Search

Dave Hughes finally confronts Kyle Sandilands in on-air ambush

On Thursday morning, Australian radio’s greatest long-running feud got the surprise intervention nobody saw coming – except maybe Jackie O, who orchestrated the whole thing like a puppet master with a microphone. Jackie O shocked her KIIS FM co-host Kyle Sandilands by bringing in a “mystery guest”, a title that in this case translates to “someone Kyle would rather not speak to before breakfast”. That guest? None other than Australian comedian Dave Hughes, with whom Sandilands has been beefing since approximately the invention of sliced bread (or, more accurately, 2007). “I had a bit of apprehension,” Jackie admitted, as if unleashing an old nemesis on her co-host was a last-minute decision rather than a premeditated ratings bonanza. And fair enough – over the years, Sandilands and Hughesy have clashed at awards shows, on social media and even <a href="https://oversixty.com.au/entertainment/music/dave-hughes-ruthless-stab-at-kyle-sandilands" target="_blank" rel="noopener">in a recent interview</a> where Hughesy announced to the world that he had "no empathy" for Sandilands. But the most shocking revelation of the day wasn’t the feud itself – it was the fact that one of their biggest online spats was started by none other than Jackie O herself. When she mentioned the duo’s "2009 Twitter feud", Sandilands – who has never had a Twitter account – looked baffled. Turns out, Jackie had taken it upon herself to create a fake Kyle Sandilands Twitter profile to fire back at Hughesy. Yes, in an era before blue checkmarks and widespread catfishing awareness, Jackie O was out there roleplaying as Kyle, getting into digital fisticuffs with Australia’s favourite nasal-voiced comedian. Hughesy, for his part, was shocked to discover that all these years later, he had been arguing with a radio host’s alter ego and not the real deal. Their Twitter war, largely fought over who had better TV and radio ratings (a battle in which there are no winners, only casualties), was quickly eclipsed by yet another awkward moment from the past: Sandilands once saying on TV that he “wanted to murder” Hughesy. A comment so extreme that even Kyle himself had no recollection of making it – though, to be fair, it’s probably not the first nor the last time Kyle has forgotten saying something controversial on air. “Look, I know you could afford to have me killed – and I could afford to have you killed – but we’re not going to do that,” Hughesy quipped, proving that humour can, in fact, be the best conflict resolution tool. With the beef officially squashed (or at least put on simmer), Hughesy bid farewell, but not before dropping yet another unexpected bombshell. When Sandilands asked if he still kept in touch with their Masked Singer co-star Lindsay Lohan, Hughesy recalled a moment so bizarre it might just be the greatest mystery in Aussie celebrity history. “The funniest moment of my life was driving along in the country on a Sunday and getting a call from Lindsay – she said ‘I want to go on your radio show right now, because Dannii Minogue’s trying to ruin my life.’ It was a Sunday!” Hughes revealed. And just like that, we were gifted another unexpected celebrity feud: Lindsay Lohan vs. Dannii Minogue – a battle that, unlike Kyle and Hughesy’s, had been lurking in the shadows all this time. What exactly did Dannii do to warrant Lohan’s dramatic distress call? Did she steal her spotlight? Refuse to share a hair straightener? These are the questions that will now keep Australia up at night. But for today, at least, we can rest easy knowing that Kyle and Hughesy have finally found common ground. And that common ground is mutual confusion over Jackie O’s decade-old social media catfishing escapades. Images: Supplied

Music

A late start, then a big boom: why it took until 1975 for Australians to finally watch TV in colour

