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Queen Camilla's hilarious reaction to becoming a Royal Barbie Girl

In a moment that could only happen in the whimsical world of royalty, Queen Camilla found herself face-to-face with an unexpected miniature version of herself during a reception at Buckingham Palace. But this wasn't just any Barbie doll; it was a bespoke creation, meticulously crafted in Her Majesty's likeness, complete with her signature style and regal flair! The Queen's reaction was nothing short of priceless, as she quipped that the designers had managed to shave off a good few decades from her appearance. "You've taken about 50 years off my life," she joked, "we should all have a Barbie." One can only imagine the possibilities if all it took to turn back the clock was a custom-made doll! However, the hilarity didn't end there. Despite the uncanny resemblance between Queen Camilla and her plastic counterpart, there was a slight wardrobe mishap that caught Her Majesty's discerning eye. It seems she had inadvertently misplaced her WOW badge, wearing it on her dress instead of her cape, unlike her miniature twin. Oh, the horror of a mismatched ensemble in the halls of Buckingham Palace! One can only imagine the flurry of royal assistants scrambling to rectify the situation, lest the fashion police be summoned. But among the giggles and guffaws, Queen Camilla seized the opportunity to reflect on a more profound message, delving into the history of women's rights and the symbolism of two stones preserved from a 1914 suffragette protest. As she eloquently put it, "These stones were picked up and handed to Queen Mary, who decided to keep them for posterity. I thought today we might, to quote Shakespeare, find 'sermons in stones'." Indeed, the juxtaposition of a miniature Barbie and historical artefacts provided a reminder of the progress made in the fight for gender equality, while also serving as a testament to the timeless spirit of hope and resilience embodied by women throughout history. In the end, Queen Camilla's encounter with her Barbie alter ego may have been a lighthearted affair, but it also served as a reminder that even in the most regal of settings, laughter and humility are never far from reach. After all, who says queens can't have a little fun with their plastic doppelgängers? Images: Getty / YouTube

Beauty & Style

"They lost it": Margot Robbie's surprise encounter with Barbie fans

Margot Robbie has recalled a sweet story about when she overheard a group of men talking about the Barbie movie, before giving them the surprise of their life. At a screening of the Barbie movie in Los Angeles, the Aussie actress told the audience of the heartwarming moment she encountered in Scotland, shortly after the film's release last July. At the SAG-AFTRA screening of the blockbuster movie, Robbie began, “I had this brilliant experience.” “I was in a pub in the middle of nowhere in Scotland and I listened for about 30 minutes to a group of guys on a bachelor party discussing the Barbie movie, not knowing that I was sitting two or three feet away from them.” Robbie continued, “It was just truly fascinating. There were people at the table who refused to see the Barbie movie." “One guy was like, ‘Dude, it is a cultural moment, don’t you want to be a part of culture?’ And the other guy was like, ‘I’ll never see it,’ and by the end he did want to see it. It was a whole thing." “I wasn’t going to go up to them, but then I did.” Before leaving the pub, Robbie casually waltzed up to the group of men who “lost it” when they discovered Barbie herself had overheard their conversation. “At the last minute as I was walking out I went to their table and I went ‘Thank you for seeing the Barbie movie’,” she added. “It was very funny, they lost it. It took a full minute for them to realise and I was practically out the door and they went ‘Ohhhh’. “People’s reactions to the movie have been the biggest reward of this entire experience.” The heartwarming story comes fresh on the heels of Margot being <a href="https://oversixty.com.au/entertainment/movies/margot-robbie-snubbed-as-oscar-nominations-announced" target="_blank" rel="noopener">snubbed</a> for a Best Actress nomination at this year's Oscars for the Barbie movie, which caused an uproar on social media. Margot addressed the snub at the LA screening, saying there's “no way to feel sad when you’re this blessed.” “Obviously, I think Greta should be nominated as a director,” she added. “What she did is a once-in-a-career, once-in-a-lifetime thing. What she pulled off, it really is." “We set out to do something that would shift culture, affect culture, just make some sort of impact. And it’s already done that and some, way more than we ever dreamt it would. And that is truly the biggest reward that could come out of all of this.” Image credits: Getty Images

Movies

The funny reason Robert Irwin wants to hand over his citizenship

Robert irwin has joined in the global outrage of Margot Robbie and Greta Gerwig being <a href="https://oversixty.com.au/entertainment/movies/margot-robbie-snubbed-as-oscar-nominations-announced">snubbed</a> from the Oscar nominations. The wildlife warrior joined the panel of The Project on Wednesday night as a co-host of the show, where the conversation turned to the Aussie actress being snubbed by the Academy Awards. On Wednesday morning, it was revealed that Margot Robbie didn’t receive a Best Actress nomination for her role in Barbie, and nor did Greta Gerwig for Best Director, despite the movie breaking records when it was released in July. Around the world, Barbie fans shared their disgust in the snub, with Robert Irwin echoing their statements. “That's ridiculous. Come on,” he began. “[Director] Greta [Gerwig] and Margot made that movie. That's the reason why we have the Barbie movie, it's ridiculous.” Co-host Waleed Aly then asked if Robert would be renouncing his American citizenship over the injustice and was shocked by his response. “I think it only makes sense,” Robert said. News of the snub went viral on Wednesday, with fans flocking to social media to share their thoughts. One particular tweet went viral, with over 109 thousand likes. "Ken getting nominated and not Barbie is honestly so fitting for a film about a man discovering the power of patriarchy in the Real World," the tweet read. Ryan Gosling, who received a nomination for Best Supporting Actor for his role as Ken in the film, also shared a statement about the lack of recognition for the women he shared the screen with. In a lengthy statement, he said, “I never thought I’d be saying this, but I’m also incredibly honoured and proud that [the award] is for portraying a plastic doll named Ken.” “But there is no Ken without Barbie, and there is no Barbie movie without Greta Gerwig and Margot Robbie, the two people most responsible for this history-making, globally celebrated film. No recognition would be possible for anyone on the film without their talent, grit and genius.” “To say that I’m disappointed that they are not nominated in their respective categories would be an understatement.” Image credits: The Project

Movies

Margot Robbie snubbed as Oscar nominations announced

The nominations for the 96th academy awards has been announced, and despite Barbie being nominated for eight awards, there were a few notable snubs that fans aren't happy about. The film’s star, Margot Robbie, was not nominated for best actress, despite co-star Ryan Gosling receiving a nomination for best supporting actor for his role as Ken. The film's director Greta Gerwig, was also snubbed as she was not nominated for best director. Fans took to social media to express their thoughts, with many of them unhappy with the academy's choice. "So Ryan Gosling’s nominated for playing ken but Margot Robbie isn’t nominated for playing barbie… in barbie," one person wrote on X, formerly known as Twitter. <blockquote class="twitter-tweet"> So Ryan Gosling’s nominated for playing ken but Margot Robbie isn’t nominated for playing barbie… in barbie <a href="https://twitter.com/hashtag/Oscars?src=hash&ref_src=twsrc%5Etfw">#Oscars</a> <a href="https://t.co/uceB20BB8H">pic.twitter.com/uceB20BB8H</a> — poppy ☾ (@scddevereaux) <a href="https://twitter.com/scddevereaux/status/1749792570840907879?ref_src=twsrc%5Etfw">January 23, 2024</a></blockquote> "No nomination for Margot Robbie or Greta Gerwig for the #Oscars but Ryan Gosling gets one. Literally the whole point of the Barbie film," another wrote. "Greta Gerwig made a film that was critically acclaimed, culturally impactful, hilarious, unique, visually exceptional, perfectly cast and acted, left people laughing, crying and thinking AND made a billion dollars at the box office. But no Best Director nom?!" another tweeted. One particular tweet went viral, with over 109 thousand likes. "Ken getting nominated and not Barbie is honestly so fitting for a film about a man discovering the power of patriarchy in the Real World," the tweet read. <blockquote class="twitter-tweet"> Ken getting nominated and not Barbie is honestly so fitting for a film about a man discovering the power of patriarchy in the Real World. — Michael. (@yosoymichael) <a href="https://twitter.com/yosoymichael/status/1749794592076034203?ref_src=twsrc%5Etfw">January 23, 2024</a></blockquote> In a more positive light, America Ferrara, who played Gloria in Barbie, was nominated for best supporting actress with many saying that her character's passionate speech on feminism had sealed the deal. The film was also nominated for Best Picture, and two nods for best song including Gosling's popular solo I'm Just Ken, and Billie Eilish's What Was I Made For. Image: Getty

Movies

Ken’s rights? Our research shows Barbie is surprisingly accurate on how ‘men’s rights activists’ are radicalised

