions.</p> <p>Barr's voice over could be heard saying, "Thank you, Tempo, for brightening our lives. We are so fortunate to have known you and worked alongside you. You will be missed."</p> <p>Following the montage, Barr cried as she paid tribute to the father-of-two and thanked him for "brightening everyone's lives". </p> <p>"We know you had more stories to tell them (our viewers). We are sorry you can't tell them. Our hearts go out to our family, your two little boys, Kate, and everyone who knew you inside this building and across the Seven Network," she said.</p> <p>"But also so many of you who have written in and just said that you felt like you knew him because of how he... How he conducted himself on-air."</p> <p>The on-air tribute comes after Templeton's family broke their silence on Nathan's tragic passing, issuing a statement saying the "adoring father and wonderful friend" will be sorely missed. </p> <p>"Our hearts are broken for an adoring father and a wonderful friend, who'll be missed by many," the statement read.</p> <p>In the wake of his untimely death, it has been revealed that Templeton had recently dialled back his time on screen to deal with personal issues. </p> <p><em>Image credits: Sunrise / Instagram</em></p>

Caring

Placeholder Content Image

War in Ukraine affected wellbeing worldwide, but people’s speed of recovery depended on their personality

<p><em><a href="https://theconversation.com/profiles/luke-smillie-7502">Luke Smillie</a>, <a href="https://theconversation.com/institutions/the-university-of-melbourne-722">The University of Melbourne</a></em></p> <p>The war in Ukraine has had impacts around the world. <a href="https://mitsloan.mit.edu/ideas-made-to-matter/ripple-effects-russia-ukraine-war-test-global-economies">Supply chains</a> have been disrupted, the <a href="https://news.un.org/pages/wp-content/uploads/2022/06/GCRG_2nd-Brief_Jun8_2022_FINAL.pdf?utm_source=United+Nations&amp;utm_medium=Brief&amp;utm_campaign=Global+Crisis+Response">cost of living</a> has soared and we’ve seen the <a href="https://www.unhcr.org/hk/en/73141-ukraine-fastest-growing-refugee-crisis-in-europe-since-wwii.html">fastest-growing refugee crisis since World War II</a>. All of these are in addition to the devastating humanitarian and economic impacts within Ukraine.</p> <p>Our international team was conducting a global study on wellbeing in the lead up to and after the Russian invasion. This provided a unique opportunity to examine the psychological impact of the outbreak of war.</p> <p>As we explain in a new study published in <a href="https://www.nature.com/articles/s41467-024-44693-6">Nature Communications</a>, we learned the toll on people’s wellbeing was evident across nations, not just <a href="https://ijmhs.biomedcentral.com/articles/10.1186/s13033-023-00598-3">in Ukraine</a>. These effects appear to have been temporary – at least for the average person.</p> <p>But people with certain psychological vulnerabilities struggled to recover from the shock of the war.</p> <h2>Tracking wellbeing during the outbreak of war</h2> <p>People who took part in our study completed a rigorous “<a href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC2773515/">experience-sampling</a>” protocol. Specifically, we asked them to report their momentary wellbeing four times per day for a whole month.</p> <p>Data collection began in October 2021 and continued throughout 2022. So we had been tracking wellbeing around the world during the weeks surrounding the outbreak of war in February 2022.</p> <p>We also collected measures of personality, along with various sociodemographic variables (including age, gender, political views). This enabled us to assess whether different people responded differently to the crisis. We could also compare these effects across countries.</p> <p>Our analyses focused primarily on 1,341 participants living in 17 European countries, excluding Ukraine itself (44,894 experience-sampling reports in total). We also expanded these analyses to capture the experiences of 1,735 people living in 43 countries around the world (54,851 experience-sampling reports) – including in Australia.</p> <h2>A global dip in wellbeing</h2> <p>On February 24 2022, the day Russia invaded Ukraine, there was a sharp decline in wellbeing around the world. There was no decline in the month leading up to the outbreak of war, suggesting the change in wellbeing was not already occurring for some other reason.</p> <p>However, there was a gradual increase in wellbeing during the month <em>after</em> the Russian invasion, suggestive of a “return to baseline” effect. Such effects are commonly reported in psychological research: situations and events that impact our wellbeing often (<a href="https://www.researchgate.net/publication/237535630_Adaptation_and_the_Set-Point_Model_of_Subjective_Well-BeingDoes_Happiness_Change_After_Major_Life_Events">though not always</a>) do so <a href="https://www.researchgate.net/publication/7062343_Beyond_the_Hedonic_Treadmill_Revising_the_Adaptation_Theory_of_Well-Being">temporarily</a>.</p> <p>Unsurprisingly, people in Europe experienced a sharper dip in wellbeing compared to people living elsewhere around the world. Presumably the war was much more salient for those closest to the conflict, compared to those living on an entirely different continent.</p> <p>Interestingly, day-to-day fluctuations in wellbeing mirrored the salience of the war on social media as events unfolded. Specifically, wellbeing was lower on days when there were more tweets mentioning Ukraine on Twitter/X.</p> <p>Our results indicate that, on average, it took around two months for people to return to their baseline levels of wellbeing after the invasion.</p> <h2>Different people, different recoveries</h2> <p>There are <a href="https://pubmed.ncbi.nlm.nih.gov/31944795/">strong links</a> between our wellbeing and our individual personalities.</p> <p>However, the dip in wellbeing following the Russian invasion was fairly uniform across individuals. None of the individual factors assessed in our study, including personality and sociodemographic factors, predicted people’s response to the outbreak of war.</p> <p>On the other hand, personality did play a role in how quickly people recovered. Individual differences in people’s recovery were linked to a personality trait called “stability”. Stability is a broad dimension of personality that combines low neuroticism with high agreeableness and conscientiousness (three traits from the <a href="https://www.sciencedirect.com/topics/social-sciences/big-five">Big Five</a> personality framework).</p> <p>Stability is so named because it reflects the stability of one’s overall psychological functioning. This can be illustrated by breaking stability down into its three components:</p> <ol> <li> <p>low neuroticism describes <a href="https://www.pnas.org/doi/full/10.1073/pnas.2212154120">emotional stability</a>. People low in this trait experience less intense negative emotions such as anxiety, fear or anger, in response to negative events</p> </li> <li> <p>high agreeableness describes <a href="https://psycnet.apa.org/record/2018-63285-010">social stability</a>. People high in this trait are generally more cooperative, kind, and motivated to maintain social harmony</p> </li> <li> <p>high conscientiousness describes <a href="https://doi.org/10.1016/j.paid.2023.112331">motivational stability</a>. People high in this trait show more effective patterns of goal-directed self-regulation.</p> </li> </ol> <p>So, our data show that people with less stable personalities fared worse in terms of recovering from the impact the war in Ukraine had on wellbeing.</p> <p>In a supplementary analysis, we found the effect of stability was driven specifically by neuroticism and agreeableness. The fact that people higher in neuroticism recovered more slowly accords with a wealth of research linking this trait with <a href="https://pubmed.ncbi.nlm.nih.gov/10573882/">coping difficulties</a> and <a href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5428182/">poor mental health</a>.</p> <p>These effects of personality on recovery were stronger than those of sociodemographic factors, such as age, gender or political views, which were not statistically significant.</p> <p>Overall, our findings suggest that people with certain psychological vulnerabilities will often struggle to recover from the shock of global events such as the outbreak of war in Ukraine.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/224147/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><em><a href="https://theconversation.com/profiles/luke-smillie-7502">Luke Smillie</a>, Professor in Personality Psychology, <a href="https://theconversation.com/institutions/the-university-of-melbourne-722">The University of Melbourne</a></em></p> <p><em>Image credits: Getty Images </em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/war-in-ukraine-affected-wellbeing-worldwide-but-peoples-speed-of-recovery-depended-on-their-personality-224147">original article</a>.</em></p>

Mind

Placeholder Content Image

Restaurant's kind act for struggling Aussies

<p>As Aussies continue to adapt to the rising cost-of-living, one restaurant owner took it upon herself to give back to the "struggling" community. </p> <p>Aleeya Hamidan the owner of Manoosh & Co in Eagle Vale, southwest of Sydney, realised that a lot of people in the community are struggling to afford food.</p> <p>"Prices are going up in rent, and there are a lot of large families that live here as well. They don't have much spare money to go out and eat with their kids after school,"  she told <em>Yahoo News Australia</em>.</p> <p>So, she decided to implement a system where customers in need can get a free meal that has been paid for by other customers. </p> <p>The text: "Please take one if [you're] in need!! Already paid for from our beautiful customers" is written on a whiteboard, with six receipts containing various orders valued at around $10-$12 attached to it. </p> <p>Hamidan was the first to put up an order on the board a few weeks ago to encourage other customers to do the same, and the system has grown in popularity since. </p> <p>"One man came in a few weeks ago and took one of the free meals, but the following week when he did have money, he purchased one for someone else," she said. </p> <p>"We just didn't want it to be intimidating for people who can't afford our products.</p> <p>"It was just something we started doing for a little but have now continued to do. We've had such amazing feedback on it."</p> <p>The restaurant owner's kind deed was praised after local woman Amanda Mauga posted a picture of the board on social media. </p> <p>"If you are having a hard time and need a meal or coffee, go down to Manoosh Eagle Vale," she shared in a community Facebook page. </p> <p>"People buy food for people who need it. So if you're in need head down there, I have left you a coffee. Enjoy."</p> <p>Mauga said that she "felt inspired to help" after seeing the thoughtful gesture, and wanted to help those who were homeless and struggling in their community "in some small way". </p> <p>The post racked up thousands of likes and comments from people impressed by the "great initiative". </p> <p>"What a great idea! We need more like this. So many people are struggling, bravo," one wrote. </p> <p>"Well done folks... nice there are caring people around," another commented</p> <p>"What an amazing shop for even doing this," a third commented.</p> <p><em>Images: Manoosh & Co</em></p> <p> </p>

Domestic Travel

Placeholder Content Image

Taste depends on nature and nurture. Here are 7 ways you can learn to enjoy foods you don’t like