<div class="theconversation-article-body"> Some 50 years ago, on March 1 1975, Australian television stations officially moved to colour. Networks celebrated the day, known as “<a href="https://artsandculture.google.com/story/c-day-and-the-colour-monster-national-archives-of-australia/LAWRcgnnNY1cKA?hl=en">C-Day</a>”, with unique slogans such as “come to colour” (ABC TV), “Seven colours your world” (Seven Network), “living colour” (Nine Network) and “first in colour” (<a href="https://televisionau.com/feature-articles/network-ten">0-10 Network</a>, which later became Network Ten). The ABC, Seven and Nine networks also updated their logos to incorporate colour. <figure><iframe src="https://www.youtube.com/embed/T7gZdYVZJNc?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe></figure> For most viewers, however, nothing looked much different. The majority owned a black and white TV, while a coloured broadcast required a colour TV set. Advertisers were initially reluctant to accept the change, which required them to re-shoot black and white commercials with colour stock at a significantly higher cost. Many reasoned viewers were still watching the ads in black and white. And initially this assumption was correct. But by nine months later, 17% of Australian homes <a href="https://trove.nla.gov.au/newspaper/article/110829595?searchTerm=colour%20television%20in%20australia%201975">had a colour receiver</a>. This rose to 31% by July 1976. By 1978, 64% of Melbourne and 70% of Sydney households owned colour TV sets, making Australia one of the world’s fastest adopters of colour TV. According to the Federation of Australian Commercial Television Stations (FACTS) annual report for 1975–76, colour TV increased overall viewership by 5%, with people watching for longer periods. The 1976 Montreal Olympics also led to an <a href="https://www.nfsa.gov.au/collection/curated/asset/96836-olympic-games-coverage-colour">increase in TV sales</a>, with the colour broadcast shared between the ABC, Seven and Nine. <figure><iframe src="https://www.youtube.com/embed/L-75iIoshak?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption>Highlights from the Montreal 1976 Olympic Games marathon event.</figcaption></figure> <h2>A late start</h2> With the United States introducing colour TV from 1954, it’s peculiar that Australia took so long to make the transition – especially since conversations about this had been underway since the 1960s. In 1965, a report outlining the process and economic considerations of transitioning to colour was tabled in parliament. Feedback from the US highlighted problems around broader acceptance in the marketplace. Colour TV sets were expensive and most programs were still being shot in black and white, despite the availability of colour. Networks were the most hesitant (even though they’d go on to become one of the most major benefactors). In 1969, it was <a href="https://australianfoodtimeline.com.au/colour-tv-introduced/">estimated transitioning to colour</a> would cost the ABC A$46 million (the equivalent of $265,709,944 today) over six years. The federal government, led by then prime minister Robert Menzies, decided to take a cautious approach to the transition – allowing manufacturers, broadcasters and the public time to prepare. The first colour “test” broadcast took place on June 15 1967, with <a href="https://televisionau.com/2025/03/tv-50-years-in-colour.html">live coverage</a> of a Pakenham country horse racing event in Victoria (although few people would have had coloured TV sets at this point). Other TV shows also tested broadcasting in colour between 1972 and 1974, with limited colour telecasts aired from mid-1974. It wasn’t until March 1975 that colour TV was being transmitted permanently. <figure><iframe src="https://www.youtube.com/embed/vIqqiK4ncfs?wmode=transparent&start=40" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption>‘Aunty Jack Introduces Colour’ was a one-off television special of The Aunty Jack Show, broadcast on the ABC on February 28 1975.</figcaption></figure> <h2>The cinema industry panics</h2> <a href="https://anzacportal.dva.gov.au/wars-and-missions/vietnam-war-1962-1975/events/withdrawal-from-1971">Australia’s involvement</a> in the Vietnam War created further urgency to televise in colour. With the war ending in April 1975, Australians watched the last moments in colour. Other significant events broadcast in colour that year included the December federal election, in which Malcolm Fraser defeated Gough Whitlam after the latter was <a href="https://www.youtube.com/watch?v=SXq056TJhU4">dramatically dismissed</a> as prime minister on November 11. With the public’s growing interest in colour TV, local manufacturers began lobbying for higher tariffs on imports to encourage domestic colour TV production. In the mid 1970s, a new colour set in Australia cost between $1,000 and $1,300, while the average full-time annual income was <a href="https://www.abs.gov.au/AUSSTATS/abs@.nsf/Lookup/6302.0Main+Features1Sep%201975?OpenDocument=">around $8,000</a>. Still in the throes of a financial recession, customers began seeking out illegally-imported colour TV sets – which were appearing at car boot markets across the country. <figure><iframe src="https://www.youtube.com/embed/wTKMqPg4hM8?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption>British childrens show The Wombles came to Australian screens shortly after colour TV was introduced.</figcaption></figure> The government also created an advertising campaign warning the public of scammers who would offer to convert black-and-white TVs to colour. These door-to-door “salesmen” <a href="https://hoaxes.org/archive/permalink/instant_color_tv#google_vignette">claimed to have</a> a special screen which, when placed over a TV, would magically turn it colourful. By 1972, the estimated cost of upgrading broadcasting technology to colour <a href="https://www.nfsa.gov.au/latest/colour-tv-part-1">had reached $116 million</a>. The cinema industry, in a panic, even questioned whether colour TV could damage a viewer’s eyesight. The industry had previously suffered huge losses in cinema attendance with the introduction of black-and-white TV from 1956. Cinemas had a monopoly on colour and were petrified over what the introduction of colour to television could do to their attendances. Such fears were founded. In 1974 Australia had 68 million admissions to the cinema. By 1976, there were just 28.9 million admissions. Never again would yearly cinema admissions reach <a href="https://www.screenaustralia.gov.au/fact-finders/cinema/industry-trends/historical-admissions">above 40 million</a>. But despite the complaints – from the cinema industry, advertisers, broadcasters and manufacturers – audiences were ready for colour. And any network that dared to program in black and white would subject itself to a barrage of annoyed viewers. Colour TV was here to stay.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/251363/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/stephen-gaunson-265553">Stephen Gaunson</a>, Associate Professor in Cinema Studies, <a href="https://theconversation.com/institutions/rmit-university-1063">RMIT University</a> This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/a-late-start-then-a-big-boom-why-it-took-until-1975-for-australians-to-finally-watch-tv-in-colour-251363">original article</a>. Image: Youtube/Austvarchive </div>

Maggie Smith's son reveals her final moments

Dame Maggie Smith's son Toby Stephens has shared details of the last few weeks of his mother's life, and how he wasn't by her side when she passed away. Toby and his brother Chris Larkin announced the death of their famous mother, revealing she died peacefully in hospital in September 2024 at the age of 89. Stephens, who is also an actor, has now opened up about Maggie's last weeks, telling <a href="https://www.thetimes.com/culture/tv-radio/article/toby-stephens-acting-mother-maggie-smith-zd0979rf8?region=global" target="_blank" rel="noopener">The Times</a> that he was filming a movie in New Zealand when his mother died. Despite her health troubles, Smith encouraged her son to take the role in the horror movie Marama, as he explained, “She was in hospital. She was supposed to be coming out, but the last two years of her life had been a decline: she would get worse, then she would get better, then she would get worse.” “So I said, ‘Look I’ve got this film,’ and before I could even ask her, she said, ‘Go do it. God, you don’t want to hang round here, I’m fine.’” However, when Stephens arrived in New Zealand, he was informed by hospital staff that his mother’s condition would not improve, as he said, "But it could take two months, two weeks, they didn’t know." Soon afterwards he started filming the movie, his mother stopped being able to communicate. “I’d spent hours and days sitting with her at home and in hospital over the course of two years, and there was nothing I had left unsaid,” Stephens said. Maggie Smith died on September 27th, the day before Stephens finished filming. His wife, actress Anna-Louise Plowman, and their three teenage children were all with her at the hospital the day before she died. Maggie's other son Chris Larkin was at Smith’s bedside for her final moments, as Stephens said, “I was so sad not to be with him.” “I found that very difficult, but she was no longer aware. And it allowed me some space to actually get my head round what had happened.” Elsewhere in the interview, Stephens said he had been touched by the response to his mother’s death and the number of people who remembered her for her earlier roles. He added, “The thing that really got me was: it’s very rare that you have actors that everyone likes." Image credits: Colorsport/ITV/Shutterstock Editorial

Caring

Big banks finally cut fixed-interest mortgage rates

NAB has become the first big bank to announce it has cut its fixed rate mortgages across all loan terms. The bank is the first of the big four banks to cut its fixed rates in 2025, two weeks out from the Reserve Bank of Australia’s first meeting when it is tipped to cut the cash rate. NAB announced on Monday that their lowest fixed rate is now 5.84 per cent, with a deposit of at least 20 per cent on a three-year term. “NAB is the first of the big four banks to cut fixed rates in 2025, with other banks likely to follow,” Canstar data insights director Sally Tindall said. “The cost of wholesale fixed rate funding has started to ease slightly. This, combined with a prospective cash rate cut, should push other banks into moving on fixed rates.” The cuts from NAB come almost two weeks after Macquarie Bank lowered its fixed rates, however, ANZ still has the lowest fixed rate out of the big four banks at 5.74 per cent for a two-year or three-year term. “While a few banks are now starting to sharpen their offerings, fixed rates still have a way to fall before they become fashionable again with borrowers,” Tindall said. “We expect the big four banks in particular to pass on cash rate cuts in full, at least for the first couple of cash rate cuts,” she said. “But we might even see some banks choose to pass on even more to new customers in order to take advantage of that re-engagement for borrowers in what a competitive rate looks like.” “Many homeowners have been waiting for well over a year for a cash rate cut. It’s hard to see them throwing in the towel and switching to a fixed rate now when the RBA is poised to move." “That said, there’s no guarantee we’ll see a barrage of cash rate cuts and borrowers should factor this into their thinking.” Image credits: Shutterstock <p class="mb-4 font-serif text-article-body" style="font-family: var(--font-google-newsreader),serif; box-sizing: border-box; border: 0px solid; margin: 0px 0px 24px; font-size: 1.2275rem; line-height: 26.514px; caret-color: #2a2a2a; color: #2a2a2a;">