<a href="https://theconversation.com/profiles/lucy-nicholas-145660">Lucy Nicholas</a>, <a href="https://theconversation.com/institutions/western-sydney-university-1092">Western Sydney University</a> In the Barbie movie, we open with a picture of a perfect Barbieland where (almost) everyone is happy, diversity and sisterhood are embraced, and Barbies hold all positions of power. The Kens however, reflecting the popularity of the dolls in the real world, play a mainly decorative role. Spoilers for Barbie follow. In the film, we see a disgruntled Ken (played hilariously by Ryan Gosling) follow “Stereotypical” Barbie (Margot Robbie) to the real world where she has to find her human owner. This is all to fix an error that is allowing the real world to seep into Barbie land, with symptoms such as Barbie having an existential crisis. In the real world, Ken discovers the concept of the patriarchy. This sees him take a journey that is clearly influenced by, and pokes fun at, many aspects of contemporary anti-feminist men’s rights culture. <figure><iframe src="https://www.youtube.com/embed/pBk4NYhWNMM?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <h2>Barbieland and the matriarchy</h2> It has been proposed that <a href="https://theconversation.com/in-greta-gerwigs-barbie-land-the-matriarchy-can-be-just-as-bad-as-the-patriarchy-209317">Barbieland is a matriarchy</a>, but I would argue that their attitude to Kens is instead indifference. Ken was aggrieved that Barbie didn’t notice him and reciprocate his affections. This is not dissimilar to the grievances of some real-life men under contemporary feminism. Why don’t women’s lives revolve around them? And what can they do to address this perceived injustice? The movie cleverly parallels the emotions, narratives and logics that lead men to extreme antifeminist and misogynistic thinking, and in doing so exposes the flimsiness of their foundations. Having undertaken <a href="https://apo.org.au/sites/default/files/resource-files/2020-12/apo-nid307612.pdf">research</a> on online antifeminist discourses, Ken’s journey from aggrievement to masculine “enlightenment” parallels themes we found in Men’s Rights Activist spaces. Radicalisation into this world is often motivated by a feeling among boys and men of being left behind by a feminist world or system that doesn’t value them. This then leads them to long for an imagined natural order of patriarchy where women are back in their place and men regain their entitlements. These logics underpin <a href="https://theconversation.com/yes-the-incel-community-has-a-sexism-problem-but-we-can-do-something-about-it-207206">incel</a> culture, a movement that is increasingly understood as a terror threat, and has been associated with various acts of terror, such as the 2022 Aotearoa New Zealand <a href="https://www.nzherald.co.nz/nz/closest-to-an-incel-attack-nz-has-had-experts-concern-after-attempted-murder-of-auckland-schoolgirls/HYPEVZ6F4BFT3CV2O4SXS5FR7U/">Epsom crash case</a>. <h2>The manosphere and MRAS</h2> The “<a href="https://link.springer.com/chapter/10.1007/978-3-319-68360-7_2">manosphere</a>” can be understood as a loose coalition of antifeminist online subcultures. This includes MRAs (<a href="https://journals.sagepub.com/doi/full/10.1177/1097184X15574338">Men’s Rights Activists</a>) who claim reverse discrimination and that feminism has gone too far, and <a href="https://journals.sagepub.com/doi/full/10.1177/1097184X18816118">Redpillers</a> who claim to have swallowed the “red pill” to see the truth about feminism’s dominance. PUAs (<a href="https://repository.upenn.edu/entities/publication/d8971ded-1ec3-4939-8c0a-ab248dad62ba">Pick up Artists</a>) teach men how to manipulate the women they feel they are entitled to, to give them sex; and MGTOWs (<a href="https://www.tandfonline.com/doi/full/10.1080/1369118X.2020.1751867">Men Going Their Own Way</a>), who are antifeminist separatists (from women). Some of the most well known members of the manosphere are incels (involuntary celibates) a misogynistic community of self identified “beta-males” who want an end to women’s rights which prevent them from getting sex. <h2>Ken’s grievances</h2> Like many MRAs, Ken struggles with a sense of entitlement romantically (rather than sexually in genital-free Barbieland), and in attitudes to power and respect. Ken was being “<a href="https://www.merriam-webster.com/dictionary/friend%20zone">friend-zoned</a>” by Barbie, who despite being “boyfriend and girlfriend” wouldn’t let him stay over at the Dream House, because “every night is girl’s night”. This is coupled with a feeling of not being special, as Ken is essentially interchangeable with any other Ken. He is also “alpha’d” by other Kens: in the language of the manosphere, Barbie is a <a href="https://www.abc.net.au/news/2018-04-27/incels-inside-their-terrifying-online-world/9700932">“Stacy” and the other Ken is an alpha “Chad”</a> preventing him from getting what he wants. In <a href="https://apo.org.au/sites/default/files/resource-files/2020-12/apo-nid307612.pdf">our data</a> we found women are often described as “overlords”, man-haters, misandrists and “feminazis”. Among other concerns, men perceive economic loss due to women’s participation in the workplace, and crucially a lack of men’s sexual access to women brought about by the gains of feminism such as the awareness raised around consent by the #metoo movement. These men all share a starting point of grievance at women and their perceived indifference towards them. When Ken goes to the real world, he discovers patriarchy and he LOVES it. He has been “redpilled”. Patriarchy explains his aggrievement, and affirms his feelings. He takes patriarchy back to Barbieland and transforms it to Kendom, where the men change it to a society oriented around men and their power (and horses…). <figure><iframe src="https://www.youtube.com/embed/Y1IgAEejvqM?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> <h2>Redpilled ken</h2> This redpilled Ken is a hilarious parody of the “neomasculinity” of the pick up artist (PUA) movement, that seeks to restore a masculine-centred world. Neomasculinity is about a belief in biological difference, traditional masculinity and heteronormative gender roles. The amusing depiction of the Kens trying to perform traditional <a href="https://www.britannica.com/topic/hypermasculinity">hypermasculinity</a> and needing their egos stroked – such as in a hilarious scene where the Kens are serenading the Barbies on the beach with an acoustic rendition of Matchbox Twenty’s <a href="https://youtu.be/HAkHqYlqops">Push</a> (“I wanna push you around … I wanna take you for granted”) – brilliantly shows the extent to which toxic masculinity is learned. <figure><iframe src="https://www.youtube.com/embed/HAkHqYlqops?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> Additionally, the competition among the Kens (that the Barbies ultimately stoke to overturn the Kentriarchy) is the perfect illustration of the damage toxic models of masculinity does to men. As Australian sociologist Raewyn Connell has long argued, almost no men can live up to <a href="https://www.jstor.org/stable/27640853">masculine ideals</a>, resulting in negative outcomes not just for women but also for men themselves. <h2>Finding the real Ken</h2> The movie ends with Barbie, her human (America Ferrera), “Weird Barbie” (Kate McKinnon) and Allan (Michael Cera) deprogramming the brainwashed Barbies and turning the Kens against each other. But what of Just Beach Ken? And what can we learn from this for preventing or managing radicalisation of this feeling of aggrievement in real men or boys? Well, Barbie and Ken reach a middle ground. Barbie encourages Ken to work out who he is outside of his relation to Barbie, and to learn being Just Ken is enough. This isn’t dissimilar to the methods of men’s behaviour change programs and counselling for men who use violence, which use <a href="https://www.tandfonline.com/doi/full/10.1080/10926771.2023.2189043">trauma-informed motivational interviewing</a>, reflect on challenging gender norms and breaking down rigid thought processes, and developing emotional literacy and communication strategies. But it also illustrates that men and boys need alternative narratives to make sense of themselves in the world, and alternative communities for affirmation, before it gets to this stage. In <a href="https://apo.org.au/sites/default/files/resource-files/2020-12/apo-nid307612.pdf">our report</a>, we recommended: "Providing alternative narratives and considering how far-right [or MRA] groups provide men with emotional support networks, with a view to providing better alternatives." Feminism has consistently been about separating attributes from their gendered associations, breaking down the Barbie/Ken binary. So if there is one thing we can take away from the Barbie movie, it is that hierarchy and rigid gender benefits nobody, and power and social roles have nothing to do with the genitals you are born with.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/210273/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/lucy-nicholas-145660">Lucy Nicholas</a>, Associate professor Sexualities and Genders / Sociology, <a href="https://theconversation.com/institutions/western-sydney-university-1092">Western Sydney University</a> Image credits: Warner Bros. This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/kens-rights-our-research-shows-barbie-is-surprisingly-accurate-on-how-mens-rights-activists-are-radicalised-210273">original article</a>.

Caring

Margot Robbie's enormous Barbie salary revealed

Margot Robbie is set to take home her biggest pay cheque yet for her portrayal in the Barbie movie, as the highly-anticipated film hits the $1 billion mark at the global box office. Robbie, who started her acting career on Neighbours, both starred in and produced the Barbie film, which was directed by Greta Gerwig. According to reports from <a href="https://variety.com/2023/film/news/barbie-pay-margot-robbie-salary-box-office-bonuses-1235695563/" target="_blank" rel="noopener">Variety</a>, the 32-year-old Aussie actress made an upfront fee of $19 million to portray the Mattel doll, but that figure will make a significant jump after the lucrative sales, bringing Margot's salary to $77 million. Barbie, which was made on a budget of approximately $220 million, hit the coveted $US1 billion mark at the global box office earlier this month, just two weeks after it hit cinemas. Robbie was instrumental in the making of the Barbie film, as her production company, LuckyChap, purchased the rights from Mattel in 2018. She then pitched the film to Warner Bros. and managed to convince Gerwig to both write and direct the blockbuster movie, with Gerwig's partner Noah Baumbach jumping in to help write the screenplay. Speaking of her commitment to making Barbie happen, Robbie recently said she was “overselling” the project in early meetings with executives to get the project off the ground. “I think my pitch in the green-light meeting was the studios have prospered so much when they’re brave enough to pair a big idea with a visionary director,” Robbie said in an interview with <a title="collider.com" href="https://collider.com/barbie-margot-robbie-interview-ryan-gosling/" target="_blank" rel="noopener">Collider </a>in July. She added, “And then I gave a series of examples like, ‘dinosaurs and [Steven] Spielberg’ – pretty much naming anything that’s been incredible and made a ton of money for the studios over the years. “And I was like, ‘And now you’ve got Barbie and Greta Gerwig.’ And I think I told them that it’d make a billion dollars, which maybe I was overselling, but we had a movie to make, OK?” Image credits: Getty Images

Money & Banking

Beyond Barbie and Oppenheimer, how do cinemas make money? And do we pay too much for movie tickets?