<p><em><a href="https://theconversation.com/profiles/nicholas-archer-181464">Nicholas Archer</a>, <a href="https://theconversation.com/institutions/csiro-1035">CSIRO</a> and <a href="https://theconversation.com/profiles/astrid-poelman-1481227">Astrid Poelman</a>, <a href="https://theconversation.com/institutions/csiro-1035">CSIRO</a></em></p> <p>You’re out for dinner with a bunch of friends, one of whom orders pizza with anchovies and olives to share, but you hate olives and anchovies! Do you pipe up with your preferred choice – Hawaiian – or stay quiet?</p> <p>This scene plays out every day around the world. Some people ferociously defend their personal tastes. But many would rather expand their palate, and not have to rock the boat the next time someone in their friend group orders pizza.</p> <p>Is it possible to train your tastebuds to enjoy foods you previously didn’t, like training a muscle at the gym?</p> <h2>What determines ‘taste’?</h2> <p>Taste is a complex system we evolved to help us navigate the environment. It helps us select foods with nutritional value and reject anything potentially harmful.</p> <p>Foods are made up of different compounds, including nutrients (such as proteins, sugars and fats) and <a href="https://www.youtube.com/watch?v=2P_0HGRWgXw">aromas</a> that are detected by sensors in the mouth and nose. These sensors create the <a href="https://www.youtube.com/watch?v=MZn2PMUWO-Y">flavour of food</a>. While taste is what the tastebuds on your tongue pick up, flavour is the combination of how something smells and tastes. Together with texture, appearance and sound, these senses collectively influence your food preferences.</p> <figure><iframe src="https://www.youtube.com/embed/MZn2PMUWO-Y?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption><span class="caption">Flavour is the overall impression you get when eating.</span></figcaption></figure> <p>Many factors influence food preferences, including age, genetics and environment. We each live in our own sensory world and no two people will have the same <a href="https://theconversation.com/curious-kids-why-do-some-people-find-some-foods-yummy-but-others-find-the-same-foods-yucky-77671">experience while eating</a>.</p> <p>Food preferences also change with age. Research has found young children have a <a href="https://pubmed.ncbi.nlm.nih.gov/24452237/">natural preference</a> for sweet and salty tastes and a dislike of bitter tastes. As they grow older their ability to like bitter foods grows.</p> <p>Emerging evidence shows bacteria in saliva can also produce enzymes that influence the taste of foods. For instance, saliva has been shown to cause the release of sulphur aromas in cauliflower. The <a href="https://www.acs.org/pressroom/presspacs/2021/acs-presspac-september-22-2021/childrens-dislike-of-cauliflower-broccoli-could-be-written-in-their-microbiome.html">more sulphur that is produced</a>, the less likely a kid is to enjoy the taste of cauliflower.</p> <h2>Nature versus nurture</h2> <p>Both genetics and the environment play a crucial role in determining food preferences. Twin studies estimate genetics have a moderate influence on food preferences (between 32% and 54%, depending on the food type) in <a href="https://www.sciencedirect.com/science/article/pii/S000291652305027X?via%3Dihub">children</a>, <a href="https://pubmed.ncbi.nlm.nih.gov/27385609/">adolescents</a> and <a href="https://www.cambridge.org/core/journals/twin-research-and-human-genetics/article/dietary-patterns-and-heritability-of-food-choice-in-a-uk-female-twin-cohort/8507AAF01330C599BAC62BCC0EF4CF06">adults</a>.</p> <p>However, since our cultural environment and the foods we’re exposed to also shape our preferences, these <a href="https://pubmed.ncbi.nlm.nih.gov/24452237/">preferences are learned</a> to a large degree.</p> <p>A lot of this learning takes place during childhood, at home and other places we eat. This isn’t textbook learning. <a href="https://www.cabidigitallibrary.org/doi/10.1079/9780851990323.0093">It’s learning</a> by experiencing (eating), which typically leads to increased liking of the food – or by watching what others do (modelling), which can lead to both positive or negative associations.</p> <p><a href="https://www.sciencedirect.com/science/article/pii/S000291652305027X?via%3Dihub">Research</a> has shown how environmental influences on food preferences change between childhood and adulthood. For children, the main factor is the home environment, which makes sense as kids are more likely to be influenced by foods prepared and eaten at home. Environmental factors influencing adults and adolescents are more varied.</p> <h2>The process of ‘acquiring’ taste</h2> <p>Coffee and beer are good examples of bitter foods people “acquire” a taste for as they grow up. The ability to overcome the dislike of these is largely due to:</p> <ul> <li> <p>the social context in which they’re consumed. For example, in many countries they may be associated with passage into adulthood.</p> </li> <li> <p>the physiological effects of the compounds they contain – caffeine in coffee and alcohol in beer. Many people find these effects desirable.</p> </li> </ul> <p>But what about acquiring a taste for foods that don’t provide such desirable feelings, but which are good for you, such as kale or fatty fish? Is it possible to gain an acceptance for these?</p> <p>Here are some strategies that can help you learn to enjoy foods you currently don’t:</p> <ol> <li> <p>eat, and keep eating. Only a small portion is needed to build a liking for a specific taste over time. It may take 10–15 attempts or more before you can say you “like” the food.</p> </li> <li> <p><a href="https://www.sciencedirect.com/science/article/pii/S0950329302001106">mask bitterness</a> by eating it with other foods or ingredients that contain salt or sugar. For instance, you can pair bitter rocket with a sweet salad dressing.</p> </li> <li> <p>eat it repeatedly in a positive context. That could mean eating it after playing your favourite sport or with people you like. Alternatively, you could eat it with foods you already enjoy; if it’s a specific vegetable, try pairing it with your favourite protein.</p> </li> <li> <p>eat it when you’re hungry. In a hungry state you’ll be more willing to accept a taste you might not appreciate on a full stomach.</p> </li> <li> <p>remind yourself why you want to enjoy this food. You may be changing your diet for health reasons, or because you’ve moved countries and are struggling with the local cuisine. Your reason will help motivate you.</p> </li> <li> <p>start young (if possible). It’s easier for children to learn to like new foods as their tastes are less established.</p> </li> <li> <p>remember: the more foods you like, the easier it’ll become to learn to like others.</p> </li> </ol> <p>A balanced and varied diet is essential for good health. <a href="https://www.sciencedirect.com/science/article/pii/S0195666315003438?ref=pdf_download&amp;fr=RR-2&amp;rr=82a5fd5069821f63">Picky eating</a> can become a problem if it leads to vitamin and mineral deficiencies – especially if you’re avoiding entire food groups, such as vegetables. At the same time, eating too many tasty but energy-dense foods can increase your risk of chronic disease, including obesity.</p> <p>Understanding how your food preferences have formed, and how they can evolve, is a first step to getting on the path of healthier eating.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/215999/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><a href="https://theconversation.com/profiles/nicholas-archer-181464"><em>Nicholas Archer</em></a><em>, Research Scientist, Sensory, Flavour and Consumer Sciences, <a href="https://theconversation.com/institutions/csiro-1035">CSIRO</a> and <a href="https://theconversation.com/profiles/astrid-poelman-1481227">Astrid Poelman</a>, Principal Researcher, Public Health &amp; Wellbeing Group, <a href="https://theconversation.com/institutions/csiro-1035">CSIRO</a></em></p> <p><em>Image credits: Shutterstock</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/taste-depends-on-nature-and-nurture-here-are-7-ways-you-can-learn-to-enjoy-foods-you-dont-like-215999">original article</a>.</em></p>

Food & Wine

Placeholder Content Image

Julia Morris promises "a little less shameless flirting" with new co-host

<p>In a surprising yet thrilling development, the popular reality show <em>I'm A Celebrity … Get Me Out of Here!</em> has finally confirmed its new co-host for the upcoming 2024 season.</p> <p>Joining the charismatic Julia Morris is none other than young wildlife expert and television personality Robert Irwin. This "unlikely pairing", as they humorously describe it, has generated a buzz of excitement among fans of the show.</p> <p>The announcement of Irwin as the new co-host has come after months of speculation – and while some may find it an unexpected choice, given the 35-year age gap between the two hosts, it's evident that this decision was carefully considered.</p> <p>Morris playfully quipped about the transition, "I've become so powerful at the network I am now allowed to trade in for a younger model, and of course when you trade in, you always upgrade." Her humour and enthusiasm highlight the anticipation for this fresh partnership.</p> <p>Irwin's ascent to co-host might be surprising to some, but for those familiar with his impressive TV career, it makes perfect sense. Irwin has been a TV veteran since he was just nine years old, earning a Best Newcomer Logie nomination at the tender age of nine. As an animal expert, he continues the legacy of former co-host <a href="https://www.oversixty.com.au/entertainment/tv/darryl-somers-jumps-the-gun-with-major-dr-chris-brown-announcement" target="_blank" rel="noopener">Dr Chris Brown</a>.</p> <p>The decision to bring Robert on board became clear during their initial screen test as a duo. Julia fondly recalls, "I thought it'd be a very tricky race [to find a new co-host], but the second Robert walked through the door, there was no contest. Everybody in the room was spellbound." Irwin's undeniable charisma and competence won over everyone present.</p> <p>The dynamic between Morris and Irwin promises to be a refreshing change for fans who have followed the show for nine seasons. Julia herself hinted at a "different energy", while also cheekily mentioning there might be "a little less shameless flirting" than viewers were accustomed to with Dr Chris Brown.</p> <p>Despite the age gap, both hosts are excited about this unique collaboration. Julia humorously acknowledges, "Robert is only just a whisper older than my eldest child, so I've really got my mummy protection pants on." She also jokes about needing Robert's assistance with a zimmer frame in the distant future.</p> <p>Irwin is embracing this new role, acknowledging that it's a significant step in his career, considering he is just 19 years old. "I'm the first to say, this is something new for me, but that's what makes it so exciting," Irwin commented. His deep passion for wildlife and conservation, coupled with his love for Africa, promises to bring a fresh perspective to the show.</p> <p>The official announcement of Robert Irwin's inclusion in <em>I'm A Celebrity … Get Me Out of Here!</em> was made at the Channel 10 Upfronts, alongside a host of other exciting revelations for the network. Some of the highlights include the reboot of <em>Gladiators</em> in early 2024, a new season of <em>Australian Survivor</em> with a Titans vs. Rebels theme, and the return of popular shows like <em>MasterChef</em>, <em>Hunted</em>, and <em>Amazing Race: Celebrity Edition</em>. Additionally, Grant Denyer is set to embark on a new adventure as the host of <em>Deal or No Deal</em>.</p> <p><em>Images: Network Ten</em></p>

TV

Placeholder Content Image

"F*** off, go home": Sam Newman loses it at podcast co-host

<p>Sam Newman's podcast could be on the rocks after an expletive-ridden tirade caused a rift between the pair. </p> <p>The former AFL player hosts the <em>You Cannot Be Serious</em> podcast with Don Scott, who stormed off in the middle of a recording. </p> <p>The<em> Herald Sun</em> first reported Newman’s foul-mouthed blow up at Scott over technical issues they were having in the studio. </p> <p>“Holy s**t. Jesus Christ, if you touch that f***ing thing again. Stop it, I’m serious, f*** you, God almighty,” Newman said.</p> <p>Newman went on to say: “I can’t do it. If you could f***ing do something properly for once in your f***ing life, don’t touch the microphone and speak into it and stop eating. F***. Go out, go home.”</p> <p>As Scott appeared to walk away, Newman said, “Good, f*** off”.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/reel/Cx9g3W9vuRB/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/reel/Cx9g3W9vuRB/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by John ‘Sam’ Newman (@originalsmartassam)</a></p> </div> </blockquote> <p>Newman posted a video to his Instagram page to promote the episode of the podcast, with his producer saying, "We've just had the biggest blow up that I've ever seen, and I don't know if Don is going to be back."</p> <p>Sam then chimed in, saying "Don has left the premises! This podcast could be the last one we ever do because he left!"</p> <p>Newman and Scott have both spoken publicly since the argument with Newman admitting he “temporarily lost it” when Scott broke a microphone and headphones.</p> <p>When approached by the <em>Herald Sun</em> for a comment on the blow up, Don Scott refused to confirm if he would ever return to the podcast, leaving its future up in the air. </p> <p><em>Image credits: Getty Images / Instagram </em></p>