Money & Banking

Sinead O’Connor’s final wish revealed

Almost two years after the Sinead O'Connor's tragic death, the legacy she left behind for her children has been revealed. According to Irish probate records obtained by The Sun, O'Connor left her £1.7 million (AUD 3.38 million) estate to her three surviving children, with ex-husband John Reynolds named executor of her estate. After debts, legal fees, and funeral costs, the estate was reduced to £1.4 million (AUD 2.78 million). The document also contained specific instructions for her children to ensure they get their money's worth out of any unreleased music that she has recorded. “I direct that after my death, and at the discretion of any of my children who are then over 18, my albums are to be released to ‘milk it for what it’s worth’,” she wrote. Signed in 2013 ahead of her conversion to Islam in 2018, the document also outlined her burial requests, where she noted her children may “dispense my ashes as they see fit” and to be buried in priest's robes with a copy of the Hebrew bible and her album, Theology. The singer's youngest son Yeshua was given her collection of guitars. O’Connor passed away in July 2023 at the age of 56, after she was found unresponsive at her London home by first responders. Her <a href="https://www.oversixty.com.au/health/caring/coroner-finally-reveals-sinead-o-connor-s-cause-of-death" target="_blank" rel="noopener">cause of death</a> was later confirmed to be chronic obstructive pulmonary disease (COPD) and asthma, after a a copy of her death certificate was obtained by the Irish Independent newspaper. Image: Co/ZUMA Press Wire/ Shutterstock Editorial

Money & Banking

Husband reveals final text from wife on board doomed flight

The husband of a woman on board American Airlines flight 5342 has revealed the final text he received from his wife just minutes before her flight collided with a US Army helicopter at around 9pm on Wednesday night. Hamaad Raza told WUSA9 that his wife had been texting him while she was on board the flight from Wichita, Kansas to Washington DC before the plane collided with the military helicopter and plunged into the river. She had texted him: “Landing in 20 minutes” but when his replies failed to send, he realised that something was wrong. “That’s when I realized something might be up”, Raza shared. Raza's wife, who was only 26-years-old, was travelling to Wichita for work had “always had a fear of flying and that she never really was comfortable”. Aviation officials have yet to provide and explanation for the crash, as commercial airlines are supposed to receive a warning of potential collisions through a Traffic Alert and Collision Avoidance System (TCAS). Emergency services have been deployed throughout the night in freezing and icy conditions in attempt to find bodies among the wreckage, with dozens already recovered from the water. “I'm just praying that somebody's pulling her out of the river right now, as we speak," Raza told WUSA9 in the early hours of Wednesday. “That's all I can pray for, I'm just praying to God.” Raza is waiting for answers from officials but has been left in the dark on any information about his wife. Image: WUSA9

Caring

Midwife turns comedian at the grand old age of 62!

At an age when many are settling into retirement, Sarah Stewart decided to rewrite the script of her life – literally and figuratively. After decades as a midwife, wife and mother, the 62-year-old has gone from delivering babies to delivering punchlines by taking to the stage as a stand-up comedian, proving that it’s never too late to pursue a dream. With a sharp wit and an abundance of life experience, she’s been blowing audiences away with her hilarious and heartfelt reflections on family, ageing and the absurdities of modern life. But her journey to comedy hasn’t been without its challenges. Juggling her blossoming career with personal trials – including her husband’s battle with cancer – Sarah has had to navigate the delicate balance between ambition and devotion. Through it all, she’s maintained a fierce determination to follow her passion and inspire others. We sat down with Sarah to discuss the triumphs and setbacks of chasing a dream later in life, and her upcoming plans to take her one-woman show, Midwife Crisis, to new heights: “When I hit 60 a couple of years ago, I had a sudden thought: ‘Gosh! Death is just around the corner!’ “Okay, that’s a bit dramatic, but as you get older, you start to reflect on all the things you have always wanted to do but never achieved and realise that now is the time to do it before it is too late. “In my case, I had always wanted to become an actress but with being a wife, mother and an on-call midwife, over the years I had lost touch with my artistic side. I know it sounds like a horrible cliché but when I turned 60 I realised now was the time for me to reconnect with my creative soul, follow my dreams and put me first in my life for a change. “In 2020 I thought I would explore the possibility of becoming a comedian. I completed a couple of comedy courses and took part in a few open mics in Canberra. I discovered I have an ability to make people laugh, especially when talking about the highs and lows of being a wife for 40 years, wrangling grown-up kids who refuse to leave home, dishing the goss on being a midwife, and reflecting on the ageing process and how I’m preparing for my funeral. “Only 20 percent of women are comedians, and very few are over the age of 60. Thus, I have found a performance niche and an audience of the over 60s, especially women, with whom my material really resonates. I regularly have people say what a positive role model I am ‘at my age’! My unspoken response is I’d rather be doing comedy than spending all my time baby-sitting snotty grandchildren! “Over the last couple of years, I’d been building to debut my solo show ‘Midwife Crisis’ at the Australian Festival of Arts in Townsville in October 2024. But in May 2024, my husband Mark was diagnosed with stage 4 oesophageal cancer. “He went through a course of intensive chemotherapy and was scheduled for surgery in the middle of September. I didn’t know what to do; cancel my show straight away, or hang on while we waited to see the outcome of Mark’s surgery? “Obviously, my priority was to support my husband but at the same time I was gutted that I might miss this opportunity to achieve a goal that I had worked so hard for. “At the age of 62 these openings do not arise in the same way as they do for comedians in their 30s. To make matters ‘worse’, the two shows quickly sold out, so it looked like I had an instant success on my hands. “Mark had extensive but successful surgery on the 18th of September, and with the assistance of our son and Mark’s fabulous friends, I was able to go to Townsville and do my shows knowing Mark was being looked after at home. Our beautiful daughter who lives in Townsville did an amazing job of supporting me and resisting the temptation of rolling her eyes at how crazy her mother is. “Today, Mark has finished his last course of post-surgery chemotherapy and at the moment he is cancer-free. We don’t know what the future holds for us. That being said, another one of my favourite clichés is ‘onwards and upwards’. And so I am taking ‘Midwife Crisis’ to the Adelaide Fringe Festival in February 2024 and I am hoping I will be able to tick off another bucket list item, which is performing at the Edinburgh Fringe Festival in 2026. “That’s as long as I don’t suddenly get snotty grandchildren to look after!!” Sarah is performing her Midwife Crisis show at the Adelaide Fringe Festival from Friday 21 – Sunday 23 February 2025, 2pm and 6pm. For more info and to book tickets, check out <a href="https://adelaidefringe.com.au/fringetix/midwife-crisis-af2025" target="_blank" rel="noopener">https://adelaidefringe.com.au/fringetix/midwife-crisis-af2025</a> Images: Supplied