<a href="https://theconversation.com/profiles/peter-martin-682709">Peter Martin</a>, <a href="https://theconversation.com/institutions/crawford-school-of-public-policy-australian-national-university-3292">Crawford School of Public Policy, Australian National University</a> I’ve got two questions about blockbuster movies like Barbie and Oppenheimer. <ol> <li> Why aren’t the cinemas charging more for them, given they’re so popular? </li> <li> Why are they the same price, given Oppenheimer is an hour longer? </li> </ol> The opening weekend <a href="https://www.smh.com.au/culture/movies/how-australian-cinemas-and-audiences-handled-the-barbenheimer-juggernaut-20230724-p5dqso.html">for both films</a> saw an avalanche of Australians returning to the cinema. Extra staff had to be put on (although probably not enough) to manage queues, turn away pink-clad fans who couldn’t get in, and clean up mountains of popcorn trampled underfoot. An obvious solution to such a rush of demand is to push up prices. Airlines do it when they are getting low on seats. When more people want to get a ride share, Uber makes them pay with “<a href="https://www.uber.com/au/en/drive/driver-app/how-surge-works/">surge pricing</a>”. Even books are sold at different prices, depending on the demand, their length, their quality and how long they’ve been on the shelves. But not movie tickets, which are nearly always the same price, no matter the movie. Why? And how much has the cost of a trip to the movies risen over the past 20 years? <h2>Why not charge more for blockbusters?</h2> In suburban Melbourne, Hoyts is charging $24.50 for the two-hour Barbie – the same as it is charging for the three-hour Oppenheimer, even though it could fit in far fewer showings of Oppenheimer in a day. It’s also the same price as it is charging for much less popular movies, such as Indiana Jones and the Dial of Destiny. It’s also how things are in the United States, where James Surowiecki, author of <a href="https://www.penguinrandomhouse.com/books/175380/the-wisdom-of-crowds-by-james-surowiecki/">The Wisdom of Crowds</a> blames convention and says "it costs you as much to see a total dog that’s limping its way through its last week of release as it does to see a hugely popular film on opening night." Australian economists Nicolas de Roos of The University of Sydney and Jordi McKenzie of Macquarie University quote Surowiecki in their <a href="https://www.sciencedirect.com/science/article/abs/pii/S0167718714000174">2014 study</a> of whether cinema operators could make more by cutting the price of older and less popular films and raising the price of blockbusters. By examining what happened to demand on <a href="https://www.eventcinemas.com.au/Promotions/HalfPriceTuesdays#cinemas=59">cheap Tuesdays</a>, and developing a model taking into account advertising, reviews and the weather, they discovered Australian cinemas could make a lot more by <a href="https://www.sciencedirect.com/science/article/abs/pii/S0167718714000174">varying their prices</a> by the movie shown. We turn out to be highly price sensitive. So why don’t cinemas do that? <h2>‘There’s a queue, it must be good’</h2> It’s the sort of thing that puzzled <a href="https://www.nobelprize.org/prizes/economic-sciences/1992/becker/biographical/">Gary Becker</a>, an economic detective of sorts who won the Nobel Prize for Economics in the early 1990s. A few years earlier, he turned his attention to <a href="https://www.jstor.org/stable/2937660">restaurants</a> and why one particular seafood restaurant in Palo Alto, California, had long queues every night but didn’t raise its prices. Across the road was a restaurant that charged slightly more, sold food that was about as good, and was mostly empty. His conclusion, which he used a lot of maths to illustrate, was there are some goods for which a consumer’s demand depends on the demand of other consumers. Queues for restaurants (or in 2023, long queues and sold out sessions, as crowds were turned away from Barbie) are all signals other consumers want to get in. This would make queues especially valuable to the providers of such goods, even if the queues meant they didn’t get as much as they could from the customers who got in. The “buzz” such queues create produces a supply of future customers persuaded that what was on offer must be worth trying. Importantly, Becker’s maths showed that getting things right was fragile. It was much easier for a restaurant to go from being “in” to “out” than the other way around. Once a queue had created a buzz, it was wise not to mess with it. <h2>Cashing in from the snack bar</h2> There are other reasons for cinemas to charge a standard ticket price, rather than vary it movie by movie. One is that it is hard to tell ahead of time which movies are going to soar and which are going to bomb, even if you spend a fortune on advertising as the <a href="https://variety.com/2023/film/box-office/barbie-marketing-campaign-explained-warner-bros-1235677922/">makers of Barbie did</a>. In the words of an insider, “<a href="https://variety.com/2018/film/opinion/william-goldman-dies-appreciation-1203030781/">nobody knows anything</a>.” Another is the way cinemas make their money. They have to pay the distributor a share of what they get from ticket sales (typically <a href="https://www.sciencedirect.com/science/article/abs/pii/S0167718714000174">35-40%</a>). But they don’t have to pay a share of what they make from high-margin snacks. This means it can make sense for some cinemas to charge less than what the market will bear – because they’ll sell more snacks – even if it means less money for the distributor. <h2>Rising prices, despite some falling costs</h2> But cinemas still charge a lot. From 2002 to 2022, Australian cinemas jacked up their average (not their highest) prices <a href="https://www.screenaustralia.gov.au/fact-finders/cinema/industry-trends/box-office/ticket-prices">from $9.13 to $16.26</a> – an increase of 78%. In the same 20 year period, overall prices in Australia, as measured by the <a href="https://theconversation.com/whats-in-the-cpi-and-what-does-it-actually-measure-165162">consumer price index</a>, climbed 65% – less than the rise in movie ticket prices. <hr /> <iframe id="E2kxi" class="tc-infographic-datawrapper" style="border: none;" src="https://datawrapper.dwcdn.net/E2kxi/5/" width="100%" height="400px" frameborder="0"></iframe> <hr /> A 2015 study found Australian cinemas charge more <a href="https://www.researchgate.net/publication/306227560_Counting_the_cost_the_impact_of_cinema_ticket_prices_in_Australia">than cinemas in the US</a>. Yet some of the cinemas’ costs have gone down. They used to have to employ projectionists to lace up and change reels of film. Digital delivery means much less handling. A now-dated <a href="https://www.accc.gov.au/about-us/publications/developments-in-the-cinema-distribution-exhibition-industry">1990s report</a> to the Australian Competition and Consumer Commission found the two majors, Hoyts and Greater Union/Village, charged near identical prices except where they were faced with competition from a nearby independent, in which case they discounted. Whether “<a href="https://www.accc.gov.au/system/files/The%20Cinema%20Industry.pdf">by design or circumstance</a>”, the two cinema chains rarely competed with each other, clustering their multiplexes in different geographical locations. <h2>Longer films no longer displace shorter films</h2> I think it might be the multiplex that answers my second question: why cinemas don’t charge more for movies that are longer (and movies are <a href="https://www.smh.com.au/culture/movies/bigger-than-ben-hur-why-movies-are-getting-longer-and-longer-20220322-p5a6ty.html">getting longer</a>). In the days of single screens, a cinema that showed a long movie might only fit in (say) four showings a day instead of six. So it would lose out unless it charged more. But these days, multiplexes show many, many films on many screens, some of them simultaneously, meaning long films needn’t displace short films. Although we have <a href="https://www.screenaustralia.gov.au/fact-finders/cinema/industry-trends/screens-and-theatres">fewer cinema seats</a> than we had a decade ago (and at least until the advent of Barbie, we’ve been <a href="https://www.screenaustralia.gov.au/fact-finders/cinema/industry-trends/screens-and-theatres">going less often</a>) we now have <a href="https://www.screenaustralia.gov.au/fact-finders/cinema/industry-trends/screens-and-theatres">far more screens</a>. Long movies no longer stop the multiplexes from playing standard ones. And because cinemas like to keep things simple, you pay the same price, no matter which movie you chose. <img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/211121/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/peter-martin-682709">Peter Martin</a>, Visiting Fellow, <a href="https://theconversation.com/institutions/crawford-school-of-public-policy-australian-national-university-3292">Crawford School of Public Policy, Australian National University</a> Image credits: Getty Images This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/beyond-barbie-and-oppenheimer-how-do-cinemas-make-money-and-do-we-pay-too-much-for-movie-tickets-211121">original article</a>.