News

Placeholder Content Image

Julia Morris sheds light on I’m A Celeb co-host casting

<p>Julia Morris has shared some insight into the casting for her new <em>I’m A Celebrity </em>co-host following the departure of her long-time on-screen partner Dr Chris Brown.</p> <p>Speaking to <em>Yahoo Lifestyle</em>, the TV presenter said that casting was currently underway and after almost a decade, the reality show would now be going in a “completely different way”.</p> <p>“I’m going to have to leave everything of the past behind,” she told the publication, explaining that she would soon do “chemistry” tests with six potential candidates.</p> <p>“Whoever comes in is going to want to build that together. So there’s plenty of space for that person, we’re just looking forward to finding out who that’s going to be.”</p> <p>Morris, 55, also highlighted the pressure that was on her and the successful candidate.</p> <p>“Whoever that person is going to have a huge effect on whether I’m working over the next few years, so I want it to work,” she added.</p> <p>Brown’s departure from Ten after 15 years was <a href="https://www.oversixty.com.au/news/news/the-doctor-is-out-chris-brown-changes-the-script" target="_blank" rel="noopener">revealed</a> in early 2023, with news he had been poached by rival network Seven.</p> <p>Morris has <a href="https://www.oversixty.com.au/entertainment/tv/dr-chris-brown-and-julia-morris-open-up-on-final-show-together" target="_blank" rel="noopener">previously confessed</a> her devastation about her co-host’s departure, with Dr Chris Brown adding that it was challenging saying goodbye to the show he “loves so much”.</p> <p>Brown had initially joined Ten in 2008 to host <em>Bondi Vet</em>, based on his real-life training as a vet in Sydney’s eastern suburbs, which became an unexpected major success and has since been syndicated in multiple countries.</p> <p>He later made appearances as a panellist on <em>The Project</em> and co-hosted <em>I’m A Celeb</em> alongside Morris for nearly a decade.</p> <p>Brown was also one of the hosts of lifestyle program <em>The Living Room</em> which is currently on hiatus.</p> <p>His role at Seven — set to begin in July 2023 — is yet to be officially announced, however, there is speculation he will be hosting the brand-new renovation program, <em>Dream Home</em>.</p> <p><em>Image credit: Getty</em></p>

TV

Placeholder Content Image

Is Eurovision finally cool? That depends on your definition – ‘cool theory’ expert explain

<p><em><a href="https://theconversation.com/profiles/vanessa-brown-142590">Vanessa Brown</a>, <a href="https://theconversation.com/institutions/nottingham-trent-university-1338"><em>Nottingham Trent University</em></a></em></p> <p>With an aesthetic dependent on novelty and spectacle, and a structure that’s both disjointed and drawn-out, Eurovision – for some – cannot fail to fail. In its “failed seriousness” (the phrase writer Susan Sontag <a href="https://www.artandobject.com/news/what-camp-met-tries-define-ineffable">used to describe “camp”</a>), the song contest has all the exaggerated expressiveness that audiences associate with kitsch. So, how could it possibly be cool?</p> <p>I’m interested in viewing the show through the lens of <a href="https://irep.ntu.ac.uk/id/eprint/45239/1/1507168_Brown.pdf">cool theory</a> (which identifies different kinds of cool and breaks those down into core qualities). “Coolness” itself is a <a href="https://www.tandfonline.com/doi/full/10.1080/14797585.2021.2000837">slippery and controversial term</a> that can mean almost opposing things.</p> <p>For some, “cool” is simply what is fashionable. It can also be a rebellion against what is fashionable. Or an anti-social attitude in which nothing and no one else matters beyond your own stylish persona.</p> <p>Indeed Sam Ryder – the UK’s near-win Eurovision act of 2022 whose high energy performance combined epic, earnest vocals with flowing natural locks, pearly teeth and a bejewelled one-piece – told the Guardian in 2022 that cool is “<a href="https://www.theguardian.com/tv-and-radio/2022/may/19/cool-is-the-enemy-eurovision-hero-sam-ryder-on-how-he-ditched-his-ego-and-found-his-joy">the enemy</a>”.</p> <p>The profile of Ryder claimed he had no interest in the “detached rock star” exterior. This refers to the sense of unwillingness of “cool” musicians to have their dignity compromised by other people’s rules – an unwillingness to be caught making an effort.</p> <p>But Eurovision is all about effort. A publicised drama of rehearsals and heats, nervous waving and nail biting in the green room – the performers are just generally far too eager. Because whether it’s death metal or pared back electronica, being liked is what these musicians are here for.</p> <figure><iframe src="https://www.youtube.com/embed/RZ0hqX_92zI?wmode=transparent&amp;start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption><span class="caption">Sam Ryder’s 2022 Eurovision performance.</span></figcaption></figure> <p>On the other hand, it’s hard to imagine the uber-cool 1960s <a href="https://www.loudersound.com/features/krautrock-communism-and-chaos-the-anarchic-story-of-can">krautrock band Can</a> giving two hoots what a jury in Brussels would make of their genre-defining understated rock. Nor the jazz men Miles Davis, Charlie Parker or Lester Young, who set the parameters of cool performance with their sharp, formal attire and <a href="https://www.bloomsbury.com/uk/cool-shades-9780857854643/">refusal to acknowledge the audience</a>.</p> <h2>What kind of ‘cool’ is Eurovision?</h2> <p>Although the performers of Eurovision aren’t detached, the audience can be. Sociologist Janna Michael’s <a href="https://journals.sagepub.com/doi/abs/10.1177/1469540513493206?journalCode=joca">2015 study</a> of European urban hipsters revealed that the point of cool is not what is liked, so much as how it is liked. This goes some way to explaining Eurovision’s appeal.</p> <p>Since the 1980s, Eurovision has been presented (certainly in Britain) as something to enjoy in a specifically detached way, through irony. From 1973 to 2008, former commentator Terry Wogan’s flippant narration allowed the audience to collude in a knowing superiority over the event, finding its failed seriousness funny.</p> <p>The cult following of Eurovision among those with a camp sensibility was further endorsed by the appointment of comedian Graham Norton as Wogan’s more obviously camp successor.</p> <p>Do these fans love Eurovision because they enjoy the catharsis of the unabashed release of “bad taste”? Or because they enjoy feeling superior to those people (and nations) who genuinely engage with the drama of the competition? This is a side of <a href="https://www.abebooks.co.uk/9780719066153/Kitsch-Cultural-Politics-Taste-Ruth-0719066158/plp">cool’s ironic detachment that celebrates disdain for others</a>.</p> <p>However, many British fans now speak enthusiastically about the tolerance and openness of Eurovision. As <a href="https://www.liverpoolecho.co.uk/news/showbiz-news/eurovisions-rylan-clark-blown-away-26873868">host Rylan Clark said this year</a>: “Everyone is welcome.” In recent years Eurovision has become more obviously and consciously open to gender diversity and aligned to LGBTQ+ tastes.</p> <p>This was crystallised by bearded Austrian drag queen Conchita’s winning performance in 2014. The <a href="https://metro.co.uk/2023/05/11/eurovision-alesha-dixon-and-hannah-waddingham-turned-into-drag-queens-18770837/">drag makeovers given to all three semi-final hosts this year</a> confirmed the contest’s status as a space which endorses self-creation, individuality and tolerance – all aspects of the cool attitude.</p> <h2>Becoming mainstream</h2> <p>In the past, scholars of the theory of coolness have often focused too heavily on men and masculine, emotionally blank forms of “cool”, with composure and self-possession at their heart. Though this brand of cool is eloquently expressed in jazz, it is also visible in the consummate performer of drag.</p> <p>Thanks to the popularity of shows such as RuPaul’s Drag Race, drag – once enjoyed purely in LGBTQ+ subcultures – is now mainstream entertainment. This is perhaps one reason Eurovision has suddenly become perceived as “cool” <a href="https://www.sciencedaily.com/releases/2012/06/120607180110.htm">by some</a>. But experiences of exclusion and marginalisation have historically been the conditions in which modern cool has been forged.</p> <p>The very fact that Eurovision has been viewed for decades as a cultural white elephant, a place of almost inconsequential melodrama, gives it the potential to be resurrected as cool.</p> <p>Liking Eurovision was once an anti-mainstream position. This gave the show the potential to become “cool”, through both its exaggeration of qualities seen as undesirable by dominant social tastes, and its willingness to push the boundaries of convention, despite the detractors.</p> <p>The concept of cool is complicated – and it is changing. Indeed, <a href="https://www.sciencedaily.com/releases/2012/06/120607180110.htm">some recent studies</a> have shown that perception of coolness is connected to activism and pro-social traits. Eurovision may seem like sparkly fluff, but perhaps now more than ever, it is also a vehicle for promoting greater acceptance of other ways of life. It’s all cool.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/205600/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><em><a href="https://theconversation.com/profiles/vanessa-brown-142590">Vanessa Brown</a>, Course Leader MA Culture, Style and Fashion, <a href="https://theconversation.com/institutions/nottingham-trent-university-1338">Nottingham Trent University</a></em></p> <p><em>Image credits: Getty </em><em>Images </em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/is-eurovision-finally-cool-that-depends-on-your-definition-cool-theory-expert-explains-205600">original article</a>.</em></p>

Music

Placeholder Content Image

Kochie shocked at co-host’s revelation

<p dir="ltr"><em>Sunrise</em> host Monique Wright has left her co-hosts, Natalie Barr and David Koch, visibly shocked after revealing the “appalling” situation she was in.</p> <p dir="ltr">On Thursday, Wright told her co-hosts that she is among the “desperate” Aussies struggling to secure a home, after a segment on rentals.</p> <p dir="ltr">“We've recently been looking, and we've looked at 30 properties,” Wright shared.</p> <p dir="ltr">“Wow,” her co-hosts exclaimed in sync.</p> <p dir="ltr">“'It is appalling. It is so appalling,” she continued amid their gasps.</p> <p dir="ltr">“You see it. People are desperate. We've been desperate,” Wright added to which Barr agreed that the rental crisis is affecting everyone “at every price point”.</p> <p dir="ltr">Kochie sat in visible shock throughout the whole conversation, and was only able to respond with “amazing”.</p> <p dir="ltr">According to<em> </em><a href="https://www.domain.com.au/research/vacancy-rates-february-2023-1198404/" target="_blank" rel="noopener"><em>Domain</em></a>, Australia’s national vacancy rate remained 0.8 per cent in February, but the vacancy rates across the combined capital has declined to 0.7 per cent.</p> <p dir="ltr">In Sydney and Melbourne, vacancies have declined below 1 per cent to 0.9 per cent and 0.8 per cent, respectively.</p> <p dir="ltr">Perth and Adelaide have the tightest rental market at just 0.3 per cent.</p> <p dir="ltr">This comes after many families are struggling to find a home and are forced to sleep in <a href="https://www.oversixty.com.au/property/real-estate/homeless-teen-and-dad-living-in-park-amid-housing-crisis" target="_blank" rel="noopener">tents</a>.</p> <p dir="ltr">Shocking images of landlords attempting to benefit off this crisis have also gone viral, whether it’s advertising a <a href="https://www.oversixty.com.au/finance/money-banking/desperate-measures-shed-advertised-as-three-bedroom-rental" target="_blank" rel="noopener">shed as a three bedroom renta</a>l, or <a href="https://www.oversixty.com.au/property/real-estate/landlord-rents-out-balcony-for-300-a-week" target="_blank" rel="noopener">renting out balconies</a> for $300 a week.</p> <p dir="ltr">Chief executive officer of the Tenants' Union of New South Wales, Leo Patterson Ross told the <a href="https://www.dailymail.co.uk/news/article-11917597/Kochie-shocked-Sunrise-cohost-reveals-personal-battle.html" target="_blank" rel="noopener">Daily Mail</a> that although the economic circumstances were vastly different 90 years ago, rental conditions are now worse than the Great Depression in the 1930s.</p> <p dir="ltr">“We have to go back that far because we haven't seen this kind of widespread general experience of the system going wrong,” he said.</p> <p><em>Image: Sunrise</em></p>