Retirement Income

Ray Hadley chokes up during final radio show

Ray Hadley has become emotional during his last show on-air, farewelling his loyal 2GB audience for the last time. Hadley was joined by fellow 2GB host Ben Fordham for his final show on Friday, with Fordham surprising Hadley with a tribute to his stellar career. The tribute spanned Hadley’s entire career, from top sporting moments, interviews with Keith Urban, to his children speaking with him on air. “Ray Hadley, this is your life,” Fordham said before it played. However, Hadley became emotional when a snippet of his mother’s voice was played during the segment. “Very emotional. I had heard my mother’s voice previously,” Hadley told listeners, choked up. “I wasn’t gonna get upset. You’ve done this to me you little bludger.” Earlier this week, Hadley spoke with <a href="https://honey.nine.com.au/latest/ray-hadley-retires-from-2gb-sydney-radio-interview-exclusive/354a86f1-eeac-49a2-bc04-a91f3f22ff13" target="_blank" rel="noopener">9Honey</a> about his <a href="https://www.oversixty.com.au/lifestyle/retirement-life/the-time-has-come-ray-hadley-announces-retirement" target="_blank" rel="noopener">retirement</a>, reflecting on his 43-year career. Hadley admitted he worked brutal hours during his illustrious career, with his dedication leading to what became one of the most impressive runs in radio history in Australia. "I've fought hard for every position I've got and a couple were thrust upon me without fighting for them, but once I got them I realised that it was things I liked doing," he told 9Honey. "So yeah, it's been an adventure." "Like every adventure, there's highs and lows. The lows are about as low as you can get, the highs are about as high as you can get, and hopefully most of the time is in the middle somewhere." Hadley said while he's "retiring from full-time radio work" he's "not retiring from life" and with his contract set to run with 2GB until 2026 he is considering his options. "That doesn't mean I won't do something else. What that is, I don't know, because I'm still contracted here. And I'm still committed to this station in many respects ... I've been here for 24 years." "So, you know, there's always a part of me that is willing this station and this network to do well," he said. For now, he's planning to take a three-month break "to clear my head." Image credits: 2GB

Retirement Life

"Absolute disappointment": Home and Away fans slam season finale

Fans of Home and Away have been left outraged after the finale of the 2024 season, with many claiming it was "boring and predictable". Viewers of the long-running Aussie soap were disappointed by the feature-length episode that promised "bloodshed" and "deadly consequences" and while it ended with two lives hanging in the balance. The show is set to return on January 13th and pick up where it left off, leading to the resolution that will see fans waiting almost two months for answers. After Thursday night's finale, hundreds of fans flocked to social media to share their annoyance over all the drama being crammed into the last 10 minutes of the episode, despite its 90-minute runtime. "Found the last episode so boring and predictable," one fan said. "How many more coppers are going to end up in jail?" "I have to say, that was ridiculously s**t for a season finale," another complained. "The best bit was the last 15 seconds." "That was the worst ending," someone else said, with another agreeing. "What an absolute disappointment for this year's final episode. Love Home and Away, but this was by far the worst final episode of the season ever." "I was so disappointed with the ending," another fan said. "I expected it to be more drama/suspense but it was quite boring in my opinion. Now an almost 2 month wait for the show to return." While many were disappointed, others were excited to see how the dramatic storyline is set to be resolved in the new year. "I'm so excited for the new season," one fan said. "What am l going to do without this lol it’s pretty sad when you so look forward to it at 7pm," another lamented. "I can't believe I've got to wait till next year, it's already killing me," someone else agreed. Image credits: Home and Away

Prince Philip's final phone call to King Charles revealed

Prince Philip was known for his quick wit and sense of humour, and now his family have shared their favourite moments with him in the BBC documentary Prince Philip: The Family Remembers. In the documentary, King Charles revealed the cheeky remarks the Duke made in their final phone call just hours before his passing on April 9, 2021 at the age of 99. Charles recalled discussing the Duke's upcoming 100th birthday celebrations and having to raise his voice so his father could hear him better, saying: “We’re talking about your birthday! And whether there’s going to be a reception!” The Duke quipped: “Well, I’ve got to be alive for it, haven’t I?” King Charles fondly shared what he said to his father's cheeky remark, “I told him ‘I knew you’d say that!'”. In another part of the documentary, the monarch recalled the benefits of having young parents. “He was marvellous at arranging silly games. I mean, the fun of having obviously young parents was… there were lots of chasing around and mad things," he said. Prince William also shared some of his fond memories with his late grandfather, recalling the pranks they used to pull together, and one of them being squirting mustard all over the ceiling - much to the Queen’s annoyance. “He used to take the lid off [the tube] and put it in your hands … and then he’d squish your hands together to fire the mustard onto the ceiling," William said. “He used to get in a lot of trouble from my grandmother,” he added. William’s cousins, Princess Anne’s children Zara Tindall and Peter Phillips, also remembered the same prank. “He gets you to hold it in your hands and I can’t remember exactly what he says — but he ends up slamming your hands together… it goes all over the ceiling,” Zara said. Her brother Peter added: “I actually think the marks are still there.” Image: Canadian Press/ Shutterstock Editorial