Movies

Done with Barbie? How to reuse or recycle old dolls

Bright pink clothing has been a hot item at a number of Brotherhood of St Laurence (BSL) op shops as movie-goers doll up to see Greta Gerwig’s Barbie. <div class="copy"> Kelly McMurray, an area store manager for BSL, says “a lot of 18 – 35 year old women have been coming in to get outfits for premier parties. “It’s been really fun helping people to find their outfits!” The movie has set off a global Barbiecore mania, pinkifying everything and <a href="https://au.news.yahoo.com/barbie-movies-potential-500-million-haul-could-have-huge-implications-for-mattel-123756476.html" target="_blank" rel="noreferrer noopener">driving demand</a> for more plastic dolls and toy company merchandise. Even before the movie, the global population of Barbies was growing by <a href="https://cosmosmagazine.com/people/barbie-science/" target="_blank" rel="noreferrer noopener">around 100 new dolls every minute</a>. Which begs the question: what to do with all those dolls once the gloss of the movie ultimately wears off? For toys still in good condition, reusing them by donating to friends or op shops is an obvious first choice. “Our stores do receive a lot of toys every year,” McMurray says. “The peak of our toy donations would be in the New Year and the second week of every school holidays – when people have either been gifted new toys (after Christmas) and when they have had time to do a clean out – hence the second week of school holidays.” For those seeking a more sustainable supply of Barbie dolls, accessories or merchandise, McMurray suggests visiting one of the bigger BSL stores, as those tend to receive the bulk of toy donations. In Melbourne, the Deer Park op shop has two large sections dedicated to kids toys and clothes, while the Belmont store has been receiving – and selling – a lot of Barbie DVDs. When donating Barbies, or any kind of doll or toy, McMurray says people need to really consider if the toy is in a suitable condition, and isn’t missing any body parts. “A little wear and tear is ok. But if people have any doubts about it – best not to include it in their donations.” For those ‘weird Barbies’ past the point of no return, recycling is the next best option. Research by retailer Flora & Fauna suggests Australians send <a href="https://giftguideonline.com.au/flora-fauna-launches-upcycled-toys-christmas-initiative/" target="_blank" rel="noreferrer noopener">26.8 million toys</a> to landfill every year. Plastic toys are considered harder to recycle than many regular household items, and can not be put in kerbside recycling bins. <iframe title="Think Pink: The Science of Barbie" src="https://omny.fm/shows/huh-science-explained/think-pink-the-science-of-barbie/embed?in_playlist=podcast&style=Cover" width="100%" height="180" frameborder="0"></iframe> Global recycling company TerraCycle offers a toy recycling program for worn out and broken toys in partnership with department store Big W. It’s called ‘Toys for Joy’. Marina Antoniozzi, TerraCycle’s head of operations, says the initiative saw over 18 tonnes of old toys collected in the first year of trial operations in 2021. The program has now collected well over 160 tonnes of toys, she says. “The majority of toys are not kerbside recyclable due to the complex nature of their composition. Toys are frequently made up of several materials including different types of plastics and metals, which means they need to be manually sorted and separated,” Antoniozzi says. The recycling company partners with toy brands and retailers because the cost to collect and process the material is usually more than the value of raw material produced through the recycling process. In Barbie’s case, the doll is made up of a <a href="https://cosmosmagazine.com/people/culture/plastic-artefact-what-is-barbie-even-made-of/" target="_blank" rel="noreferrer noopener">complex mix of different types of plastics</a>. According to a <a href="https://www.mdpi.com/2073-4360/14/20/4287" target="_blank" rel="noreferrer noopener">study by Italian researchers</a> early dolls made between 1959 and 1976 comprised a complex mix of different <a href="https://cosmosmagazine.com/science/explainer-what-is-a-polymer/" target="_blank" rel="noreferrer noopener">polymers</a>: polyvinyl chloride faces and legs; hair from polyvinylidene dichloride; and torsos made from low-density polyethylene. More <a href="http://www.designlife-cycle.com/barbie-dolls" target="_blank" rel="noreferrer noopener">modern dolls</a> have arms of ethylene-vinyl acetate (also used in thongs, and frozen food packaging), torsos of acrylonitrile-butadiene-styrene (also found in Lego), legs from polypropylene, and heads made of hard vinyl (like the kind used in vinyl records). Once collected, the toys sent to TerraCycle for recycling are checked in at TerraCycle’s Materials Recovery Facility where they are manually sorted, separated into individual material streams and prepared for processing. Antoniozzi says that in Australia, TerraCycle processes Barbie dolls and accessories along with other hard plastic toys. These are sent to recycling facilities to be shredded and cleaned. Residual metals are removed using magnets in a process called eddy current separation. The plastics are then sorted into different types using technologies like near infrared, a spectroscopy technique used for analysing and differentiating between polymers. Afterwards, the separated, shredded plastics go through a melting and extrusion process producing recycled plastic pellets, used by manufacturers to make a variety of products. So, when Barbie goes to the recycling plant, she will ultimately be sorted, shredded, melted and turned into plastic pellets. Antoniozzi says donating toys is a good first option. “But if your Barbie is genuinely beyond repair, then you can take her, Ken, Sandy, as well as all her horses, buses, apartments and accessories along to your local BIG W store and give her a second life through the Toys for Joy recycling program,” she says. “Who knows… she may come back to you as a flower pot.” Image credits: Shutterstock  <img id="cosmos-post-tracker" style="opacity: 0; height: 1px!important; width: 1px!important; border: 0!important; position: absolute!important; z-index: -1!important;" src="https://syndication.cosmosmagazine.com/?id=258208&title=Done+with+Barbie%3F+How+to+reuse+or+recycle+old+dolls" width="1" height="1" data-spai-target="src" data-spai-orig="" data-spai-exclude="nocdn" /><a href="https://cosmosmagazine.com/earth/sustainability/done-with-barbie-how-to-reuse-or-recycle-old-dolls/">This article</a> was originally published on <a href="https://cosmosmagazine.com">Cosmos Magazine</a> and was written by <a href="https://cosmosmagazine.com/contributor/petra-stock/">Petra Stock</a>. </div>

Home & Garden

Surprising facts about Barbie (she’s kept quiet all this time)

1. Her fame is global, but she’s a small town girl. According to brand lore, Barbara “Barbie” Millicent Roberts was officially born on March 9, 1959, in the fictional town of Willows, Wisconsin. 2. She’s just one of seven kids. Over the years, her siblings for sale have included: Skipper, Stacie, Chelsea, Krissy, Tutti and Todd. 3. Barbie digs younger men. Her longtime BF Ken is two years younger than Barbie, debuting in toy stores in 1961. 4. She has had more than 150 careers, including paleontologist, Canadian Mountie, McDonald’s cashier, Desert Storm medic, business executive, secretary, Catwoman, and, regrettably, rapper. 5. She’s been to space three times. Astronaut Barbie debuted in space in 1965 (four years before the moon landing), then returned in 1986 and 1994. 6. Her house is a zoo. Barbie has owned more than 40 pets, including 21 dogs, 14 horses, three ponies, six cats, a parrot, a chimpanzee, a panda, a lion cub, a giraffe, and a zebra. 7. She’s got friends in the fashion industry. Gucci, Versace, Vera Wang, Dolce & Gabbana, and Givenchy have all contributed designs to Barbie’s wardrobe. 8. Her wardrobe is house-sized. Barbie has had more than one billion outfits (with shoes to match) designed for her. Image credits: Shutterstock This article originally appeared on <a href="https://www.readersdigest.com.au/true-stories-lifestyle/entertainment/8-Things-You-Probably-Didnt-Know-About-Barbie" target="_blank" rel="noopener">Reader's Digest</a>.

Beauty & Style

Sports presenter slammed over "Barbie" comments

The BBC has issued a statement after a cringeworthy interview with a sports presenter went viral. Chris Hughes, a former Love Island contestant, was chatting to Aussie cricketer Maitlan Brown during Southern Brave's match in The Hundred. As the interview began, Hughes referred to Brown as a "batsman", with the rest of the interview only going downhill from there. Hughes then asked how Brown had been settling in and bonding with her teammates. "We watched Barbie the other night all together and it was really good team bonding and the group is gelling really well together," Brown replied. Hughes then quipped back, "You're a little Barbie yourself, aren't you, with your blue eyes." As Brown laughed awkwardly, Hughes added, "She's blushing now." <blockquote class="twitter-tweet"> The absolute state of this <a href="https://twitter.com/BBCSport?ref_src=twsrc%5Etfw">@BBCSport</a> "Batsman" "You're a bit of a Barbie yourself" So much great young journalistic cricket talent in the UK, and you hire that clown <a href="https://twitter.com/chrishughes_22?ref_src=twsrc%5Etfw">@chrishughes_22</a>, because demographics, innit <a href="https://t.co/f7FwAtQjR9">pic.twitter.com/f7FwAtQjR9</a> — Always Look On The Bright Cider Life 🍎🏏🍎🏏🍎 (@somersetpodcast) <a href="https://twitter.com/somersetpodcast/status/1686411647903006720?ref_src=twsrc%5Etfw">August 1, 2023</a></blockquote> Since the interview, Hughes has copped criticism on social media with the BCC stating they have addressed the issue with him. "We have spoken to Chris and explained that his comment was not appropriate," a BBC spokesperson said. Hughes has been the subject of an online slating since the interview, with many criticising his comments and wondering how he even landed the gig in the first place. One person wrote on Twitter, "This is what happens when you get a Love Islander to present cricket... Oh dear." "Whether Chris Hughes made the Barbie remark yesterday with the intention to belittle or embarrass Maitlan Brown or not is irrelevant. As is whether Brown in fact took offense to it. The effect and imagery was the same," another commented. Image credits: BBC

Is the Barbie movie a bold step to reinvent and fix past wrongs or a clever ploy to tap a new market?