Real Estate

Placeholder Content Image

Keanu Reeves mourns the sudden death of John Wick co-star

<p>Keanu Reeves is mourning the loss of good friend and John Wick co-star Lance Reddick, who passed away suddenly aged 60.</p> <p>“We are deeply saddened and heartbroken at the loss of our beloved friend and colleague Lance Reddick,” Reeves, 58, and director Chad Stahelski said in a joint statement to<em> Variety</em>.</p> <p>“He was the consummate professional and a joy to work with. Our love and prayers are with his wife Stephanie, his children, family and friends.”</p> <p>Reeves and Stahelski have shared they will dedicate <em>John Wick: Chapter 4</em>, which will be released in cinemas on March 23, to Reddick’s “loving memory”.</p> <p>“We will miss him dearly,” they said, <em>Page Six</em> reported.</p> <p>Reddick’s wife, Stephanie, whom he married in 2011, shared a message on his Instagram for his 139,000 followers.</p> <p>“Lance was taken from us far too soon,” she said. “Thank you for all your overwhelming love, support and beautiful stories shared on these platforms over the last day. I see your messages and can’t begin to express how grateful I am to have them.”</p> <p>“And to the thousands of Destiny players who played in special tribute to Lance, thank you,” she added. “Lance loved you as much as he loved the game.”</p> <p>Reddick, perhaps best known for his role in the crime series <em>The Wire</em>, also played Commander Zavala in the <em>Destiny</em> franchise.</p> <p>Representatives for the actor confirmed his death in a statement to People, saying that he “passed away suddenly this morning from natural causes”.</p> <p>“Lance was best known for his roles in <em>The Wire</em>, <em>Bosch</em>, Netflix’s <em>Resident Evil</em> and the <em>John Wick</em> films,” his reps added. “He is survived by his wife, Stephanie Reddick, and children, Yvonne Nicole Reddick and Christopher Reddick.</p> <p>“Lance will be greatly missed. Please respect his family’s privacy at this time.”</p> <p>Reddick’s body was discovered by police at his home in Studio City, California, according to TMZ.</p> <p>Wendell Pierce, who co-starred with Reddick on the hit HBO show <em>The Wire</em>, mourned the loss of a “man of great strength and grace” on Twitter.</p> <p>“As talented a musician as he was an actor,” he tweeted. “The epitome of class. An [sic] sudden unexpected sharp painful grief for our artistic family. An unimaginable suffering for his personal family and loved ones. Godspeed my friend. You made your mark here. RIP.”</p> <p>Ben Stiller, who worked alongside Reddick’s late mother, Anne Meara, in the play <em>Afterplay</em>, also took to Twitter to honour the actor.</p> <p>“Lance Reddick was an [sic] beautiful and compelling actor,” he tweeted. “And a beautiful person … He was exquisite in that and all he did. Nothing is lost.”</p> <p>In December 2021, the late actor praised his working relationship with Reeves, describing him as “someone who’s very generous as an actor and then all about the work”.</p> <p>“On one hand I feel like I don’t know him very well, but on the other, I just adore that guy,” he had told Vulture. “He’s such a wonderful human being.”</p> <p><em>Image credit: Getty</em></p>

Caring

Placeholder Content Image

Jetlag hits differently depending on your travel direction. Here are 6 tips to get over it

<p>After a few difficult years of lockdowns and travel restrictions, people are finally winging their way across the globe again; families are being reunited and sights are being seen.</p> <p>Yet the joys of international travel often come with a side of jetlag, which can make it hard to initially enjoy a holiday, and to settle in once you return home.</p> <p>Why do people experience jetlag? And is there anything you can do to lessen its effects?</p> <h2>What causes jetlag?</h2> <p>The term “jetlag” describes the physical and cognitive symptoms people experience when travelling quickly across several timezones.</p> <p>Before you leave for a trip, you’re synchronised to your local time. Once you enter a new timezone, your body’s rhythms are no longer lined up with the clock on the wall.</p> <p>That’s when jetlag symptoms hit. You’re sleepy when you want to be awake, and wide awake when you want to be asleep. You’re hungry in the middle of the night, and might feel bloated or nauseous if you eat during the day.</p> <p>Until your body clock and all the rhythms it controls line up with the new local time, you are physiologically and mentally discombobulated. Not a happy holiday vibe!</p> <h2>Jetlag isn’t the same for everyone</h2> <p>Interestingly, the experience of jetlag varies between people. That’s because we all tick along to our own internal rhythm.</p> <p>Most of us have a natural daily cycle of about 24.2 hours. So if we lived in a cave and didn’t see any light, our sleep/wake cycle and other daily rhythms would tick along at about 24.2 hours. Researchers think <a href="https://royalsocietypublishing.org/doi/10.1098/rsfs.2019.0098">this is an evolutionary adaptation</a> that allows us to adjust to different day lengths across the year.</p> <p>But some people have slightly longer cycles than others, and this may play a role in how a person experiences jetlag.</p> <p><a href="https://journals.plos.org/ploscompbiol/article?id=10.1371/journal.pcbi.1000418">Research suggests</a> if you have a longer cycle you might adjust quicker to westward travel, such as when travelling from Australia to South Africa, but we don’t know if a shorter cycle helps going the other way.</p> <p>We also get a little less resilient as we age, so the older among us might have worse jetlag symptoms.</p> <h2>Does direction of travel matter?</h2> <p>More generally, many people find westward travel, where you “gain” time, a bit easier.</p> <p>Say Jasmine and Sarah depart Adelaide at the same time. Jasmine lands in Perth in the afternoon, where it’s about 2.5 hours earlier in the day. She sees some sights and easily falls asleep at about 8.30pm local time. She then wakes up very early and starts her day.</p> <p>Because Jasmine’s body clock naturally delays – shifting a little later relative to the local time each day – after a few days she is fully synchronised.</p> <p>Sarah, meanwhile, lands in Auckland which is about 2.5 hours later in the day. She takes advantage of the balmy evening and some of the night, and is wide awake until 2am. She then struggles out of bed when the alarm goes off at 7am, because it’s still 4.30am on her body clock.</p> <p>Sarah will likely feel the effects of jetlag more severely than Jasmine, and for longer.</p> <h2>Is jetlag just ‘psychological’?</h2> <p>Some people might wonder if jetlag is just in your head. Well, in a way it is, because it’s a mismatch between your body’s internal time (which is determined in your brain) and your local time.</p> <p>But that doesn’t mean you can talk yourself out of jetlag. It’s better thought of as a physiological condition, rather than a psychological one.</p> <p>Luckily, there are a few simple ways to alleviate jetlag symptoms and help your body clock adjust. This is particularly important <a href="https://link.springer.com/article/10.1007/s40279-021-01502-0">for elite athletes</a> who travel to compete.</p> <ol> <li> <p>First, decide whether it’s worth trying to adapt to the new time or not. If it’s only a short trip, it might make more sense to stay on your home time. If it’s longer than three days, start consciously moving your own rhythms – such as when you sleep, eat, exercise and get sunlight – towards the new timezone.</p> </li> <li> <p>If you’re trying to shift your body clock, it’s a good idea to start on the plane. Set your watch to your destination’s timezone and line up your activities accordingly.</p> </li> <li> <p>Keep caffeine and alcohol intake low on the journey. This will be better for sleep and hydration, and will help with adjusting your body clock to the new timezone.</p> </li> <li> <p>When adjusting to a new timezone, try to sleep during the local night time and just rest when you need to at other times. Short naps can give you a boost to get through the day and evening activities. Aim for about 30 minutes and avoid naps later in the day as you near your actual planned bedtime.</p> </li> <li> <p>Gastrointestinal discomfort is a symptom of jet lag. If you’re prone to or experience tummy trouble while travelling, stick to small meals and eat when you’re hungry. Your body will tell you when it’s ready for food. Tip 3 about caffeine and alcohol applies here too.</p> </li> <li> <p>Get outside. Sunlight is key to adjusting to a new timezone. Depending on your timezone change, appropriately-timed <a href="https://www.frontiersin.org/articles/10.3389/fphys.2019.00927/full">outside activities</a> will help.</p> </li> </ol> <p>If that’s not enough, the Sleep Health Foundation has more tips <a href="https://www.sleephealthfoundation.org.au/tips-to-help-combat-jet-lag.html">here</a>.</p> <p dir="ltr"><em>Images: Getty Images</em></p> <p dir="ltr"><span id="docs-internal-guid-3c41a8d5-7fff-52c6-155b-a64b459ff13e"><em>This article originally appeared on <a href="https://theconversation.com/jetlag-hits-differently-depending-on-your-travel-direction-here-are-6-tips-to-get-over-it-196730">The Conversation</a>.</em> </span></p>