Family & Pets

Court views footage of final moments before Clare Nowland was tasered

A registered nurse with nearly 50 years of experience has expressed her deep concern regarding the tasering of 95-year-old Clare Nowland, a resident at Yallambee Lodge nursing home in Cooma, New South Wales. The incident occurred in the early hours of May 17, 2023, and <a href="https://www.oversixty.com.au/news/news/clare-nowland-dies-officer-charged" target="_blank" rel="noopener">resulted in Nowland's death</a>, a great-grandmother suffering from dementia. Senior Constable Kristian James Samuel White, 34, is currently on trial in the NSW Supreme Court facing manslaughter charges related to the incident. He has pleaded not guilty, asserting that he acted lawfully under his duties as a police officer. During her testimony, Nurse Rosaline Baker recounted her alarm when she called triple-0 after Nowland had grabbed two steak knives and a jug of prunes from the kitchen. Following her call for help, White and Acting Sergeant Rachel Pank arrived on the scene after two paramedics. Together with Baker, they located Nowland in a treatment room. When White pulled out his taser, Baker admitted she was unfamiliar with the device and felt "kind of curious". However, her curiosity turned to horror when she heard a loud noise and witnessed Nowland being struck by the stun gun. "I was very, very concerned when she was falling to the ground," Baker stated in court. The trial has revealed troubling details about Nowland's condition and behaviour leading up to that fateful night. Expert testimony indicated that her behaviour had escalated over the three months prior to her death. She exhibited increasingly anti-social behaviour, such as taking food from other residents, attempting to undress in public areas, and refusing assistance from staff. CCTV footage presented during the trial showed Nowland physically lashing out at staff members and even getting stuck in a tree, as well as footage showing the final moments of Nowland's life as she hid from emergency service staff – including Senior Constable White. Nowland had been admitted to the hospital on April 16 and prescribed the anti-psychotic drug Risperdal to manage her aggressive behaviour after incidents involving punching and biting staff. Under questioning by defence barrister Troy Edwards SC, an expert acknowledged that Nowland's behaviour just before she was tasered could have been influenced by a recent reduction in her medication dosage. The trial continues. Images: 7 News

Caring

Queen Elizabeth's final diary entry revealed

The final dairy entry of Queen Elizabeth, written in the days before her death, has been revealed for the first time. Featuring in Robert Hardman’s biography on King Charles, Charles III: New King, New Court, the final entry in Her Majesty's personal diary delves into the last days of her life. During her 70-year reign, Queen Elizabeth kept a private diary to record key events: a tradition she upheld until her final days. The passage, which was penned on September 6th, was made at Balmoral just two days before she died at age 96. She wrote that her private secretary, Edward Young, had visited her, and shared some highlights about swearing in new Privy Council members. “It transpires that she was still writing it at Balmoral two days before her death,” Hardman wrote. “Her last entry was as factual and practical as ever. It could have been describing another normal working day starting in the usual way — ‘Edward came to see me’ — as she noted the arrangements which her private secretary, Sir Edward Young, had made for the swearing-in of the new ministers of the Truss administration.” The Queen’s final engagement was asking Liz Truss to form a government after the resignation of British Prime Minister Boris Johnson. According to The Telegraph UK, Queen Elizabeth's diary-writing habit is one she passed on to King Charles, with a senior courtier revealing that Charles “doesn’t write great narrative diaries like she used to,” but he does “scribble down his recollections and reflections”. Image credits: Shutterstock

Caring

Bondi Junction attack victim's family reveals final phone call

Heartbreaking details have emerged of the final video call hero security guard Faraz Tahir made hours before the tragedy. Tahir, was one of six victims killed during the Bondi Junction stabbing attack on April 13, and the only male victim to die in the attacks as he confronted knifeman Joel Cauchi. His loved ones have shared details of the final video call he made before going to work on that tragic day, ahead of a coronial inquest into the massacre beginning on Tuesday. Tahir's family said he was very excited to be starting his new life in a country he described as safe and "very peaceful". "That day ... he was talking to the whole family on a video call in Pakistan, and he was dressed up, and he told us that he was preparing to go to a job," the family told Seven News. "He said it's my first shift in Bondi Junction ... and he was really excited. "He finally felt safe in Australia … he said 'Australia is very beautiful, Australia is very exciting and very peaceful.'" Tahir and colleague Muhammad Taha ran to help when they heard people screaming and shouting. His family said they were proud of the courage Tahir showed during the horrific event. "He was serving as a security guard, and he went above and beyond ... we definitely consider him a hero," they told Seven News. “He did what he was meant to do to protect humanity." “And his sacrifice will make things better in future... to prevent these sorts of incidents happening again.” The inquest is set to go over evidence and hear from a handful of witnesses, which the family said will bring back painful memories. “It is an emotional time... to be going through it again,” they said. "The memories will come back." Images: 7News

Family & Pets

The Block winners revealed after nail-biting auction

The winners of the 2024 season of The Block have been crowned, after the nail-biting auction came to a dramatic end on Sunday night. In a break from tradition, it was the last house sold that made the most money, with sisters Maddy and Charlotte making a huge $1,550,00 profit from their house, as well as the $100,000 prize money. The sisters, aged just 25 and 22, were in disbelief at how quickly it was all over. <div id="paragraph-9"> <div> “It took us a second to be like, ‘No, no. Like, you just won The Block.’ And I think I was a bit of a stunned mullet,” Maddy said. </div> </div> <div id="paragraph-10"> <div> “I was expecting anticipation and to be, like, ‘Oh, what’s gonna happen next?’ It was like, ‘Well, you’ve won.’ It’s like … time to go. It was the quickest auction of the day; it was over so quickly.” </div> </div> Coming in second were Courtney and Grant with $1,300,050 profit, followed by Kristian and Mimi in third place with $1,030,000. Fourth were Haydn and Ricky who made $750,000 and coming in last, but still smiling, were Kylie and Brad who made $650,000. Kylie, who was embroiled in much on-screen drama this season, said all the hardships of the show were worth it, and they were happy with their result. "It was worth it," she said. "Unfortunately. Because I was a different person here. But… we made it. We're very grateful." Millionaire "Lambo guy" Adrian Portelli made a splash at what he said would be his final Block auction, as he ended up spending $15,030,000 in one day and breaking a Block record by purchasing every single house. Image credits: Nine

New details about Queen Elizabeth's final hours revealed

The final hours of Queen Elizabeth's life have been shared in a tell-all new book about the royals, detailing how Her Majesty was forced to pull out of an important meeting before she died. In his book, Charles III: New King, New Court, author Robert Hardman shared that the day before her death, Queen Elizabeth had met the departing British prime minister, Boris Johnson, and his replacement, Liz Truss, at Balmoral and attended a drinks party that same evening. Hardman wrote that the Queen felt "buzzy" at the event, but her health quickly took a turn for the worst. “She was quite buzzy over pre-dinner drinks,” one guest at the party told Hardman. “But then she said she was going upstairs to have dinner alone.” The monarch then spent the next day in bed, but reportedly arranged with the Privy Council to dial in via video link for an important meeting. As her health deteriorated throughout the day, that was changed to allow for her to call from her bedroom in an audio-only capacity, according to Hardman. But just moments before the meeting was set to get underway, the Queen reportedly made the difficult decision to cancel entirely on “medical advice”. It was that evening that then-Prince Charles was advised by Princess Anne and his private secretary to make his way urgently to his mother’s bedside, with fears that the end was near. Hardman writes that the following day, Charles was told his mother had died over the phone, having briefly left her bedside to have a moment to himself outside. Sadly, most of the royal family didn't make it to Balmoral in time to see the Queen before she passed, with Prince William, Prince Andrew, and Prince Edward and his wife Sophie all landing 40 minutes later. Prince Harry shared in his own memoir Spare that he learned of his grandmother’s death by reading it in a BBC breaking news alert, moments after his own flight landed. The Queen died at 3:10pm on September 8th 2022, after more than 70 years on the throne. Image credits: Shutterstock