<a href="https://theconversation.com/profiles/lauren-gurrieri-5402">Lauren Gurrieri</a>, <a href="https://theconversation.com/institutions/rmit-university-1063">RMIT University</a> After a months-long marketing blitz, the much-hyped Barbie movie is released this week. From a <a href="https://news.airbnb.com/barbies-malibu-dreamhouse-is-back-on-airbnb-but-this-time-kens-hosting/">Malibu Barbie dreamhouse</a> listed on AirBnB, an AI tool that <a href="https://www.barbieselfie.ai/au/">transforms selfies into Barbie movie posters</a> and multiple Barbie-themed brand collaborations ranging from nail polish to roller skates, Barbie is everywhere. She has even gone viral as a fashion trend known as <a href="https://www.elle.com.au/fashion/barbiecore-27286">Barbiecore</a>, exploding across social media with people embracing vibrant pink hues and hyper feminine aesthetics. A Barbie world is upon us. Although some have criticised this <a href="https://twitter.com/MosheIsaacian/status/1673415496929267712">saturation</a> strategy, it is a very deliberate marketing ploy to revitalise and redefine a brand with a contested position and history. As well as attracting adults who grew up with Barbie and are curious to see what’s changed, the reinvention is drawing in those younger fans swept up by the tsunami of marketing and merchandise. Despite being one of the <a href="https://www.newsweek.com/brandspark-most-trusted-brands-america-2022">most trusted brands</a> with a value of approximately <a href="https://www.statista.com/statistics/1009126/barbie-brand-value-worldwide/">$US700 million</a>, Barbie has long attracted feminist criticism for fuelling outdated and problematic “plastic fantastic” sexist stereotypes and expectations. <h2>The Barbie backlash</h2> Only a few years back, Barbie was a brand in crisis. <a href="https://time.com/3667580/mattel-barbie-earnings-plus-size-body-image/">Sales plummeted</a> across 2011 to 2015 against the cultural backdrop of a rise in body positivity and backlash against a doll that represented narrow ideals and an impossible beauty standard. After all, at life-size Barbie represents a body shape held by <a href="https://link.springer.com/article/10.1007/BF01544300#page-1">less than 1 in 100,000</a> real people. In fact, she is so <a href="https://rehabs.com/explore/dying-to-be-barbie/#.UWs-5aKyB8F">anatomically impossible</a> that, if she were real, she would be unable to lift her head, store a full liver or intestines, or <a href="https://www.bmj.com/content/305/6868/1575">menstruate</a>. The backlash has also been in response to growing concerns about how she influences child development, particularly how and what children learn about gender. Barbie has been identified as a <a href="https://www.sciencedirect.com/science/article/pii/S1740144521000243#!">risk factor</a> for thin-ideal internalisation and body dissatisfaction for young girls, encouraging <a href="https://www.sciencedirect.com/science/article/abs/pii/S174014451630208X">motivation for a thinner shape</a> that damages body image and self esteem. And despite the multiple careers Barbie has held over the decades, research highlights that girls who play with Barbie believe they have <a href="https://link.springer.com/article/10.1007/s11199-014-0347-y">fewer career options than boys</a>. This speaks to the power of toys to reinforce gender stereotypes, roles and expectations, and how Barbie has imported narrow ideals of femininity, girlhood and womanhood into young girls’ lives. <h2>Reinventing a long-established icon</h2> In response to this backlash, Mattel launched a new range of Barbies in 2016 that were promoted as <a href="https://shop.mattel.com/collections/fashion-dolls#filter.ss_filter_tags_subtype=Fashionistas">diverse</a>, representing different body shapes, sizes, hair types and skin tones. This was not without criticism, with “curvy” Barbie still considered thin and dolls named in ways that drew attention foremost to their bodies. From a white, well-dressed, middle-class, girl-next-door with friends of a similar ilk, Barbie has since been marketed as a symbol of diversity and inclusion. To signify the extent of the transformation, Mattel’s executives gave this project the code name “Project Dawn”. Mattel - like many other brands joining the <a href="https://theconversation.com/victorias-secret-joins-the-inclusive-revolution-finally-realizing-diversity-sells-163955">“inclusivity revolution”</a> - knew that diversity sells, and they needed to make their brand relevant for contemporary consumers. Diversity initiatives included a line of <a href="https://shop.mattel.com/pages/barbie-role-models">female role model dolls</a>, promoted as “introducing girls to remarkable women’s stories to show them you can be anything”. Barbie was also given a voice in the form of <a href="https://www.youtube.com/playlist?list=PL5BsRl9zFaeSKIL4XD-pdGHGbJRvkfe8S">Barbie Vlogs</a>, where she expressed her views on issues including depression and the <a href="https://www.bustle.com/p/barbies-vlog-about-the-sorry-reflex-is-the-feminist-pep-talk-all-90s-babies-need-to-hear-9852366">sorry reflex</a>. A gender neutral collection called “creatable world” was added in 2019 to open up gender expression possibilities when playing with Barbies. Such efforts were crucial to undoing missteps of the past, such as a “Teen Talk Barbie” that was programmed to say “<a href="https://www.youtube.com/watch?v=jSL2-rbE9AM">Math class is tough!</a>”, or the compulsory heterosexuality that Barbie has long advanced. <h2>The latest step in Barbie’s transformation</h2> Barbie the film is simply the next step in an evolution to make brand Barbie inclusive. And with a rumoured film budget of $100 million, the supporting marketing machine provides a critical opportunity to reset the Barbie narrative. With Greta Gerwig, acclaimed director of female-led stories such as Little Women and Lady Bird at the helm, and a diverse cast of Barbies of different races, body types, gender identities and sexual preferences, the film and its creators have sought to assure audiences of the film’s feminist leanings. Addressing the complicated history of Barbie is crucial for audiences who grew up and played with the doll and are grappling with introducing her to the next generation of doll consumers. Yet, Robbie Brenner, executive producer of Mattel Films, has explicitly stated that Gerwig’s Barbie is “not a feminist movie”. Indeed, the main character still represents a narrow beauty standard - tall, thin, blonde, white - with diverse characters in place to support her narrative. Which begs the question: are these inclusion initiatives simply emblematic of diversity washing, where the language and symbolism of social justice are hijacked for corporate profit? Or do they represent a genuine effort to redress the chequered history of a brand that promotes poor body image, unrealistic ideals and rampant materialism? What is clear is that in today’s climate where brands are increasingly rewarded for taking a stand on sociopolitical issues, brand Barbie’s attempts to reposition as inclusive have paid off: sales are now booming. Seemingly, Barbie’s famous tagline that “anything is possible” has shown itself to be true.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/209394/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/lauren-gurrieri-5402">Lauren Gurrieri</a>, Associate Professor in Marketing, <a href="https://theconversation.com/institutions/rmit-university-1063">RMIT University</a> Image credits: Getty Images This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/is-the-barbie-movie-a-bold-step-to-reinvent-and-fix-past-wrongs-or-a-clever-ploy-to-tap-a-new-market-209394">original article</a>.

Movies

In a Barbie world … after the movie frenzy fades, how do we avoid tonnes of Barbie dolls going to landfill?

<a href="https://theconversation.com/profiles/alan-pears-52">Alan Pears</a>, <a href="https://theconversation.com/institutions/rmit-university-1063">RMIT University</a> It made headlines around the world when the much-hyped Barbie movie contributed to a <a href="https://www.theguardian.com/film/2023/jun/05/barbie-film-required-so-much-pink-paint-it-contributed-to-worldwide-shortage">world shortage</a> of fluorescent pink paint. But that’s just the tip of the iceberg. When movies or TV shows become cultural phenomena, toymakers jump on board. And that comes with a surprisingly large amount of plastic waste. Think of the fad for <a href="https://www.bbc.com/news/business-51554386">Baby Yoda dolls</a> after the first season of The Mandalorian in 2020. When the Barbie movie comes out this week, it’s bound to trigger a wave of doll purchases over and above the <a href="https://environment-review.yale.edu/most-materials-are-recyclable-so-why-cant-childrens-toys-be-sustainable">60 million Barbies</a> already sold annually. Toys are the most plastic-intensive consumer goods in the world, <a href="https://wedocs.unep.org/bitstream/handle/20.500.11822/25302/Valuing_Plastic_ES.pdf">according to</a> a 2014 United Nations Environment Program report. Worse, very few toys are recycled. That’s often because they can’t be – they’re made of a complex mixture of plastics, metals and electronics. When children get bored, these toys often end up in landfill. <h2>The toll of the dolls</h2> Consider a single Barbie doll. What did it cost to create? Before the US-China trade war, <a href="https://asia.nikkei.com/Spotlight/The-Big-Story/China-s-toy-making-capital-scrambles-to-reinvent-itself">half the world’s toys</a> were manufactured in Dongguan, a city in China. That included one in three Barbie dolls. American researchers <a href="https://www.sciencedirect.com/science/article/abs/pii/S2352550922000550">last year quantified</a> what each doll costs the climate. Every 182 gram doll caused about 660 grams of carbon emissions, including plastic production, manufacture and transport. The researchers analysed seven other types of toys, including Lego sets and Jenga. By my calculations, emissions on average across all these types of toys are about 4.5 kilograms per kilogram of toys. Scaled up, this is considerable. In the US, <a href="https://www.theguardian.com/environment/2021/oct/21/plastics-greenhouse-gas-emissions-climate-crisis">it’s estimated</a> emissions from the plastics industry will overtake those from coal within seven years. So the question is, how can we cut our emissions to zero as fast as possible to ensure we and our children have a liveable climate – without putting a blanket ban on plastic toys? After all, toys and entertainment add happiness to our lives. <h2>The role for toymakers and governments</h2> To date, there has been little focus on making the toy industry more sustainable. But it shouldn’t escape our notice. Toy manufacturers can – and should – use low carbon materials and supply chains, and focus on making toys easily dissembled. Toys should be as light as possible, to minimise transport emissions. And battery-powered toys should be avoided wherever possible, as they <a href="https://www.sciencedirect.com/science/article/abs/pii/S2352550922000550">can double</a> a toy’s climate impact and turn a plastic waste problem into an electronic waste problem. To their credit, some toymakers <a href="https://time.com/6126981/my-kids-want-plastic-toys-i-want-to-go-green-heres-a-fix/">have cut back</a> on plastic in their packaging, given packaging immediately becomes waste. In a welcome move, the maker of Barbie, Mattel, launched their own recycling scheme in 2021, allowing buyers to send back old toys to be turned into new ones. This scheme isn’t available in Australia, however. Toymakers can help at the design stage by choosing the materials they use carefully. Governments can encourage this by penalising cheap, high-environmental-impact plastics. We can look to the <a href="https://www.clientearth.org/latest/press-office/press-list/eu-court-delivers-final-blow-to-plastics-industry-on-bpa/">European</a> and American bans on BPA-containing plastics in infant milk bottles as an example of what’s possible. Governments can set up effective recovery and recycling systems able to handle toys. Some plastic-dependent brands such as Lego are unilaterally moving away from petrochemical-based plastic in favour of sugarcane-based plastic. But it’s not a <a href="https://www.wired.com/story/lego-sustainable-bricks/">short-term project</a>. While Barbie dolls had an <a href="https://www.bloomberg.com/news/articles/2021-02-24/barbie-s-pandemic-sales-boom-followed-yearslong-revamp-at-mattel">uptick in popularity</a> during the pandemic years – and will no doubt have another surge alongside the movie – longer-term trends are dampening plastic toy impact. While movies in the 1980s were often “<a href="https://www.dictionary.com/browse/toyetic?s=t">toyetic</a>” – conceived with an eye to toy sales – the trend is on the wane. Gaming, for instance, has moved to centre stage for many older children. While gaming produces e-waste streams, it is also a likely cause of the <a href="https://www.theguardian.com/film/2018/apr/05/lights-camera-but-no-action-figures-are-movie-toys-going-out-of-fashion">longer-term fall</a> in popularity of plastic toys. <h2>What should we do?</h2> If you’re a parent or an indulgent grandparent, it’s hard to avoid buying toys entirely – especially if your child gets obsessed with Barbie dolls after seeing the movie. So what should you do? For starters, we can avoid cheap and nasty toys which are likely to break very quickly. Instead, look for toys which will last – and which will lend themselves to longer-term creative play. Think of the enduring popularity of brick-based toys or magnetic tiles. Look for secondhand toys. And look for toys made of simpler materials able to be recycled at the end of their lives – or even for the Barbie dolls made out of <a href="https://www.today.com/shop/mattel-barbie-doll-recycled-plastic-t221461">ocean plastics</a>. <img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/209601/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/alan-pears-52">Alan Pears</a>, Senior Industry Fellow, <a href="https://theconversation.com/institutions/rmit-university-1063">RMIT University</a> Image credits: Shutterstock This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/in-a-barbie-world-after-the-movie-frenzy-fades-how-do-we-avoid-tonnes-of-barbie-dolls-going-to-landfill-209601">original article</a>.