International Travel

Placeholder Content Image

Waleed Aly halts co-host Kate Langbroek’s wild conspiracy take

<p>Waleed Aly is no stranger to making headlines for his work on <em>The Project</em>, but a debate with co-host Kate Langbroek has brought him back for perhaps the most bizarre reason yet. </p> <p>On Tuesday night, Langbroek argued the merits of those who believe that walkable 15-minute cities are, as described by those deepest in the conspiracy, “a cynical ploy by climate obsessed autocracies bent on control”.</p> <p>Conspiracy theorists are under the impression that the concept of a 15-minute city is actually a ploy for government control, and though that couldn’t be further from the truth, Kate Langbroek had plenty to say about it. </p> <p>As RMIT’s Associate Professional in International Planning Marco Amati explained, “the 15 minute city is actually about getting people to - or enabling basically - walking and active travel to shops, schools, and basically places that they want to go. </p> <p>“Many Australian cities face a challenge of how to create community, how to build walkable suburbs really quickly, so that they are as liveable and as enjoyable as inner-city areas.”</p> <p>As the show’s summary on the topic came to an end, Langbroek mused, “mm, you know I love a conspiracy.”</p> <p>When asked if the panel believed in this one, she said “I don’t know about you, but I have been locked down by governments recently.” </p> <p>Langbroek was likely referencing the COVID-19 lockdowns across Australia in recent years, something that experts worldwide may have something to do with the traction this particular conspiracy has gained across the globe. </p> <p>“So, I’m like, it’s kind of an easy thing to go ‘oh, conspiracy theorists’, however, let us just remember that in the 16 hundreds, a guy called Galileo was put in jail and I think died in jail because he said the Earth went around the sun,” she went on. </p> <p>“Oh, well, that’s that then!” Aly responded. </p> <p>“Okay,” Langbroek said, “well, because that at the time was considered to be heresy, and now we know it to be the truth.” </p> <p>“That’s not a conspiracy,” Waleed pointed out. </p> <p>“It was then, Waleed!” Langbroek argued. </p> <p>“What was the conspiracy?” </p> <p>“The conspiracy was that what he believed was wrong, what he was telling people was wrong.” </p> <p>While Aly acknowledged that he heard what she was saying and could see where she was coming from with that point, Langbroek had more to say on the matter, cutting him off before he could finish his thought. </p> <p>“I just feel increasingly like there’s a battle for control of people,” she said. “Clearly. Everywhere you go, there are cameras. Everywhere you go.</p> <p>“I just don’t think that conspiracy theorists in some cases are that crazy.” </p> <p>In a desperate bid to defuse the situation, co-host Sarah Harris tried to inject some humour, saying, “but that bird thing’s pretty crazy, right? All birds are robots?” </p> <p>“I don’t know about all of them, Sarah,” Langbroek powered on, “but I do know birds have got tiny little brains capable of anything.”</p> <p>“Easily influenced like the sheep,” she said, before emitting an uncanny bleat. </p> <p>“I guess the case has been made,” Aly answered, before Langbroek went on to ask the panel if they understood why conspiracy theorists are feeling the way they are. </p> <p>“I get the idea that people are losing trust in the government,” Aly allowed, striving to bring an end to the bizarre conversation. “But the problem is, the logical extension of that, is that any time someone comes up with something that might be a good idea, we’ll just want to kill it because we’ll decide it’s a conspiracy somehow.” </p> <p>“You agree with me then?” Langbroek asked.</p> <p>“No,” Aly didn’t miss a beat in stating, “I don’t.” </p> <p><em>Images: Network Ten</em></p>

TV

Placeholder Content Image

How to empower older adults to become digital citizens in our tech-dependent world

<p>Living in a technology dependent world means we all want to stay connected, regardless of age. And the COVID-19 pandemic was a major catalyst <a href="https://dx.doi.org/10.1016%2Fj.ijinfomgt.2020.102171">for increasing our technological dependence</a>. </p> <p>It became normal to do weekly online grocery shops, attend doctors’ appointments or work via Zoom and FaceTime family and friends. The reality is however, that not everyone is fortunate enough to have access to the technological devices or skills to operate in our online world — some of the most impacted by this are older adults. </p> <p>This <a href="https://doi.org/10.1186/s41256-020-00154-3">magnified the pandemic for them, especially in terms of isolation</a>. Older adults were left without the main resource that has been keeping many of us connected — technology.</p> <p>But that’s not all the pandemic has laid bare for older adults. A <a href="https://theconversation.com/the-aging-face-of-homelessness-in-north-american-cities-111702">large number of them are also either experiencing, or are vulnerable to homelessness</a>. Older adults have become one of the <a href="https://www.homelesshub.ca/resource/%E2%80%9Cno-home-no-place%E2%80%9D-addressing-complexity-homelessness-old-age-through-community-dialogue">groups most at-risk for housing insecurities during the pandemic</a>. And one of the <a href="https://www.homelesshub.ca/about-homelessness/education-training-employment/poverty">largest barriers to housing, is low socioeconomic status</a>. </p> <p>Our technological dependence has created new challenges for older adults, and helped solidify pre-existing ones, like navigating online platforms to secure housing. Older adults face housing barriers due to the lack of technological resources and education on how to use them; there is a clear need to empower them to be digital citizens.</p> <h2>Finding housing in an internet-dependent world</h2> <p>Overall, older adults are often excluded from using the internet because they <a href="https://doi.org/10.1093/geronb/gbaa098">lack devices and connectivity, or are inexperienced in using it</a>. So when it comes to finding housing, they’re often left behind. </p> <p>A decade ago, it was possible to walk through the streets, sift through newspapers, notice boards and discover apartments for rent, but this is increasingly uncommon. The platforms themselves — like Kijiji, PadMapper and Facebook Marketplace — are not made with older adults in mind; meaning <a href="https://doi.org/10.1177/0308518X19869678">the ability to navigate and access these resources makes it even more difficult for them to find housing</a>. On top of having to search through unfamiliar platforms, they’re also faced with finding an apartment on a limited budget.</p> <p>Imagine you don’t know housing websites exist. Or know how to navigate online ads. Or have a device to access the internet. You’re put at a serious disadvantage when it comes to accessing housing.</p> <p>In North America “<a href="https://doi.org/10.1177/0308518X19869678">large portions of the rental housing market have moved online … more renters in urbanized areas found their current homes through a site like Craigslist than through any other information channel</a>.” Meaning the majority of rental properties are accessible through online platforms. Older adults who are not part of this digital world have limited opportunities to find housing. </p> <p>We don’t want to suggest that finding an apartment is impossible but, if you are an older adult lacking technological resources and digital literacy, it may feel overwhelming.</p> <h2>Making technology more accessible</h2> <p>How can we move forward in this digital world, when so many are being left behind? We should at least make technology accessible, so the choice is up to the user. </p> <p>When it comes to older adults, having the liberty to choose their involvement with technology can provide independence and autonomy. When the decision is theirs to make, their <a href="https://doi.org/10.1016/j.chb.2016.05.092">quality of life tends to increase, especially regarding social isolation</a>.</p> <p>While <a href="https://www.ncoa.org/article/top-10-financial-scams-targeting-seniors">older adults are more vulnerable to phishing and scams</a> and may have trouble recognizing fake housing advertisements, <a href="https://helpagecanada.ca/seniors-can-connect/">having support</a> and <a href="https://youthteachingadults.ca/resources/">educational resources</a> can <a href="https://www.connectedcanadians.ca/">promote the adoption of a conscious and cautious attitude</a> online, promote the use of trusted websites and avoid disclosing personal information such as SIN and credit card information. This can actively enable older adults to feel more comfortable and confident online.</p> <p>We are a part of the <a href="https://www.sfu.ca/airp/news-events/in-the-news/spike-in-homelessness-among-aged-prompts-research-for-solutions-.html">Aging in the Right Place (AIRP) Project</a> which looks at the causes of homelessness for older adults in order to evaluate <a href="https://www.seniorsservicessociety.ca/">current promising practices in place, such as temporary housing that support older adults who are at risk of experiencing homelessness</a>.</p> <p>An integral part of this project is to not only be in close contact with the people working towards supporting this population, but also with older people experiencing homelessness themselves. In our preliminary client interviews of those living in the temporary housing, we’re often told how invaluable technology is when searching for stable housing. </p> <h2>Technology can improve quality of life</h2> <p>As a society we assume older adults are not interested in various technologies, <a href="https://slate.com/technology/2020/07/seniors-technology-illiteracy-misconception-pandemic.html">not because they’re resisting but because technologies that currently exist were simply not created with them in mind</a>. Failing to include older adults as technology users further perpetuates the <a href="https://doi.org/10.1007/978-3-319-39949-2_15">social, information and digital exclusion they experience</a>.</p> <p>This <a href="https://www.ceeol.com/search/article-detail?id=425680">leaves very few opportunities for them to access education and awareness</a>. Opportunities that do exist to learn are often found in schools or at work — which are environments many older adults no longer frequent. </p> <p>Technology can improve the quality of life for older adults by providing ease, inclusion and comfort by making the essentials, like finding housing, more accessible. </p> <p>It’s time we <a href="https://helpagecanada.ca/seniors-can-connect/">draw on the resources</a> <a href="https://youthteachingadults.ca/resources/">and educational initiatives</a> <a href="https://www.connectedcanadians.ca/">in place and reach out to the ones who have been left behind</a>. Let’s empower older adults to be digital citizens. </p> <p>As digital citizens, they will have more opportunities to secure housing and tools to prevent homelessness. These supports will not only give them a sense of involvement in a technologically dependent world, but also provide a sense of belonging and inclusion in today’s society.</p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared on <a href="https://theconversation.com/how-to-empower-older-adults-to-become-digital-citizens-in-our-tech-dependent-world-167010" target="_blank" rel="noopener">The Conversation</a>. </em></p>

Retirement Life

Placeholder Content Image

Is AI-generated art really creative? It depends on the presentation

<p><a href="https://www.theguardian.com/technology/2022/apr/04/mind-blowing-ai-da-becomes-first-robot-to-paint-like-an-artist">Ai-Da</a> sits behind a desk, paintbrush in hand. She looks up at the person posing for her, and then back down as she dabs another blob of paint onto the canvas. A lifelike portrait is taking shape. If you didn’t know a robot produced it, this portrait could pass as the work of a human artist.</p> <p>Ai-Da is touted as the “first robot to paint like an artist”, and an exhibition of her work called <a href="https://www.ai-darobot.com/exhibition">Leaping into the Metaverse</a> opened at the Venice Biennale.</p> <p>Ai-Da produces portraits of sitting subjects using a robotic hand attached to her lifelike feminine figure. She’s also able to talk, giving detailed answers to questions about her artistic process and attitudes towards technology. She even gave a TEDx talk about “<a href="https://www.youtube.com/watch?v=XaZJG7jiRak">The Intersection of Art and AI</a>” (artificial intelligence) in Oxford a few years ago. While the words she speaks are programmed, Ai-Da’s creators have also been experimenting with having her write and perform her own poetry.</p> <p>But how are we to interpret Ai-Da’s output? Should we consider her paintings and poetry original or creative? Are these works actually art?</p> <h2>Art is subjective</h2> <p>What discussions about AI and creativity often overlook is the fact that creativity is not an absolute quality that can be defined, measured and reproduced objectively. When we describe an object – for instance, a child’s drawing – as being creative, we project our own assumptions about culture onto it.</p> <p>Indeed, art never exists in isolation. It always needs someone to give it “art” status. And the criteria for whether you think something is art is informed by both your individual expectations and broader cultural conceptions.</p> <p>If we extend this line of thinking to AI, it follows that no AI application or robot can objectively be “creative”. It is always us – humans – who decide if what AI has created is art.</p> <p>In our <a href="https://journals.sagepub.com/doi/full/10.1177/14614448221077278?journalCode=nmsa">recent research</a>, we propose the concept of the “Lovelace effect” to refer to when and how machines such as robots and AI are seen as original and creative. The Lovelace effect – named after the 19th century mathematician often called the first computer programmer, Ada Lovelace – shifts the focus from the technological capabilities of machines to the reactions and perceptions of those machines by humans.</p> <p>The programmer of an AI application or the designer of a robot does not just use technical means to make the public see their machine as creative. This also happens through presentation: how, where and why we interact with a technology; how we talk about that technology; and where we feel that technology fits in our personal and cultural contexts.</p> <h2>In the eye of the beholder</h2> <p>Our reception of Ai-Da is, in fact, informed by various cues that suggest her “human” and “artist” status. For example, Ai-Da’s robotic figure looks much like a human – she’s even called a “she”, with a feminine-sounding name that not-so-subtly suggests an Ada Lovelace influence.</p> <p>This femininity is further asserted by the blunt bob that frames her face (although she has sported some other funky hairstyles in the past), perfectly preened eyebrows and painted lips. Indeed, Ai-Da looks much like the quirky title character of the 2001 film Amélie. This is a woman we have seen before, either in film or our everyday lives.</p> <p>Ai-Da also wears conventionally “artsy” clothing, including overalls, mixed fabric patterns and eccentric cuts. In these outfits, she produces paintings that look like a human could have made them, and which are sometimes framed and displayed among human work.</p> <p>We also talk about her as we would a human artist. An article in <a href="https://www.theguardian.com/technology/2022/apr/04/mind-blowing-ai-da-becomes-first-robot-to-paint-like-an-artist">the Guardian</a>, for example, gives a shout-out to “the world premier of her solo exhibition at the 2022 Venice Biennale”. If we didn’t know that Ai-Da was a robot, we could easily be led to appreciate her work as we would that of any other artist.</p> <p>Some may see robot-produced paintings as coming from creative computers, while others may be more skeptical, given the fact that robots act on clear human instructions. In any case, attributions of creativity never depend on technical configurations alone – no computer is objectively creative. Rather, attributions of computational creativity are largely inspired by contexts of reception. In other words, beauty really is in the eye of the beholder.</p> <p>As the Lovelace effect shows, through particular social cues, audiences are prompted to think about output as art, systems as artists, and computers as creative. Just like the frames around Ai-Da’s paintings, the frames we use to talk about AI output indicate whether or not what we are looking at can be called art. But, as with any piece of art, your appreciation of AI output ultimately depends on your own interpretation.</p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared on <a href="https://theconversation.com/is-ai-generated-art-really-creative-it-depends-on-the-presentation-181663" target="_blank" rel="noopener">The Conversation</a>. </em></p>