Caring

Hugh Grant finally reveals his children's names

Hugh Grant has revealed the names of his two youngest daughters for the first time in a candid interview moment. The English actor and father-of-five has never announced the names of two of his children or the gender of his youngest offspring. Now, during an interview with talk show host Jimmy Kimmel, the 64-year-old finally shared that his youngest child was a girl and shared her name with viewers. During a conversation about his own unusual middle name, Mungo, he said, "I was in a bit of a panic with my wife on the day we named [our daughter]." Sharing the hilarious inspiration behind the name, he said, "We thought it might be nice for her when she was older if she could say in bars that her middle name is Danger. So, her name is Lulu Danger Grant. Austin Powers, you know?" Hugh, who also has a son named John Mungo, went on to reveal that his youngest isn't the only child in the family with a fun name. He went on to say that he and his wife Anna were stressed when naming their first daughter, and decided to ask their son for advice. "We asked her elder brother when she was on the way, 'there's a new baby coming along, what shall we call her?'", Hugh explained. "And he said 'Kevin', because that was his favourite Minion." "And we did think about calling her Kevin, but then we said, 'you'd better think of something else', and he said 'Blue', because that was his favourite colour." The announcement was out of character for Hugh, who despite being a huge Hollywood name, tends to keep his personal life out of the spotlight. Image credits: YouTube

Family & Pets

From cheeky thrill to grande dame – the Moulin Rouge celebrates 135 years of scandal and success