Movies

Brekkies, barbies, mozzies: why do Aussies shorten so many words?

<a href="https://theconversation.com/profiles/kate-burridge-130136">Kate Burridge</a>, <a href="https://theconversation.com/institutions/monash-university-1065">Monash University</a> and <a href="https://theconversation.com/profiles/howard-manns-111255">Howard Manns</a>, <a href="https://theconversation.com/institutions/monash-university-1065">Monash University</a> Australians sure do like those brekkies, barbies and mozzies. We’re not talking about “actual” mozzies here. We’re defo (definitely) talking about words — and Aussies can’t seem to get enough of these shortened words. <a href="https://catalogue.nla.gov.au/Record/1988059">Some</a> say we’re lazy for clipping them. <a href="https://www.cambridge.org/core/journals/language-in-society/article/abs/does-language-reflect-culture-evidence-from-australian-english/75BDD40DC2429903CABAA39BB9CA83B7">Others</a> claim it’s just Aussies knocking words down to size — ta, we’ll have a glass of cab sav or savvy b instead of whatever that is in French. Our most beloved shortenings end in -ie/y and -o. Journos often ask us why Aussies use them, and whether they’ll last. Well, not only are we still using them, seppos (Americans) and pommies (Brits) are joining the action, too. Here’s an uplifting story for your hollies (holidays) about Australia’s “<a href="https://www.newsouthbooks.com.au/books/story-australian-english/">incredible shrinking words</a>”. <h2>Endings that bond and bind us</h2> These alternative forms of words are often described as “diminutives” (or hypocoristics). Pet names with such endings can show we have a warm or simply friendly attitude toward something or someone (think of the -s on Cuddles). Certainly, on names, -ie/y and -o are often affectionate (think Susy and Robbo). But the vast majority of Aussie diminutives are doing something different. Indeed, saying journo or pollie doesn’t usually indicate we’re thinking of journalists and politicians as small and endearing things. These “diminutives” are also a world away from the birdies and doggies of the nursery. Adult Australians might cheerfully talk about blowies and trackies, but not birdies and doggies — well, unless it’s on the golf course or perhaps in reference to the Western Bulldogs getting a specky (spectacular mark). For Australian National University linguist <a href="https://books.google.com.au/books/about/Semantics_Culture_and_Cognition.html?id=5XM8DwAAQBAJ&redir_esc=y">Anna Wierzbicka</a>, these expressions are among the most culturally salient features of Australian English — expressions of informality and solidarity that are “uniquely suited to the Anglo-Australian ethos […] and style of interaction”. Experiments by Australian linguists have empirically confirmed the <a href="https://www.researchgate.net/publication/298354067">social effects</a> of these embellished words. Colloquialisms such as barbie and smoko are like accents – part of the glue that sticks Australian English speakers together. <h2>Are -ie/y endings darlings or weaklings?</h2> Diminutives can die out when they take on the burden of new social meanings. One of the oldest endings (found as far back as Anglo-Saxon times) is -ling. We see it still on words like twinkling and darling. However, by modern times it had flipped and become contemptuous, especially when used of humans (think of weakling and underling). In contrast to -ling, our -ie/-y endings carry important, positive meanings, and there’s no sign yet that we’re giving up on them. Those sunnies, scungies, boardies, cozzies, stubbies and trackies are still the stuff of our sartorial summer fashion. <a href="https://theconversation.com/get-yer-hand-off-it-mate-australian-slang-is-not-dying-90022">Slang</a> might come and go, but the process that transforms sunglasses into sunnies and tracksuit pants into trackies continues to thrive. So thriving in fact are these expressions that some are among Australia’s <a href="http://www.bbc.com/culture/story/20150427-pervs-greenies-and-ratbags">successful exports</a>. International celebrities include greenie, pollie, surfie, mozzie, budgie (and its offshoot budgie smugglers). And let’s not forget the linguistic rockstar that is selfie – its meteoric rise to stardom in 2013 saw it crowned <a href="https://edition.cnn.com/2013/11/19/living/selfie-word-of-the-year/index.html">Word of the Year</a> by Oxford Dictionaries, and also by the Van Dale dictionary in the Netherlands. We are, however, constantly refreshing our stock of -ie/y words. Many of the gems in Wendy Allen’s 1980s collection of youth slang in Melbourne (Teenage speech) have bitten the dust (for example, scottie from “he’s got no friends” -> “s’got no friends” -> “s’got + ie”). But the second edition of the Australian National Dictionary shows us how many -ie/y words have proliferated since the 1980s/1990s (firie, tradie, trackie daks). <h2>Bottle-o, milko and smoko: still alive-o?</h2> That other long-time favourite ending -o occurs all round the English-speaking world. However, as the Oxford English Dictionary describes, its use “is especially associated with Australia”. The earliest Australian examples (like milko, rabbito, bottle-o) date from the 19th century and are abbreviated nouns referring to a person’s trade (“milkman”, “rabbit-seller” “bottle-collector”). Sometimes they appear with -oh because of their association with street calls, and this use is old – think of those cockles and mussels of 18th century London, all very much “alive, alive-oh”. Our love of this -o suffix may also owe something to Irish English. However, Australian linguist <a href="https://www.degruyter.com/document/doi/10.1515/9783110208412.2.398/html?lang=en">Jane Simpson</a> points out it has much wider applications in Australia (and New Zealand), as shown by place names such as Rotto (Rottnest Island), Freo (Fremantle), Paddo (Paddington) and common nouns such as compo (compensation), ambo (ambulance driver) and bowlo (bowling club). And we’re exporting these too – demo, preggo and muso have made it into the wider world. As with -ie/y endings, our -o endings don’t seem to be going anywhere in a hurry. However, their long-term survival seems slightly less assured than -ie/y. We’re still seeing newer coinages (such as housos), but a <a href="https://www.researchgate.net/publication/241095924_Did_you_have_a_choccie_bickie_this_arvo_A_quantitative_look_at_Australian_hypocoristics">2011 study</a> suggests young people might be using this one less than previous generations. <h2>Rellies or rellos, garbies or garbos: is there a pattern?</h2> There are wharfies and truckies but not wharfos and truckos; garbos and musos but not garbies and musies. People who ride motorcycles are generally bikers; those who belong to motorcycle gangs tend to be bikies. So what’s wrong with bikos? And why are there gaps? Those who build houses are neither buildos nor buildies. Undoubtedly there are nuanced differences of meaning involved here. Does weirdie describe unconventional people more affectionately than weirdo, or even weird person? Certainly there’s a world of difference between the sicko (psychologically sick person) and the sickie (leave you take when you’re sick – or is that when you’re not sick?). You tell us: do you prefer a lammo or a lammie for the small chocolate and coconut–covered cake? And are members of your family rellos or rellies? There’s a lot of lexicographers, linguists and other word nerds who haven’t figured this out.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/192616/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/kate-burridge-130136">Kate Burridge</a>, Professor of Linguistics, <a href="https://theconversation.com/institutions/monash-university-1065">Monash University</a> and <a href="https://theconversation.com/profiles/howard-manns-111255">Howard Manns</a>, Senior Lecturer in Linguistics, <a href="https://theconversation.com/institutions/monash-university-1065">Monash University</a> This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/brekkies-barbies-mozzies-why-do-aussies-shorten-so-many-words-192616">original article</a>. Image: Getty

Domestic Travel

Margot Robbie’s eye watering movie salary revealed

Margot Robbie has become the highest paid Hollywood actress thanks to her role in Greta Gerwig’s live action Barbie movie. The Australian actress, 32, takes on the lead role of Barbie in the upcoming film and received an eye watering USD$12.5 million (AUD$18.1 million) for it. This hefty sum now places Margot on the top of the list of Hollywood’s highest paid actresses. Her salary definitely soared since her last blockbuster Birds of Prey which saw her earn USD$10 million (AUD$14.6 million). Her co-star, heartthrob Ryan Gosling was reportedly paid the same amount for playing the lead male role in the film. Margot said that she is excited for the film to be released and it will certainly bring in a different type of audience. “We like the things that feel a little left of center. Something like Barbie where the IP, the name itself, people immediately have an idea of, ‘Oh, Margot is playing Barbie, I know what that is’,” she said. “But our goal is to be like, ‘Whatever you’re thinking, we’re going to give you something totally different—the thing you didn’t know you wanted’.” Barbie is expected to be released in July 2023. Image: IMDB