Art

Placeholder Content Image

Fennel looking a bit feeble? Growing enough veggies to feed yourself depends on these 3 things

<div class="copy"> <p>Farming inside city boundaries is <a href="https://www.fao.org/urban-agriculture/en/" target="_blank" rel="noreferrer noopener">on the rise</a> as countries become more urbanised and people seek to connect with the source of their food and improve their sustainability.</p> <p>But despite the productivity potential of home food gardens and the like, they are rarely analysed as serious farming systems. There’s little data, for example, on how much can be grown on an average suburban property.</p> <p>As climate change <a href="https://journals.plos.org/plosone/article?id=10.1371/journal.pone.0217148" target="_blank" rel="noreferrer noopener">threatens</a> global food supplies, however, building sustainable urban food systems will be crucial.</p> <p>Our research has examined how productive the average home vegetable garden really is, and how to get the most from your patch.</p> <h2>Lawn with a side of salad?</h2> <p>Urban agriculture refers to growing produce and raising livestock inside a city’s boundary. In Australian cities, it might involve a home vegetable patch, community garden, backyard beehives, an edible rooftop garden on an apartment block, indoor hydroponics, a communal orchard and more.</p> <p>Sometimes, especially in developing countries, urban farming can help address issues such as poverty, unemployment and food insecurity.</p> <p>More broadly, it can increase access to healthy, fresh produce and lead to more sustainable food production. It can also help us save money and improve our well-being.</p> <p>Societies have traditionally lent on urban farming during times of stress. So it’s no surprise the practice resurged during the COVID pandemic. In Australia, keeping edible gardens significantly helped people maintain mental health during lowdown, <a href="https://sustain.org.au/projects/pandemic-gardening-survey-report/" target="_blank" rel="noreferrer noopener">particularly</a> those on low incomes.</p> <p>But to what extent can we rely on our backyard gardens to meet all our fresh produce needs? Our research shows these three factors are key.</p> <h2>1. Give up some lawn</h2> <p>We <a href="https://doi.org/10.1016/j.scs.2021.102770" target="_blank" rel="noreferrer noopener">looked at</a> the potential for food production at about 40,000 residential properties in suburban Adelaide – mostly free-standing homes.</p> <p>We calculated the amount of land required for a household of 2.5 people to grow the recommended five servings of vegetables per person each day. Then, using high-resolution aerial imagery to get a birds eye view of properties, we identified those with enough lawn area to make that happen.</p> <p>Some 21m² of lawn is needed to produce the recommended vegetable intake. In a scenario where a garden is high-yielding, this would require converting 23% of lawn area on a typical block into a vegetable patch. Of the properties modelled, 93% had the room to a create 21m² garden from the total lawn space.</p> <p>In a medium-yield garden, 72% of lawn on a typical block would need converting to produce enough vegetables to feed a household – equating to 67m².</p> <p>We limited the research to in-ground veggie production and didn’t include fruit trees. So a property’s potential to grow food would be even higher if food gardens or fruit trees already exist, or other garden beds or paved areas could be converted.</p> <h2>2. Up your gardening game</h2> <p><a href="https://doi.org/10.1371/journal.pone.0230232" target="_blank" rel="noreferrer noopener">Research</a> out of Adelaide, which surveyed about 30 home gardeners, <a href="https://doi.org/10.1016/j.scs.2021.102770" target="_blank" rel="noreferrer noopener">found</a> yields per square metre ranged from 0.24kg to 16.07kg per year. This suggests a high rate of variability in home garden productivity – notwithstanding the fact people grow different crops.</p> <p>Not all of us have green thumbs and in some cases, your veggie patch might not yield as much as you hoped.</p> <p>Perhaps you gave it too much or too little water. Maybe you didn’t have time to pull out weeds or harvest produce. Pests and fungus might have struck down your crop. You may have planted the wrong seeds at the wrong time or just have poor soil.</p> <p>Our research suggests low-yield gardens would need 1,407m² of converted lawn to meet the vegetable needs of a household. However, less than 0.5% of properties in the analysed Adelaide sites had so much land. So to reach self-sufficiency in urban agriculture environments, medium to high yields are preferred.</p> <p>Skilled gardeners with high yields will need much less land. Given the space constraints in cities, upskilling gardeners is important to maximising production.</p> <h2>3. Know what’s in your soil</h2> <p>Good soil <a href="https://doi.org/10.1016/j.jclepro.2022.130808" target="_blank" rel="noreferrer noopener">is a key factor</a> in productive gardens. It needs a good structure (one that allows water and air to enter and drain easily, while retaining enough moisture) an ample supply of plant nutrients and a rich microbial community.</p> <p>In city areas, heavy metal contamination and pollution of soils can be a concern. <a href="https://doi.org/10.1016/j.jclepro.2020.122900" target="_blank" rel="noreferrer noopener">We examined</a> soils at 12 urban agricultural sites in Adelaide, and found in all cases that metal concentrations did not exceed health guidelines for residential areas – even at sites with an industrial history.</p> <p>But this might not always be the case. An <a href="https://www.sciencedirect.com/science/article/abs/pii/S0045653518302467?via%3Dihub" target="_blank" rel="noreferrer noopener">analysis</a> of residential and community gardens in Melbourne, for example, showed some soils were contaminated at levels which could pose a human health hazard. This highlights the importance of testing urban soils before planting.</p> <p>Proper management of inputs – particularly fertiliser – is also key. Our <a href="https://doi.org/10.1016/j.jclepro.2020.122900" target="_blank" rel="noreferrer noopener">research</a> has found urban gardeners can choose from a variety of organic waste-based fertilisers such as spent coffee grounds, food scraps or lawn clippings. But this abundance can lead to imbalances.</p> <p>In Adelaide, for example, the widespread use of freely available horse manure led to excessive phosphorous levels in almost all of the 12 tested sites. This imbalance can depress plant growth and damage the broader environment.</p> <h2>Helping city gardens flourish</h2> <p>Urban agriculture has been <a href="https://www.fial.com.au/urban-agriculture" target="_blank" rel="noreferrer noopener">identified</a> as a A$4 billion economic growth opportunity for Australia. However, suburban blocks are trending towards smaller yards with less growing space.</p> <p>Given the many benefits of urban farming, it’s time to think more seriously about maximising efficiency and scale.</p> <p>Community gardens are well placed for knowledge-sharing. <a href="https://doi.org/10.1073/pnas.1809707115" target="_blank" rel="noreferrer noopener">Research</a> on 13 community gardens in Sydney revealed they were very high-yield – around twice as productive than the typical Australian commercial vegetable farm.</p> <p>Funding for more community gardens, and other education opportunities for urban gardeners, would be a valuable investment in improving public health and sustainability.</p> <p>This should be coupled with policy and planning decisions designed to increase the amount of urban farming space in our cities.</p> <p><em>Image credits: Getty Images</em></p> <p><em><!-- Start of tracking content syndication. Please do not remove this section as it allows us to keep track of republished articles --> <img id="cosmos-post-tracker" style="opacity: 0; height: 1px!important; width: 1px!important; border: 0!important; position: absolute!important; z-index: -1!important;" src="https://syndication.cosmosmagazine.com/?id=194567&amp;title=Fennel+looking+a+bit+feeble%3F+Growing+enough+veggies+to+feed+yourself+depends+on+these+3%26nbsp%3Bthings" width="1" height="1" /> <!-- End of tracking content syndication --></em></div> <div id="contributors"> <p><em>This article was originally published on <a href="https://cosmosmagazine.com/earth/sustainability/global-food-crisis-garden/" target="_blank" rel="noopener">cosmosmagazine.com</a> and was written by The Conversation. </em></p> </div>

Home Hints & Tips

Placeholder Content Image

Tommy Little reveals a wild side to co-host Lisa Wilkinson

<p dir="ltr"><em>The Project</em>’s Tommy Little has revealed that his co-host, Lisa Wilkinson, has a wild side not many people know about.</p> <p dir="ltr">Little, who is known for his X-rated jokes on the show, shared the revelation with <em><a href="https://www.news.com.au/entertainment/tv/current-affairs/tommy-littles-surprisingly-racy-lisa-wilkinson-confession/news-story/a15990784840c831713d45b151c6be3e" target="_blank" rel="noopener">news.com.au</a></em> in an interview for their upcoming podcast, <em>I’ve Got News For You</em>, which is due to be released in full on Monday.</p> <p dir="ltr">“I don’t think Wilko is actually offended, I think she has to appear to be not on-board with the many c**k jokes,” Little began, with podcast host Andrew Bucklow pressing for more details about Wilkinson.</p> <p dir="ltr">Little then claimed the former Today host “loves the strippers”.</p> <p dir="ltr">“That is not something I was expecting when I started to work with her,” the 37-year-old said.</p> <p dir="ltr">“We’ve been out for dinner a few times, and she’s a great host. I’ve been over [to her house] for dinner, and it always gets to a certain point when Lisa gets a sparkle in her eye and says, ‘Should we go to the strippers?’</p> <p dir="ltr">“I say, ‘Wilko, no, this has clearly been a problem for you in the past and tonight, no, you’ve gotta rein it in’.”</p> <p dir="ltr">Elsewhere in the interview, Little revealed he was the “most complained about cast member” on the show and that he was “told off all the time”.</p> <p dir="ltr">“I assume they have to, if they get enough complaints I guess they have to tell me at some point.”</p> <p><span id="docs-internal-guid-3f6b7739-7fff-831e-3fca-7fe04deda94d"></span></p> <p dir="ltr"><em>Image: news.com.au</em></p>