<div class="theconversation-article-body"> <a href="https://theconversation.com/profiles/will-visconti-805914">Will Visconti</a>, <a href="https://theconversation.com/institutions/university-of-sydney-841">University of Sydney</a> When the Moulin Rouge first opened on October 6 1889, it drew audiences from across classes and countries. The Moulin offered an array of fin-de-siècle (end-of-the-century) entertainments to Paris locals and visitors. Located in <a href="https://www.metmuseum.org/toah/hd/mont/hd_mont.htm">Montmartre</a>, its name, the “red windmill”, alluded to Montmartre’s history as a rural idyll. The neighbourhood was also associated with artistic bohemia, crime, and revolutionary spirit. This setting added a certain thrill for bourgeois audiences. From irreverent newcomer to a French institution, the Moulin Rouge has survived scandal, an inferno and found new ways to connect with audiences. <h2>Red and electric</h2> In 1889, the Moulin Rouge was not the only red landmark to open in Paris. The <a href="https://www.toureiffel.paris/en/news/history-and-culture/133-years-and-1083-feet#:%7E:text=The%20Tower%20would%20open%20to,Eiffel%20workshop%20in%20Levallois%2DPerret.">Eiffel Tower</a>, built as part of the <a href="https://www.britannica.com/topic/worlds-fair#ref1122093">Universal Exhibition</a> and originally painted red, had opened earlier that same year. What set them apart, however, was their popularity. The Moulin Rouge was an instant hit, capitalising on the global popularity of a dance called <a href="https://www.moulinrouge.fr/en/french-cancan-2/">the cancan</a>. Dancers like Moulin Rouge headliner <a href="https://commons.wikimedia.org/wiki/File:Portrait_de_la_danseuse_de_cancan_Louise_Weber_(1866-1929)_dite_la_Goulue_(%C3%A0_gauche)_et_de_Grille_d%27%C3%A9gout_(%C3%A0_droite),_da,_PH41845.jpg">La Goulue </a>(“The Glutton”, real name Louise Weber) were seen as more appropriate emblems for the city than the Tower, which many <a href="https://www.toureiffel.paris/en/news/130-years/artists-who-protested-eiffel-tower">considered an eyesore</a>. In an illustration from Le Courrier Français newspaper, a dancer modelled on a photograph of La Goulue holds her leg aloft, flashing her underwear with the caption “<a href="https://gallica.bnf.fr/ark:/12148/bpt6k1070090h/f1.image">Greetings to the provinces and abroad!</a>”. Every aspect of the Moulin spoke to the zeitgeist, from its design to the performances, the use of electric lights that adorned its façade, and its advertising. Its managers, the impresario team of <a href="https://www.moulinrouge.fr/en/the-great-periods/#:%7E:text=The%20masters%20of%20the%20place%20were%20Joseph%20Oller%20and%20Charles%20Zidler">Joseph Oller and Charles Harold Zidler</a>, had a string of successful venues and businesses to their names. They recognised the importance of modern marketing, using print media, publicity photographs, and <a href="https://commons.wikimedia.org/wiki/File:Cheret_Bal_au_moulin_rouge.jpg">posters</a> to spark public interest. Among the most iconic images of the Moulin is <a href="http://hdl.handle.net/10934/RM0001.COLLECT.339766">Henri de Toulouse-Lautrec’s 1891 poster</a>. At its centre is La Goulue, kicking her legs amid swirling petticoats. <h2>She certainly can cancan</h2> Found primarily in working-class dance halls from as early as the 1820s, the cancan became a staple of popular entertainment the world over. Part of the dance’s thrill lay in the dancers’ <a href="https://commons.wikimedia.org/wiki/File:La_Goulue_y_Valentin_le_D%C3%A9soss%C3%A9_bailando_en_el_Moulin_Rouge,_Th%C3%A9ophile_Steinlen.jpg">freedom of movement</a> and titillation of spectators, as well as its anti-establishment energy. Women used the cancan to thumb their nose at authority via steps like the coup de cul (“arse flash”) or coup du chapeau (removing men’s hats with a high kick). The cancan was not the only attraction at the Moulin. There were themed spaces, sideshows, and variety performances ranging from belly dancers and conjoined twins to <a href="https://www.weirdhistorian.com/le-petomane/">Le Pétomane</a> (“The Fartomaniac”) who was a flatulist and the highest-paid performer. People watching was equally popular. <h2>Scandals, riots, and royalty</h2> Over the years, the Moulin has been no stranger to controversy. In its early years, it cultivated an air of misbehaviour and featured in pleasure guides for visiting sex tourists. In 1893 it hosted the <a href="https://read.dukeupress.edu/french-historical-studies/article-abstract/33/1/69/9638/The-Art-of-Posing-Nude-Models-Moralists-and-the?redirectedFrom=PDF">Bal des Quat’z’Arts</a> (Four-Arts Ball) held by students from local studios. Accusations of public indecency were made against the models and dancers in attendance, and violent protests followed after the women were arrested. In 1907 the writer Colette appeared onstage at the Moulin in an Egyptian-inspired pantomime with her then-lover, <a href="https://daily.jstor.org/the-cross-dressing-superstar-of-the-belle-epoque/">Missy, the Marquise de Belbeuf</a>. When the act culminated in a passionate kiss, a riot broke out. <figure><iframe src="https://www.youtube.com/embed/7N_dvUptKX8?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption>Historical footage shows the Moulin Rouge as it was.</figcaption></figure> <h2>Kicking on and on</h2> Over time, the Moulin Rouge shows changed their format to keep pace with public taste, though the cancan remained. The venue hosted revues and operettas, and various stars including Edith Piaf, Ella Fitzgerald, Frank Sinatra and Liza Minnelli. Famous guests have included British royalty: from Edward VII (while Prince of Wales) to his great-granddaughter, Queen Elizabeth II, and her son, Prince Edward. Since its opening, the Moulin’s fortunes have waxed and waned. In 1915 the Moulin Rouge <a href="https://archive.nytimes.com/iht-retrospective.blogs.nytimes.com/2015/02/27/1915-fire-destroys-moulin-rouge/">burned down</a> but was rebuilt in 1921. Its famous windmill sails <a href="https://www.bbc.com/news/world-europe-68895836">fell off overnight</a> earlier this year but were swiftly repaired. In the 1930s, it survived the Depression and rise of cinema (also <a href="https://www.imdb.com/title/tt0019186/?ref_=fn_al_tt_4">capturing the attention</a> of <a href="https://www.imdb.com/title/tt0025520/?ref_=fn_al_tt_3">several filmakers</a>). It also survived the <a href="https://www.thetimes.com/article/i-took-nazis-to-the-moulin-rouge-they-sent-me-to-auschwitz-s3lzxcwwn8q">Nazi occupation</a> of Paris in the 1940s. By the early 1960s, <a href="https://www.moulinrouge.fr/en/the-moulin-rouge/history/the-great-periods/#:%7E:text=Charles%20Trenet-,F%20FOR%20FORMIDABLE,-In%201962%2C%20Jacki">Jacki Clerico</a> was managing the Moulin’s show after his father had revamped the venue as a dinner theatre destination. The younger Clérico oversaw additions like a giant aquarium where dancers swam with snakes, and its now-famous “nude line” – a chorus of topless dancers – in its shows. In 1963, the Moulin Rouge struck upon a winning formula: revues, all named by Clérico with titles beginning with the letter “F” – from Frou Frou to Fantastique and Formidable. Since 1999, the revue Féerie (“Fairy”, also a <a href="https://dspace.library.uu.nl/bitstream/handle/1874/383977/Feeries.pdf?sequence=1">French genre</a> of stage extravaganza) has been performed almost without interruption. Ticket sales were boosted thanks to Baz Luhrmann’s 2001 film <a href="https://www.imdb.com/title/tt0203009/">Moulin Rouge!</a> and more recently <a href="https://moulinrougemusical.com/new-york/home/">Moulin Rouge! The Musical</a>. Since COVID, the Moulin Rouge management have diversified. The windmill’s interior has been <a href="https://news.airbnb.com/the-iconic-moulin-rouge-windmill-reveals-a-secret-room-for-an-overnight-stay-with-airbnb/">rented out via AirBnB</a> and the Moulin’s <a href="https://www.sbs.com.au/ondemand/tv-series/moulin-rouge-yes-we-can-can">dance troupe</a> has performed on France’s televised New Year’s Eve celebrations. This year, the Moulin Rouge and its dancers were part of the <a href="https://www.tiktok.com/@saskyacnn/video/7398138810984320288?is_from_webapp=1&sender_device=pc&web_id=7384693687676749320">Paris Olympics celebrations</a>, dancing in heavy rain. Though people have come to appreciate the Eiffel Tower too, the Moulin Rouge can still argue its status as the pinnacle of live entertainment in the French capital: immediately recognisable, internationally visible, and quintessentially Parisian.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/239849/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/will-visconti-805914">Will Visconti</a>, Teacher and researcher, Art History, <a href="https://theconversation.com/institutions/university-of-sydney-841">University of Sydney</a> Image credits: Shutterstock This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/from-cheeky-thrill-to-grande-dame-the-moulin-rouge-celebrates-135-years-of-scandal-and-success-239849">original article</a>. </div>