Movies

Anne Hathaway and Reese Witherspoon jump on new Barbiecore trend

After official <a href="https://oversixty.com.au/entertainment/movies/first-look-at-completely-transformed-ryan-gosling" target="_blank" rel="noopener">behind-the-scenes photos</a> emerged of Margot Robbie and Ryan Gosling as Barbie and Ken in the upcoming live action Barbie film, there’s been a resurgence in Barbiecore, with celebrities and high-end fashion houses deciding that its vibrant pink hues are the new “It” colour this season. The nostalgic trend that embraces hyper-pink shades and feminine silhouettes has been cropping up on social media, high fashion runways, and at red carpets and A-list events around the world. “The main theme? More is more – and you can never have too much pink,” reports <a href="https://www.beautycrew.com.au/what-is-barbiecore?category=makeup" target="_blank" rel="noopener">Beauty Crew</a>. “When it comes to fashion, the vibe is essentially dopamine-dressing in fluorescent pink and as many sparkles as you can handle.” <img src="https://oversixtydev.blob.core.windows.net/media/2022/07/barbiecore1.jpg" alt="" width="1280" height="720" /> Anne Hathaway (left), Reese Witherspoon (centre), and Duckie Thot (right) have stunned with their own spins on the Barbiecore trend. Images: Getty Images Stars Anna Hathaway and Reese Witherspoon are among the growing number of celebrities jumping on the fuschia-focused trend, which has also been featured heavily by designer brand Valentino to the point where “Valentino pink” is the fashion house’s “now-signature magenta hue”, per <a href="https://wwd.com/fashion-news/fashion-scoops/anne-hathaway-valentino-couture-front-row-magenta-dress-1235248441/" target="_blank" rel="noopener">Women’s Wear Daily</a>. Hathaway was spotted styling a sequin minidress in the brightest of hot pinks, paired with towering platform shoes and a studded minibag in a matching shade at the Valentino Haute Couture show in Rome. Joining her in the front row in equally pink outfits was Korean pop rapper Hwasa and West Side Story star Ariana DeBose, with actress Florence Pugh also spotted styling the vibrant hue. <img src="https://oversixtydev.blob.core.windows.net/media/2022/07/barbiecore2.jpg" alt="" width="1280" height="720" /> Anne Hathaway, Hwasa, and Ariana DeBose were spotted in all-pink outfits in the front row of the Valentino Haute Couture, flanked by Giancarlo Giammetti (far left) and Anna Wintour (far right). Image: Getty Images Meanwhile, Witherspoon styled a knee-length, fuschia frock at the New York premiere of Where The Crawdads Sing, where actress Karen Pittman was also spotted pairing a hot pink camisole and skirt with a bold 80s-style blazer. Other celebrities who have embraced the trend include Lady Gaga, the Kardashians, Australian model Duckie Thot, Lizzo, Sebastian Stan, and Natalie Portman. <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/Cf6c52LOMAQ/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/Cf6c52LOMAQ/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by Natalie Portman (@natalieportman)</a> </div> </blockquote> Australian designer Mariam Saddiq, who featured Barbie pink suits and dresses at her Australian Fashion Week show this year, describes it as feminine without being “sickly sweet”. “When people ask me for the Barbie treatment, it’s about helping them look like they have a magically snatched-in waist. It’s a move away from the androgynous look to something feminine, with prettier silhouettes, blazers with nipped waists and the celebration of that hourglass silhouette,” she told the <a href="https://www.smh.com.au/lifestyle/fashion/the-barbiecore-summer-is-coming-blame-margot-robbie-20220630-p5axxt.html" target="_blank" rel="noopener">Sydney Morning Herald</a>. “For me, it’s about making sure that there’s an edge to pink looks so that they’re not sickly sweet.” Erik Yvon, a Melbourne designer, says the trend is a continuation of the current generation’s interest in styles from the 80s and 90s. “You can see it happening internationally at labels such as Moschino already but I totally see it happening here,” Yvon says. “There’s an energy and playfulness to it.” Images: Getty Images

Beauty & Style

First look at completely transformed Ryan Gosling

Ryan Gosling has had a major make-over, making him the perfect Ken Doll for Warner Bro’s latest, Greta Gerwig’s Barbie, staring Margot Robbie. The studio has debuted a striking photo of Gosling's Ken sporting six-pack abs, bleach blonde hair and a spray tan. <blockquote class="twitter-tweet"> <a href="https://twitter.com/hashtag/BARBIE?src=hash&ref_src=twsrc%5Etfw">#BARBIE</a> July 21, 2023 Only in theaters. <a href="https://t.co/DAemOyv5H8">pic.twitter.com/DAemOyv5H8</a> — Warner Bros. Pictures (@wbpictures) <a href="https://twitter.com/wbpictures/status/1537102719525081089?ref_src=twsrc%5Etfw">June 15, 2022</a></blockquote> Gerwig co-wrote the Barbie script with her partner, Noah Baumbach. Production on the film is currently underway. The supporting cast includes America Ferrera, Simu Liu, Kate McKinnon, Alexandra Shipp, Emma Mackey, Kingsley Ben-Adir, Issa Rae, Michael Cera and many more. While no plot details from Barbie have been confirmed, it's rumoured that several Barbie and Ken characters factor into the story. Liu described Barbie earlier this year as "wild" and "incredibly unique," adding, "I wish I could just show you what we do day-to-day because it's crazy." The film is not a musical, but Liu said he's been in dance rehearsals aplenty for the movie. The actor also teased what it's like working on a Greta Gerwig set. "When you're doing a scene and it's working, you hear, 'HAHAHAHA!' It's the best feeling in the world," Liu said. "If you're an a--hole on a Greta Gerwig set, there's no hope for you." Warner Bros.' Barbie will open in Australian theatres on July 20, 2023. Images: Twitter

Movies

Platinum jubilee Barbie becomes a hot commodity

In what surely must be one of the most iconic collaborations of the modern era, a special limited-edition Queen Elizabeth II Barbie doll has been released to mark the Platinum Jubilee of the beloved monarch. Not surprisingly – given how outrageously cute its hairstyle is – the diminutive doll has sold out in just three seconds upon release – and has now become the subject of many fierce bidding wars on eBay and other sites. UK department store John Lewis said its stock of the GBP95 ($A168) dolls sold out, seen as a key piece of royal memorabilia. The doll is now a highly sought-after collectable. The Queen Elizabeth II Barbie doll comes with an ivory gown and blue riband adorned with decorations of order. Her miniature tiara is based on Queen Mary’s Fringe Tiara – famously worn by the Queen on her wedding day. Barbie’s manufacturer Mattel have hinted that more could be released before next month’s celebrations kick-off – an announcement that has caused quite a stir among fans. Stay tuned! Image: Mattel

Beauty & Style

COVID-19 heroes honoured by new Barbie range

Women in science and medicine are being honoured with a miniature version of themselves in the form of a Barbie doll. Toymaker Mattel has recognised the work of six women across STEM who have made significant contributions to the fight against COVID-19 by modelling new Barbies after them. Professor Sarah Gilbert, one of the co-developers of the Oxford-AstraZeneca vaccine, is one of the honourees, with her Barbie sharing her long auburn hair and oversized black glasses. “It’s a very strange concept having a Barbie doll created in my likeness,” Gilbert said in an interview for Mattel. “I hope it will be part of making it more normal for girls to think about careers in science.” <blockquote style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CSKIFZwl7c9/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="13"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div> </div> </div> <div style="padding: 19% 0;"></div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"></div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" rel="noopener" href="https://www.instagram.com/p/CSKIFZwl7c9/?utm_source=ig_embed&utm_campaign=loading" target="_blank">A post shared by Barbie (@barbie)</a> </div> </blockquote> Amy O’Sullivan, the emergency room nurse who treated the first COVID-19 patient at Wyckoff Heights Medical Center in Brooklyn and appeared on the cover of Time magazine for its 100 Most Influential People list, also received a doll version of herself. Other honourees include Dr Chika Stacy Oriuwa, a Canadian psychiatrist who spoke out against racism in healthcare, frontline doctor Audrey Cruz, who fought discrimination, and Jacqueline Goes de Jesus, the Brazilian biomedical researcher who led the genome sequencing of a COVID-19 variant in Brazil. <blockquote style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CSKN4QuFL_2/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="13"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div> </div> </div> <div style="padding: 19% 0;"></div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"></div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" rel="noopener" href="https://www.instagram.com/p/CSKN4QuFL_2/?utm_source=ig_embed&utm_campaign=loading" target="_blank">A post shared by Chika Stacy (@chikastacy)</a> </div> </blockquote> Finally, Australian Dr Kirby White, who pioneered a washable and reusable surgical gown for frontline workers to use during the pandemic, received a doll in her honour. To support her work, $5 from each eligible doctor, nurse, and medical doll sold in Australia will be donated by Barbie to <a rel="noopener" href="https://gownsfordoctors.wordpress.com/?fbclid=IwAR3DoOlLlqp06mby2LE06j3zIMFEOJMrH7cyhApl6TeHfmxE80Pi6bhBiDI%2F" target="_blank">Gowns for Doctors</a>, the initiative she started to supply GPs with the gowns. “This donation from Barbie will mean many more doctors across Australia will be able to receive a box of reusable protective gowns and many patients and children will be able to seek care from their doctor,” the Bendigo GP said. <blockquote class="twitter-tweet"> 🇦🇺👩‍⚕️ <a href="https://twitter.com/Barbie?ref_src=twsrc%5Etfw">@Barbie</a> launches 6 new dolls celebrating female scientists - including Australian Dr Kirby White. Dr White pioneered Gowns for Doctors, an initiative behind surgical gowns that can be washed & reused by frontline workers during the pandemic. ▶️ More: <a href="https://t.co/PHYXvyFIu5">https://t.co/PHYXvyFIu5</a> <a href="https://t.co/PwnL6J4I8o">pic.twitter.com/PwnL6J4I8o</a> — Australia in the US 🇦🇺🇺🇸 (@AusintheUS) <a href="https://twitter.com/AusintheUS/status/1422923782180777986?ref_src=twsrc%5Etfw">August 4, 2021</a></blockquote> “Australia is once again facing increasing COVID-19 case numbers and this donation will allow Gowns for Doctors to upscale our efforts to support those clinics in need.” In the UK, Gilbert chose Women in Science and Engineering (WISE), a nonprofit organisation inspiring girls to pursue a career in STEM, to receive a financial donation from the company. Image: Mattel