TV

Placeholder Content Image

An artists success depends on their contacts

<p>As it turns out, the prestigious art world might not be entirely fair.</p> <p>At least, that’s what a group of researchers, led by Samuel Fraiberger of Northeastern University in Boston, US, find out by studying the network of prestigious – or less prestigious – exhibition spaces, such as galleries, museums, and auction houses.</p> <p>In a new study published in the journal Science, Fraiberger and colleagues find that early exposure in posh places pays off.</p> <p>“Early access to prestigious central institutions offered life-long access to high-prestige venues and reduced dropout rate,” they write.</p> <p>To conduct the analysis, art institutions were ranked by prestige, based on longevity, artists exhibited, art fair participation, and other qualities.</p> <p>Within these, the researchers identified a network of cross-exhibiting artists’ work. High-prestige institutions were strongly linked. For instance, New York’s Museum of Modern Art (MoMA) and the Guggenheim were linked 33 times more strongly than expected if artists moved randomly between institutions.</p> <p>Fraiberger and colleagues find that artists who exhibit at high-prestige institutions for their first five exhibits were more likely to be at those institutions a decade later. They were also more likely to find long-term success in the art world, with 39% continuing to exhibit versus only 14% for artists whose first exhibitions had been at lower-prestige places.</p> <p>The researchers then looked retrospectively at the careers of 31,794 artists, born between 1950 and 1990, each of whom had at least 10 exhibitions. They find similar results.</p> <p>“As a group, high–initial reputation artists had continuous access to high-prestige institutions during their entire career,” they write. On the other hand, artists that did not have initial access to prestigious institutions advanced only slowly  throughout their careers – assuming their careers continued.</p> <p>The researchers also find that country of origin is related to initial reception, while talent should not be.</p> <p>Fraiberger and his colleagues conclude that the prestige of an artist’s initial exhibition space has a lasting effect on his or her career – and that it may not be related to the “quality” of the art.  Because the value of art is subjective, “reputation and networks of influence play a key role” in an artist’s success, the researchers argue. </p> <p>“Quality in art is elusive,” they write. “Art appeals to individual senses, pleasures, feelings, and emotions. Recognition depends on variables external to the work itself, like its attribution, the artist’s body of work, the display venue, and the work’s relationship to art history as a whole.</p> <p>“Recognition and value are shaped by a network of experts, curators, collectors, and art historians whose judgments act as gatekeepers for museums, galleries, and auction houses.”</p> <p>They suggest that the so-called gatekeepers of the art world should seek to make it more inclusive.</p> <p class="MsoNormal" style="margin: 0cm; font-size: 12pt; font-family: Calibri, sans-serif; background: white;">“For example, the art world could benefit from the implementation of lottery systems that offer some underrepresented artists access to high-prestige venues, or blind selection procedures, successfully implemented in classical music, enhancing the inclusion of neglected works and artists,” they write.</p> <p class="MsoNormal" style="margin: 0cm; font-size: 12pt; font-family: Calibri, sans-serif; background: white;"> </p> <p class="MsoNormal" style="margin: 0cm; font-size: 12pt; font-family: Calibri, sans-serif; background: white;">This article originally appeared on <a href="https://cosmosmagazine.com/people/for-artists-success-really-does-depend-on-who-not-what-you-know/">Cosmos Magazine</a>. </p> <p style="margin: 0cm; font-size: 12pt; font-family: 'Times New Roman', serif; line-height: 21pt; vertical-align: baseline;"><span style="font-family: Calibri, sans-serif; color: #333333;"> </span></p>

Art

Placeholder Content Image

Australia has a heritage conservation problem. Can farming and Aboriginal heritage protection co-exist?

<p>Rio Tinto’s destruction of the 46,000 year old Juukan Gorge rock shelters has led to recommendations by the Parliamentary Inquiry on <a href="https://parlinfo.aph.gov.au/parlInfo/download/committees/reportjnt/024757/toc_pdf/AWayForward.pdf;fileType=application%2Fpdf">how Australia can better conserve Aboriginal heritage sites</a>.</p> <p>Around the time the recommendations were made, Queensland’s Aboriginal Cultural Heritage Act faced an important test when a pastoralist who cleared 500 hectares of bushland at Kingvale Station in Cape York <a href="https://www.abc.net.au/radio/programs/qld-country-hour/scott-harris-cleared-of-breaching-cultural-heritage-act/13592850">was charged</a> with failing to protect Aboriginal cultural heritage.</p> <p>The charges were eventually <a href="https://www.northqueenslandregister.com.au/story/7474626/cultural-heritage-charges-against-scott-harris-dismissed/">dismissed</a> but the prosecution, the first of its kind in Queensland, highlights weaknesses in the law.</p> <p>Like related legislation in other Australian states and territories, Queensland’s law requires landholders to conserve Aboriginal heritage sites or risk prosecution.</p> <p>But the law has been criticised by many Aboriginal people and heritage specialists for allowing destructive development by removing any ability for government to independently assess how proposed clearing would affect Aboriginal heritage.</p> <p>Under the “duty of care” provisions in the Act, Aboriginal heritage must be protected even if it is not known to landholders. However, as the Kingvale clearing case heard, if Aboriginal heritage is not known, how can it be shown to have been lost?</p> <h2>What we learned from the Kingvale clearing case</h2> <p>In 2013, the former Newman government in Queensland removed protection for the environment by introducing the Vegetation Management Act which enabled clearing of what they deemed as “high value agricultural projects” in Cape York.</p> <p>The World Wildlife Foundation argued this would see large areas of forest and bushland destroyed. Advocates for the new Act <a href="https://www.abc.net.au/news/rural/2013-05-22/veg-law-pass/4705890">argued</a> primary producers are “acutely aware of their responsibility to care for the environment”.</p> <p>In opening up new areas of Cape York to clearing, this legislation posed new threats to heritage sites. In this context the landholder of Kingvale decided he did not need to assess cultural heritage when clearing 500 hectares.</p> <p>At the conclusion of the hearing into this case, Judge Julie Dick of the Cairns District Court instructed the jury to return <a href="https://www.cairnspost.com.au/subscribe/news/1/?sourceCode=CPWEB_WRE170_a_GGL&amp;dest=https%3A%2F%2Fwww.cairnspost.com.au%2Fnews%2Fcairns%2Fcape-york-grazier-cleared-of-criminal-land-clearing-charges%2Fnews-story%2F1d124158e58936a302f1ee5d159ad841&amp;memtype=anonymous&amp;mode=premium">a not-guilty verdict</a>, exonerating the landholder, as the offence could not be proved beyond reasonable doubt.</p> <p>The landholder’s legal team noted in the media if their defendant had been found guilty, every landholder (including freeholders) who had cleared land, built a fence or firebreak, ploughed a paddock, or built a road or airstrip since 2003 would potentially be guilty of a criminal offence.</p> <p>The defendant argued the ramifications of the legal case were significant</p> <blockquote> <p>for the rest of Queensland […] anyone who mowed a lawn or cut down a tree since 2003 would be automatically liable.</p> </blockquote> <p>In our view, this is hyperbole. <a href="https://www.legislation.qld.gov.au/view/pdf/inforce/2016-09-27/act-2003-079">Section 21 of the Act</a> makes explicit a person’s right to enjoy the normal and allowed use of their land to the extent they don’t harm Aboriginal heritage.</p> <p>Further, a person doesn’t commit an offence if they take into account the nature of the activity and the likelihood of it causing harm. Mowing the lawn is quite different to clearing 500 hectares of native vegetation.</p> <p>The setting of this activity is also important. Kingvale Station is located 100 kilometres west of the national heritage listed Quinkan Country. Heritage studies in similar landscapes across Cape York have identified scarred trees, artefact scatters, stone arrangements and cultural burial places.</p> <p>Based on our heritage experience across Queensland, it would be surprising not to find Aboriginal heritage sites at Kingvale.</p> <p>To reduce heritage risks, we assess the potential impacts of an activity, and talk with relevant Aboriginal groups about their sites and heritage values. Archaeologists and anthropologists also develop models to predict where unknown sites are likely to be found.</p> <p><img src="https://images.theconversation.com/files/431020/original/file-20211109-23-aylfq7.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" alt="" /> <span class="caption">Recorded archaeological sites across Cape York. The distribution pattern reflects several key heritage surveys. It is expected that cultural sites would be found across the cape, including within the 500 hectares cleared at Kingvale. Image by Kelsey M. Lowe.</span></p> <h2>Can farming and the conservation of Aboriginal heritage co-exist?</h2> <p>The best way to conserve heritage is for Aboriginal and non-Aboriginal Australians to work together to identify, document, and protect places. An important example is the discovery of human remains from a mortuary tree west of St George, southern Queensland.</p> <p>The site was discovered during fence clearing by the landholder, who contacted the police. We worked with the landholder who has supported the Kooma nations people to conserve the mortuary tree and enable it to remain on country.</p> <p><iframe width="440" height="260" src="https://www.youtube.com/embed/qKJs23hwLXA?wmode=transparent&amp;start=0" frameborder="0" allowfullscreen=""></iframe></p> <p><span class="caption">Courtesy of Tony Miscamble, NGH Consulting.</span></p> <p>A further example from Mithaka Country saw a spectacular stone arrangement discovered by a pastoral station manager, who notified the native title holders.</p> <p>All are now engaging with researchers to <a href="https://www.theaustralian.com.au/subscribe/news/1/?sourceCode=TAWEB_WRE170_a_GGL&amp;dest=https%3A%2F%2Fwww.theaustralian.com.au%2Fnation%2Fstones-point-way-to-indigenous-silk-road%2Fnews-story%2F8318b531d82263beab4afd089fd8d559&amp;memtype=anonymous&amp;mode=premium">investigate the site’s history</a>.</p> <p>Dozens of other examples around the state illustrate collaborative approaches to heritage conservation. But more effective legislation is urgently needed in response to Kingvale’s failed prosecution.</p> <p><img src="https://images.theconversation.com/files/430631/original/file-20211107-10010-f752su.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" alt="" /> <span class="caption">A spectacular stone arrangement from Mithaka country. Image courtesy of Lyndon Mechielsen</span></p> <h2>How can we improve cultural heritage protection?</h2> <p>The Juukan Gorge case highlighted how Australia has a problem protecting its Aboriginal cultural heritage. The final report of the parliamentary inquiry into the disaster made several <a href="https://parlinfo.aph.gov.au/parlInfo/download/committees/reportjnt/024757/toc_pdf/AWayForward.pdf;fileType=application%2Fpdf">recommendations</a> that could help pave a way forward.</p> <p>Instances like Kingvale emphasise more work needs to be done. The Queensland government needs to act now to address the glaring problem with its heritage legislation.</p> <p>Heritage management investment will also help. Victoria provides an example of how to improve Aboriginal heritage management. A standout action is the roll-out of a Certificate IV in Aboriginal cultural heritage management, with over 500 Aboriginal graduates to date.</p> <p>This program is decentralising heritage management and empowering Aboriginal people across Victoria, building a level of professionalism rarely seen in other states.</p> <p>Establishing treaties and agreements similar to those in Canada and New Zealand could go a long way to enable First Nations people in Australia to authoritatively protect their respective cultural heritage sites.</p> <p>Heritage conservation will remain challenging, particularly in resource-rich states like Queensland. But we can do better.</p> <p>Judge Dick’s ruling, while frustrating for the effort to conserve heritage, is crucial as it highlights weaknesses in the law.</p> <p>This trial, along with the Juukan Gorge incident, may represent a critical tipping point in the struggle to protect Aboriginal cultural heritage in Queensland and across Australia.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important; text-shadow: none !important;" src="https://counter.theconversation.com/content/170956/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><span><a href="https://theconversation.com/profiles/michael-westaway-118240">Michael Westaway</a>, Australian Research Council Future Fellow, Archaeology, School of Social Science, <em><a href="https://theconversation.com/institutions/the-university-of-queensland-805">The University of Queensland</a></em>; <a href="https://theconversation.com/profiles/joshua-gorringe-1237694">Joshua Gorringe</a>, General Manager Mithaka Aboriginal Corporation, <em><a href="https://theconversation.com/institutions/indigenous-knowledge-4846">Indigenous Knowledge</a></em>; <a href="https://theconversation.com/profiles/kelsey-m-lowe-1287335">Kelsey M. Lowe</a>, Senior Research Fellow, <em><a href="https://theconversation.com/institutions/the-university-of-queensland-805">The University of Queensland</a></em>; <a href="https://theconversation.com/profiles/richard-martin-595866">Richard Martin</a>, Senior lecturer, <em><a href="https://theconversation.com/institutions/the-university-of-queensland-805">The University of Queensland</a></em>, and <a href="https://theconversation.com/profiles/ross-mitchell-1288513">Ross Mitchell</a>, Common Law holder and director of Kooma Aboriginal Corporation Native Title PBC, <em><a href="https://theconversation.com/institutions/indigenous-knowledge-4846">Indigenous Knowledge</a></em></span></p> <p>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/australia-has-a-heritage-conservation-problem-can-farming-and-aboriginal-heritage-protection-co-exist-170956">original article</a>.</p> <p><em>Image: Dave Hunt/AAP Image</em></p>