International Travel

World’s longest treasure hunt ends as Golden Owl finally unearthed in France

After more than three decades of mystery and intrigue, the world’s longest-running treasure hunt has come to a thrilling conclusion with the discovery of the elusive Golden Owl. Valued at approximately $240,000, the treasure had captivated the imaginations of thousands since it was first buried in France in the early 1990s. The hunt began with the publication of the now-famous book, On the Trail of the Golden Owl, written by communications expert Régis Hauser under the pseudonym “Max Valentin” and illustrated by artist Michel Becker. The 1993 book challenged readers to solve a series of intricate riddles and clues, which, when deciphered, would reveal the owl’s secret location. Despite years of painstaking attempts to crack the mystery, the Golden Owl remained hidden for decades, surviving even its creator. Hauser passed away in 2009, leaving the prize still buried. Michel Becker, who took over the management of the hunt, delivered the long-awaited news on October 3 via an online announcement that sparked a frenzy among treasure hunters: “A potential winning solution is currently being verified.” Two hours later, he confirmed: “Don’t go digging! We confirm that the Golden Owl countermark was unearthed last night.” The treasure hunt’s <a href="https://goldenowlhunt.com/" target="_blank" rel="noopener">official website was also updated with the announcement</a>, bringing an end to a search that has been both thrilling and, for some, overwhelming. The obsession and madness behind the search For over 30 years, the Golden Owl hunt transcended being just a hobby for many treasure hunters and became an all-consuming obsession. While some enjoyed it as a leisurely pursuit, others were driven to extreme lengths – financially, emotionally and mentally. The search for the owl has been linked to personal crises, including financial ruin and broken marriages. At least one individual reportedly ended up in an asylum due to their fixation on solving the hunt’s riddles. The toll wasn’t limited to individuals. Searchers caused considerable disruption across France, digging unauthorised holes in public and private lands. In one eastern French village, the local mayor was forced to plead with hunters to stop digging around its chapel, while in other cases, searchers brought power tools to banks and even considered destroying structures in the hopes of unearthing the treasure. The Golden Owl’s elusive clues On the Trail of the Golden Owl contained a complex series of 11 riddles, each paired with a painting by Becker. The riddles, combined with maps, colours and hidden details, challenged readers to work out the owl’s hidden location. Before his death, Hauser revealed three crucial elements to solving the puzzle: The use of maps: Hunters needed to work with maps to narrow down the search area and use a specific map to pinpoint the final zone. A “mega trick”: This was the key to using the sequence of riddles to locate the final area where the owl was hidden. A final hidden riddle: Once in the final zone, hunters had to uncover one last riddle to lead them to the exact spot of the treasure. Joyous celebration among treasure hunters The treasure-hunting community was overjoyed when the news broke, with many expressing their disbelief and excitement. “Finally – liberated!” exclaimed one fan on the hunt’s Discord forum. Another added, “I didn’t think I’d live to see the day.” As of now, the exact location of the owl’s discovery and the identity of the finder remain undisclosed. However, Becker hinted at the complexity involved in concluding this monumental hunt. “Tons of emotions to manage for all those who are responsible for managing the end of this episode and complex logistics to put in place,” he said in a statement on October 6. For now, the Golden Owl, a treasure that has held a generation of sleuths in its grasp, has been unearthed. Yet, the fascination with its story will undoubtedly linger for years to come. Images/Illustrations: Michel Becker

International Travel

Heartbreaking final message from beloved TV icon

Australian TV icon Fiona MacDonald has died after a "very tough battle" with motor neurone disease, announcing her own death on social media. Fiona died with her sister Kylie and sons by her side, writing in her final post she had “left the building” in an emotional message shared by her sister. “Last night brought an end to a very tough few months,” she said. “Was very peaceful, the boys and Kylie stayed with me to say goodbye. While I’ve never wanted to die, the thought of leaving my tortured body was a relief.” She went on to detail how she had been struggling in her final months, saying she was "slowly starving, growing weaker and weaker," but even at the very end, always kept her "black humour that served me well through the first years of this journey". <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/p/DApP3VWz0b9/?utm_source=ig_embed&utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/DApP3VWz0b9/?utm_source=ig_embed&utm_campaign=loading" target="_blank" rel="noopener">A post shared by fionafinewines (@fionafinewines)</a> </div> </blockquote> She ended her post writing, "So let’s not call it goodbye as I hope to see you again on the other side. I carry your love and laughter with me and hope you’ll remember mine." MacDonald was a television regular during the 1980s as the host of popular children’s program Wombat alongside a puppet called Agro, and also the host of the gameshow It’s A Knockout. Fiona was first diagnose with motor neurone disease in 2021, and had been keeping her fans updated on there health journey on Instagram. Tributes have flooded MacDonald’s post, with friend and sculptor Cybele Rowe commenting, “What a spectacular human you were here on this planet! I’m sure there is something fabulously entertaining on the other side and you’re just joining in the groove.” “Shine on Sista, Like the moon, the stars and the Sun. Big love to all your loving family.” "Oh Fiona what a shining light you have been," added TV Chef Lyndey Milan. "So brave, strong, courageous and magnificent in cruel adversity. Sending love to your family and your incredible, supportive friends." "Time to rest beautiful Fi," wrote journalist and TV host Melissa Hoyer. "You will be missed. Thinking of you, the boys & your family." Image credits: Instagram

Caring

Terminally ill 23-year-old's final request

Liam Bulman was working a shift at The Illawarra Hotel in Wollongong last month when he asked to leave early, as he felt unwell. The following week he found himself in "crippling pain" and was rushed to hospital by his friend. After days of intensive testing, the 23-year-old was diagnosed with stage-four High Grade Neuroendocrine Carcinoma — a "rare" cancer that had spread. Now, his family and friends are doing everything they can to raise funds so he can have a "chance to make memories" through ticking off items on his bucket list in this "scary, sad and unknown" time. "He's smart and kind. He's been raised to work hard and contribute to people's lives, and our community. He's incredible," Liam's colleagues from The Illawarra Hotel wrote on the<a href="https://www.gofundme.com/f/youre-friendly-local-bartender-bulmans-bucket-list" target="_blank" rel="noopener"> GoFundMe</a> page. So far they have raised over $28,000 of their $50,000 goal, with most of the money raised going towards his medical costs, medical trial attendance and palliative care, and any remaining money will help fund his bucket list. His bucket list includes activities like attending the F1 in Melbourne, going for a joyride in a helicopter, learning to surf and taking a family photo session. Liam's mum, Emily Bulman, revealed his cancer is "incurable" and he has since started a bout of chemotherapy in hope it will "buy him more time" as the cancer has spread to his lymph nodes and lower digestive tract. "This will assist us to aim for longevity, quality of life, a chance to make memories, and receive the care and comfort that suits Liam best," she said on the fundraising page. "Anything we can raise to help take the burden off Liam, we would be incredibly grateful for." Images: GoFundMe/Facebook

Caring

Our Partners

Over 60

News

Shop

Catalogues

Contests

Entertainment

Travel

Health

Lifestyle

Finance

Property

Games

Information

Keep up to date

Search

Dave Hughes finally confronts Kyle Sandilands in on-air ambush

A late start, then a big boom: why it took until 1975 for Australians to finally watch TV in colour

Maggie Smith's son reveals her final moments

Big banks finally cut fixed-interest mortgage rates

Sinead O’Connor’s final wish revealed

Husband reveals final text from wife on board doomed flight

Midwife turns comedian at the grand old age of 62!

Ray Hadley chokes up during final radio show

"Absolute disappointment": Home and Away fans slam season finale

Prince Philip's final phone call to King Charles revealed

Court views footage of final moments before Clare Nowland was tasered

Queen Elizabeth's final diary entry revealed

Bondi Junction attack victim's family reveals final phone call

The Block winners revealed after nail-biting auction

New details about Queen Elizabeth's final hours revealed

Hugh Grant finally reveals his children's names

From cheeky thrill to grande dame – the Moulin Rouge celebrates 135 years of scandal and success

World’s longest treasure hunt ends as Golden Owl finally unearthed in France

Heartbreaking final message from beloved TV icon

Terminally ill 23-year-old's final request

Our Partners