Caring

Julie Bishop honoured with her own Barbie doll

Julie Bishop has been honoured many different times throughout her career, and although she doesn't have an Order of Australia just yet, she does have something almost no other Aussie has: Her own Barbie doll. Toy giant Mattel is honouring Bishop as its 2021 Australian role model for being a "true trailblazer" in politics and the roles she has occupied since, giving her a one-off doll that is, sadly, not for sale. August 26, 2018, was a symbolic day for Bishop, who decided to quit politics. Which is why she chose the outfit she wore on the day for her doll. Completing the look are matching diamond earrings and brooch, a diplomatic passport and Bishop's silver carry-on suitcase. The hairstyle is also more reflective of Bishop's 2018 cut than what she opts for now. Speaking to The Sydney Morning Herald, Bishop revealed her love for Barbie goes back nearly six decades. She mentioned that she still has the Jackie Kennedy doll her parents gifted her as a child. <blockquote style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CQKsAFrh1ZM/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="13"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div> </div> </div> <div style="padding: 19% 0;"></div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"></div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" rel="noopener" href="https://www.instagram.com/p/CQKsAFrh1ZM/?utm_source=ig_embed&utm_campaign=loading" target="_blank">A post shared by The Hon Julie Bishop (@honjuliebishop)</a> </div> </blockquote> “Knowing how much Barbie had meant to me as a little girl, knowing how Barbie had evolved into this doll that inspired young girls to choose fascinating careers, I jumped at this opportunity,” she says. In the past, Barbie has been relentlessly criticised for reinforcing stereotypes around gender and promoting an unrealistic body image. But Bishop believes the company's ethos has moved "even ahead of the feminist zeitgeist", as well as on matters of diversity, and that such perceptions are "outdated". Mattel paid tribute to Bishop's love of fashion in their explanation of why they chose to honour her. The company was impressed with Bishop after she formed a partnership between the Department of Foreign Affairs and Trade and the Australian Fashion Chamber to promote the local industry. “I wanted to help promote Australian fashion. The industry was such a massive contributor to our ... economy, yet it received very little attention. “It sent a message that you can be a fashion aficionado and still have a very serious job. The more people would try to use my interest in fashion as a negative, the more I saw it as a positive to get out that message.” Bishop’s involvement with Mattel includes working on its “Dream Gap” project, which aims to show girls as young as five that they can achieve the same career goals as boys. Locally, she says there’s a major “dream gap” among Indigenous youth, and as ANU chancellor she is focusing on attracting more First Nations students, including through new scholarships.

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Slip a more sustainable prawn on your barbie this Christmas

Australians are set to munch through half a billion prawns this Christmas. But where do all those prawns come from? And can we feel good as we throw another one on the barbie? About half of the prawns eaten in Australia come from overseas. More than A$200 million worth of frozen prawns were imported in 2011–2012, mainly from southeast and east Asia, and these imports are on the rise. Most of the imported prawns are farm-grown and the main species is commonly known as vannamei, or white shrimp. The rapid growth of prawn farming has generated public debate over its sustainability and effects on the environment. Concerns have surrounded the destruction of mangrove areas, coastal pollution, salinisation, wild prawn collection, the use of marine-based feeds, and conflict with other resource users. But there is some good news: according to the <a href="http://www.fao.org/fishery/culturedspecies/Litopenaeus_vannamei/en">Food and Agriculture Organization</a> of the United Nations, worldwide environmental certification programs such as <a href="http://www.globalgap.org/uk_en/">Global Gap</a> are having a positive influence on farming practices. Growers are breeding prawns that use protein more efficiently, and adopting low-water-exchange pond systems with less environmental impact. These <a href="http://ag.arizona.edu/azaqua/ista/ISTA9/PDF's/Yoram-BFT%20Brief%20Summary%205.3.11.pdf">aerated systems</a> encourage the growth of bacteria and other microorganisms that recycle unused food. Other advances include better biosecurity and traceability, and reduced chemical residues. Australian scientists are supporting better aquaculture practices in Vietnam by helping farmers to establish prawn breeding programs that improve farm productivity. <h2>Australian farmed prawns</h2> About 20% of Australian prawns are farm grown. Australia has some 20 prawn farms, located mainly in Queensland. The most common farmed species is the black tiger prawn, followed by the banana prawn. Australian prawn farmers have worked with scientists to develop healthy, <a href="http://www.csiro.au/en/Outcomes/Food-and-Agriculture/tiger-prawn-farming.aspx">fast-growing</a> prawns that can be produced efficiently on farms that meet the world’s highest standards for environmental management. Research has also addressed the industry’s perceived dependency on marine-based feeds. <h2>What do prawns eat?</h2> Farmed prawns are fed on a compounded pellet made from a range of ingredients that satisfies their nutritional needs. In Australia, the ingredients include soybeans, lupins and canola, and recycled waste proteins, plus small amounts of sustainably-sourced fish meal and fish oil. But now the technology exists to phase-out these marine ingredients. A new food <a href="http://www.csiro.au/Portals/Media/Perfect-food-for-perfect-prawns.aspx">additive</a> developed by CSIRO has been shown to improve prawn growth rates by 30% and eliminates the need for fish products in their diet. The additive is moving towards commercial production in Australia and Asia. <h2>Trawling for prawns</h2> The rest of our prawns are harvested by 500 prawn trawlers that operate across 15 Australian fisheries off Queensland, the Northern Territory, Western Australia, South Australia and New South Wales. The main species caught are <a href="http://fish.gov.au/reports/crustaceans/prawns/Pages/Eastern-king-prawn.aspx">king prawns</a>, <a href="http://fish.gov.au/reports/crustaceans/prawns/Pages/white_banana_prawn.aspx">banana prawns</a>, <a href="http://fish.gov.au/reports/crustaceans/prawns/Pages/tiger_prawns.aspx">tiger prawns</a>, school prawns and <a href="http://fish.gov.au/reports/crustaceans/prawns/Pages/blue_and_red_endeavour_prawns.aspx">endeavour prawns</a>. Wild-caught Australian prawns are available year-round, although some seasonality occurs. Many of the fisheries are remote, so catches are commonly packaged and frozen on board the vessels. Australian prawn fisheries, like all Australian fisheries, are recognised as among the best-managed in the world. Scientists work with managers and industry to set fishing levels that are strictly regulated and monitored. Escape hatches in the trawl nets have been used for more than a decade to reduce the capture of large species, and all prawn fisheries must pass ecological assessments to meet conservation and export regulations. South Australia’s Spencer Gulf Fishery and the Commonwealth <a href="http://www.csiro.au/Outcomes/Oceans/Marine-Life/Sustaining-fisheries-index/Northern-Prawn-Fishery.aspx">Northern Prawn Fishery</a> have both achieved certification from the Marine Stewardship Council, an independent body that certifies sustainable fisheries worldwide. <h2>Look out for labels</h2> All prawns sold at major supermarkets in Australia must be labelled according to the country of origin. In some states, such as the Northern Territory and South Australia, that compulsory labelling extends to all seafood retail outlets, including restaurants. Australian prawn farmers and fishers are trying to encourage people to eat Aussie prawns throughout the year with a <a href="http://australianprawns.com.au/">Love Australian prawns</a> campaign in an effort to smooth out some of the logistics associated with stocking so many prawns at Christmas. So if you do want to buy homegrown prawns, look out for the labels at your supermarket, or ask your fishmonger where they’ll be getting their supplies from this Christmas. <iframe width="440" height="260" src="https://www.youtube.com/embed/Xn_CPrCS8gs?wmode=transparent&start=0" frameborder="0" allowfullscreen=""></iframe> Paul Hogan’s famous ‘I’ll slip an extra shrimp on the barbie’ ad from 1984. <img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important; text-shadow: none !important;" src="https://counter.theconversation.com/content/20421/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/rik-buckworth-110680">Rik Buckworth</a>, Principal Research Scientist, <a href="http://theconversation.com/institutions/csiro-1035">CSIRO</a> and <a href="https://theconversation.com/profiles/greg-coman-109363">Greg Coman</a>, Aquaculture scientist, <a href="http://theconversation.com/institutions/csiro-1035">CSIRO</a> This article is republished from <a href="http://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/slip-a-more-sustainable-prawn-on-your-barbie-this-christmas-20421">original article</a>.

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Our Partners

News

Shop

Catalogues

Newspaper

Contests

Entertainment

Travel

Health

Lifestyle

Finance

Property

Compare

Games

Information

Keep up to date

Search

Queen Camilla's hilarious reaction to becoming a Royal Barbie Girl

"They lost it": Margot Robbie's surprise encounter with Barbie fans

The funny reason Robert Irwin wants to hand over his citizenship

Margot Robbie snubbed as Oscar nominations announced

Ken’s rights? Our research shows Barbie is surprisingly accurate on how ‘men’s rights activists’ are radicalised

Margot Robbie's enormous Barbie salary revealed

Beyond Barbie and Oppenheimer, how do cinemas make money? And do we pay too much for movie tickets?

Done with Barbie? How to reuse or recycle old dolls

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Sports presenter slammed over "Barbie" comments

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Margot Robbie’s eye watering movie salary revealed

Anne Hathaway and Reese Witherspoon jump on new Barbiecore trend

First look at completely transformed Ryan Gosling﻿

Platinum jubilee Barbie becomes a hot commodity

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Julie Bishop honoured with her own Barbie doll

Slip a more sustainable prawn on your barbie this Christmas

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First look at completely transformed Ryan Gosling