Domestic Travel

Placeholder Content Image

"It's been unbearable": Sarah Jessica Parker finally breaks silence on fallen co-star

<p>Actress Sarah Jessica Parker has broken her silence on the death of her friend and <em>Sex and the City</em> co-star Willie Garson. </p> <p>Willie died on September 21st after a battle with pancreatic cancer. </p> <p>A flood of <a rel="noopener" href="https://oversixty.com.au/health/caring/tributes-pour-in-for-willie-garson-who-has-died-at-57" target="_blank">tributes poured in</a> for the 57-year-old following the news of his death, with SJP saying at the time, "It's too soon". </p> <p>But on Friday, she penned an emotional tribute to her late friend, saying "It's been unbearable."</p> <p>Her caption reads, “Sometimes silence is a statement. Of the gravity. The anguish. The magnitude of the loss of a 30+ year friendship.”</p> <blockquote style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" class="instagram-media" data-instgrm-permalink="https://www.instagram.com/p/CUNtHhyFBf0/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="13"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div> </div> </div> <div style="padding: 19% 0;"></div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"></div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" rel="noopener" href="https://www.instagram.com/p/CUNtHhyFBf0/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank">A post shared by SJP (@sarahjessicaparker)</a></p> </div> </blockquote> <p class="css-1316j2p-StyledParagraph e4e0a020">“A real friendship that allowed for secrets, adventure, a shared professional family, truth, concerts, road trips, meals, late night phone calls, a mutual devotion to parenthood and all the heartaches and joy that accompany, triumphs, disappointments, fear, rage and years spent on sets (most especially Carrie’s apartment) and laughing late into the night as both Stanford and Carrie and Willie and SJ.”</p> <p class="css-1316j2p-StyledParagraph e4e0a020">“Willie. I will miss everything about you. And replay our last moments together,” Parker’s post continued.</p> <p class="css-1316j2p-StyledParagraph e4e0a020">“I will re-read every text from your final days and put to pen our last calls. Your absence a crater that I will fill with blessing of these memories and all the ones that are still in recesses yet to surface."</p> <div class="hide-print ad-no-notice css-qyun7f-StyledAdUnitWrapper ezkyf1c0"> <p class="css-1316j2p-StyledParagraph e4e0a020">“My love and deepest sympathies and condolences to you dear Nathen. You were and are the light of Willie’s life and his greatest achievement was being your Papa."</p> <p class="css-1316j2p-StyledParagraph e4e0a020">“These were his last words to me. ‘Great bangles all around.’ Yes. Godspeed Willie Garson. RIP. X, SJ,” she ended her post.</p> <p class="css-1316j2p-StyledParagraph e4e0a020">Along with the lengthy emotional caption, Sarah shared a series of photos of the pair from both on and off screen, as both colleagues and friends. </p> <p class="css-1316j2p-StyledParagraph e4e0a020">The two had recently been working together on the set of <em>And Just Like That...</em>, in which Willie returned to his role as Stanford Blatch, Carrie Bradshaw's lifelong friend. </p> <p class="css-1316j2p-StyledParagraph e4e0a020">Other Sex and the City alumni shared tributes to the actor, including Cynthia Nixon, executive producer of the show Michael Patrick King, and Willie's on-screen partner Mario Cantone. </p> <blockquote class="twitter-tweet"> <p dir="ltr">I couldn’t have had a more brilliant TV partner. I’m devastated and just overwhelmed with Sadness. Taken away from all of us way soon. You were a gift from the gods. Rest my sweet friend. I love you. <a href="https://t.co/Ia4tg1VK1Y">pic.twitter.com/Ia4tg1VK1Y</a></p> — Mario Cantone (@macantone) <a href="https://twitter.com/macantone/status/1440466454160101382?ref_src=twsrc%5Etfw">September 22, 2021</a></blockquote> <blockquote class="twitter-tweet"> <p dir="ltr">So deeply, deeply sad we have lost <a href="https://twitter.com/WillieGarson?ref_src=twsrc%5Etfw">@WillieGarson</a>. We all loved him and adored working with him. He was endlessly funny on-screen and and in real life. He was a source of light, friendship and show business lore. He was a consummate professional— always. <a href="https://t.co/G63EJIj8lG">pic.twitter.com/G63EJIj8lG</a></p> — Cynthia Nixon (@CynthiaNixon) <a href="https://twitter.com/CynthiaNixon/status/1440481643936948238?ref_src=twsrc%5Etfw">September 22, 2021</a></blockquote> <p class="css-1316j2p-StyledParagraph e4e0a020"><em>Image credits: Instagram @sarahjessicaparker</em></p> </div>

Caring

Placeholder Content Image

Dramatic arrest of Rashays co-founder after mask dispute

<p>Rashays, a high-profile restaurant chain has been involved in a massive crackdown after they did not adhere to COVID lockdown compliances.</p> <p>Rami Ykmour, the founder of the popular eatery was arrested, and two of his staff were fined for not wearing masks.</p> <p>The confrontation began when over 100 officers began patrolling the Canterbury-Bankstown, Fairfield and Liverpool local government areas on Friday.</p> <blockquote class="twitter-tweet"> <p dir="ltr">COVID Arrest: A Rashays co-founder has been charged after a tip-off that a number of workers weren't wearing masks.<br /><br />Rami Ykmour said his staff put their masks back on after eating, but he was led to a police van after allegedly refusing to provide details. <a href="https://twitter.com/hashtag/COVID19NSW?src=hash&amp;ref_src=twsrc%5Etfw">#COVID19NSW</a> <a href="https://twitter.com/hashtag/Sydney?src=hash&amp;ref_src=twsrc%5Etfw">#Sydney</a> <a href="https://t.co/LQ3Voyn2hg">pic.twitter.com/LQ3Voyn2hg</a></p> — 10 News First Sydney (@10NewsFirstSyd) <a href="https://twitter.com/10NewsFirstSyd/status/1413270911722000387?ref_src=twsrc%5Etfw">July 8, 2021</a></blockquote> <p>It was announced on Thursday that officers were showing extra show of force to ensure compliance: with lockdown restrictions as the city faces a surge of COVID-19 transmission.</p> <p>Footage that has since gone viral on Facebook shows Mr Ykmour speaking calmly with officers in the front of the office on Ferngrove Place at Chester Hill.</p> <p>Police were reportedly tipped off about a Covid-19 health order breach by an anonymous caller about 3.50 pm on Thursday.</p> <p>Two staff members allegedly became aggressive with police and the Rashays co-founder refused to provide his details.</p> <p><img style="width: 500px; height: 281.25px;" src="https://oversixtydev.blob.core.windows.net/media/7842350/rashay-2.jpg" alt="" data-udi="umb://media/8269026daf3a44f2a1c8f8dd8c0eb54f" /></p> <p>The video shows police pointing at staff who are not wearing masks, to which Mr Ykmour says is not a good enough reason to fine the restaurant as the workers could have been eating lunch or blowing their noses.</p> <p>“I'm here to follow the law,” Mr Ykmour can be heard saying to the officer.</p> <p>“You've just got to understand that these people here, are here supporting people who are unemployed. That's what we're doing, during a pandemic.”</p> <p>The argument escalated after Mr Ykmour asked the officer to wait in the lobby, but he refused to do so as “an offence has been committed.”</p> <p>Several officers soon appeared.</p> <p>“He's calling for backup,” Mr Ykmour can be heard saying to the camera.</p> <p>“Look how many police officers he's got. He's got 10 officers.”</p> <p>A staff member sitting at the reception desk can be seen becoming emotional.</p> <p>“One, two, three, four,” Mr Ykmour says while pointing around at the officers.</p> <p>“There's 20 people here for a young girl.”</p> <p>The woman then collapses onto the floor and Mr Ykmour calls an ambulance while yelling at the officers.</p> <p>“A police officer walks in and says to me there's 30 people in here, I got an anonymous call, that 30 people in here don't have a mask on,” he recalls calmly.</p> <p>The other officer confirms that police received the anonymous call to the shock of Mr Ykmour.</p> <p><img style="width: 500px; height: 281.25px;" src="https://oversixtydev.blob.core.windows.net/media/7842349/rashay-1.jpg" alt="" data-udi="umb://media/02a7d5173aeb48f59e9ca1a84b4607b5" /></p> <p>A NSW Police spokesperson said two staff members have since been issued $200 fines for not wearing face masks.</p> <p>Mr Ykmour was arrested and issued a Field Court Attendance Notice for hinder police.</p> <p> </p>

Legal

Our Partners